11,045 results
1967ref. 132479London: Warner-Pathe Distributors 1967. Vintage full-color British front-of-house card from the UK release of the 1966 US film. Set during the Korean War about an Italian nurse Lisi who falls in love with two fighter pilots Curtis and Scott. 8 x 10 inches. A vertical crease to the middle else Near Fine. Warner-Pathe Distributors unknown books
1966ref. 149553Mexico: Peliculas Rodriguez 1966. Vintage poster for the 1966 Mexican film here with an alternate title "Vida Cruzadas" tipped on. A comedy about the lives and romances of upper middle class teens. 27 x 37 inches. Very Good only. Chipping to the edges with a few short closed tears starting to the creases and light toning. Peliculas Rodriguez unknown books
1966ref. 149553Mexico: Peliculas Rodriguez 1966. Vintage poster for the 1966 Mexican film here with an alternate title "Vida Cruzadas" tipped on. A comedy about the lives and romances of upper middle class teens. 27 x 37 inches. Very Good only. Chipping to the edges with a few short closed tears starting to the creases and light toning. Peliculas Rodriguez unknown
1979ref. 151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material. Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. Folder photographs and promotional material Near Fine. BFI 2030. Ebert IV. Twentieth Century-Fox unknown books
1979ref. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown books
1979ref. 163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso. Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. 9.5 x 7 inches. Near Fine. BFI 2030. Ebert IV. N.p. unknown books
1979ref. 163316N.p.: N.p. 1979. Vintage borderless reference photograph of Werner Herzog directing actress Isabelle Adjani on the set of the 1979 film. Stamp of photographer Michael Ciment on the verso. Based on F.W. Murnau's 1922 film. The third collaboration between Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. 9.5 x 7 inches. Near Fine. BFI 2030. Ebert IV. N.p. unknown
1979ref. 151554Los Angeles: Twentieth Century-Fox 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed outer folder containing 13 black and white photographs housed in a brown paper envelope and 13 gatherings of promotional reading material. Based on F.W. Murnau's 1922 film. The third collaboration between director Werner Herzog and the infamously ill-tempered Klaus Kinski who starred as Count Dracula. Herzog lauded Murnau's classic horror tale as the greatest picture Germany every produced and fittingly many shots from Herzog's adaptation directly replicate shots from the 1922 film. Shot on location in Mexico the Czech Republic the Netherlands and Germany. Folder photographs and promotional material Near Fine. BFI 2030. Ebert IV. Twentieth Century-Fox unknown
1979ref. 139657Vienna: Werner Herzog Filmproduktion 1979. Vintage borderless reference still from the 1979 German film showing director Werner Herzog and actor Bruno Ganz along with some extras on the set between takes. Herzog's highly interpretive remake of F.W. Murnau's 1922 silent classic "Nosferatu" and the second of five films Herzog made with actor Klaus Kinski. 9.25 x 7 inches. Fine. Werner Herzog Filmproduktion unknown
1940ref. 145378Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1940. Three vintage photographs of director King Vidor two on the set and one with his wife contributing writer Elizabeth Hill after a day of shooting the 1940 film. Mimeo snipe manuscript annotations and a rubber stamp on the verso of each. Loosely based on Kenneth Roberts' 1937 novel of the same name. The film gives a partially fictionalized account of the St. Francis Raid a violent attack on a settlement of the Abenakis tribe seen by the perpetrators as an act of vengeance for the Abenakis many attacks on British settlers. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown books
1940ref. 145378Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1940. Three vintage photographs of director King Vidor two on the set and one with his wife contributing writer Elizabeth Hill after a day of shooting the 1940 film. Mimeo snipe manuscript annotations and a rubber stamp on the verso of each. Loosely based on Kenneth Roberts' 1937 novel of the same name. The film gives a partially fictionalized account of the St. Francis Raid a violent attack on a settlement of the Abenakis tribe seen by the perpetrators as an act of vengeance for the Abenakis many attacks on British settlers. Nominated for an Academy Award. 10 x 8 inches. Near Fine. Metro-Goldwyn-Mayer [MGM] unknown
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown books
1979ref. 168165Hollywood: Paramount Pictures 1979. Vintage studio still photograph from the 1979 film. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Set in Dallas shot on location in Los Angeles. 8 x 10 inches. Near Fine. Paramount Pictures unknown books
1979ref. 151074Los Angeles: Paramount Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 13 black-and-white photographs and 11 gatherings of promotional reading material. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Folder photographs and promotional material Near Fine. Paramount Pictures unknown
1959ref. 151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. From the archive of film historian and author Joel Finler. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 10 x 8 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown books
