7 919 résultats
1849réf. 7317New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
1849réf. 4387New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
1849réf. 4396New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
1826In-8 p., mz. pelle coeva (lievi abras.), fregi e tit. oro al dorso, pp. XVI,562, con 1 tav. inc. f.t. Manca il ritratto dell’A. Fioriture e/o arrossature intercalate nel t. Discreto esemplare.
1949réf. 7028Auxerre imprimerie moderne 1949 Auxerre 1949 Plaquette in12, brochée, couverture imprimée, 24pp.
1949In 16 (cm 13,5 x 18,5), pp. 345 + (3). Cartonatura editoriale con sovraccoperta. La sovraccoperta presenta mancanze in particolare al piatto anteriore. Interessante manuale con nozioni per la cura del viso e ricette per la preparazione di creme, maschere, unguenti.
réf. 19973Milan, 1998 octavo 550 p., 173 planches N/B, broché. 21 x 30
2001réf. 100144351Ist.Poligrafico e Zecca dello Stato- Archivi di Stato 2001 in8. 2001. Broché.
réf. 0244641285.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1868réf. 006787London: John Russell Smith 1868. 1st Edition. Hardcover. Very Good/No Jacket. 6.25" x 8.25" Small 4to. Half calf binding green spine label with gilt titling tan buckram boards. liv 616 pp. All edges yellow. Wear to corners rubbing to joints and spine ends. Some soiling and light staining to buckram. Soiled to top edge of text block. Staining and chipping to edges of front pastedown. Professional repairs to front and rear hinges. Interior is bright and clean. Constitutional Club Library bookplate to front pastedown. Subscriber list at rear. A prodigious treatment of the north-eastern British dialect of Cleveland Northumbria. John Russell Smith hardcover
1965réf. 2143427Napoli (Neapel): Libreria Scientifica Editrice 1965. XLI, (1), 196, (2) Seiten. Gr. 8° (22,5-25 cm) Orig.-Broschur. [Softcover / Paperback].
1969réf. 224399Roma: Lerici editore 1969. Hardcover. 181p. text in Italian very good first Italian edition thus in limp red cloth boards in lightly-used red cloth slipcase with white cover labels affixed front and rear. Poeti europei #28. Poetry by the Guatemalan Magic Realist novelist and ambassador to France who was awarded the Lenin and the Nobel Peace Prize. Lerici editore hardcover books
réf. 15203Avignon, Aubanel, s.d. (fin XIXème), 1 1 cahier, petite coupure sans manque. in-8 de 3 pp. ;
1931réf. 123250Milano Officine Grafiche Schor 1931. In 4° mezza tela editor. con titoli al dorso e piatti a stampa illustrati Pp. 105 3 n.n. 108 tavole in nero descritte a piede e con retro bianco pp. 8 n.n. Tutto il testo è in cornice floreale non ripetuta dai disegni di T. Vieroven. Buon esemplare hardcover
réf. 65799Année 1977 - 1er trimestre - Bulletin n° 2 - in-4 broché - revue illustrée - 36 pages
2019réf. 230163New Haven - London: Yale University Press 2019. Rilegato tela con tavola fotografica applicata al piatto anteriore original full cloth with photographic inlay to front cover. Perfetto Mint. Con contributi di Keith F. Davis. Introduzione di Julian Zugazagoitia. Ampiamente illustrato con riproduzioni a colori dei dagherrotipi con le loro cornici originali. 8vo 28x28 cm. pp. 168. Perfetto Mint. Prima edizione First Edition. A fresh comprehensive and critical look at the California gold rush through the lens of the daguerreotype camera. The California gold rush was the first major event in American history to be documented in depth by photography. This fascinating volume offers a fresh comprehensive and critical look at the people places and culture of that historical episode as seen through daguerreotypes and ambrotypes of the era. After gold was discovered at Sutter's Mill in 1848 thousands made the journey to California including daguerreotypists who established studios in cities and towns and ventured into the gold fields in specially outfitted photographic wagons. Their images including portraits views of cities and gold towns and miners at work in the field provide an extraordinary glimpse into the evolution of mining culture and technology the variety of nationalities and races involved in the mining industry and the growth of cities such as San Francisco and Sacramento. Including numerous images published here for the first time this book provides an extraordinary glimpse into the transformation of the American West. Uno sguardo nuovo completo e critico sulla corsa all'oro in California