2637 risultati
2016rif. 121296gta publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . 2016. 385676349X . gta publishers paperback
2016rif. 123994gta publishers. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened – with a bonus offer-- . 2016. 385676349X . gta publishers paperback
1970rif. 59545Jerusalem Israel: Israel Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Hebrew and English. 64 pp. With 18 ills. 21 x 18 cm. -- with a bonus offer-- . 1970. Israel Museum paperback
1970rif. 59641Jerusalem Israel: Israel Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English and Hebrew. 106 pp. With 76 ills. 21 x 18 cm. -- with a bonus offer-- . 1970. Israel Museum paperback
1970rif. 59647Jerusalem Israel: Israel Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Hebrew and English. 44 pp. With 36 ills. 21 x 18 cm. -- with a bonus offer-- . 1970. Israel Museum paperback
1966rif. 59139Jerusalem Israel: Israel Museum. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in Hebrew and English. 52 pp. With 28 ills. 1 col. . 21 x 18 cm. -- with a bonus offer-- . 1966. Israel Museum paperback
2014rif. 112143Distanz. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2014. 395476072X . Distanz paperback
2011rif. 124264The Jerusalem Post. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. – with a bonus offer-- . 2011. 9659120915 . The Jerusalem Post hardcover
1922rif. 59753Jerusalem Palestine: The American Colony Grand New Hotel 1922. Oblong 4to. 12.25 x 9.5 in. 26 leaves unnumbered. on thick gray paper stock. With 26 mounted sepia-tinted albumen photographs sized 8.5 x 11 in. nearly all w/tri-lingual captions photographer’s imprint & inventory number w/in negative at lower fore-edge minor creasing to a few fore-edges slight over-exposure to a couple images at the lower margins. Contemporary calf-backed olive/myrtle wood beveled boards binding Jerusalem “five-fold” cross carved on center of front cover minor scuffing rubbing very minor split at center glue seam front & back covers minor chipping to lower rear corner brown morocco rebacking still a VG exemplar w/ gift manuscript note “From Genevieve March 2 1922” on front pastedown presented to James Duval Phelan 1861-1930 banker philanthropist and former San Francisco Mayor and later California Senator 1914-1920. Ironically the album appears to have been presented to the rabid yellow peril anti-Japanese & Chinese politico while he traveled around the World through Japan China Hong Kong India Egypt Palestine Constantinople and Europe with Phelan’s Phoenix rising from the ashes San Francisco bookplate on front pastedown. This marvelous souvenir photo album composed of Ottoman-era albumen images captured not only recreated iconic religious scenes but also captured Jerusalemites in city streets and the Holy Land in the opening decades of the 20th Century. The album opens with the image of the “Street Scene inside Jaffa Gate” which captures Frederick Vester & Co.’s American Colony shop and photography studio in the right fore-ground of the image with bustling street and clock tower prominent in the center of the image. The American Colony produced created developed printed hand-coloured and sold thematic photographs stereoviews panoramic photos postcards custom hand-coloured glass lantern slides along with deluxe thematic souvenir albums such as this one. The series included here which incorporates a view of the room for the Last Supper and a nicely composed image of a beautifully terraced Garden of Gethsemane follows with the Stations of the Cross. The often incorporate residents in their daily lives watering donkeys pilgrims praying at Stations merchants and those wandering through the gates and winding streets of the ancient city. The photographers have captured the baroque & ornate Station Calvary the Church of the Holy Sepulchre a view of the Dome of the Rock and a teeming scene of women men and families seated and standing praying at the Wailing Wall. The American Colony emerged from the evangelical “End Times” beliefs inculcated by Horatio Spafford and Anna Larssen Spafford in 19th-Century Chicago who despite their profitable lectures the support & encouragement of Dwight Moody and at best questionable financial chicanery shipped out for the Holy Land in 1881 ahead of their creditors for $ 100000. Eventually the largely “celibate” commune controlled by “Messages from God” to Anna Spafford and through lectures and charity merged with Olof Larson’s “Doomsday” Larsonite believers along with Frederick Vester and a number of photographers began operating the American Colony store near the Jaffa gate and vastly expanding their tourist photographic operations. By 1910 they had several employees and the noted American Colony photographers such as Elijah Meyers and Lewis Larsson extended their talents across Palestine capturing not only the River Jordan but life in Bethlehem Bethany Syria Damascus and many other locations across the Ottoman Empire controlled areas. Although the American Colony projected a harmonious community bound together by simple Christian piety the sect was tightly controlled by Anna who not only restricted and monitored all correspondence by Colony members ordered shunning of those who ignored her dictates and maintained direct control over their finances. She also enforced marital celibacy until she “received a Message” that her daughter Bertha and Frederick Vester could marry in 1904. See: Tom Powers Jerusalem’s American Colony and Its’ Photographic Legacy 2009; Barbara Bair The American Colony Photography Department: Western Consumption and “Inside” Commercial Photography Jerusalem Quarterly No. 44 2010 p. 28. The American Colony, Grand New Hotel, hardcover
1865rif. 19360München, Bernatz, o. J. (um 1865). Ca.36 cm x 59 cm (Bild); ca. 49 cm x 67 cm (ganze Blatt).
