11,046 results
1969ref. 161197New York: New Yorker Films 1969. Vintage studio still photograph taken on the set of the 1969 film showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released by Steidl in 2007 in a new restoration alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine. New Yorker Films unknown books
1969ref. 160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine. Contemporary Films unknown books
1969ref. 155087New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Robert Frank Peter Orlovsky and Allen Ginsberg. Printed mimeo snipe affixed to the verso along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine. Contemporary Films unknown books
1969ref. 161197New York: New Yorker Films 1969. Vintage studio still photograph taken on the set of the 1969 film showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released by Steidl in 2007 in a new restoration alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine. New Yorker Films unknown
1969ref. 160565New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine. Contemporary Films unknown
1969ref. 155087New York: Contemporary Films 1969. Vintage reference photograph from the 1969 film showing Robert Frank Peter Orlovsky and Allen Ginsberg. Printed mimeo snipe affixed to the verso along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin pushing the boundaries of cinematic reality. The film was released in a new restoration by Steidl in 2007 alongside a book publication outlining the film which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine. Contemporary Films unknown
1969ref. 141375New York: Two Faces / New Yorker Films 1969. Vintage poster for the 1969 film an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film in which he follows poet Peter Orlvosky and his mentally ill and mostly catatonic brother Julius as they move through the late 1960s Beat scene. When Julius wanders off he is replaced in the film by actor Joseph Chaikin. A meditation on the boundaries of reality and sanity featuring the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was released in a new restoration by Steidl in 2007 along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside' the poetic libertinage of the Beats the marginal in a central role. It celebrates the return of the poetic essay as assemblage the affirmation of the underground as a wild cinematic analysis in the form of a collage and skillfully weaves together opposites plays counterfeits against the authentic pornography against poetry acting against being Beat cynicism against hippie romanticism monochrome against colored. The story contains bizarre twists and turns and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine. In a custom frame. Two Faces / New Yorker Films unknown
1984ref. 167114Los Angeles: Viacom 1984. Final Draft script for an unproduced television movie copy belonging to actor and stunt person Nick Dimitri with his shipping label stapled to the first leaf and his stamp on the front wrapper and the cast page with manuscript ink annotations on 26 pages most of which are dog-eared. Bound in following the script is a 23-page shooting schedule dated 2/24/84 a two-page stunt list a three page one-line schedule a two-page "location information" memo a two-page staff and crew list and a shooting locations contact list. Laid in is a call sheet dated 3-5-84 with a copy of a hand-drawn map of a shooting location and directions attached to the call sheet with a staple. The 106-page script found here 139 including production materials written by "Me and Mom" series creator Hal Sitowitz was likely intended as a television movie to precede the series which never aired. The production materials bound in after the script confirm the film was shot though we have found no record of a television film of the series ever being released. The pilot episode of the series "Me and Mom: A Killing in the Market" credited to screenwriter Marsha Miller was a standard 60-minute episode with an unrelated plotline and contained one crossover character from the script found here other than the three principle characters in the series that of limo driver Vince Galdor here Caladori played by Caitlyn Jenner Bruce Jenner as noted on the call sheets with the other characters in the script not present. Created by Sitowitz and starring Lisa Eibacher and Holland Taylor as Kate Morgan and her wealthy socialite mother Zena Hunnicutt respectively who open a private investigation service in San Francisco with the help of her late father's partner Lou played by James Earl Jones. The series premiered on ABC on April 5 1985 and aired for six episodes before ending on May 17 1985. Kate and her mother Zena with the help of Kate's late father's partner Lou decide to open a private investigation service in San Francisco when they are hired by Jerry Walden on the run from Frank Ying a former business partner who tried to kill him in Mexico. Titled goldenrod Viacom wrappers. Title page present dated January 26 1984 noted as FINAL DRAFT with credits for screenwriter Hal Sitowitz. 139 leaves with last page of text numbered 91. Xerographic duplication rectos only with blue pink and yellow revision pages throughout dated variously between 2/13/84 and 2/26/84. Pages Near Fine overall wrapper Very Good plus bound with two gold brads. Viacom unknown books