attraverso l'obiettivo della macchina fotografica per dagherrotipi La corsa all'oro in California è stato il primo grande evento della storia americana a essere documentato in modo approfondito dalla fotografia. Questo affascinante volume offre uno sguardo fresco completo e critico sulle persone i luoghi e la cultura di quell'episodio storico visti attraverso i dagherrotipi e gli ambrotipi dell'epoca. Dopo la scoperta dell'oro a Sutter's Mill nel 1848 migliaia di persone si misero in viaggio verso la California compresi i dagherrotipisti che aprirono studi in città e paesi e si avventurarono nei campi d'oro con carri fotografici appositamente attrezzati. Le loro immagini tra cui ritratti vedute di città e paesi auriferi e minatori al lavoro sul campo offrono uno straordinario sguardo sull'evoluzione della cultura e della tecnologia mineraria sulla varietà di nazionalità e razze coinvolte nell'industria mineraria e sulla crescita di città come San Francisco e Sacramento. Con numerose immagini pubblicate per la prima volta questo libro offre uno sguardo straordinario sulla trasformazione dell'Ovest americano. Yale University Press, hardcover
1995réf. 530663Torino: Giulio Einaudi Editore 1995. Hardcover with unclipped dust jacket and slipcase. Text in Italian. Light edgewar to jacket and sunning to jacket spine. Light shelfwear to slipcase. Pages excellent and contents clean throughout. AD. Hardcover. Very Good. Used. Giulio Einaudi Editore Hardcover
197136 pages. Includes piano music, lyrics, chords and illustrations for the following songs: Ars Brevis; The Eternal Twins; Consolation Grook; T.T.T.; Simply Assisting God; Hint and Suggestion; Dream Interpretation; Prayer - to the sun above the clouds; Lilac Time; The Double-Door Effect; Losing Face; The Cure for Exhaustion; Making Sense; What Love is Like; The Central Point; Here It Is; The Road to Wisdom; Do Remember. Gift greetings inside front cover otherwise unmarked with moderate wear. A sound copy. Book
2010réf. 707Trade paperback with minimal shelf wear. Corners are very lightly bumped corners are lightly scuffed and edgeworn. Pages and binding are clean straight and tight. Datura Press paperback
réf. 104957Roma, Viella 1989, 240x170mm, 414pagine, in brossura. Ottimo stato.
1903réf. 620C4London: Edward Arnold 1903. Leather. Fine. 7.5" by 5". None. A handsomely bound volume featuring a collection of Patriotic poetry and verse in relation to the British Empire. New edition. Selected and arranged by Arthur Stanley. With an introduction by the Lord Bishop of Calcutta and the former of Harrow School the Right Reverend J. E. C. Welldon. This patriotic work explore the poetry and verse of the British Empire with love of ones country at the heart of this volume. Bound in an attractive leather binding with gilt detailing to the front board. With a bookplate to the front pastedown stating that the work was awarded to a student of Royal Masonic School 1904. In a full calf binding with gilt detailing to the spine and boards. Externally vert smart with some minor patches of rubbing to the extremities. Prize bookplate to the front pastedown. Internally firmly bound. Pages are bright and clean with very minor spots to the first and last. Fine Edward Arnold hardcover
1977réf. 010861New York: Museum of Modern Art 1977. Un volume di 525 pagine tutta tela editoriale con sovracoperta illustrata. Dimensioni: 24x285 cm. Minime tracce d'uso alla sovracoperta per il resto ottime condizioni. Numerose illustrazioni in B7n e a colori nel testo alcuni su foglio ripiegato. Con contributi di Richard Chafee Arthur Drexler Neil Levine David Van Zanten. In lingua inglese. Sono previste spese di spedizione aggiuntive a causa delle dimensioni e del peso del volume extra charge will be applied due to the weight of the book Museum of Modern Art unknown
réf. 112088Firenze, SISMEL - Edizioni del Galluzzo 2019, 235x150mm, IX- 357pagine, legatura del editore con sovracopperta. Nuovo stato.
1901réf. 002612New York: Wagner Joseph F. 1901. each sermon individually numbered soiled red cloth with faded gilt ltrs on spine corners and edges are bumped/tattered/& worn tight edges soiled with shelf dust. unknown. Hard Cover. G/No DJ. Wagner, Joseph F. Hardcover
réf. 76890Milano, Giunta regionale toscana & Editrice Bibliografica 1989, 300x210mm, VIII - 465pagine, in brossura. Timbro biblioteca. coperchio superiore e fette colorate.
