804 resultados
1844ref. 45141Berlin, G. Reimer, 1844. 4to. As extracted from ""Journal für die reine und angewandte Mathematik, 28 Band, 4. Heft, 1844"". Without wrappers and backstrip. Fine and clean. [Eisenstein:] Pp. 289-374. [Entire issue: 289-380 + 2 folded plates].
1986ref. 2092902139203888contemporary planning room 1986. Soft Cover. Fine. The book is in fine condition. contemporary planning room paperback
1986ref. 2111902160801801contemporary planning room 1986. Soft Cover. Fine. Number of books: 1 contemporary planning room paperback
1986ref. 2090202120405617contemporary planning room 1986. Soft Cover. Fine. Number of books: 1 contemporary planning room paperback
1844ref. 45141Berlin G. Reimer 1844. 4to. As extracted from "Journal für die reine und angewandte Mathematik 28 Band 4. Heft 1844". Without wrappers and backstrip. Fine and clean. Eisenstein: Pp. 289-374. Entire issue: 289-380 2 folded plates. First printing of German mathematics prodigy Eisenstein's paper on third degree equations with basis in a devided circle. Even though he died prematurely at the age of 29 he managed to prove biquadratic reciprocity Quartic reciprocity Cubic reciprocity to be imprisoned by the Prussian army for revolutionary activities in Berlin and making Gauss state that: "There have been only three epoch-making mathematicians: Archimedes Newton and Eisenstein". Alexander von Humboldt then 83 accompanied Eisenstein's remains to the cemetery. The papers presented in the present issue is among his most prominent and made him famous throughout the mathematical world. James Driven to innovate P. 88. "The twenty-seventh and twenty-eighth volumes of Crelle's Journal published in 1844 contained twenty-five contributions by Eisenstein. These testimonials to his almost unbelievable explosively dynamic productivity rocketed him to fame throughout the mathematical world. They dealt primarily with quadratic and cubic forms the reciprocity theorem for cubic residues fundamental theorems for quadratic and biquadratic residues cyclotomy and forms of the third degree plus some notes on elliptic and Abelian transcendentals. Gauss to whom he had sent some of his writings praised them very highly and looked forward with pleasure to an announced visit. In June 1844 carrying a glowing letter of recommendation from Humboldt Eisenstein went off to see Gauss. He stayed in Göttingen fourteen days. In the course of the visit he won the high respect of the "prince of mathematicians" whom he had revered all his life. The sojourn in Göttingen was important to Eisenstein for another reason: he became friends with Moritz A. Stern-the only lasting friendship he ever made. While the two were in continual correspondence on scientific matters even Stern proved unable to dispel the melancholy that increasingly held Eisenstein in its grip. Even the sensational recognition that came to him while he was still only a third-semester student failed to brighten Eisenstein's spirits more than fleetingly. In February 1845 at the instance of Ernst E. Kummer who was acting on a suggestion from Jacobi possibly inspired by Humboldt Eisenstein was awarded an honorary doctorate in philosophy by the School of Philosophy of the University of Breslau.Eisenstein soon became the subject of legend and the early literature about him is full of errors. His treatises were written at a time when only Gauss Cauchy and Dirichlet had any conception of what a completely rigorous mathematical proof was. Even a man like Jacobi often admitted that his own work sometimes lacked the necessary rigor and self-evidence of methods and proofs." DSB unknown
1945ref. 16426JMoscow: Goskinoisdat 1945. First Edition. Text and inscription in Russian. Signed presentation copy from film director Sergei Eisenstein to film sound engineer Boris Alexeivich Volsky inscribed in Russian which translated reads: “I am asking my friend Volsky to take this modest gift as a token of admiration With Love Sergei Eisenstein 2nd part of Ivan the Terrible 1/46”. Very good in decorated stamped cloth. A very rare book printed while the Russians were fiercely battling the Nazis this book was printed in very small quantities. Volsky recorded the sound for Eisenstein’s Ivan the Terrible Part One which was being filmed at this time. Original stamped decorative cloth. Very good. Boris Volsky recorded the sound for Eisenstein’s Alexander Nevsky 1938 Ivan the Terrible Part One 1948 and Ivan the Terrible Part Two 1958. Eisenstein’s autograph is a legendary rarity. Goskinoisdat hardcover
1944ref. 16424JMoscow: Goskinoisdat 1944. First Edition. Text and inscription in Russian. Signed presentation copy from film director Sergei Eisenstein to film sound engineer Boris Alexeivich Volsky inscribed in Russian which translated reads: “To dear Boris Alexeivich on a day of joy which I hope will change the misery. With love Sergei Eisenstein December 44”. Very good in decorated stamped cloth. A very rare book printed while the Russians were fiercely battling the Nazis this book was printed in very small quantities. Volsky recorded the sound for Eisenstein’s Ivan the Terrible Part One which was being filmed at this time. Original stamped decorative cloth. Very good. Boris Volsky recorded the sound for Eisenstein’s Alexander Nevsky 1938 Ivan the Terrible Part One 1948 and Ivan the Terrible Part Two 1958. Eisenstein’s autograph is a legendary rarity. Goskinoisdat hardcover
1993A clean, unmarked book with a tight binding. Edge wear to cover. 316 pages.
