11,048 results
1967ref. 149869New York: Andy Warhol Film 1967. Vintage poster for the 1967 film. Two versions of the film were shot - one with an all nude all male cast that was never released publicly and one with both male and female actors wearing G-strings which was originally screened at the Hudson Theater in New York. A stylistic breakthrough in that the film entirely jettisons any pretense to plot dramatic action or sex found in Andy Warhol's previous sexploitation experiments instead featuring extended monologues by superstar Viva and conversations with others that touch on a variety of controversial topics. One of Warhol's most overtly political films also starring draft resister Andrew Duggan and the first pairing of Viva with Taylor Mead who would appear together in several more Warhol films. 19 x 25 inches rolled on archival linen with a small amount of professional restoration and repair. Near Fine with minor soil. Murphy The Black Hole of the Camera. Warholstars. Andy Warhol Film unknown books
1967ref. 149869New York: Andy Warhol Film 1967. Vintage poster for the 1967 film. Two versions of the film were shot - one with an all nude all male cast that was never released publicly and one with both male and female actors wearing G-strings which was originally screened at the Hudson Theater in New York. A stylistic breakthrough in that the film entirely jettisons any pretense to plot dramatic action or sex found in Andy Warhol's previous sexploitation experiments instead featuring extended monologues by superstar Viva and conversations with others that touch on a variety of controversial topics. One of Warhol's most overtly political films also starring draft resister Andrew Duggan and the first pairing of Viva with Taylor Mead who would appear together in several more Warhol films. 19 x 25 inches rolled on archival linen with a small amount of professional restoration and repair. Near Fine with minor soil. Murphy The Black Hole of the Camera. Warholstars. Andy Warhol Film unknown
1961ref. 162030N.p.: Tempest Productions 1961. Vintage studio still photograph from the 1961 film. Provenance stamp and two labels on the verso. The first feature film written and co-directed uncredited by prolific sexploitation director Joseph W. Sarno. A young art student is enraptured by her professor much to the dismay of one of her classmates who feels the same way. Shot on location in New York City. 8 x 10 inches. Light overall edgewear else Near Fine. Tempest Productions unknown books
1961ref. 162030N.p.: Tempest Productions 1961. Vintage studio still photograph from the 1961 film. Provenance stamp and two labels on the verso. The first feature film written and co-directed uncredited by prolific sexploitation director Joseph W. Sarno. A young art student is enraptured by her professor much to the dismay of one of her classmates who feels the same way. Shot on location in New York City. 8 x 10 inches. Light overall edgewear else Near Fine. Tempest Productions unknown
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown books
1959ref. 148742Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage one sheet poster for the US release of the 1958 British film noir. Based on the 1956 novel by Donald MacKenzie. Con-artist Paul Gregory George Nader charms an old widow Bessie Love and steals her husbands coin collection hides it and then waits to get arrested thinking he'll get a minor sentence and retrieve it afterward. When the judge gives him a substantially longer term than expected he decides to escape from prison but his attempts at recovering the stash proves more difficult than expected. Maggie Smith's theatrical debut and the penultimate film produced by the British production company Ealing Studios. Set in and shot on location in London. 27 x 41 inches. Folded as issued. Very Good with large horizontal closed tear along top right crease and some small chips and closed tears at the extremities. Spencer UK. Selby UK. Grant UK. Lyons UK. Spicer UK. Metro-Goldwyn-Mayer [MGM] unknown
1949ref. 160343London: Kinematograph Weekly 1949. Vintage advertisement from Kinematograph Weekly for the 1949 film noir. Indicated on the recto as volume 388 number 2196 and dated June 2 1949. Also on recto is a small snippet and illustration about the box office success of "Easter Parade" 1948. Kinematograph Weekly was a British trade paper written for the British film industry that ran from 1889 until 1971. Based on the 1947 play by William Douglas-Home. In a British prison following the war prisoners all have back stories that lead them to their incarceration including one charged with murder. 8.5 x 11 inches. About Near Fine with some very slight creasing along the top edge and the top right corner. Selby UK. Selby US. Spicer UK. Kinematograph Weekly unknown books
