11,160 results
ref. 149870France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown books
1974ref. 142071France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown books
1968ref. 161839N.p.: Unusual Films International 1968. Two vintage still photographs from the 1968 film. A backwards and lonely professor builds female robots to satisfy his carnal desires. Shot on location in Miami Florida. 8 x 10 inches. Near Fine. Unusual Films International unknown books
1968ref. 161839N.p.: Unusual Films International 1968. Two vintage still photographs from the 1968 film. A backwards and lonely professor builds female robots to satisfy his carnal desires. Shot on location in Miami Florida. 8 x 10 inches. Near Fine. Unusual Films International unknown
1974ref. 152021France: Les Films du Jeudi 1974. Two vintage oversize borderless double weight color reference photographs of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Light wear at the extremities else Near Fine. Les Films du Jeudi unknown
ref. 149870France: Les Films du Jeudi / Gaumont 1974. Two vintage oversize borderless reference photographs one double weight of Jane Birkin from the 1974 film. A liquor salesman Jean Carmet makes up stories to obscure his pathetic life in order to succeed at both business and with women until he meets Jane Birkin. 12 x 9.5 inches. Very Good plus with creasing and wear at the extremities. Les Films du Jeudi / Gaumont unknown
1974ref. 142071France: Les Films du Jeudi / Gaumont 1974. Vintage oversize borderless reference photograph of Jane Birkin from the 1974 film. With a manuscript notation on the verso identifying the film. A liquor salesman makes up stories to obscure his pathetic life in order to succeed at both business and with women. 9 x 11.25 inches Near Fine. Les Films du Jeudi / Gaumont unknown
1980ref. 139632N.p.: American International Pictures AIP 1980. Vintage color studio still photograph from the 1980 film. Three desperate suburbanites hatch a scheme to get cash quick unable to cope with the high cost of living. The film faced some production hiccups regarding the age of the actresses as screenwriter Kaufman wanted younger stars. Kaufman and Henshaw subsequently hired American International Pictures and the rest of the production continued smoothly. Set in Eugene Oregon shot on location. 10 x 8 inches. Near Fine. American International Pictures [AIP] unknown books
1955ref. 132576London: Twentieth Century-Fox 1955. Eight vintage full-color British front-of-house cards from the UK release of the 1955 US film. Before Sheree North there was Betty Grable the owner of the most beautiful legs in Hollywood but both musical darlings star in this comedy about two dancing girls who hide at Bristol College while they attempt to locate the killer of a fellow performer. Marilyn Monroe was originally cast as "Curly" but refused the role and Sheree North landed the part. Grable's final acting role. 8 x 10 inches. A hint of toning and a tiny edge tear here and there else Near Fine. Twentieth Century-Fox unknown books
1955ref. 132576London: Twentieth Century-Fox 1955. Eight vintage full-color British front-of-house cards from the UK release of the 1955 US film. Before Sheree North there was Betty Grable the owner of the most beautiful legs in Hollywood but both musical darlings star in this comedy about two dancing girls who hide at Bristol College while they attempt to locate the killer of a fellow performer. Marilyn Monroe was originally cast as "Curly" but refused the role and Sheree North landed the part. Grable's final acting role. 8 x 10 inches. A hint of toning and a tiny edge tear here and there else Near Fine. Twentieth Century-Fox unknown
1997ref. 154529Los Angeles: Twentieth Century-Fox 1997. Final Draft script for the 1998 film copy belonging to uncredited crew member Margaret Reeves her name written in manuscript ink on the top right of front wrapper. Based on the 1996 novel by Terry McMillan. A high-powered San Francisco stock broker is persuaded to take a well-deserved vacation to Montego Bay Jamaica where she begins a romance with a much younger man prompting her to reflect on her life. Set in and shot on location in California and Jamaica. Yellow titled wrappers dated September 12 1997. Title page present dated September 12 1997 noted as FINAL DRAFT with credits for screenwriter Ron Bass and screenwriter and author Terry McMillan. 118 leaves with last page of text numbered 117. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown books
1997ref. 154529Los Angeles: Twentieth Century-Fox 1997. Final Draft script for the 1998 film copy belonging to uncredited crew member Margaret Reeves her name written in manuscript ink on the top right of front wrapper. Based on the 1996 novel by Terry McMillan. A high-powered San Francisco stock broker is persuaded to take a well-deserved vacation to Montego Bay Jamaica where she begins a romance with a much younger man prompting her to reflect on her life. Set in and shot on location in California and Jamaica. Yellow titled wrappers dated September 12 1997. Title page present dated September 12 1997 noted as FINAL DRAFT with credits for screenwriter Ron Bass and screenwriter and author Terry McMillan. 118 leaves with last page of text numbered 117. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two silver brads. Twentieth Century-Fox unknown