ref. B9781461344759Paperback / softback. New. Eisenstein v Contents Aneural Systems and Neurobiology: A Point of View . Wood Genetic Dissection - An Approach to Neurobiology 25 Ching Kung Cybernetics and the Behavior of Microorganisms 41 Bodo Diehn Control of Ciliary Activity in Aneural Organisms 59 Miles Epstein Membrane Potential and Behavior: Proposal of a Model System . paperback
2010ref. 45945Berlin: Sternberg Press 2010. Very Good -. Berlin: Sternberg Press 2010. First Edition. Octavo; publisher's white pictorial card wrappers; 253pp.; illus. throughout. Moderate wear and waviness to wrappers light soil else About Very Good and sound. Collaboration between the Kunsthal Antwerpen; the Museum of Contemporary Art Antwerp; the Kunsthalle Bern; the Generalie Foundation Vienna; and the House of World Culture Berlin. Contents include essays on Disney by two different filmmakers Sergei Eisenstein and Oksana Bulgakowa sometimes spelled Bulgakova. Sternberg Press unknown
1906ref. 45283München: Purger. 1906. Karte mit leichten Gebr.spuren, gelaufen, beschrieben, sonst gut
ref. 23366n° 1 - 1965 - supplément à l'avant scène du cinéma N° 44 - broché - 62 pages
1978Full dark brown cloth boards show light wear. Edge worn dust jacket with several tears. 7 1/4"w x 10"h. 272 pages. 212 b&w illustrations.
1971Exhibition catalogue. 111 pages. Comes with small collection of related ephemera.
1962ref. 2080502106602050Japan Art Theater Guild 1962. Soft Cover. Fine. Volume: 1 Japan Art Theater Guild paperback
1962ref. 2090202120412694ATG No.8 1962. Soft Cover. Fine. Number of books: 1 ATG No.8 paperback
ref. 60906U.G.E., 10/18, 1974, 445 pp., poche, traces d'usage, trace d'étiquette sur le dos, état correct.
1999ref. __0821806599Amer Mathematical Society 1999. Hardcover. New. 608 pages. 10.25x7.00x1.75 inches. Amer Mathematical Society hardcover
2005ref. C218030Milan: Mudina/ 5 Continents 2005. Hardcover Hardcover. Very Good. Signed presentation copy from the author. Large octavo. 215pp. Original illustrated hardback. Light bump to foot of spine and slight mark to fore-edge otherwise near fine. No jacket. English and Italian text. Mudina/ 5 Continents, hardcover
1925ref. 168469N.p.: N.p. 1925. Nine reference photographs from the 1925 Soviet silent film seven borderless and two bordered struck and issued by Cinémathèque Française circa 1936. All seven borderless photographs with the stamp of Archives Cinémathèque Française on the verso. A dramatization of a real-life mutiny which occurred on the Russian battleship Potemkin in 1905. The film's violence led to it being banned in West Germany and the UK until 1954 and even after that given an X rating until 1978. It was shown in a much-edited form in East Germany though the US premiere in December 1926 was shown unedited. A written introduction by Leon Trotsky at the beginning of the film was cut from later Soviet prints due to Trotsky running afoul of Stalin. The film's famous sequence showing a massacre by Tsarist soldiers of civilians on the Odessa Steps is considered the first example of a montage sequence in cinema. All photogaphs 5 x 3.5 inches. Generally Near Fine. BFI 1494. Godard Histoires du cinema. Rosenbaum 1000. N.p. unknown
ref. 1453569308.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1846ref. 45142Berlin, G. Reimer, 1846. 4to. In ""Journal für die reine und angewandte Mathematik, 33 Band, 1. Heft, 1846"". In the original printed wrappers, without backstrip. Fine and clean. Last leaf with repair. [Eisenstein:] Pp. 59-70"" Pp. 71-88. [Entire issue: IV, 92, (2) + 2 plates.].
