11,058 results
1971ref. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown books
1971ref. 149392US: National General Pictures 1971. Vintage oversize borderless reference photograph of director Lee H. Katzin and actors Steve McQueen and Elga Andersen on the set of the 1971 film. With manuscript ink annotations on the verso. McQueen stars as a racing driver competing in Le Mans one year after an accident killed a fellow racer one which both the racer's widow and others feel McQueen is partially responsible for. A passion project for McQueen originally developed with director John Sturges who left the project after the sale of Warner Brothers to Kinney National Services forced them to move to National General Pictures. Filmed on location in Le Mans France including during the running of the 1970 24 Hours of Le Mans race. 11.5 x 9 inches. Very Good plus with light wear to the top and bottom edges. National General Pictures unknown
1973ref. 156326Paris: Gamma 1973. Two vintage borderless reference photographs of actress Jacqueline Bisset on the set of the 1973 film one showing a camera crew on the bottom left corner. Stamps of Gamma Photo on the versos. A shy writer of pulp espionage fiction lives vicariously through the hero of his novels a sophisticated spy and bases his heroine on his real-life neighbor a sociology student named Christine. Shot on location in Puerto Vallarta Mexico and Paris France. 9.5 x 6.5 inches. Near Fine. Gamma unknown books
1973ref. 156326Paris: Gamma 1973. Two vintage borderless reference photographs of actress Jacqueline Bisset on the set of the 1973 film one showing a camera crew on the bottom left corner. Stamps of Gamma Photo on the versos. A shy writer of pulp espionage fiction lives vicariously through the hero of his novels a sophisticated spy and bases his heroine on his real-life neighbor a sociology student named Christine. Shot on location in Puerto Vallarta Mexico and Paris France. 9.5 x 6.5 inches. Near Fine. Gamma unknown
ref. 11950Deux volumes in 8 brochés carrés, couverture rempliée, faux-titre, titre. Le lion et la poule 183 pages, non coupé, illustrations hors-texte et en tête de VALERIO EDIFI éditeur Bruxelles 5 juin 1952 exemplaire numéroté 217/302 sur vélin de Johannot filigrané J.C. Etui cartonné, très bon état. le veilleur de nuit 201p, non coupé, illustrations de Yves TREVEDY suvi de un soir quand on est seul de la page 173 à la fin avec 2 t en couleurs de Jean GRADASSI dont 1 hors-texte EDIFI éditeur Bruxelles 5 juin 1952 exemplaire numéroté 217/302 sur vélin de Johannot filigrané J.C. Etui cartonné, très bon état.
1953ref. 147147N.p.: N.p. 1953. Treatment script for the 1953 film here under the working title "Comme le sucre dans le cafe.". Text in French. A doctor turned homeopath poaches patients from his former medical colleagues but is challenged when his shady treatment further endangers the life of a woman with a brain tumor. Set in Brittany France. Tall yellow titled wrappers. Title page present with credits for director YVES CIAMPI. 56 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus lightly creased and soiled bound with two silver clamps. N.p. unknown books
1953ref. 147147N.p.: N.p. 1953. Treatment script for the 1953 film here under the working title "Comme le sucre dans le cafe.". Text in French. A doctor turned homeopath poaches patients from his former medical colleagues but is challenged when his shady treatment further endangers the life of a woman with a brain tumor. Set in Brittany France. Tall yellow titled wrappers. Title page present with credits for director YVES CIAMPI. 56 leaves with last page of text numbered 54. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus lightly creased and soiled bound with two silver clamps. N.p. unknown
1992ref. 5004410561992 48 pages 1992. 48 pages.
