11,065 results
1996ref. 167493Beverly Hills CA: 3 Arts Productions 1996. Second Revised Draft script for the 1997 film. Jennifer Aniston stars as a young awkward advertising executive who after being passed up for promotion because she isn't "stable enough" pretends to be engaged to wedding photographer Jay Mohr whom she only briefly met to impress her boss. Set in and shot on location in New York and New Jersey. Lilac titled wrappers dated April 30 1996. Title page present dated April 30 1996 noted as 2nd Revised Draft with credits for screenwriters Arleen Sorkin and Paul Slansky and "2nd revised draft by" Glenn Gordon Caron and J.J. Abrams. 109 leaves with last page of text numbered 108. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with two metal brads. 3 Arts Productions unknown
1953ref. 173447N.p.: N.p. 1953. Five vintage studio still photographs from the 1953 film noir. Provenance labels on the versos and seven with blindstamps on the corners. A pickpocket mistakenly lifts a message meant for enemy agents in a Communist spy scheme. Nominated for an Academy Award. Set and shot on location in New York. 10 x 8 inches. Very Good or better. National Film Registry. Criterion Collection 224. Grant US. Selby Masterwork. Silver Classic Noir. Spicer US. N.p. unknown books
1953ref. 173447N.p.: N.p. 1953. Five vintage studio still photographs from the 1953 film noir. Provenance labels on the versos and seven with blindstamps on the corners. A pickpocket mistakenly lifts a message meant for enemy agents in a Communist spy scheme. Nominated for an Academy Award. Set and shot on location in New York. 10 x 8 inches. Very Good or better. National Film Registry. Criterion Collection 224. Grant US. Selby Masterwork. Silver Classic Noir. Spicer US. N.p. unknown
1959ref. 148847N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 7.25 x 5.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown books
1959ref. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown books
1959ref. 160494Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." Set and shot on location in Paris. 7 x 5 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown books
1959ref. 160494Paris: Agence D E B. 1959. Vintage borderless reference photograph from the 1959 film showing actors Henri Kassagi and Pierre Etaix. Printed mimeo snipe affixed to the verso along with a provenance stamp and label. Director Robert Bresson's first wholly original screenplay perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." Set and shot on location in Paris. 7 x 5 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Grant France. Rosenbaum 1000. Schrader Canon Fodder 4. Selby Classic Noir. Agence D E B. unknown
1959ref. 148847N.p.: Agence D E B. 1959. Two vintage French borderless studio still photographs from the 1959 film one of Martin LaSalle and one of Jean Pelegri. Mimeo snipe on verso one with annotations on verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 7.25 x 5.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Paul Schrader's Canon Fodder 4. Grant France Classic Noir. Selby France Classic Noir. Agence D E B. unknown
1959ref. 140945France: Compagnie Cinematographie de France 1959. Vintage borderless press photograph from the 1959 film showing director Robert Bresson on a Paris metro set going over a script while actor Martin LaSalle and crew look on. With the stamp of French photo agency Dalmas and manuscript pencil annotations regarding layout and identifying the image on the verso. Bresson's first wholly original screenplay as opposed to one adapted from existing material perhaps the finest of his many fine films and according to one of its greatest champions Paul Schrader "as close to perfect as a film can be." 5 x 7.25 inches. Near Fine. Criterion Collection 314. Ebert I. Godard Histoires du cinema. Rosebaum 1000. Schrader 4. Compagnie Cinematographie de France unknown
1993ref. 171394Los Angeles CA: Twentieth Century-Fox Television 1993. First Draft script for Season 1 Episode 17 of the 1992-1996 television series. Originally aired February 12 1993 on CBS. Early series created by David E. Kelley "L.A. Law" "Chicago Hope" "Ally McBeal" "Boston Legal" "Big Little Lies". The police in a small Wisconsin town find themselves continuously investigating strange crimes. In this episode the sheriff is shot with an arrow in his rear by a serial killer known as cupid. Winner of two Emmy Awards. Set in Rome Wisconsin. White titled studio wrappers production No. 9K16. Title page present dated January 7 1993 noted as FIRST DRAFT with credits for director Dan Lerner and uncredited screenwriter David E. Kelley. 58 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown books