1974ref. 147278St. Albans: Tillman Trevone Productions 1974. Final draft script for an unproduced film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. John Briley Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" adapts his 1968 Vietnam War novel "The Traitors" released in England in 1971 as "How Sleep the Brave." Five soldiers ambushed by the Vietcong are taken to a camp where they are indoctrinated by an American defector who persuades two of the soldiers that America's cause is immoral and unjust. Not to be confused with the 1981 film by Lindsay Shonteff. Black untitled wrappers with a die-cut title window in the British style. Title page present dated April 1974 noted as Final Draft with credits for screenwriter and novelist John Briley. 171 leaves with last page of text numbered 169. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Tillman Trevone Productions unknown books
1974ref. 147278St. Albans: Tillman Trevone Productions 1974. Final draft script for an unproduced film. From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996. John Briley Academy Award winning screenwriter for Richard Attenborough's 1982 epic "Gandhi" adapts his 1968 Vietnam War novel "The Traitors" released in England in 1971 as "How Sleep the Brave." Five soldiers ambushed by the Vietcong are taken to a camp where they are indoctrinated by an American defector who persuades two of the soldiers that America's cause is immoral and unjust. Not to be confused with the 1981 film by Lindsay Shonteff. Black untitled wrappers with a die-cut title window in the British style. Title page present dated April 1974 noted as Final Draft with credits for screenwriter and novelist John Briley. 171 leaves with last page of text numbered 169. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Tillman Trevone Productions unknown
1941ref. 162231Los Angeles: Twentieth Century-Fox 1941. Second Revised Final script for the 1941 film. Based on Richard Llewellyn's 1939 novel. The men of the Morgan family earn a living working in their small Welsh town's mine where they face dangerous and unhealthy conditions and exploitation at the hands of the mine owners. Winner of five Academy Awards including Best Picture and Best Director. Set in Wales shot on location in California. Red titled Twentieth Century-Fox wrappers dated April 18 1941 noted as SECOND REVISED FINAL. Distribution page present stamped copy No. 240 with receipt removed. Title page present with credit for Philip Dunne noted as 2nd Revised Final and dated April 18 1941. 167 leaves with last page of text numbered 169. Mimeograph duplication rectos only with blue revision pages dated 5/19/41 throughout. Pages Very Good plus slightly yapped with light tide marks along the bottom edges of the first five leaves wrapper Poor bound with two gold brads. National Film Registry. Twentieth Century-Fox unknown books
1941ref. 162231Los Angeles: Twentieth Century-Fox 1941. Second Revised Final script for the 1941 film. Based on Richard Llewellyn's 1939 novel. The men of the Morgan family earn a living working in their small Welsh town's mine where they face dangerous and unhealthy conditions and exploitation at the hands of the mine owners. Winner of five Academy Awards including Best Picture and Best Director. Set in Wales shot on location in California. Red titled Twentieth Century-Fox wrappers dated April 18 1941 noted as SECOND REVISED FINAL. Distribution page present stamped copy No. 240 with receipt removed. Title page present with credit for Philip Dunne noted as 2nd Revised Final and dated April 18 1941. 167 leaves with last page of text numbered 169. Mimeograph duplication rectos only with blue revision pages dated 5/19/41 throughout. Pages Very Good plus slightly yapped with light tide marks along the bottom edges of the first five leaves wrapper Poor bound with two gold brads. National Film Registry. Twentieth Century-Fox unknown
1918ref. 143521US: Artcraft Pictures / Mary Pickford Company 1918. Vintage borderless photograph from the 1918 film. With an identifying manuscript notation on the verso. Based on the 1917 novel by Eleanor Hoyt Brainerd about a young socialite and a millionaire who meet and fall in love while pretending to be a cook and a hired hand respectively. No known prints of the film survive and it is considered lost. 8.75 x 7.75 inches irregularly trimmed. Very Good plus. Diagonal crease to the top corner with a short closed horizontal tear to one edge. Artcraft Pictures / Mary Pickford Company unknown books