1969ref. 149696London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown books
1969ref. 149696London: Institute of Contemporary Arts 1969. Two vintage double weight reference photographs from the 1969 French film. With printed mimeo snipes for the film's British release affixed to the verso. A man and a woman meet to discuss the Vietnam War student protests the changing relationship between the US and France and other current events of the 1960s interspersed with news clips music and narration by director Jean-Luc Godard. 8.5 x 6.5 inches. Near Fine. Institute of Contemporary Arts unknown
ref. 146400N.p.: N.p. Unknown. Film treatment for an unproduced film. Included with the script is a typed English translation credited to Scot Finch. With a small manuscript ink annotation on the front wrapper of the treatment and a single manuscript ink annotation deletion to the character list of the translation. Treatment text in French translation in English. A group of policemen reminisce about the rise to power of the late criminal Pierrot Loutrel also known as Pierrot le Fou-"public enemy number one" in Paris after World War II. Screenwriters Yves Boisset and Claude Veillot enjoyed an extensive collaboration on mid-century crime mystery and thriller films including "Coplan sauve sa peau" 1968 "R.A.S." 1973 "Le Juge Fayard dit Le Sheriff" 1977 "La Femme flic" 1980 and "Espion leve-toi" 1982. Set in France. Treatment: Blue untitled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot with a CEDIC European Film Broadcasting Company stamp on the upper right corner. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with perfect binding Translation: Beige titled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot and translator Scot Finch. 61 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good bound with two silver clips. N.p. unknown books
ref. 146400N.p.: N.p. Unknown. Film treatment for an unproduced film. Included with the script is a typed English translation credited to Scot Finch. With a small manuscript ink annotation on the front wrapper of the treatment and a single manuscript ink annotation deletion to the character list of the translation. Treatment text in French translation in English. A group of policemen reminisce about the rise to power of the late criminal Pierrot Loutrel also known as Pierrot le Fou-"public enemy number one" in Paris after World War II. Screenwriters Yves Boisset and Claude Veillot enjoyed an extensive collaboration on mid-century crime mystery and thriller films including "Coplan sauve sa peau" 1968 "R.A.S." 1973 "Le Juge Fayard dit Le Sheriff" 1977 "La Femme flic" 1980 and "Espion leve-toi" 1982. Set in France. Treatment: Blue untitled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot with a CEDIC European Film Broadcasting Company stamp on the upper right corner. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with perfect binding Translation: Beige titled wrappers. Title page present with credits for screenwriters Yves Boisset and Claude Veillot and translator Scot Finch. 61 leaves with last page of text numbered 58. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good bound with two silver clips. N.p. unknown
1947ref. 97424Nrf Gallimard 1947 In-12 broché. 210 pages. Bon état d’occasion.
1973ref. 97422France-Empire 1973 In-8 broché. Jaquette en bon état. 430 pages. Très bon état d’occasion.
1937ref. 97423NRF Gallimard 1937 Edition de 1937, Même année que l’originale. Couverture bleue. In-12 broché. 220 pp. État correct d’occasion.
1966ref. 143838Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in manuscript pencil on one page. Also included is the original manila folder used to house the material with the working title in manuscript red ink on the flap. Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. Shot on location in Cambodia. Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown books
1966ref. 143838Paris: Les Productions Alcinter and Andre Cotton 1966. Draft script carbon typescript and scenario offset printing for the 1966 French film here under the working title "Convoi pour Dien-Bien-Phu." Released in the US as "The Postman Goes to War" 1968. Numerical notation in manuscript pencil on one page. Also included is the original manila folder used to house the material with the working title in manuscript red ink on the flap. Based on Gautier's titular novel 1966. Jean-Claude Thibon Aznavour is a postman in Paris who accepts a position in the army during the Indochina War. He is wounded in combat and sent to the hospital where he falls in love with Vang Maria Minh a young Vietnamese nurse. Shot on location in Cambodia. Title page present integral with front wrapper undated with credits for director Bernard-Aubert novelist Gautier and dialogue writer Accursi. 197 leaves with last page of text numbered 212. Carbon typescript. Very Good plus bound with two silver binder clips. Scenario: title page integral with front wrapper undated with credits for Bernard-Aubert and Gautier 12 leaves with last page of text numbered 11 offset printing perfect-bound Near Fine. Complete collation upon request. Les Productions Alcinter and Andre Cotton unknown