1993ref. 171394Los Angeles CA: Twentieth Century-Fox Television 1993. First Draft script for Season 1 Episode 17 of the 1992-1996 television series. Originally aired February 12 1993 on CBS. Early series created by David E. Kelley "L.A. Law" "Chicago Hope" "Ally McBeal" "Boston Legal" "Big Little Lies". The police in a small Wisconsin town find themselves continuously investigating strange crimes. In this episode the sheriff is shot with an arrow in his rear by a serial killer known as cupid. Winner of two Emmy Awards. Set in Rome Wisconsin. White titled studio wrappers production No. 9K16. Title page present dated January 7 1993 noted as FIRST DRAFT with credits for director Dan Lerner and uncredited screenwriter David E. Kelley. 58 leaves with last page of text numbered 55. Xerographic duplication rectos only. Pages Fine wrapper Near Fine bound with two gold brads. Twentieth Century-Fox Television unknown
1975ref. 161108Beverly Hills CA: Crown International Pictures 1975. Four vintage lobby cards from the Canadian release of the 1975 American film. Quebec censorship labels on the bottom right corners of the rectos. Two young hitchhikers are picked up by a man in his mobile home eventually disappearing into the Florida everglades where they experience a number of hallucinatory psychedelic experiences. Shot on location in Naples Florida. 14 x 11 inches. Very Good plus lightly creased and worn at the corners. Nightmare USA. Vinegar Syndrome 304. Crown International Pictures unknown books
1975ref. 161108Beverly Hills CA: Crown International Pictures 1975. Four vintage lobby cards from the Canadian release of the 1975 American film. Quebec censorship labels on the bottom right corners of the rectos. Two young hitchhikers are picked up by a man in his mobile home eventually disappearing into the Florida everglades where they experience a number of hallucinatory psychedelic experiences. Shot on location in Naples Florida. 14 x 11 inches. Very Good plus lightly creased and worn at the corners. Nightmare USA. Vinegar Syndrome 304. Crown International Pictures unknown
1945ref. 153237Culver City CA: Columbia Pictures 1945. Five vintage reference photographs from the 1945 animated short film. A fox and a crow each scheme to capture the other in order to claim a $5000 reward for a wanted animal which is instead intended for the capture of a notorious wolf. 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Very Good plus. Columbia Pictures unknown books
1945ref. 153237Culver City CA: Columbia Pictures 1945. Five vintage reference photographs from the 1945 animated short film. A fox and a crow each scheme to capture the other in order to claim a $5000 reward for a wanted animal which is instead intended for the capture of a notorious wolf. 10 x 8 inches overall with wide margins images measuring 4.5 x 3.5 inches. Very Good plus. Columbia Pictures unknown
1952ref. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown books
1952ref. 151256Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelley Winters. From the archive of film historian and author Joel Finler. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown books
1952ref. 149876Los Angeles: Twentieth Century-Fox 1952. Vintage reference photograph of director Jean Negulesco and actress Beatrice Straight on the set of the 1952 film. With a printed mimeo snipe affixed to the verso along with manuscript annotations regarding layout. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches with a wide top margin. Very Good plus with light edgewear. Twentieth Century-Fox unknown
1952ref. 151256Los Angeles: Twentieth Century-Fox 1952. Vintage studio still photograph from the 1952 film showing actress Shelley Winters. From the archive of film historian and author Joel Finler. While waiting for a delayed flight from Chicago to Los Angeles a lawyer meets three fellow travelers all of whom have painful conversations waiting for them in California. The plane crashes and the lawyer is one of the few survivors compelling him to contact the families of the three travelers he met before their untimely deaths. Set in Chicago and Los Angeles. 8 x 10 inches. Very Good plus with a short closed tear at the bottom edge. Twentieth Century-Fox unknown
