11,046 results
1970ref. 162890Los Angeles: Twenty Pimlico Inc 1970. Vintage oversize publicity photograph of Donald Sutherland and Elliott Gould from the 1970 film by photographer Lawrence Schiller. Photograph with a credit stamp on the verso stamped with the photographer name "Lawrence Schiller" for Twenty Pimlico Inc. with the annotations of Set No. "1072" and Print No. "5." Lawrence Julian Schiller is an award winning photographer film producer director screenwriter and bestselling author who has worked in film and television since the 1960s. Based on the 1968 novel by Richard Hooker and in turn the basis of the acclaimed television show which ran for 11 seasons on CBS from 1972 to 1983. A film that kick-started a great decade of cinema and one that still defines it. Winner of the Academy Award for Best Screenplay nominated for four more including Best Picture Best Director and Best Supporting Actress. Winner of the Palme d'Or. 11 x14 inches with irregular margins archivally matted in a 16 x 20 inch 8-ply mat. Near Fine with a small emulsion blemish to the far right side obscured by the matting. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. National Film Registry. Twenty Pimlico, Inc unknown
1970ref. 143169Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. 12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. National Film Registry. Twentieth Century-Fox unknown books
1970ref. 143169Los Angeles: Twentieth Century-Fox 1970. Collection of five vintage borderless oversize photographs from the 1970 film. With a small French distribution label from Twentieth Century-Fox on the recto of each photograph. Based on the 1968 novel by Richard Hooker and in turn the basis of acclaimed television show which ran for 11 seasons on CBS. Winner of the Palme d'Or at Cannes and nominated for five Academy Awards including Best Picture Best Director and Best Supporting Actress winning for Best Adapted Screenplay. 12 x 9.5 inches. Pinholes to the corners of a single photograph Near Fine overall. National Film Registry. Twentieth Century-Fox unknown
1966ref. 167506London: Gala Film Distributors 1966. Vintage reference photograph from the UK release of the 1966 French film showing actors Catherine-Isabelle Duport and Marlène Jobert together in the bathroom. Mimeo snipe in English on the verso. A new relationship between a traditional young veteran and a beautiful pop star named Madeleine played by real-life ye-ye girl Chantal Goya becomes a menage-a-quatre when Madeleine's two roommates become involved. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 308. Rosenbaum 1000. Schrader 8. Vogel Film as a Subversive Art. Gala Film Distributors unknown books
1966ref. 167506London: Gala Film Distributors 1966. Vintage reference photograph from the UK release of the 1966 French film showing actors Catherine-Isabelle Duport and Marlène Jobert together in the bathroom. Mimeo snipe in English on the verso. A new relationship between a traditional young veteran and a beautiful pop star named Madeleine played by real-life ye-ye girl Chantal Goya becomes a menage-a-quatre when Madeleine's two roommates become involved. Set and shot on location in Paris. 10 x 8 inches. Near Fine. Criterion Collection 308. Rosenbaum 1000. Schrader 8. Vogel Film as a Subversive Art. Gala Film Distributors unknown
1969ref. 146583Rome: Pegaso 1969. Treatment script for an unproduced film. Text in English. A bleak retelling of the siege of Masada by Roman troops in 74 AD leading one thousand Jews to commit suicide in order to avoid death at the hands of the Roman soldiers. An early career script by noted Italian screenwriter Nicola Badalucco who was best known for "The Damned" 1969 which won an Oscar for Best Screenplay. Set in the Masada fortress in Israel. Pink titled wrappers. Title page present noted as Film treatment with credits for screenwriter Nicola BADALUCCO. 147 leaves with last page of text numbered 145. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Pegaso unknown books
1969ref. 146583Rome: Pegaso 1969. Treatment script for an unproduced film. Text in English. A bleak retelling of the siege of Masada by Roman troops in 74 AD leading one thousand Jews to commit suicide in order to avoid death at the hands of the Roman soldiers. An early career script by noted Italian screenwriter Nicola Badalucco who was best known for "The Damned" 1969 which won an Oscar for Best Screenplay. Set in the Masada fortress in Israel. Pink titled wrappers. Title page present noted as Film treatment with credits for screenwriter Nicola BADALUCCO. 147 leaves with last page of text numbered 145. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus bound internally with two gold brads. Pegaso unknown
