11,031 results
1961ref. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961ref. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown books
1961ref. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown books
1961ref. 168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.5 inches. About Near Fine with faint toning on the edges. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. alexander An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 153855N.p.: N.p. 1961. Vintage reference photograph of director Alain Resnais with a camera on the set of the 1961 French film. Manuscript ink and pencil annotations to the verso. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. A divisive film viewed by critics as either an ambiguous surreal masterpiece or an incomprehensible mess. Shot on location in Germany and France. 7.25 x 5.25 inches. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 153966N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais setting up a shot with a camera crew on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with manuscript ink and pencil annotations. An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. Shot on location in Germany and France. 7 x 9.25 inches with a wide bottom margin. Near Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961ref. 149454Paris: F.O.G. 1961. Collection of six vintage reference photographs from the 1961 film two borderless two with bottom margin and one vertical photograph with left margin. "L'Annee Derniere a Marienbad" stamp on versos. Three photos shown. Please inquire for others. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Viewed as either ambiguous surreal masterpiece or an incomprehensible indulgence with almost no middle ground. Nominated for an Academy Award for Best Original Screenplay. 7 x 5 inches. Very Good plus with light edgewear one with creasing at left corners. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. F.O.G. unknown
1961ref. 144267Paris: Cocinor 1961. Vintage snapshot size photograph of Alain Resnais on the set of the 1961 film. With manuscript annotations in pencil and a press agency stamp on the verso of each. An enigmatic dreamlike film about a man and a woman who meet at a party where he insists they have met before and she that they haven't. Nominated for an Academy Award for Best Original Screenplay. Shot on location in Germany and France. 3.5 x 5 inches. Fine. Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. Cocinor unknown
1980ref. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown books
1980ref. 141195N.p.: N.p. 1980. Draft script for an unproduced film. Single annotation in manuscript pencil on the first page. Written by Spencer Eastman whose other screenwriting credits include "Hide in Plain Sight" 1980 "Kansas" 1988 "War Party" 1988 and "Night Game" 1989. A story set in West Berlin after the Second World War involving members of the CIA double agents and love interests. White untitled wrappers. Title page present with credit for screenwriter Spencer Eastman. 135 leaves with last page of text numbered 135. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. N.p. unknown
1959ref. 140572N.p.: Bryna Productions 1959. Two vintage studio still photographs from the 1959 film. Two old friends are turned against one another in this 1959 Western starring Kirk Douglas Anthony Quinn and Carolyn Jones. Douglas' wife is raped and murdered by Quinn's son resulting in a showdown between the two men. Shot on location in California and Arizona. 8 x 10 inches. Near Fine with a manuscript ink notation to the verso of each and pin holes to the margin. Bryna Productions unknown books
1966ref. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown books
1966ref. 132301Poland: N.p. 1966. Original Polish A1 poster circa 1966 for the 1959 US film. Kirk Douglas and Earl Holliman reunite in this film after Gunfight at the OK Corral 1957 again under the direction of John Sturges. The story brings together elements of "High Noon" "3:10 to Yuma" and Sturges' "Bad Day at Black Rock." Remade in 1985 as the Indian film "Bhawani Junction." Shot by Charles Lang on location in Old Tucson Arizona and set in the fictitious neighboring towns of Pauley and Gun Hill. Artwork by Jerzy Flisak. 22.5 x 32 inches rolled. A few minor professional repairs on archival linen. Fine. Pitts 2240. N.p. unknown
1969ref. 146916N.p.: Alsid Productions 1969. Vintage studio still photograph from the 1969 film showing Barbara Hershey sunning herself in a bikini. Based on the 1968 Evan Hunter aka Ed McBain novel of the same name. Three teens bond while spending a summer on Fire Island. When they're joined by a fourth the dynamic between the trio is thrown causing one to become increasingly jealous and unstable. Set and shot on location in Long Island New York. 8 x 10 inches. Near Fine light edgewear. Alsid Productions unknown books