1947rif. 383071947. JUDAICAZIONISM. Kriath Kodesh Call to Yeshiva Students. Jerusalem: Kislev 1947-48. Broadside measures 10 by 13-1/2 inches printed on recto. $1800.1947 Jerusalem Orthodox broadside against the Zionists who wish to uproot the Torah illustrative of the conflicts among Zionists and other factions in Jerusalem just prior to the creation of the state of Israel.This broadside states that it is the scholars of Torah who are the Neturei Karta the protectors of the city. The forces which were contending over the nature of the new society were divided into three broad groups Socialist Zionists known as the Histadrut middle-class elements anti-Socialist Revisionists and the Orthodox who could not imagine a Jewish presence in the land which did not exemplify the values and practices of the religious tradition Encyclopaedia Judaica. These three factions came to maturity as the Zionist settlement in Palestine increased tenfold from roughly 60000 in 1919 to 600000 in the 1940s. This broadside goes on to claim Whomever has any relationship with the Zionists-even enlisting in the Haganah-becomes a partner in actions against Judaism. Orthodox elements were dedicated to the building of an institutional power base for religious Jews so that they could compete as equals with the other groups and provide equal opportunity in the new country for those who shared the Orthodox religious faith. This body of opinion was deeply concerned that the total temper of the Jewish community should not be secularized. They did not want to become a religious ghetto in a non-religious Jewish society and they believed that it was their duty to bring religion even to those who opposed it The struggle between the Socialist and the middle-class elements in Israels society has been muted in the generation of statehood for a mixed economy now prevails. The conflict over religion and its relationship to public life has if anything become sharper within the sovereign parliamentary life of the Jewish state Encyclopaedia Judaica. Text in Hebrew. Faint fold lines. Fine condition. Scarce. unknown
1947rif. 383071947. JUDAICAZIONISM. Kriath Kodesh Call to Yeshiva Students. Jerusalem: Kislev 1947-48. Broadside measures 10 by 13-1/2 inches printed on recto. $1800.1947 Jerusalem Orthodox broadside against the Zionists who wish to uproot the Torah illustrative of the conflicts among Zionists and other factions in Jerusalem just prior to the creation of the state of Israel.This broadside states that it is the scholars of Torah who are the Neturei Karta the protectors of the city. The forces which were contending over the nature of the new society were divided into three broad groups Socialist Zionists known as the Histadrut middle-class elements anti-Socialist Revisionists and the Orthodox who could not imagine a Jewish presence in the land which did not exemplify the values and practices of the religious tradition Encyclopaedia Judaica. These three factions came to maturity as the Zionist settlement in Palestine increased tenfold from roughly 60000 in 1919 to 600000 in the 1940s. This broadside goes on to claim Whomever has any relationship with the Zionists-even enlisting in the Haganah-becomes a partner in actions against Judaism. Orthodox elements were dedicated to the building of an institutional power base for religious Jews so that they could compete as equals with the other groups and provide equal opportunity in the new country for those who shared the Orthodox religious faith. This body of opinion was deeply concerned that the total temper of the Jewish community should not be secularized. They did not want to become a religious ghetto in a non-religious Jewish society and they believed that it was their duty to bring religion even to those who opposed it The struggle between the Socialist and the middle-class elements in Israels society has been muted in the generation of statehood for a mixed economy now prevails. The conflict over religion and its relationship to public life has if anything become sharper within the sovereign parliamentary life of the Jewish state Encyclopaedia Judaica. Text in Hebrew. Faint fold lines. Fine condition. Scarce. unknown books
1980rif. 29836ABMchn, Idion Verlag 1980. Schmal-gr.-2°. 18 ungez. Bll.; 15 S. (Erläuterungen). Orig.-Halbpergament mit papierkaschierten Holzdeckeln in Orig.-Papp-Schuber. Der Umschlag der Erläuterungen und hinterer Deckel mäßig fleckig; der Schuber minimal fleckig und an den Ecken etwas berieben. Die Bindung etwas gelockert (beabsichtigt, da Vollfaksimile?).
