11,047 results
1964ref. 137314Beverly Hills CA: Metro-Goldwyn-Mayer MGM / Seven Arts 1964. Collection of 13 studio photographs from the 1964 film. The third of three feature films adapted from W. Somerset Maugham's classic 1915 novel starring Kim Novak and Laurence Harvey following the 1934 film starring Leslie Howard and Bette Davis and the 1946 film starring Paul Henreid and Eleanor Parker. Set in London and filmed by MGM British Studios at Ardmore Studios in County Wicklow Ireland. 10 x 8 inches 25 x 20. Near Fine. Metro-Goldwyn-Mayer [MGM] / Seven Arts unknown books
1934ref. 159596London: National Film Archive 1934. Two vintage reference photographs from the 1934 film one showing actors Bette Davis and Leslie Howard the other showing director John Cromwell and a camera crew capturing a scene with Kay Johnson and Howard. Both with the stamp of National Film Archive on the verso. From the archive of film historian and author Joel Finler. Based on the 1915 novel by W. Somerset Maugham. A sensitive clubfooted young man falls in love with a mercurial tearoom waitress. A breakout role for actress Bette Davis and the first of three adaptations of Maugham's novel followed by one in 1946 and one in 1964. 10 x 8 inches. Near Fine. National Film Archive unknown
1964ref. 155630N.p.: N.p. 1964. Vintage reference photograph from the 1964 film showing actress Kim Novak nude and on a bed. The third of three feature films based on W. Somerset Maugham's classic 1915 novel following the 1934 film starring Leslie Howard and Bette Davis and the 1946 film starring Paul Henreid and Eleanor Parker. Set in London. 10 x 8 inches. About Near Fine with pinholes on the corners and edges. N.p. unknown
1964ref. 137314Beverly Hills CA: Metro-Goldwyn-Mayer MGM / Seven Arts 1964. Collection of 13 studio photographs from the 1964 film. The third of three feature films adapted from W. Somerset Maugham's classic 1915 novel starring Kim Novak and Laurence Harvey following the 1934 film starring Leslie Howard and Bette Davis and the 1946 film starring Paul Henreid and Eleanor Parker. Set in London and filmed by MGM British Studios at Ardmore Studios in County Wicklow Ireland. 10 x 8 inches 25 x 20. Near Fine. Metro-Goldwyn-Mayer [MGM] / Seven Arts unknown
1967ref. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown books
1967ref. 138750Rome: Arco Films 1967. Vintage borderless photograph from the set of the 1967 Italian film. Director Pier Paolo Pasolini is seen behind the camera shooting Silvia Mangana and Franco Citti. Short typescript description in Italian and Roma Press rubber stamp on the verso. A sparse intensely personal modern adaptation of the Oedipus Rex tale in which a man and woman have a child and the man becomes jealous of his wife's attentions to his son. The film's setting then changes back to antiquity where the legend largely follows its original course suggesting we may not be as emotionally removed from ancient times as we may believe. Set in modern and ancient Italy shot on location in Italy. 8 x 12 inches. Near Fine. Masters of Cinema 39. Rosenbaum 1000. Arco Films unknown
1956ref. 173089Culver City CA: Columbia Pictures 1956. Vintage color British front-of-house card from the 1956 film. A veterinarian and a big game hunter have to put aside their differences when a disgruntled ex-employee at their farm tries to free all the animals. Set in Kenya shot on location in East Africa. 8 x 10 inches. Near Fine. Columbia Pictures unknown books
1982ref. 146959N.p.: N.p. 1982. Treatment script for an unproduced television series. With a blank memo note on the letterhead of screenwriter Craig Kellem attached to the first leaf with a paper clip. A consumer safety manager and a madcap inventor try to hide their marriage from the toy company where both work. Set in downtown Los Angeles. White lacking titled wrappers. Title page present dated September 7 1982 with credits for screenwriters Christopher Koseluk and Steven L. Kravitz. 14 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Very Good plus with light rust from a paper clip to the top edge of the first leaf bound with one staple at the top left corner. N.p. unknown books
1982ref. 146959N.p.: N.p. 1982. Treatment script for an unproduced television series. With a blank memo note on the letterhead of screenwriter Craig Kellem attached to the first leaf with a paper clip. A consumer safety manager and a madcap inventor try to hide their marriage from the toy company where both work. Set in downtown Los Angeles. White lacking titled wrappers. Title page present dated September 7 1982 with credits for screenwriters Christopher Koseluk and Steven L. Kravitz. 14 leaves with last page of text numbered 13. Xerographic duplication rectos only. Pages Very Good plus with light rust from a paper clip to the top edge of the first leaf bound with one staple at the top left corner. N.p. unknown