1984ref. 167114Los Angeles: Viacom 1984. Final Draft script for an unproduced television movie copy belonging to actor and stunt person Nick Dimitri with his shipping label stapled to the first leaf and his stamp on the front wrapper and the cast page with manuscript ink annotations on 26 pages most of which are dog-eared. Bound in following the script is a 23-page shooting schedule dated 2/24/84 a two-page stunt list a three page one-line schedule a two-page "location information" memo a two-page staff and crew list and a shooting locations contact list. Laid in is a call sheet dated 3-5-84 with a copy of a hand-drawn map of a shooting location and directions attached to the call sheet with a staple. The 106-page script found here 139 including production materials written by "Me and Mom" series creator Hal Sitowitz was likely intended as a television movie to precede the series which never aired. The production materials bound in after the script confirm the film was shot though we have found no record of a television film of the series ever being released. The pilot episode of the series "Me and Mom: A Killing in the Market" credited to screenwriter Marsha Miller was a standard 60-minute episode with an unrelated plotline and contained one crossover character from the script found here other than the three principle characters in the series that of limo driver Vince Galdor here Caladori played by Caitlyn Jenner Bruce Jenner as noted on the call sheets with the other characters in the script not present. Created by Sitowitz and starring Lisa Eibacher and Holland Taylor as Kate Morgan and her wealthy socialite mother Zena Hunnicutt respectively who open a private investigation service in San Francisco with the help of her late father's partner Lou played by James Earl Jones. The series premiered on ABC on April 5 1985 and aired for six episodes before ending on May 17 1985. Kate and her mother Zena with the help of Kate's late father's partner Lou decide to open a private investigation service in San Francisco when they are hired by Jerry Walden on the run from Frank Ying a former business partner who tried to kill him in Mexico. Titled goldenrod Viacom wrappers. Title page present dated January 26 1984 noted as FINAL DRAFT with credits for screenwriter Hal Sitowitz. 139 leaves with last page of text numbered 91. Xerographic duplication rectos only with blue pink and yellow revision pages throughout dated variously between 2/13/84 and 2/26/84. Pages Near Fine overall wrapper Very Good plus bound with two gold brads. Viacom unknown
1988ref. 162348N.p.: N.p. 1988. Three vintage borderless reference photographs from the 1988 West German film including one photograph of director Dorris Dörrie on the set. Copyright labels affixed to versos. Based on the 1971 Italian novel by Alberto Moravia. A man's penis begins to communicate with him leading to a number of awkward situations and alienating him from his friends and family. 9.5 x 7 inches. Near Fine. N.p. unknown books
1988ref. 162348N.p.: N.p. 1988. Three vintage borderless reference photographs from the 1988 West German film including one photograph of director Dorris Dörrie on the set. Copyright labels affixed to versos. Based on the 1971 Italian novel by Alberto Moravia. A man's penis begins to communicate with him leading to a number of awkward situations and alienating him from his friends and family. 9.5 x 7 inches. Near Fine. N.p. unknown
1968ref. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown books
1968ref. 152185N.p.: N.p. 1968. Revised Draft script for the 1968 film. Copy belonging to production manager Mickey Delamar with his name in manuscript ink on the front wrapper and his manuscript annotations throughout. Laid in with the screenplay are several promotional materials for the film including two programs an edition of The Daily Cinema magazine featuring a cover story on "Mayerling" and a small flyer advertising a press showing of the film at Leicester Square. Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Julien Duvivier's "Anna Karenina" 1948 Charlie Chaplin's "A King in New York" 1957 and Francois Truffaut's "Fahrenheit 451" 1966. Based on the 1930 novel by Claude Anet and the 1967 book by Michael Arnold. A dramatization of the events that led to the murder-suicide of Prince Rudolf of Austria and his lover Baroness Mary Vetsera at the Mayerling hunting lodge in 1889. Blue titled wrappers. 172 leaves with last page of text numbered 158. Mimeograph duplication rectos only with blue and pink revision pages throughout dated variously between 17.12.67 and 1.3.68. Pages Very Good plus wrapper Very Good plus lightly rusted to the binding bound internally with a silver prong. N.p. unknown