1976ref. 143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1976ref. 143866N.p.: N.p. 1976. Draft script for an unproduced film. Laid in autograph letter signed by Andrea Ireland Stapley addressed to an anonymous editor recipient dated March 4th 1976. Blue untitled wrappers. Title page present with credits for screenwriter Andrea Ireland Stapley. 191 leaves with last page of text numbered 176. Xerographically reproduced Pages Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1980ref. 146709N.p.: N.p. 1980. Draft script and Second Rough Draft for an unproduced English-language film circa 1960s and 1980s about the life of St. Martin de Porres. Laid in one of the scripts is a typed note identifying Martin as the subject of the script and noting the date of his canonization. Although the scripts appear to have been written at different times and there are significant differences between them there are also enough textual similarities to confidently suggest they were both written by Raymond Ferrante despite the early script containing no credits. The titular character was born to a Spanish father and a woman of African and Native American Heritage He is the patron saint of mixed-race peoples and those seeking racial harmony as well as barbers innkeepers and public health workers. He was canonized by Pope John XXIII in 1962 roughly corresponding with the first script on offer. First script: Yellow titled wrappers. 117 leaves with last page of text numbered 117. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good with a dampstain to the rear wrapper and about half the pages bound with two gold brads. Second script: Red titled wrappers noted as SECOND ROUGH DRAFT on the front wrapper with credits for screenwriter Raymond Ferrante. Title page present noted as SECOND ROUGH DRAFT with credits for Ferrante. 175 leaves with last leaf of text numbered 174. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
1980ref. 146709N.p.: N.p. 1980. Draft script and Second Rough Draft for an unproduced English-language film circa 1960s and 1980s about the life of St. Martin de Porres. Laid in one of the scripts is a typed note identifying Martin as the subject of the script and noting the date of his canonization. Although the scripts appear to have been written at different times and there are significant differences between them there are also enough textual similarities to confidently suggest they were both written by Raymond Ferrante despite the early script containing no credits. The titular character was born to a Spanish father and a woman of African and Native American Heritage He is the patron saint of mixed-race peoples and those seeking racial harmony as well as barbers innkeepers and public health workers. He was canonized by Pope John XXIII in 1962 roughly corresponding with the first script on offer. First script: Yellow titled wrappers. 117 leaves with last page of text numbered 117. Mimeograph duplication rectos only. Pages Very Good wrapper Very Good with a dampstain to the rear wrapper and about half the pages bound with two gold brads. Second script: Red titled wrappers noted as SECOND ROUGH DRAFT on the front wrapper with credits for screenwriter Raymond Ferrante. Title page present noted as SECOND ROUGH DRAFT with credits for Ferrante. 175 leaves with last leaf of text numbered 174. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown
1970ref. 161920N.p.: Hollywood Cinema Associates 1970. Five vintage studio still photographs from the 1970 film. Each photograph with provenance stamps and labels on the versos. Marsha discovers her husband Greg's infidelity and decides to embark on a few carnal exploits of her own. Shot on location in California and Las Vegas. 8 x 10 inches. Very Good plus with light edgewear and faint creasing. One photograph with wax pencil annotations in the bottom margin. Vinegar Syndrome. Hollywood Cinema Associates unknown books
1970ref. 161920N.p.: Hollywood Cinema Associates 1970. Five vintage studio still photographs from the 1970 film. Each photograph with provenance stamps and labels on the versos. Marsha discovers her husband Greg's infidelity and decides to embark on a few carnal exploits of her own. Shot on location in California and Las Vegas. 8 x 10 inches. Very Good plus with light edgewear and faint creasing. One photograph with wax pencil annotations in the bottom margin. Vinegar Syndrome. Hollywood Cinema Associates unknown
1969ref. 163550Culver City CA: Columbia Pictures 1969. Vintage reference photograph from the 1969 film showing actor Gregory Peck. Printed mimeo snipe affixed to the verso. Based on Martin Caidin's 1964 novel. A crew of three astronauts are stranded in space with only 42 hours of oxygen remaining. On Earth NASA officials propose a rescue mission using an experimental untested spacecraft. Nominated for three Academy Awards winning one. Shot on location at Cape Canaveral in Florida. 8 x 10 inches. Very Good plus. Columbia Pictures unknown books