1880rif. ABC_48518Jerusalem 1880. Later black shark leather. Ca. 20 x 15 cm. With 20 albumen prints each ca. 5.5 x 8.5 cm. Portable album with twenty late 19th-century photographs of various locations in Jerusalem primarily the Western Wall the al-Aqsa Mosque and the Mosque of Omar. The carte-de-visite size images are beautifully sharp and clear with rich tonal quality. They depict both the interior and exterior of the mosques with great detail showcasing the beauty of Islamic architecture.With an owner's inscription in Arabic on the front pastedown. The tissue paper guards are partly browned. Otherwise in good condition. hardcover
1735rif. PHO-674Paris, Charles J.-B. Delespine fils, 1735.T1(4), xvi, (2), 470 pp., ( 22) .T2(3), 521 pp., (14) .T3(6), 558 pp., (17).T4(6), 572 pp., (16).T5 (5), 613 pp., (15). T6 (4) 615 pp., (17) 6 volumes in-12, veau moucheté, dos à nerfs orné avec pièce de titre et tomaison, tranches marbrées (Reliure de l'époque), défauts d’usage, manque au dos , charnières fendues , coiffes arasées .
1720rif. PHO-9761720, à Paris chez Jean Baptiste Coignard , In-12,7ffnch - 398pp- relié plein veau brun, dos à nerfs orné, pièce de titre (petit manque) , tranches mouchetées , coiffes arasées , coins usés(Reliure de l'époque).
1670rif. PHO-2212Lyon, Pierre Compagnon & Robert Taillandier, 1670. In-4° (240x185mm), 6ff.-358pp.-5ff., demi-cuir, dos à nerfs, reliure du XIXe siècle. Légers accrocs aux coiffes, rousseurs, légère mouillure. Restauration sur une carte, derniers feuillets abîmés au centre sans atteinte au texte, déchirure à une carte, taches brunes, coins effilochés sur 7 pages, cartes et planches renforcés, erreur de pagination (page 80) COMPLET avec sa carte et 16 gravures.
1961rif. 64630Paris, Musée des Arts Décoratifs, 1961. 4°. Mit zahlr. tlw. ganzs. bzw. farb. Abbildungen u. einer Orig.-Lithographie von Marc Chagall. 85 (1) S., 1 Bl., Illustr.-OKart.
rif. PHO-1698S.l.n.d. (ca 1629 ou 1630), in-folio de [12 ff. y compris le titre] ; 140 pp. (livres I, II et III ). Demi-vélin ivoire du temps. Frontispice baroque gravé en taille douce par Jean Blanchin et répété aux seconde (manquant pour la seconde partie) et troisième parties, 56 portraits en médaillon dans le texte et une croix, (2 répétés), plans de Jérusalem, La Valette et Ptolémaïde. Ouvrage incomplet des feuillets E 2 et E3, (pp. 51 à 54, ici en copie), rousseurs, mouillures dans la marge intérieure au bas de l'ouvrage, petites restaurations marginales, premier titre frontispice court en tête.
1756rif. 15914Augsburg, Tobias Conrad Lotter, (ca. 1756). Ca. 57 cm x 49 cm. Gerahmt.