ref. 13989In 12 broché, couverture illustrée (illustration contrecollée sur le premier plat- titre en bleu) 120x185mm Faux –titre, frontispice, titre, 192 pages, 111 illustrations dans le texte et hors texte (sur papier couché). Hachette 1921. Bon exemplaire
1979ref. 147197N.p.: N.p. 1979. Draft script for the 1983 film. Text in French. An American travels to Sicily to bury his father not expecting to fall for Elisa the youngest daughter of Count Carlo de Villafratti and his incestuous power-hungry family. Set in Sicily. Black titled wrappers. Title page present dated 1979 with credits for director Claude d'Anna and screenwriter M.F. Bonin. 138 leaves with last page of text numbered 137. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown books
1983ref. 147127N.p.: N.p. 1983. Draft script for the 1983 film here under the working title "Herazaal ou La Nuit des Temps" Herazaal or the Mists of Time. Text in French. A very early draft script bearing little resemblance save the names of the central characters to the final film which focuses on the incestuous power-hungry Sicilian family of Count Carlo de Villafratti. Set in Venice. White titled wrappers. Title page present with credits for director Claude d'Anna and screenwriters M.F. Bonin and Monique Lange. 103 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus overall wrapper Very Good plus with a black comb binding. N.p. unknown books
1979ref. 147197N.p.: N.p. 1979. Draft script for the 1983 film. Text in French. An American travels to Sicily to bury his father not expecting to fall for Elisa the youngest daughter of Count Carlo de Villafratti and his incestuous power-hungry family. Set in Sicily. Black titled wrappers. Title page present dated 1979 with credits for director Claude d'Anna and screenwriter M.F. Bonin. 138 leaves with last page of text numbered 137. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads. N.p. unknown
1983ref. 147127N.p.: N.p. 1983. Draft script for the 1983 film here under the working title "Herazaal ou La Nuit des Temps" Herazaal or the Mists of Time. Text in French. A very early draft script bearing little resemblance save the names of the central characters to the final film which focuses on the incestuous power-hungry Sicilian family of Count Carlo de Villafratti. Set in Venice. White titled wrappers. Title page present with credits for director Claude d'Anna and screenwriters M.F. Bonin and Monique Lange. 103 leaves with last page of text numbered 103. Xerographic duplication rectos only. Pages Very Good plus overall wrapper Very Good plus with a black comb binding. N.p. unknown
ref. 12218Fort NAVAJO. Le cavalier perdu. Collection Pilote présente une aventure du Lieutenant BLUEBERRY. In 4 cartonné couverture illustrée en couleurs, gardes illustrées, titre illustré en couleurs, 48 pages de dessins en couleurs de J. GIRAUD. Titre en long, en noir au dos. DARGAU S.A éditeur premier trimestre 1968. N°593. Editeur n°270, 18 titres au dernier plat. Petites traces de frottements, sans gravité en tête, au dernier plat de couverture. Edition originale.
1958ref. 144701Paris: Ajym Films 1958. Two vintage borderless photographs featuring Bernadette Lafont and Jean-Claude Brialy from the 1958 film. With a rubber stamp on the verso of each. Director Claude Chabrol's first film. Francois Jean-Claude Brialy returns to his home-town after a long absence to find his friend Serge Gerard Blain depressed an alcoholic and mourning the death of he and his wife Yvonne's stillborn child. Though at odds with provincial life Francois wants to help his friend. Shot on location in Sardent France. 7 x 5 inches. Near Fine. Criterion Collection 580. Eureka Masters of Cinema. Grant France. Ajym Films unknown books
1958ref. 148306N.p.: N.p. 1958. Vintage studio still photograph with narrow margins of Gerard Blain from the 1958 film. Layout annotations and "National Film Archive" stamp on the verso. Director Claude Chabrol's first film frequently cited as the first French New Wave film. Francois Jean-Claude Brialy a theology student suffering from TB returns to his home-town after ten years to recuperate and finds his friend Serge Blain depressed alcoholic and mourning the death of he and his wife Yvonne's Michele Meritz stillborn child. Shot on location in Sardent France. 6.75 x 9.75 inches. Near Fine. Criterion Collection 580. Eureka Masters of Cinema. Grant France. N.p. unknown books
