11,160 results
1968ref. 170761Los Angeles: Olympic International Films 1968. Eight vintage studio still photographs from the 1968 film. The first of director Lee Frost and producer Bob Cresse's "sex westerns" wherein a Mexican stable boy kidnaps a rancher's wife in revenge for the killing of his sister years earlier. Set in Texas in 1869. 10 x 8 inches. Fine. Olympic International Films unknown
1966ref. 161834New York: Crown International Pictures 1966. Three vintage studio still photographs from the 1966 film. All three photographs with provenance stamps on the versos. Small town girl Sally arrives in New York City to attend college and finds herself living with four worldly-wise roommates who introduce her to wild parties and much more. Shot on location in Manhattan New York. 8 x 10 inches. Near Fine. Crown International Pictures unknown books
1966ref. 161834New York: Crown International Pictures 1966. Three vintage studio still photographs from the 1966 film. All three photographs with provenance stamps on the versos. Small town girl Sally arrives in New York City to attend college and finds herself living with four worldly-wise roommates who introduce her to wild parties and much more. Shot on location in Manhattan New York. 8 x 10 inches. Near Fine. Crown International Pictures unknown
1963ref. 161833N.p.: United Producers 1963. Vintage studio still photograph from the US release of the 1959 British/German film. Also known by the alternative titles "The Treasure of San Teresa" "Long Distance" and "Rhapsody in Blue." An former US spy returns to Europe after World War II in search of a cache of jewels hidden in Czechoslovakian convent. 8 x 10 inches. Very Good plus with a chip in the margin at the bottom left corner. United Producers unknown books
1967ref. 161831N.p.: Audubon Films 1967. Two vintage oversize studio still photographs from the US release of the 1965 French/Italian film. Both photographs with provenance stamps on the versos. Released in France as "La traite des blanches" also known as "I Am a Fugitive from a White Slave Gang." A young girl ends up working at brothel after being seduced by playboy working for a gang of pimps. 8 x 10 inches. Very Good plus one with a diagonal crease to the top left corner. Audubon Films unknown books
1967ref. 161831N.p.: Audubon Films 1967. Two vintage oversize studio still photographs from the US release of the 1965 French/Italian film. Both photographs with provenance stamps on the versos. Released in France as "La traite des blanches" also known as "I Am a Fugitive from a White Slave Gang." A young girl ends up working at brothel after being seduced by playboy working for a gang of pimps. 8 x 10 inches. Very Good plus one with a diagonal crease to the top left corner. Audubon Films unknown
1964ref. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown books
1964ref. 167104N.p.: N.p. 1964. Vintage borderless reference photograph from the 1964 British film showing actress Sylva Koscina undressing. Stamp of photographer Georg Michalke on the verso. Based on Lionel Davidson's 1960 novel "The Night of Wenceslas" about an ordinary man who is unknowingly pulled into a Cold War plot. 9.5 x 7 inches. About Fine. N.p. unknown
1965ref. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown books
1965ref. 161828N.p.: Cresent International Pictures 1965. Vintage studio still photograph from the 1965 film. Provenance stamp on the verso and two labels one obscuring a previous provenance stamp. Myrtle is in search for someone who can satisfy her desires since her husband George either can't or won't. Shot on location in Texas. 8 x 10 inches. Very Good plus with faint creasing. Cresent International Pictures unknown
1967ref. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown books
1967ref. 166208London: Caralan Productions 1967. Shooting Script for the 1968 film copy belonging to Art Director George Provis with his name on the first revision page page 4. The title page includes an ink annotation of the name "S. Siddall" Sid Siddall worked as a Property Master or a Production Buyer on British films and likely worked uncredited in the art department under Provis. Provenance available upon request. George Provis was a British Art Director and Production Designer who began his career working on quota quickies low budget features made to comply with Britain's Cinematograph Films Act of 1927 in the 1930s. After the Second World War Provis was appointed by British film producer Sydney Box to head the art department at Gainsborough Pictures and is credited on over 120 films. Based on the 1964 play by screenwriter Jack Roffey. Ray Milland appeared in the popular 1966 Broadway production of the play which originally opened on the West End in 1964 starring Michael Denison and decided to make a feature film from the play with himself directing in 1967. Although the film was completed in 1968 it wouldn't see a British release until 1970. Ray Milland stars as a barrister who after his daughter is killed in a hit and run accident is determined to find the driver and exact vengeance. After his neighbor is killed in a botched robbery Milland becomes a suspect when a letter is found implicating the neighbor in his daughter's death. Brown untitled wrappers. Title page present noted as Shooting Script with credits for screenwriter Jack Roffey. 140 leaves with last page of text numbered 132. Mimeograph duplication rectos only with pink and green revision pages throughout dated 6.9.67 and 14.9.67. Pages Near Fine wrapper Near FIne bound internally with two flat metal brads. Caralan Productions unknown