1969ref. 146916N.p.: Alsid Productions 1969. Vintage studio still photograph from the 1969 film showing Barbara Hershey sunning herself in a bikini. Based on the 1968 Evan Hunter aka Ed McBain novel of the same name. Three teens bond while spending a summer on Fire Island. When they're joined by a fourth the dynamic between the trio is thrown causing one to become increasingly jealous and unstable. Set and shot on location in Long Island New York. 8 x 10 inches. Near Fine light edgewear. Alsid Productions unknown
1966ref. 140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown books
1966ref. 140950N.p.: N.p. 1966. Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema best known for his work on "Beat the Devil" 1953 "Room at the Top" 1959 "Our Man in Havana" 1959 "Charade" 1963 and "The Spy Who Came in from the Cold" 1965. Based on the short story "The Skedule" by Helen H. Wilson about a prim and proper English woman and an Aussie traveling together through the Outback where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor who struggled from 1964 until 1974 to get this film made though he was ultimately unsuccessful. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present dated July 1966 with credits for screenwriter Ted Willis and author Helen H. Wilson. 144 leaves with last page of text numbered 131. Mechanical duplication with pink and yellow revision pages throughout dated variously between September 24 1967 and September 26 1967. Pages Very Good plus wrapper Very Good plus bound with two gold brads. N.p. unknown
1963ref. 159366Los Angeles: Twentieth Century-Fox 1963. Vintage studio still photograph from the 1963 film. While trying to save a hot air balloonist Lassie and Timmy get stuck in the balloon and must fend for themselves in the wild. 8 x 10 inches. Fine. Weldon 1983. Twentieth Century-Fox unknown books
1982ref. 137794Los Angeles: Paul Kohner 1982. Draft script for the 1987 West German film "Lang soll er leben" here under the English working title "More Than One Life." Agency copy in Paul Kohner Inc. wrappers. Screenwriter Mally was an actress in the 1970s starring in several German films and starred in German television throughout the 1980s and 1990s. A comedy set in Los Angeles in the mid 1970s with flashback scenarios to Prague during WWII and subplots involving theater and romance. White wrappers. Title page present dated 1982 with credits for screenwriter Mally and translator Dr. Harald O. Durenforth. 140 leaves with last page of text numbered 139. Mechanical duplication. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner unknown books
1982ref. 137794Los Angeles: Paul Kohner 1982. Draft script for the 1987 West German film "Lang soll er leben" here under the English working title "More Than One Life." Agency copy in Paul Kohner Inc. wrappers. Screenwriter Mally was an actress in the 1970s starring in several German films and starred in German television throughout the 1980s and 1990s. A comedy set in Los Angeles in the mid 1970s with flashback scenarios to Prague during WWII and subplots involving theater and romance. White wrappers. Title page present dated 1982 with credits for screenwriter Mally and translator Dr. Harald O. Durenforth. 140 leaves with last page of text numbered 139. Mechanical duplication. Pages and wrapper Near Fine bound internally with three gold brads. Paul Kohner unknown
1963ref. 149232Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French. During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan. Shot on location in Paris and Gambais France. 10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown books
1963ref. 149232Paris: Lux Film 1963. Promotional flyer for the 1963 French film. Text in French. During World War I a man supplements his income by luring middle-class Parisian women to a countryside villa where he seduces and kills them burns their bodies then helps himself to their bank accounts keeping himself his wife his mistress and his four children in the lifestyle to which they are accustomed. The first and only screenwriting credit of author and playwright Francoise Sagan. Shot on location in Paris and Gambais France. 10.5 x 8.5 inches. Single sheet. Near Fine with a small dampstain to the top edge. Lux Film unknown
1955ref. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown books
1955ref. 170764Burbank CA: Warner Brothers 1955. Vintage publicity photograph from the 1955 film showing Joan Collins in a glittering two-piece ensemble and matching jewelry. French release stamp on the verso. An epic drama set in Ancient Egypt about the construction of the Great Pyramid co-written by William Faulkner. Although poorly received upon release-and notable as Howard Hawks' first commercial failure-the film has since been reevaluated by a host of critics including Jonathan Rosenbaum who praised the film for its continued relevance in relation to contemporary politics. Shot on location in Egypt. 8 x 10 inches. Very Good plus. Rosenbaum 1000. Scorsese A Personal Journey Through American Movies. Warner Brothers unknown