2001ref. 171225N.p.: N.p. 2001. Draft script for Season 1 Episode 3 for the 2001-2002 television series. Originally aired October 9 2001 on ABC. A one-season legal drama following the cases taken on by a small law firm run a by a divorced single mother. In this episode the divorced couple fight about their child's poor behavior at school and his recently arrested grandfather. Set in Philadelphia. White titled self wrapper production No. D103 dated July 31 2001 with credits for director Peter Werner and screenwriter Jonathan R. Hiatt. Title page integral with front wrapper. 74 leaves with last page of text numbered 64. Xerographic duplication rectos only with revision pages throughout dated variously between 8/6/01 and 8/16/01. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown books
2001ref. 171225N.p.: N.p. 2001. Draft script for Season 1 Episode 3 for the 2001-2002 television series. Originally aired October 9 2001 on ABC. A one-season legal drama following the cases taken on by a small law firm run a by a divorced single mother. In this episode the divorced couple fight about their child's poor behavior at school and his recently arrested grandfather. Set in Philadelphia. White titled self wrapper production No. D103 dated July 31 2001 with credits for director Peter Werner and screenwriter Jonathan R. Hiatt. Title page integral with front wrapper. 74 leaves with last page of text numbered 64. Xerographic duplication rectos only with revision pages throughout dated variously between 8/6/01 and 8/16/01. Pages Fine wrapper Fine bound with two gold brads. N.p. unknown
1963ref. 147808Burbank CA: Warner Brothers 1963. Two vintage studio still photographs from the 1963 short animated film. Chaos ensues when an animator's illustration comes to life. Initially created as the pilot for an unproduced comedy television series and ultimately released as a stand-alone short film. 10 x 8 inches. Very Good plus overall one with faint soil to the right edge. Warner Brothers unknown books
1963ref. 147808Burbank CA: Warner Brothers 1963. Two vintage studio still photographs from the 1963 short animated film. Chaos ensues when an animator's illustration comes to life. Initially created as the pilot for an unproduced comedy television series and ultimately released as a stand-alone short film. 10 x 8 inches. Very Good plus overall one with faint soil to the right edge. Warner Brothers unknown
1973ref. 151057Los Angeles: Paramount Pictures 1973. Vintage borderless compilation photograph of six Saul Bass title designs and portrait of Saul Bass to promote the 1974 Bass directed film. Bass' title designs shown are "The Man with the Golden Arm" "Carmen Jones" "Anatomy of a Murder" "Bonjour Tristesse" "Exodus" and "Seconds." Mimeo snipe affixed to verso and folded over recto. Bass' first and only directorial effort now a cult favorite which was featured on Season 1 Episode 9 of "Mystery Science Theater 3000" which aired on January 15 1989. Ants suddenly begin building strange towers and geometric designs in the Arizona desert and begin to exhibit greater intelligence threatening the scientists studying them and ultimately all of humanity. Set in the Arizona desert shot on location in Rift Valley Kenya and Eloy and Yuma Arizona. 8 x 10 inches. Near Fine. Olive Films 1116. Paramount Pictures unknown books
1973ref. 151057Los Angeles: Paramount Pictures 1973. Vintage borderless compilation photograph of six Saul Bass title designs and portrait of Saul Bass to promote the 1974 Bass directed film. Bass' title designs shown are "The Man with the Golden Arm" "Carmen Jones" "Anatomy of a Murder" "Bonjour Tristesse" "Exodus" and "Seconds." Mimeo snipe affixed to verso and folded over recto. Bass' first and only directorial effort now a cult favorite which was featured on Season 1 Episode 9 of "Mystery Science Theater 3000" which aired on January 15 1989. Ants suddenly begin building strange towers and geometric designs in the Arizona desert and begin to exhibit greater intelligence threatening the scientists studying them and ultimately all of humanity. Set in the Arizona desert shot on location in Rift Valley Kenya and Eloy and Yuma Arizona. 8 x 10 inches. Near Fine. Olive Films 1116. Paramount Pictures unknown