ref. 142832Vintage Canadian one sheet poster for the 1984 Canadian sexploitation film. A Canadian cult favorite wherein a group of teenagers set about saving a summer camp from becoming a shopping mall while having as much sex and wearing as little clothing as possible. Shot on location in Beaverton ! and Lake Simcoe Ontario. 27 x 41 inches. Fine folded as issued. Canuxploitation Complete. Carlson and Connollly Destroy All Movies. unknown books
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown books
1968ref. 162045N.p.: Rasnel Films 1968. Three vintage studio still photographs from the 1968 film. Two photographs with provenance stamps on the versos. Bored housewife Allison hooks up with her neighbor Janet and new friend Winnie. Together they rent a houseboat and explore hidden desires. 8 x 10 inches. Near Fine. Rasnel Films unknown
1959ref. 144308Kanagawa Japan: Daiei Studios 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key." An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces his daughter's boyfriend a handsome doctor to his younger wife. The jealousy and voyeurism that follow invigorates his dying spirit but the chaos he has introduced eventually takes a horrific toll. Winner of the 1960 Jury Prize at the Cannes Film Festival. 8 x 10 inches. Near Fine. Weisser and Weisser Japanese Cinema Encyclopedia: The Sex Films pp. 219-220. Sharp Behind the Pink Curtain p. 372. Daiei Studios unknown books
1959ref. 157643Burbank CA: Warner Brothers 1959. Vintage studio still photograph from the US release of the 1959 Japanese film showing director Kon Ichikawa talking with actors Junko Kano and Tatsuya Nakadai on the set. Printed mimeo snipe and Warner Brothers stamp on the verso. Based on Jun'ichir Tanizaki's 1956 novel "The Key" about an aging voyeuristic antique collector who manipulates his wife into having an affair with his daughter's fiancé as a means of curing his impotence. Nominated for the Palme d'Or. 10 x 8 inches. Near Fine. Warner Brothers unknown books
1959ref. 155776N.p.: N.p. 1959. Three vintage borderless reference photographs from the 1959 Japanese film. One photograph with a stamp noting the film's French title "L'Etrange obsession" on the verso and all three photographs with manuscript ink annotations on the verso. Based on Jun'ichir Tanizaki's 1956 novel "The Key" about an aging voyeuristic antique collector who manipulates his wife into having an affair with his daughter's fiancé as a means of curing his impotence. Nominated for the Palme d'Or. Photos 6 x 4.5 inches. Very Good plus. N.p. unknown books
1959ref. 143374Kanagawa Japan: Daiei Studios 1959. Treatment script for the 1959 Japanese film. Based on the 1956 novel by Tanizaki Jun'ichir "Kagi" or "The Key". Annotations and stamps throughout noting a date of March 28 1959 mention of a presentation and "Script Research Library Holding." Winner of the 1960 Jury Prize at the Cannes Film Festival. Adapted from the 1956 novel "The Key" by Jun'ichir Tanizaki and remade Tinto Brass Koji Wakamatsu and others. A satirical late-noir treatise on the decay of human physical ability mental health and sexual desire told in a seemingly reserved family context with stunning cinematography by Kazuo Miyagawa "Yojimbo" "Rashomon" "Floating Weeds" and cinematic style that masterfully blends Ozu and Hitchcock. Restored in 2024 by the Kadokawa Corporation for screening at the 82nd Venice Film Festival and subsequent international screenings through 2026. Shot on location in Japan. Titles and text in Japanese. White titled wrappers with black and gold titles and various rubber stamps on the front wrapper. Title page not present. 122 leaves with last page of text numbered "e-28." Mechanical duplication. Near Fine with light age toning. Daiei Studios unknown books
1961ref. 162042N.p.: Edward Harrison 1961. Vintage studio still photograph from the US release of the 1959 Japanese film. Provenance stamp on the verso. Based on the 1956 Japanese novel "Kagi" "The Key" by Jun'ichirô Tanizaki. Aging Kenjji married to a younger woman and concerned with his waning virility introduces his daughter's lover to his wife. Winner of the Prix du Jury at the Cannes Film Festival and nominated for the Palme d'Or. 8 x 10 inches. Near Fine. Edward Harrison unknown books
1961ref. 162042N.p.: Edward Harrison 1961. Vintage studio still photograph from the US release of the 1959 Japanese film. Provenance stamp on the verso. Based on the 1956 Japanese novel "Kagi" "The Key" by Jun'ichirô Tanizaki. Aging Kenjji married to a younger woman and concerned with his waning virility introduces his daughter's lover to his wife. Winner of the Prix du Jury at the Cannes Film Festival and nominated for the Palme d'Or. 8 x 10 inches. Near Fine. Edward Harrison unknown