1969ref. 145420Culver City CA: Columbia Pictures 1969. Vintage photograph of actor Gregory Peck and producer Mike Frankovich on the set of the 1969 film. Mimeo snipe affixed to the verso. Based on Martin Caidin's 1964 novel. After a crew of three astronauts are working in an orbiting space lab Jim Pruett Richard Crenna Clayton Stone James Franciscus and Buzz Lloyd Gene Hackman are ordered to return to Earth by the head of the program Charles Keith Gregory Peck. They soon find however that their rockets will not fire and they are unable to return. With only 42 hours of oxygen remaining and few options available Ted Dougherty David Janssen proposes a rescue mission using an experimental spacecraft that has yet to be tested. To make matters worse a hurricane is approaching the launch site. Winner of an Academy Award Best Effects and nominated for two more. Shot on location at Cape Canaveral in Florida. 7.5 x 9 inches. Near Fine. Columbia Pictures unknown books
1969ref. 163550Culver City CA: Columbia Pictures 1969. Vintage reference photograph from the 1969 film showing actor Gregory Peck. Printed mimeo snipe affixed to the verso. Based on Martin Caidin's 1964 novel. A crew of three astronauts are stranded in space with only 42 hours of oxygen remaining. On Earth NASA officials propose a rescue mission using an experimental untested spacecraft. Nominated for three Academy Awards winning one. Shot on location at Cape Canaveral in Florida. 8 x 10 inches. Very Good plus. Columbia Pictures unknown
1964ref. 167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown books
1964ref. 150493Universal City: Universal Pictures 1964. Vintage studio still photograph from the set of the 1964 film showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso along with the stamp of Culver Pictures and a stamp noting No. 75147. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown books
1964ref. 147892Universal City: Universal Pictures 1964. Vintage photograph from the 1964 film a publicity shot of Sean Connery and Tippi Hedren. Based on Winston Graham's 1961 novel. Set in and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 8 x 10 inches. Near FIne. Collation details available on request. Universal Pictures unknown books
1964ref. 167791Universal City: Universal Pictures 1964. Vintage reference photograph from the 1964 film showing actor Sean Connery talking with director Alfred Hitchcock between takes during filming on location in San Francisco with the Bay Bridge in the background. Printed mimeo snipe affixed to the verso. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Faint discoloration on the top edge of the verso else about Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1964ref. 150493Universal City: Universal Pictures 1964. Vintage studio still photograph from the set of the 1964 film showing director Alfred Hitchcock and a camera crew capturing a shot of actress Tippi Hedren at a desk in the publishing company office. With a printed mimeo snipe affixed to the verso along with the stamp of Culver Pictures and a stamp noting No. 75147. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her dark past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 10 x 8 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. Universal Pictures unknown
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown books
1964ref. 170777N.p.: N.p. 1964. Four vintage color transparencies from the 1964 film all four showing Tippi Hedren. Based on Winston Graham's 1961 novel which follows a wealthy businessman's unwanted often cruel attempts to help a troubled young woman come to terms with her past. The production faced several setbacks in its development most relating to Hitchcock's insistence on including a rape scene present in the novel and the subsequent troubles in casting the lead role given the emotional complexity demanded for the character. Set and shot on location in California Pennsylvania New Jersey Virginia and Maryland. 5 x 4 inches. Near Fine. Godard Histoires du cinema. Grant US. Spicer US. N.p. unknown
1997ref. 169196N.p.: N.p. 1997. Production Draft #2 for an unproduced film a duplicated working copy with copied hole punches with manuscript ink and pencil annotations on the versos or rectos of 26 pages. Film is noted in IMDB but we found no other evidence of it having been completed or distributed. Based on Mark Leyner's 1992 absurdist postmodern novel wherein a hyper-narcissistic author named Mark Leyner with tattooed internal organs and cyborg-enhanced bodyguards becomes an intergalactic celebrity. Front wrapper integral with title page dated October 3 1997 noted as Production Draft #2 with credits for screenwriter Jefery Levy and author Mark Leyner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown books
1997ref. 169196N.p.: N.p. 1997. Production Draft #2 for an unproduced film a duplicated working copy with copied hole punches with manuscript ink and pencil annotations on the versos or rectos of 26 pages. Film is noted in IMDB but we found no other evidence of it having been completed or distributed. Based on Mark Leyner's 1992 absurdist postmodern novel wherein a hyper-narcissistic author named Mark Leyner with tattooed internal organs and cyborg-enhanced bodyguards becomes an intergalactic celebrity. Front wrapper integral with title page dated October 3 1997 noted as Production Draft #2 with credits for screenwriter Jefery Levy and author Mark Leyner. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads. N.p. unknown