1918ref. 143521US: Artcraft Pictures / Mary Pickford Company 1918. Vintage borderless photograph from the 1918 film. With an identifying manuscript notation on the verso. Based on the 1917 novel by Eleanor Hoyt Brainerd about a young socialite and a millionaire who meet and fall in love while pretending to be a cook and a hired hand respectively. No known prints of the film survive and it is considered lost. 8.75 x 7.75 inches irregularly trimmed. Very Good plus. Diagonal crease to the top corner with a short closed horizontal tear to one edge. Artcraft Pictures / Mary Pickford Company unknown
1925ref. 140352Burbank CA: Warner Brothers 1925. Vintage double weight studio still photograph from the 1925 silent film. Bumbling newspaper clerk Henry Baxter is helplessly in love with a coworker in this silent-era comedy. The subject of his longing barely acknowledges his existence. His unrequited love coupled with his manager's devious daily taunts makes work tortuous for the poor clerk. He begins to day dream about a better life and a less cowardly self. Footage from William Beaudine's 1925 film is believed to be lost. In the still we see a wide shot of the newspaper office in which Baxter works. 10 x 8 inches. Very Good plus with pin holes toning overall and two manuscript pencil annotations to the verso. Warner Brothers unknown books
1925ref. 140352Burbank CA: Warner Brothers 1925. Vintage double weight studio still photograph from the 1925 silent film. Bumbling newspaper clerk Henry Baxter is helplessly in love with a coworker in this silent-era comedy. The subject of his longing barely acknowledges his existence. His unrequited love coupled with his manager's devious daily taunts makes work tortuous for the poor clerk. He begins to day dream about a better life and a less cowardly self. Footage from William Beaudine's 1925 film is believed to be lost. In the still we see a wide shot of the newspaper office in which Baxter works. 10 x 8 inches. Very Good plus with pin holes toning overall and two manuscript pencil annotations to the verso. Warner Brothers unknown
1958ref. 150172N.p.: N.p. 1958. Vintage borderless double weight matte-finish photograph from the 1958 film showing actors Cary Grant and Sophia Loren. With the stamp of Globe Photos on the verso along with a stamp noting No. 11923A. A widower has trouble caring for his three children after the death of his estranged wife and hires an Italian socialite to be their nanny. Set and shot on location in Washington DC and Maryland. 7.5 x 9.5 inches. Near Fine with light wear to the corners. N.p. unknown books
1958ref. 150172N.p.: N.p. 1958. Vintage borderless double weight matte-finish photograph from the 1958 film showing actors Cary Grant and Sophia Loren. With the stamp of Globe Photos on the verso along with a stamp noting No. 11923A. A widower has trouble caring for his three children after the death of his estranged wife and hires an Italian socialite to be their nanny. Set and shot on location in Washington DC and Maryland. 7.5 x 9.5 inches. Near Fine with light wear to the corners. N.p. unknown
1953ref. 148245Burbank CA: Warner Brothers 1953. Vintage studio still photograph of Vincent Price from the 1953 film. Two "Reporters Associes" stamps on the verso. Based on the 1932 short story "The Wax Works" by Charles S. Belden. Previously filmed in 1933 as "Mystery of the Wax Museum" directed by Michael Curtiz and starring Lionel Atwill and Fay Wray. The first color 3-D feature film from a major American studio which premiered two days after Columbia Pictures "Man in the Dark" the first major black and white 3-D feature. Also the first 3-D movie with stereophonic sound to be presented in a theater. Professor Henry Jarrod Price sculptor of wax figures miraculously manages to survive a fire set by his business partner Matthey Roy Roberts and re-emerges years later opening a new wax museum while corpses mysteriously begin vanishing from the city morgue. Selected for the National Film Registry in 2014. 8 x 10 inches. Light creasing at top else Near Fine. Warner Brothers unknown books
1963ref. 164221Los Angeles: Twentieth Century-Fox 1963. Vintage banner poster for the 1963 film. Rare in this format. An architect and his wife survey an old mansion where the previous tenant an eccentric heiress has disappeared. Strange noises suspicious strangers and vanishing keys ensue. Inspired by the Winchester Mystery House in San Jose California. Shot on location at the Greystone Park and Mansion in Beverly Hills California. 82 x 24 inches. Very Good plus with light soiling and faint rubbing overall. Twentieth Century-Fox unknown books
1963ref. 164221Los Angeles: Twentieth Century-Fox 1963. Vintage banner poster for the 1963 film. Rare in this format. An architect and his wife survey an old mansion where the previous tenant an eccentric heiress has disappeared. Strange noises suspicious strangers and vanishing keys ensue. Inspired by the Winchester Mystery House in San Jose California. Shot on location at the Greystone Park and Mansion in Beverly Hills California. 82 x 24 inches. Very Good plus with light soiling and faint rubbing overall. Twentieth Century-Fox unknown