1959ref. 161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 8 x 10 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown books
1959ref. 161065Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1959. Vintage studio still photograph of director Alfred Hitchcock talking with actor Cary Grant on the set of the 1959 film. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of Hitchcock's best films the last of four the director made with Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 8 x 10 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. Metro-Goldwyn-Mayer [MGM] unknown
1959ref. 151251N.p.: N.p. 1959. Vintage reference photograph from the 1959 film showing actors Cary Grant and Eva Marie Saint. From the archive of film historian and author Joel Finler. An innocent man is pursued across the US by a group of foreign spies who have mistaken him for a government agent. Widely considered one of director Alfred Hitchcock's best films the last of four the director made with Cary Grant with a score by Bernard Hermann and a famous title sequence by Saul Bass. 10 x 8 inches. Near Fine. National Film Registry. Godard Histoires du cinema. Grant US. Penzler 101. Rosenbaum 1000. N.p. unknown
1958ref. 132804London: Rank Film Distributors 1958. Collection of 6 vintage full-color British front-of-house cards from the 1958 film. Based on the 1957 novel by Joy Packer about two brothers competing for the affection of a woman in the wilds of Africa. A story set and shot on location in Africa. 8 x 10 inches. Light rubbing overall else Near Fine. Rank Film Distributors unknown books
1960ref. 138963Beverly Hills CA: United Artists 1960. Vintage black-and-white studio still photograph from the 1960 film. Case Britton Davis is a gunslinger and wanted man on his way to get married stop a robbery and to avenge the death of his brother. Shot on location at the famed Iverson Ranch in Los Angeles. 8 x 10 inches. A few brief creases else Near Fine. United Artists unknown books
1944ref. 150394Santa Monica: RKO Radio Pictures 1944. Vintage reference photograph of director Clifford Odets and a camera crew on the set of the 1944 film. With a printed mimeo snipe affixed to the verso along with the stamp of RKO Pictures crediting still photographer John Miehle. Based on Richard Llewellyn's 1943 novel. An itinerant Cockney returns home after many years away only to find his mother ill with cancer leading him to make an effort to reform and help his family run their business. The directorial debut of playwright Odets who would only direct one other picture "The Story on Page One" fifteen years later. Nominated for four Academy Awards winning one for Best Supporting Actress for Ethel Barrymore. Set in London. 8 x 10 inches. Very Good plus with a light horizontal crease on the left edge. RKO Radio Pictures unknown books
1944ref. 150394Santa Monica: RKO Radio Pictures 1944. Vintage reference photograph of director Clifford Odets and a camera crew on the set of the 1944 film. With a printed mimeo snipe affixed to the verso along with the stamp of RKO Pictures crediting still photographer John Miehle. Based on Richard Llewellyn's 1943 novel. An itinerant Cockney returns home after many years away only to find his mother ill with cancer leading him to make an effort to reform and help his family run their business. The directorial debut of playwright Odets who would only direct one other picture "The Story on Page One" fifteen years later. Nominated for four Academy Awards winning one for Best Supporting Actress for Ethel Barrymore. Set in London. 8 x 10 inches. Very Good plus with a light horizontal crease on the left edge. RKO Radio Pictures unknown
1981ref. 158973Culver City CA: Columbia Pictures 1981. Vintage reference photograph from the 1981 film. Based on the 1974 novel "Two for the Price of One" by Tony Kendrick. Three friends decide to sue the city of Miami after their car is totaled by a pothole. When the city refuses to compensate them they decide to extort the mayor. Set in and shot on location in Miami. 8 x 10 inches. Fine. Columbia Pictures unknown books
1981ref. 160229Culver City CA: Rastar / Columbia Pictures 1981. Vintage borderless reference photograph from the 1981 film. With a manuscript ink annotation on the verso identifying actors Gabe Kaplan Robert Klein and Alex Karras. Based on the 1974 novel "Two for the Price of One" by Tony Kendrick. Three friends decide to sue the city of Miami after their car is totaled by a pothole. When the city refuses to compensate them they decide to extort the mayor. Set in and shot on location in Miami Florida. 4.75 x 3.5 inches. Fine. Rastar / Columbia Pictures unknown books
1986ref. 115890N.p.: N.p. 1986. Revised Draft script for the 1986 film. Production assistant Cynthia Jessen's copy with her name in manuscript ink on the title page numerous lines throughout the script circled and several dog-eared pages. Not to be confused with the 1994 film directed by Robert Benton and starring Paul Newman. A young woman who is tired of her life falls for a man in a traveling Shakespeare troupe. Shot on location in Prescott and Sedona AZ. Blue untitled wrappers. Title page present dated February 19 1986 noted as Revised Draft with credits for screenwriter Beth Henley. 109 leaves with last page of text numbered 104. Xerographic duplication rectos only with blue revision pages throughout dated March 3 1986. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