1986ref. 142133Paris: Greenwich 1986. Two Draft scripts for the 1986 French film. One script in English the other in French. A British diplomat's wife takes a chimpanzee named Max to be her lover. Nominated for a Palme d'Or. Screenwriter Jean-Claude Carrière producer Serge Silberman and actress Milena Vukotic all worked with Luis Buñuel and accordingly brought much of Buñuel's surrealist sensibility to the film. Set and shot on location in Paris. French script: Red titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 150 leaves with last page of text numbered 139. Xerographic duplication printed on rectos and versos. Pages Near Fine wrapper Near Fine with a white spiral binding. English script: Yellow titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver clasps. Greenwich unknown books
1986ref. 142133Paris: Greenwich 1986. Two Draft scripts for the 1986 French film. One script in English the other in French. A British diplomat's wife takes a chimpanzee named Max to be her lover. Nominated for a Palme d'Or. Screenwriter Jean-Claude Carrière producer Serge Silberman and actress Milena Vukotic all worked with Luis Buñuel and accordingly brought much of Buñuel's surrealist sensibility to the film. Set and shot on location in Paris. French script: Red titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 150 leaves with last page of text numbered 139. Xerographic duplication printed on rectos and versos. Pages Near Fine wrapper Near Fine with a white spiral binding. English script: Yellow titled wrappers. Title page present with credits for director and screenwriter Nagisa shima and screenwriter Jean-Claude Carrière. 140 leaves with last page of text numbered 139. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two silver clasps. Greenwich unknown
1975ref. 166464N.p.: N.p. 1975. Rainbow Revision Final Draft script for the ninth episode of the 1975-1976 ABC television series which aired on November 22 1975. Copy belonging to actor Nick Dimitri who played "Candy" with an ink annotation of his name and character name on the front wrapper. "Matt Helm" premiered as a two hour self-titled ABC television film on May 7 1975 and the series ran for one season with thirteen episodes from September 20 1975 through January 3 1976. Loosely based on the character created by Donald Hamilton in his 1960 novel "Death of a Citizen." Anthony Franciosa stars as the titular character a former secret agent who opens a private detective business. In this episode Helm clears a businessman of murder charges before discovering evidence that may point to the man's guilt. Shot on location in Los Angeles. Blue titled wrappers noted as FINAL DRAFT on the front wrapper dated October 2 1975. Title page present dated October 2 1975 noted as FINAL DRAFT with credits for screenwriter Michael Fisher and story by Stanley Roberts. 79 leaves with last page of text numbered "67-68." Mixed duplication method mimeograph and xerographic duplication but all vintage rectos only with yellow blue pink green and salmon revision pages throughout dated variously between 10/6/75 and 10/13/75. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown books
1975ref. 166464N.p.: N.p. 1975. Rainbow Revision Final Draft script for the ninth episode of the 1975-1976 ABC television series which aired on November 22 1975. Copy belonging to actor Nick Dimitri who played "Candy" with an ink annotation of his name and character name on the front wrapper. "Matt Helm" premiered as a two hour self-titled ABC television film on May 7 1975 and the series ran for one season with thirteen episodes from September 20 1975 through January 3 1976. Loosely based on the character created by Donald Hamilton in his 1960 novel "Death of a Citizen." Anthony Franciosa stars as the titular character a former secret agent who opens a private detective business. In this episode Helm clears a businessman of murder charges before discovering evidence that may point to the man's guilt. Shot on location in Los Angeles. Blue titled wrappers noted as FINAL DRAFT on the front wrapper dated October 2 1975. Title page present dated October 2 1975 noted as FINAL DRAFT with credits for screenwriter Michael Fisher and story by Stanley Roberts. 79 leaves with last page of text numbered "67-68." Mixed duplication method mimeograph and xerographic duplication but all vintage rectos only with yellow blue pink green and salmon revision pages throughout dated variously between 10/6/75 and 10/13/75. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1970ref. 161924N.p.: Sack Amusement Enterprises 1970. Four vintage studio still photographs from the 1970 film. All photographs with provenance stamps on the verso. Bored Hollywood Hills housewives with the help of an entrepreneurial housewife turned madam turn tricks with their husband's co-workers. 8 x 10 inches. Very Good plus. Sack Amusement Enterprises unknown books
1970ref. 161924N.p.: Sack Amusement Enterprises 1970. Four vintage studio still photographs from the 1970 film. All photographs with provenance stamps on the verso. Bored Hollywood Hills housewives with the help of an entrepreneurial housewife turned madam turn tricks with their husband's co-workers. 8 x 10 inches. Very Good plus. Sack Amusement Enterprises unknown