1968ref. 143480Tokyo: Toei Animation 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun" also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. A milestone in the history of Japanese animation heralded as the first animated feature to successfully disrupt the Walt Disney paradigm and seen as one of the first to intentionally address an adult audience. Isao Takahata's directorial debut and the first major film of famed Studio Ghibli director Hayao Miyazaki who worked on scene design and key animation for the film. Ostensibly a film about young boy living in ancient Scandinavia who must help instill a community to fight against a great oppressor it carried a strong pro-union and pro-Socialist subtext as Takahata and Miyazaki were staunch union organizers. Studio Toei executives in part in retaliation released the film into theaters for only ten days and it would be some years before the feature would be appreciated fully. Off white wrappers perfect-bound with black titles. Title page present. 164 leaves with last page of text numbered 61. Mimeograph duplication with pink orange green and yellow revision pages. Pages lightly toned else Fine wrapper Near Fine. Toei Animation unknown books
1968ref. 143480Tokyo: Toei Animation 1968. Vintage post-production script for the animated 1968 Japanese film "Horus: Prince of the Sun" also known under the title "The Little Norse Prince." This listing also includes a pamphlet of character designs for the film. A milestone in the history of Japanese animation heralded as the first animated feature to successfully disrupt the Walt Disney paradigm and seen as one of the first to intentionally address an adult audience. Isao Takahata's directorial debut and the first major film of famed Studio Ghibli director Hayao Miyazaki who worked on scene design and key animation for the film. Ostensibly a film about young boy living in ancient Scandinavia who must help instill a community to fight against a great oppressor it carried a strong pro-union and pro-Socialist subtext as Takahata and Miyazaki were staunch union organizers. Studio Toei executives in part in retaliation released the film into theaters for only ten days and it would be some years before the feature would be appreciated fully. Off white wrappers perfect-bound with black titles. Title page present. 164 leaves with last page of text numbered 61. Mimeograph duplication with pink orange green and yellow revision pages. Pages lightly toned else Fine wrapper Near Fine. Toei Animation unknown
1970ref. 134169Beverly Hills CA: United Artists 1970. Draft script for the 1970 film. Set in Italy in 1944 where the entire population of a village has been massacred by the SS except for a group of young boys. Rock Hudson the only US paratrooper left alive after a failed mission to blow up a nearby dam decides to lead the boys on the mission instead. White titled wrappers with credits for screenwriters Schweitzer and Colbert. Title page present with credits for screenwriters Schweitzer and Colbert. 143 leaves mimeograph duplication. Scrip bent at the foredge else pages about Fine in Very Good plus wrappers bound with three gold brads. United Artists unknown books
1970ref. 134169Beverly Hills CA: United Artists 1970. Draft script for the 1970 film. Set in Italy in 1944 where the entire population of a village has been massacred by the SS except for a group of young boys. Rock Hudson the only US paratrooper left alive after a failed mission to blow up a nearby dam decides to lead the boys on the mission instead. White titled wrappers with credits for screenwriters Schweitzer and Colbert. Title page present with credits for screenwriters Schweitzer and Colbert. 143 leaves mimeograph duplication. Scrip bent at the foredge else pages about Fine in Very Good plus wrappers bound with three gold brads. United Artists unknown
1952ref. 167549Universal City: Universal-International 1952. Vintage reference photograph from the 1952 Western film. Printed mimeo snipe affixed to the verso referring to the movie using its alternate release title "The Texas Man." Two brothers return to Texas after the Civil War one becoming a sheriff and the other embarking on a life of crime. 10 x 8 inches. Very Good plus with adhesive residue on the verso corners. Pitts 1936. Universal-International unknown books
1952ref. 167549Universal City: Universal-International 1952. Vintage reference photograph from the 1952 Western film. Printed mimeo snipe affixed to the verso referring to the movie using its alternate release title "The Texas Man." Two brothers return to Texas after the Civil War one becoming a sheriff and the other embarking on a life of crime. 10 x 8 inches. Very Good plus with adhesive residue on the verso corners. Pitts 1936. Universal-International unknown