1949ref. 160343London: Kinematograph Weekly 1949. Vintage advertisement from Kinematograph Weekly for the 1949 film noir. Indicated on the recto as volume 388 number 2196 and dated June 2 1949. Also on recto is a small snippet and illustration about the box office success of "Easter Parade" 1948. Kinematograph Weekly was a British trade paper written for the British film industry that ran from 1889 until 1971. Based on the 1947 play by William Douglas-Home. In a British prison following the war prisoners all have back stories that lead them to their incarceration including one charged with murder. 8.5 x 11 inches. About Near Fine with some very slight creasing along the top edge and the top right corner. Selby UK. Selby US. Spicer UK. Kinematograph Weekly unknown
2000ref. 167530Santa Monica: Silent Development Corporation 2000. Revised Draft script for the 2001 film. Screenwriter David Atkins' directorial debut a criminally overlooked black comedy. Steve Martin is an innocuous straight-laced dentist engaged to his ambitious dental hygienist played by Laura Dern. Martin's life is pulled into a maelstrom of sex drugs and murder when an alluring Helena Bonham Carter comes into his office seeking a root canal and pain killers. Shot on location in Illinois and Wisconsin. Front wrapper integral with title page dated April 07 2000 noted as REVISION I with credits for screenwriter David Atkins and story by Paul Felopulos and David Atkins. 122 leaves with last page of text numbered 115. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 3/27/00 and 4/07/00. Pages Near Fine bound with two gold brads. Silent Development Corporation unknown books
2000ref. 167530Santa Monica: Silent Development Corporation 2000. Revised Draft script for the 2001 film. Screenwriter David Atkins' directorial debut a criminally overlooked black comedy. Steve Martin is an innocuous straight-laced dentist engaged to his ambitious dental hygienist played by Laura Dern. Martin's life is pulled into a maelstrom of sex drugs and murder when an alluring Helena Bonham Carter comes into his office seeking a root canal and pain killers. Shot on location in Illinois and Wisconsin. Front wrapper integral with title page dated April 07 2000 noted as REVISION I with credits for screenwriter David Atkins and story by Paul Felopulos and David Atkins. 122 leaves with last page of text numbered 115. Xerographic duplication rectos only with blue pink yellow and green revision pages throughout dated variously between 3/27/00 and 4/07/00. Pages Near Fine bound with two gold brads. Silent Development Corporation unknown
1976ref. 162399N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing Bernardo Bertolucci talking with a woman on the set. A historical epic chronicling the friendship between two men in Italy in the first half of the twentieth century through the rise of fascism and communism. One of the longest commercially released films clocking in at 317 minutes in its original version. Shot on location in Rome Parma Lombardia and Naples. 10 x 8 inches. Fine. N.p. unknown books
1976ref. 162399N.p.: N.p. 1976. Vintage borderless reference photograph from the 1976 film showing Bernardo Bertolucci talking with a woman on the set. A historical epic chronicling the friendship between two men in Italy in the first half of the twentieth century through the rise of fascism and communism. One of the longest commercially released films clocking in at 317 minutes in its original version. Shot on location in Rome Parma Lombardia and Naples. 10 x 8 inches. Fine. N.p. unknown
1997ref. 1246591997 Editions Payot - 1997 - In-8 broché, sous jaquette illustrée - 96 pages
1957ref. 144607Paris: Chronos Films 1957. Collection of 6 original black-and-white photographs for the 1959 French film all featuring starring actor Richard in uniforms on bicycles and drinking Perrier bottled water. Film title in manuscript ink on the versos 1 photo with a "Le Parisien libere" press rubberstamp. A little seen comedy about a two French towns who compete at football soccer the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman Tanguy. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with this film the first in this series involving gendarmes and Champignol followed by "The Gendarm of Champignol" 1959 and "The Boss of Champignol" 1966. Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall light curling a few brief creases slight discoloration to one a few with pinholes. Chronos Films unknown books
1957ref. 144607Paris: Chronos Films 1957. Collection of 6 original black-and-white photographs for the 1959 French film all featuring starring actor Richard in uniforms on bicycles and drinking Perrier bottled water. Film title in manuscript ink on the versos 1 photo with a "Le Parisien libere" press rubberstamp. A little seen comedy about a two French towns who compete at football soccer the goalie of what town who is traded to the other for a cow becomes infatuated by a local young woman Tanguy. Director Bastia was an assistant director in the 1940s and 1950s when he worked almost exclusively with director Jean Boyer until his debut with this film the first in this series involving gendarmes and Champignol followed by "The Gendarm of Champignol" 1959 and "The Boss of Champignol" 1966. Photographs range 3 x 4.25 inches to 9.25 x 11.75 inches. Very Good overall light curling a few brief creases slight discoloration to one a few with pinholes. Chronos Films unknown