1955ref. 152157Burbank CA: National Broadcasting Company NBC 1955. Draft script for the 159th episode of season one of the 1955-1958 television series originally aired on June 12 1956 on NBC. Copy belonging to actor Johnny Crawford with his manuscript ink and pencil annotations throughout. An opportunistic newspaper reporter captures a photograph of a little boy with his head stuck in a garbage can and proceeds to use the image in a piece about child neglect-to the embarrassment and anger of the boy's parents. Brown titled wrappers. Title page present undated with credits for screenwriter B.M. Atkinson Jr. 81 leaves with last page of text numbered III-25. Mimeograph duplication rectos only. Pages Very Good plus wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown books
1958ref. 158445Burbank CA: National Broadcasting Company NBC 1958. Draft script for the 89th episode of season three of the 1955-1958 anthology televison series. Copy belonging to actor Johnny Crawford with his name on the title page in manuscript ink and his annotations throughout. Embittered after being fired by his brother-in-law a man takes out his anger on his wife by not allowing her to adopt a child. Originally aired on February 4 1958 on NBC. Housed in a brown card folder with a label noting the script title affixed to the front. Self wrappers. Title page present undated noted as production No. 4710 with credit for screenwriter Anthony Spinner. 85 leaves with last page of text numbered 81. Mimeograph duplication rectos only. Pages Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown books
1956ref. 147226N.p.: N.p. 1956. Draft script for the ninth episode of the third season of the anthology series "Matinee Theatre" originally aired on September 12 1957 on NBC. With two manuscript pencil annotations to the title page. During the Korean War a young Korean boy whose family has been killed in a recent bombing is informally adopted by a US military outfit. When an important map goes missing the commanding officers jump at the chance to blame the boy forcing the soldiers to debate whether his ethnicity alone is enough to condemn him. Screenwriter Jack Lewis was best known for "The Amazing Transparent Man" 1960 and for his prolific work in Western films such as "Outlaw Gold" 1950 "Whistling Hills" 1951 and "Black Eagle of Santa Fe" 1965. Set in Korea. Orange titled wrappers with credits for screenwriter Jack Lewis. Title page present with credits for screenwriter Jack Lewis. 67 leaves with last page of text numbered 66. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads. N.p. unknown books
1958ref. 158446Burbank CA: National Broadcasting Company NBC 1958. Draft script for the 134th episode of season three of the 1955-1958 anthology television series. Copy belonging to actor Johnny Crawford with his annotations throughout. Laid in with the script is a carbon typescript rehearsal schedule dated 4/24/58 with Crawford's name circled. An old woman living alone believes that her adult son has forgotten her unaware that she has been sending letters and greeting cards to the wrong address for years. Originally aired on April 24 1958 on NBC. Self wrappers. Title page present undated with credit for screenwriter Greer Johnson. 69 leaves with last page of text numbered IV-10. Mimeograph duplication on yellow and white stock rectos only. Pages Very Good plus partially bound at the top left corner with a single staple. National Broadcasting Company [NBC] unknown books
1958ref. 158443Burbank CA: National Broadcasting Company NBC 1958. Draft script for the 117th episode of season three of the 1955-1958 anthology television series. Copy belonging to actor Johnny Crawford with his annotations throughout. In her last years of life a dying mother tries to show her stern husband that he must change for the sake of their two children. Originally aired on March 25 1958 on NBC. Self wrappers. Title page present undated. 65 leaves with last page of text numbered IV-7. Mimeograph duplication on yellow and white stock rectos only. Pages Very Good plus partially bound at the top left corner with a single staple. National Broadcasting Company [NBC] unknown books
1957ref. 152104Burbank CA: National Broadcasting Company NBC 1957. Draft script for the Season 2 Episode 182 of the 1955-1958 television series originally aired on June 21 on NBC. Copy belonging to actor Johnny Crawford with his name to the title page in manuscript ink and his manuscript ink and pencil annotations throughout. A New York executive vacationing in the country with his family undergoes a mid-life crisis deciding to stay at the vacation home and live a carefree life as a painter. Brown titled card wrappers dated June 1957. Title page present with credits for screenwriter Charles Allen. 74 leaves with last page of text numbered III-17. Mimeograph duplication on yellow stock rectos only. Pages Near Fine wrapper Near Fine bound internally with three gold brads. National Broadcasting Company [NBC] unknown books