1986ref. 146954N.p.: N.p. 1986. Final Draft script for an unproduced film. With a small handwritten label on the front wrapper reading "Please return to / Telefilm Canada / 144 S. Beverly Dr. #400 / Beverly Hills CA 90212." Based on Sinclair Ross' 1941 novel about a Canadian family's struggle to survive during the Great Depression. Set in Horizon a fictitious small Canadian prairie town. Silver untitled wrappers with a die-cut title window in the British style. Title page present dated MARCH / 1986 noted as Final Screenplay with credits for screenwriters James de Felice Graeme Gibson and Margret Kopala. 133 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with black comb binding. N.p. unknown books
1986ref. 146954N.p.: N.p. 1986. Final Draft script for an unproduced film. With a small handwritten label on the front wrapper reading "Please return to / Telefilm Canada / 144 S. Beverly Dr. #400 / Beverly Hills CA 90212." Based on Sinclair Ross' 1941 novel about a Canadian family's struggle to survive during the Great Depression. Set in Horizon a fictitious small Canadian prairie town. Silver untitled wrappers with a die-cut title window in the British style. Title page present dated MARCH / 1986 noted as Final Screenplay with credits for screenwriters James de Felice Graeme Gibson and Margret Kopala. 133 leaves with last page of text numbered 122. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with black comb binding. N.p. unknown
1980ref. 163629Los Angeles: AVCO Embassy Pictures 1980. Collection of eighteen vintage studio still photographs from the 1980 film all with bottom margins with text and all with a dated "Oct 10 1980" MPAA stamps on the versos. Based on Brian Garfield's 1975 novel about CIA agent Miles Kendig Matthau who decides to retire and to ensure his privacy threatens to send his memoirs to the world's intelligence agencies. When the CIA disregards his threat he writes and mail chapters one-by-one. To avoid compromising their operations two CIA agents Waterston and Beatty set out to silence Kendig by any means. Shot on location in Georgia England Germany and Austria. 8 x 10 inches Near Fine all with light overall toning. Criterion Collection 163. AVCO Embassy Pictures unknown books
1980ref. 163629Los Angeles: AVCO Embassy Pictures 1980. Collection of eighteen vintage studio still photographs from the 1980 film all with bottom margins with text and all with a dated "Oct 10 1980" MPAA stamps on the versos. Based on Brian Garfield's 1975 novel about CIA agent Miles Kendig Matthau who decides to retire and to ensure his privacy threatens to send his memoirs to the world's intelligence agencies. When the CIA disregards his threat he writes and mail chapters one-by-one. To avoid compromising their operations two CIA agents Waterston and Beatty set out to silence Kendig by any means. Shot on location in Georgia England Germany and Austria. 8 x 10 inches Near Fine all with light overall toning. Criterion Collection 163. AVCO Embassy Pictures unknown
1935ref. 148854Culver City CA: RKO Radio Pictures 1935. Vintage reference photograph from the 1935 film showing actor Bill "Bojangles" Robinson as the mayor of Harlem mirroring his own honorary title. A wealthy young man falls for a New York singer leading her con artist father to use her as a pawn in a money-lending scheme. Set in New York. 10 x 8 inches. Near Fine. RKO Radio Pictures unknown books
1935ref. 148854Culver City CA: RKO Radio Pictures 1935. Vintage reference photograph from the 1935 film showing actor Bill "Bojangles" Robinson as the mayor of Harlem mirroring his own honorary title. A wealthy young man falls for a New York singer leading her con artist father to use her as a pawn in a money-lending scheme. Set in New York. 10 x 8 inches. Near Fine. RKO Radio Pictures unknown
1987ref. 166914Los Angeles: Twentieth Century-Fox Television 1987. Rainbow Revision Draft script for the eighteenth episode of the first season of the 1987-1989 ABC television series which aired on March 16 1988. Script labeled copy number 3 on the front wrapper and title page. Created by Steven Bochco and Terry Louise Fisher the creators of "L.A. Law" "Hooperman" premiered on ABC on September 9 1987 and aired for two seasons and fourty two episodes ending on July 19 1989. John Ritter stars as San Francisco police Inspector Harry Hooperman who inherits the rundown apartment building he lives in and a temperamental Jack Russell terrier when his elderly landlady is killed in a robbery and hires Susan Smith played by Debrah Farentino to manage the building and with whom he becomes romantically involved. In this episode Hooperman enlists the aid of an eccentric pilot in a child runaway case and becomes concerned that Inspector McNeil's eye problems could possibly put them both at risk. Gray titled 20th Century-Fox wrappers. Title page present dated August 06 1987 with credits for screenwriter Rick Kellard. 40 leaves with last page of text numbered 31. Xerographic duplication rectos only with blue pink green yellow and goldenrod revision pages throughout dated variously between 8/13/87 and 8/21/87. Pages Near Fine wrapper Very Good plus bound with two gold brads. Twentieth Century-Fox Television unknown books