1959ref. 157643Burbank CA: Warner Brothers 1959. Vintage studio still photograph from the US release of the 1959 Japanese film showing director Kon Ichikawa talking with actors Junko Kano and Tatsuya Nakadai on the set. Printed mimeo snipe and Warner Brothers stamp on the verso. Based on Jun'ichir Tanizaki's 1956 novel "The Key" about an aging voyeuristic antique collector who manipulates his wife into having an affair with his daughter's fiancé as a means of curing his impotence. Nominated for the Palme d'Or. 10 x 8 inches. Near Fine. Warner Brothers unknown
1959ref. 155776N.p.: N.p. 1959. Three vintage borderless reference photographs from the 1959 Japanese film. One photograph with a stamp noting the film's French title "L'Etrange obsession" on the verso and all three photographs with manuscript ink annotations on the verso. Based on Jun'ichir Tanizaki's 1956 novel "The Key" about an aging voyeuristic antique collector who manipulates his wife into having an affair with his daughter's fiancé as a means of curing his impotence. Nominated for the Palme d'Or. Photos 6 x 4.5 inches. Very Good plus. N.p. unknown
1959ref. 143374Kanagawa Japan: Daiei Studios 1959. Treatment script for the 1959 Japanese film. Based on the 1956 novel by Tanizaki Jun'ichir "Kagi" or "The Key". Annotations and stamps throughout noting a date of March 28 1959 mention of a presentation and "Script Research Library Holding." Winner of the 1960 Jury Prize at the Cannes Film Festival. Adapted from the 1956 novel "The Key" by Jun'ichir Tanizaki and remade Tinto Brass Koji Wakamatsu and others. A satirical late-noir treatise on the decay of human physical ability mental health and sexual desire told in a seemingly reserved family context with stunning cinematography by Kazuo Miyagawa "Yojimbo" "Rashomon" "Floating Weeds" and cinematic style that masterfully blends Ozu and Hitchcock. Restored in 2024 by the Kadokawa Corporation for screening at the 82nd Venice Film Festival and subsequent international screenings through 2026. Shot on location in Japan. Titles and text in Japanese. White titled wrappers with black and gold titles and various rubber stamps on the front wrapper. Title page not present. 122 leaves with last page of text numbered "e-28." Mechanical duplication. Near Fine with light age toning. Daiei Studios unknown
1959ref. 144308Kanagawa Japan: Daiei Studios 1959. Collection of 6 vintage US publicity photographs from the 1959 Japanese pink film. The first of several films based on the Junichiro Tanizaki. Released in Japan as "Kagi" and with the alternate English language title "The Key." An elderly antique dealer struggles with his aging body and looming impotence. To grapple with his anxiety he introduces his daughter's boyfriend a handsome doctor to his younger wife. The jealousy and voyeurism that follow invigorates his dying spirit but the chaos he has introduced eventually takes a horrific toll. Winner of the 1960 Jury Prize at the Cannes Film Festival. 8 x 10 inches. Near Fine. Weisser and Weisser Japanese Cinema Encyclopedia: The Sex Films pp. 219-220. Sharp Behind the Pink Curtain p. 372. Daiei Studios unknown
1947ref. 170495Universal City: Universal-International 1947. Seven vintage studio still photographs from the American release of the classic 1947 British film noir. Four with provenance labels and stamps on the versos. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Very Good to Very Good plus. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. Universal-International unknown books
1947ref. 168074London: J. Arthur Rank / Eagle-Lion 1947. Vintage reference photograph from the 1947 British film noir showing an outdoor scene with James Mason shot on location in Shoreditch London. Printed mimeo snipe and provenance label on the verso. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Near Fine. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. J. Arthur Rank / Eagle-Lion unknown books
1947ref. 170495Universal City: Universal-International 1947. Seven vintage studio still photographs from the American release of the classic 1947 British film noir. Four with provenance labels and stamps on the versos. Based on the 1945 novel by F.L. Green about an injured Nationalist revolutionary who goes on the run after a botched hold-up. A taut psychological noir featuring the work of noted cinematographer Robert Krasker who would go on to collaborate again with Carol Reed on the 1949 noir "The Third Man." Set in Belfast Northern Ireland shot on location in Belfast and London. 10 x 8 inches. Very Good to Very Good plus. Criterion Collection 754. Grant UK. Rosenbaum 1000. Selby UK Masterwork. Spicer UK. Universal-International unknown
