Reverend T J CampbellBiblio.com
7 768 résultats
réf. A9781162636580New. unknown
réf. B9781162636580New. unknown
réf. B9781498093705Paperback / softback. New. paperback
2024réf. 237079Rotterdam: nai010 publishers 2024. Rilegato hardback. Nuovo New. Una selezione del lavoro di donne fotografe tra il 1859 e il 1999 dalla collezione degli Archivi Nazionali Olanda. Ampiamente illustrato con fotografie a colori e in bianco e nero. Include lavori di Emmy Andriesse Eva Besnyo Maya Pejic Eve Arnold Margaret Bourke-White Maria Austria Ilse Bing Diana Blok Gisele Freund Lotte Jacobi Bertien Van Manen Susan Meiselas Inge Morath Gerda Taro et al. Cm 28x23. pp. 320. Nuovo New. Prima edizione First Edition. Le donne sono state fotografe professioniste sin dall'invenzione della fotografia nel 1839. Tra gli oltre 15 milioni di fotografie conservate negli Archivi nazionali olandesi dell'Aia i curatori di Pioneers - Photography by women hanno selezionato i lavori di 42 donne realizzati tra il 1859 e il 1999. Tutte possono essere descritte come innovatrici il cui lavoro ha aperto la strada alle future generazioni di fotografi. Pioneers si concentra su fotografe note e meno note dei Paesi Bassi e dell'estero. Questa selezione speciale celebra la ricchezza e la diversità della vasta collezione fotografica dell'Archivio Nazionale Olandese. nai010 publishers, hardcover
réf. 43424Society for Promoting Christian Knowledge. London. 1860. . 12th Ed. XIV 15 - 414 4 publications PP with 4 tail pieces plus 16 plates. Fp: Portrait of John Adams. Hard cover gilt device on front cover gilt title and devices on a sunned spine. Foxing spots on outside edges and few pages o/wise contents near fine. 16.6 x 11. Society for Promoting Christian Knowledge. London. 1860. hardcover
1897réf. 138750London: S. P. C. K. 1897. 1st edition. Very Good. small octavo. hardback in decorated cloth xvi 368pp. frontis. illusts. Revised & brought up to date by the Rev. C. C. Elcum. Neat ownership signature on end paper o/w very good copy S. P. C. K. hardcover
2008réf. 003675Milano: Federico Motta Editore 2008. 384 pages; numerous color reproductions. The works of the fifthteenth century painters of Ancona an area on Italy's Adriatic coast. A chapter with catalogue is devoted to each artist or small group of artists. Italian text. First Edition. Cloth. Fine/Fine. 4to. Federico Motta Editore Hardcover
1985réf. 50634Roma De Luca per Banca Toscana 1985. In 4° tela edit. con sovr. pp. 252 con fig. in colore nel testo hardcover
2003réf. 139147Terni 2003 Livre en italien. In-4 Broché sous couverture illustrée à rabats, 29,8 cm sur 21. 120 pages. Bon état d’occasion.
1990réf. CCD02Milano: Cariplo/Cassa Di Risparmio Delle Provincie Lombarde 1990. in Italian; three-line ink inscription in Italian on ffep from Mina Gregori to Dr. Edith Kirsch Professor of Art Colorado College; immaculate and tight; dust jacket lightly edge-worn; 343pp.; a heavy volume requiring additional postage fee. Inscribed by Introduction Author. Prima Edizione. Black Cloth. Near Fine/Near Fine in mylar. Illus. by Color and b&w Plates. Folio. Hard Cover. Cariplo/Cassa Di Risparmio Delle Provincie Lombarde Hardcover
1990réf. 39905Milano Arti Grafiche per Cassa di Risparmio delle provincie lombarde 1990. In 4° tela con sovr. e cofanetto pp. XXII344 con ill. in nero e a col. n.testo hardcover
1970Fratelli Fabbri Editori, 1970. Collana " Mensili D'Arte ". Saggio critico, 60 tavole a colori, note biografiche sui protagonisti. Rilegato con sovraccoperta editoriale. Libro e sovraccoperta in ottime condizioni. Firma di appartenenza. Spedizioni tracciabili con raccomandata in tutta Italia entro 24 ore dall'ordine. Hardback cover with dust jacket, all in good conditions, no price clipped. Signed by previous owner. Worldwide delivery.
1928réf. 75403Milano: Sperling e Kupfer 1928. Cm. 32 pp. 35 1 di testo 120 belle tavole f.t. a colori. Leg. edit. in piena tela blu con titoli a stampa. Pochi segni d'uso buona conservaizone. Sperling e Kupfer hardcover
1993réf. 85664Ferrara Tosi 1993. In 4° bross. pp. XV 396 2 n.n. quasi tutte con le belle immagini in nero e colore unknown
réf. 603026Torino, Banca CRT, 1997. In-4, rel. éd. sous jaquette ill. en coul. et étui, 391 pp., front. en coul., très nb. reprod. en n/b. in-t., 96 pl. de reprod. en coul., texte en italien, bibliographie, index.
1943réf. 009831Firenze: Sansoni 1943. Un volume di VII-637 pagine tela originale con tassello di titolo al dorso. Dimensioni: 22x285 cm. Piccole imperfezioni al tassello col titolo per il resto ottime condizioni. 436 illustrazioni in b/n nel testo. Tiratura di 1000 esemplari. Prima edizione. Sansoni unknown
1987réf. 39902Milano Arti Grafiche per Cassa di Risparmio delle provincie lombarde 1987. In 4° tela con sovr. e cofanetto pp. 352 con ill. in nero e a col. n.testo hardcover
réf. 022022Antoine Mouillaud (?-1858), prêtre, curé de Notre-Dame du Port à Clermont-Ferrand, vicaire général du diocèse de Clermont-Ferrand. P.A.S., Clermont-Ferrand, 18 décembre 1853, 1p in-4. Authentique pour une relique de la vraie croix. Cachet de cire aux armes. [444-2]
réf. 019236[Corse, Evisa] Raphael Battini (XIXe), prêtre, curé d'Evisa de 1861 à 1887. 3 P.A.S., 1876, 3p. Trois certificats de baptême. Un des documents presque entièrement déchiré en deux. [134b]
1990Una prodigiosa epopea umana nel mondo d'oggi. Medici-detective, ricercatori, suore, di fronte al più terribile flagello del nostro tempo, l'aids.
2022brossura "Più in forma più sani" vi propone un percorso di salute affinché voi impariate le semplici regole per far vivere in forma e mangiare in modo equilibrato e sano i vostri bambini. Per fare questo è importante coinvolgere tutta la famiglia verso uno stile alimentare sano e una vita fisicamente attiva; quindi, quando inizierete a leggere questo libro coinvolgete anche i vostri figli.
1849réf. 4369New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
1849réf. 6425New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
1849réf. 7317New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