1990ref. 134461Los Angeles: Discovery Productions 1990. Draft script for an unproduced film. Based on the 1949 Jim Thompson novel. The story of a small town movie theater owner who gets mixed up in a murderous love triangle with his wife and lover. Though a film from this script was never made the original Thompson story adapted by a different writer remains in possible development. Lacking front wrapper with a red rear wrapper. Title page present dated June 1 1990 with credits for screenwriter Birkin and novelist Thompson. 113 leaves photocopy. Fine condition bound with three gold brads. Discovery Productions unknown books
1990ref. 134461Los Angeles: Discovery Productions 1990. Draft script for an unproduced film. Based on the 1949 Jim Thompson novel. The story of a small town movie theater owner who gets mixed up in a murderous love triangle with his wife and lover. Though a film from this script was never made the original Thompson story adapted by a different writer remains in possible development. Lacking front wrapper with a red rear wrapper. Title page present dated June 1 1990 with credits for screenwriter Birkin and novelist Thompson. 113 leaves photocopy. Fine condition bound with three gold brads. Discovery Productions unknown
1973ref. 132466London: Rank Organisation 1973. Collection of 4 vintage full-color British front-of-house cards from the 1973 UK film. Based on the 1968 John Blackburn horror novel about three apparent suicides a mysterious bus accident involving 30 oprhan children and the use of hypnosis to determine the truth. Considered to be among the best performances of both Christopher Lee and Peter Cushing. 8 x 10 inches with no borders as issued. Light rubbing to the extremities else Near Fine. Rank Organisation unknown books
1964ref. 132434London: Warner-Pathe 1964. Vintage full-color British front-of-house card from the 1964 UK film. Base on a short story by Stanley Ellin about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. 8 x 10 inches. Near Fine. Warner-Pathe unknown books
1964ref. 132433London: Warner-Pathe 1964. Eight vintage full-color front-of-house cards from the 1964 UK film. Base on a short story by Stanley Ellin about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. 8 x 10 inches. A few with faint corner creases else Near Fine. Warner-Pathe unknown books
1964ref. 148822N.p.: Cinema V. 1964. Two vintage studio still photographs from the 1964 film. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good with light creasing and fading. National Film Registry. Cinema V. unknown books
1964ref. 148821N.p.: Cinema V. 1964. Four vintage borderless double weight reference photographs two vintage reference photographs and one vintage studio still photograph from the 1964 film. Several with manuscript annotations regarding layout and provenance stamps to the verso and two with stamped snipes. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good plus some with light edgewear and very faint soil. National Film Registry. Criterion Collection. Cinema V. unknown books
1964ref. 132433London: Warner-Pathe 1964. Eight vintage full-color front-of-house cards from the 1964 UK film. Base on a short story by Stanley Ellin about an eager young man with a crush on the boss' daughter who gets involved with a bank heist and a murder. 8 x 10 inches. A few with faint corner creases else Near Fine. Warner-Pathe unknown
1964ref. 148822N.p.: Cinema V. 1964. Two vintage studio still photographs from the 1964 film. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good with light creasing and fading. National Film Registry. Cinema V. unknown
1964ref. 148821N.p.: Cinema V. 1964. Four vintage borderless double weight reference photographs two vintage reference photographs and one vintage studio still photograph from the 1964 film. Several with manuscript annotations regarding layout and provenance stamps to the verso and two with stamped snipes. An African American railroad worker attempts to maintain his dignity and self-respect in the face of small-town racism and a troubled familial past. While initially the film faced a limited release due to its complex portrayal of southern prejudice and class divides it has since become regarded as an important example of neorealistic American cinema and was selected for preservation in the National Film Registry in 1993. Set outside Birmingham Alabama and shot on location in Atlantic City and Cape May New Jersey. 8 x 10 inches. Very Good plus some with light edgewear and very faint soil. National Film Registry. Criterion Collection. Cinema V. unknown
