7 768 résultats
1849réf. 4387New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
1849réf. 4396New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Matted in Ivory Rag Board 12 x 16 inches. V.G. Audubon, unknown
réf. 9788545200352GENTE. new. Experimente o verdadeiro amor em sua vida e seja curado. Este � um chamado para a transformao que voc sempre quis! O ritmo de nossa vida faz com que percamos o rumo. Abandonamos nossos sonhos esquecemos quem realmente somos e principalmente no entendemos por que Deus permite que tantas aflies e angstias tornem nossa existncia um verdadeiro sofrimento. Quando isso vai parar Quando teremos nosso corao curado O cansao nos abate e precisamos voltar para Aquele que � Maior. Aquele que � capaz de transformar tudo nossa volta capaz de nos tornar homens e mulheres novos alicerados na certeza da f�. Este no � apenas um livro mas uma jornada para atravessar o deserto reconstruir a si mesmo e ter um encontro real com Deus aceitando que Ele cure todas as suas feridas e restaure a sua vida. O padre Fernando Tadeu apresentador da Vida de Televiso o convida a escutar a mensagem que o Senhor traz especificamente a voc. Permita que as hist�rias da B�blia ajam sobre sua vida. Restaure a esperana. Presenteie-se com uma realidade nova. Transforme a orao em um processo de cura. Est� na hora de permitir que o Senhor faa a mudana que precisa ser feita. A cura interior � um presente para quem aceita os planos de Deus. GENTE unknown
1868réf. RO20160881P.M. LAROCHE / L. A. KITTLER. 1868. In-12. Relié. Etat d'usage, Couv. défraîchie, Dos frotté, Quelques rousseurs. 2 TOMES: 252 + 350 pages - plats et contre-plats jaspés - petite étiquette collée sur le plat - petit tampon en debut d'ouvrage - titre, filets, fleurons et tomaison dorés au dos.. . . . Classification Dewey : 200-RELIGION
réf. 1333788339.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 576745No place: The Author 1990. Softcover. First edition. Octavo. 8 leaves printed rectos only. Stapled black card wrappers with applied printed labels. Taped and stapled to rear wrapper is an unopened condom as issued. Inscribed by the author: "To my friend P.J. from Pedro. 38-E. 594-5058." The author is unknown to us. The slim volume came from the library of a noted African-American scholar and the rhymes are reminiscent of rap lyrics but alternatively there is some reason to believe it might be the work of Nuyorican poet and playwright Pedro Pietri. Rare. OCLC locates a single copy SUNY Buffalo. The Author unknown
réf. 576745No place: The Author 1990. Softcover. First edition. Octavo. 8 leaves printed rectos only. Stapled black card wrappers with applied printed labels. Taped and stapled to rear wrapper is an unopened condom as issued. Inscribed by the author: "To my friend P.J. from Pedro. 38-E. 594-5058." The author is unknown to us. The slim volume came from the library of a noted African-American scholar and the rhymes are reminiscent of rap lyrics but alternatively there is some reason to believe it might be the work of Nuyorican poet and playwright Pedro Pietri. Rare. OCLC locates a single copy SUNY Buffalo. The Author unknown books
1976réf. 28427Unione Tipografico-Editrice Torinese. Very Good with no dust jacket. Hardcover. Scholar's bookplate to inner cover G. P. Goold. Faint dustsoiling to top of textblock. Spine a bit sunned.; Latin - Italian text.; Classici Latini; 3; 864 pages . 1976. 8802013772 . Unione Tipografico-Editrice Torinese hardcover
1975réf. 28426Unione Tipografico-Editrice Torinese. Very Good with no dust jacket. Hardcover. Scholar's bookplate to inner cover G. P. Goold. Faint dustsoiling to top of textblock. Spine a bit sunned.; Latin - Italian text.; Classici Latini; 2; 912 pages . 1975. 8802026637 . Unione Tipografico-Editrice Torinese hardcover
réf. 593762Napoli, UNIOR, 2011. In-8 broché, 447 pp., 25 communications en français et 3 en italien.
1560réf. 5055046Lugduni, Apud Matthiam Bonhomme, Sub Claua Aurea [Lyon: Mathieu Bonhomme] 1560. 919 Seiten, (136) Seiten Index. Mit Druckermarke auf dem Titelblatt sowie holzgeschnittenem Kopfstück und zahlreichen Holzschnittinitialen. 8° (17,5 - 22,5 cm). Flexibler Pergamentumschlag der Zeit mit überstehenden, gefalzten Vorderkanten.
1964réf. 157911Firenze (Florenz): La Nuova Italia 1964. LXXVII, 184 Seiten. Kl. 8° (15-17,5 cm). Orig.-Broschur. [Softcover / Paperback].
1953réf. 157907Firenze (Florenz): La Nuova Italia 1953. XXV, 121 Seiten. Kl. 8° (15-17,5 cm). Orig.-Broschur. [Softcover / Paperback].
1865réf. 130779London: Hatchard and Co 1865. First Edition. Hardcover. Very Good. London Hatchard and Co. 1865 the first title; London William White 1856 the second title; and Boston Otis Clapp 1860 the third title. Small octavo 108; vi 136; and viii 80 pages. Green cloth lettered and decorated in gilt on the spine and front cover all edges gilt; cloth flecked and a little rubbed and bumped with minimal wear to the extremities; inner hinges slightly cracked but firm; mild signs of age and use; a very good copy. The contemporary blindstamp of the Adelaide bookseller W.C. Rigby is on the front flyleaf. Hatchard and Co hardcover
1998réf. Q-0899420346Catholic Book Publishing 1998-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Catholic Book Publishing paperback
1998réf. Q-0899420370Catholic Book Publishing 1998-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Catholic Book Publishing paperback
2003réf. Q-089942032XCatholic Book Publishing 2003-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! Catholic Book Publishing paperback
1983réf. 58290UTET 1983-01-01. Hardcover. Very Good. Green boards with gilt lettering and design on spine. Book is in very nice condition text is unmarked and pages are tight. Small name written on first page. UTET hardcover
1724réf. 4129London. A. Bettsworth and W. Taylor. 1724. Full gilt ruled calfgilt ruled spine compartments with gilt -tooled embellishments. Raised bands. 16mo. 6th Edition. Illustrated with frontis and in text embellishments. Covers and spine worn front hinge starting else Very Good with clean crisp internals. A. Bettsworth and W. Taylor. hardcover
1724réf. 4129London. A. Bettsworth and W. Taylor. 1724. Full gilt ruled calfgilt ruled spine compartments with gilt -tooled embellishments. Raised bands. 16mo. 6th Edition. Illustrated with frontis and in text embellishments. Covers and spine worn front hinge starting else Very Good with clean crisp internals. A. Bettsworth and W. Taylor. hardcover books
réf. 9692892492.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 2510MA338Edição: L. I. A. M. S.l. 1991.De 21x155 cm. Com 159 págs. Brochado. Exemplar com etiqueta de cota na capa anterior. SACO MA678-18 unknown
1962(Collana : I Corvi coll. universale moderna n° 83-84 - n. 94).
1953(Collana : I Corvi coll. universale moderna n° 83-84 - n. 66) Antologia tratta dai "Poèmes Saturnies"(1866),"Fètes galantes" (1869),"La bonne chanson"(1870),"Romances sans paroles"(1874),"Sagesse"(1881),"Jadis et Naguère"(1880),"Parallèment"(1889) .
1955In 8 (19x12,5) Brossura; pp. 658; molto buono