1920rif. List1734Jerusalem 1920. Silver gelatin photographs measuring 11 ½ x 9 ¼ inches hand colored. Some light normal wear near fine overall quite attractive and suitable for framing. Fine. The American Colony in Jerusalem started by 1881 by members of a Christian utopian society led by Anna and Horatio Spafford of Chicago developed in the next fifty years into one of the primary photographic historians of the city prior to Zionism. The Spaffords were joined by the Swedish American and Swedish-American Christians. They eventually moved into the former residence of Rabbah Effendi al-Husseini who served as an official during the Ottoman era. The building is the site of the current American Colony hotel. Collected here are seven hand-colored photographs taken and sold during their period of prolific output. They are particularly well preserved examples showing the group's skill for hand coloring. Little is known about the photographers themselves or their processes and the group's history continues to be delineated by curator Rachel Lev who has housed their archive in one of the colony's outbuildings. Original examples of the group's work are not terribly common on the market despite their important role in documenting the region during this period. unknown
1920rif. List1734Jerusalem 1920. Silver gelatin photographs measuring 11 ½ x 9 ¼ inches hand colored. Some light normal wear near fine overall quite attractive and suitable for framing. Fine. The American Colony in Jerusalem started by 1881 by members of a Christian utopian society led by Anna and Horatio Spafford of Chicago developed in the next fifty years into one of the primary photographic historians of the city prior to Zionism. The Spaffords were joined by the Swedish American and Swedish-American Christians. They eventually moved into the former residence of Rabbah Effendi al-Husseini who served as an official during the Ottoman era. The building is the site of the current American Colony hotel. Collected here are seven hand-colored photographs taken and sold during their period of prolific output. They are particularly well preserved examples showing the group's skill for hand coloring. Little is known about the photographers themselves or their processes and the group's history continues to be delineated by curator Rachel Lev who has housed their archive in one of the colony's outbuildings. Original examples of the group's work are not terribly common on the market despite their important role in documenting the region during this period. unknown books
2015New New English Original bdg. Dust wrapper. Oblong 4to. (30 x 34 cm). In English, Turkish, and Arabic. [12], 223, [1] p., color and b/w photos. Jerusalem in photographs from past to present.= Fotograflarla dünden bugüne Kudüs. Photographs (old); IRCICA archives. Photographs (new); Khaled Zaghari. Project managers; Halit Eren, Sefer Turan. This album was published within the framework of the 40th anniversary commemoration of the OIC, which has the problem of al-Quds and Palestine as its foremost cause. Prof. Ekmeleddin Ihsanoglu, Secretary General of the OIC, wrote the Foreword. As he mentions, preservation of the multicultural character of the city with due respect of the populations and the shrines of each faith is an indispensable part of any acceptable solution of the problem. This character is well reflected in the authentic photographs in the album. Due to its special importance, al-Quds/Jerusalem was visited and described by many travelers. Then, the region became the first place of interest of the pioneer photographers. The Ottoman Palace was among the first in the world to acquire photographs of the region. The Yildiz photograph collection which was formed during the reign of Sultan Abdülhamid II contains a large number of them. The album contains the reproductions of 405 photographs gathered from IRCICA's archive comprising the Yildiz Photograph Albums and several other collections. A very heavy volume. Extra shipping fee will be able to request.
rif. 2138BIBLE The five books of Moses. Abel Pann. Jérusalem, the Palestine Art Publishing Co., s.d. Quarante-sept lithographies in folio, légendées en hébreu et en anglais, montées sous cache, précédées d'un f. de titre et d'un f. de préface bilingues hébreu - anglais, l'ensemble conservé dans un étui toilé portant titre et nom d'artiste imprimés. Bien que le titre annonce cent lithographies, ces quarante-sept pièces constituent tout ce qui a paru de cette extraordinaire série. Précieux exemplaire dont toutes les lithographies sont contresignées par l'artiste, l'une d'elles enrichie de plus d'une remarque marginale
1831In-4°; pp. (4), 171, (5), completo delle 33 tavole a colori come indicato nell’Indice delle tavole , la cartina della Palestina è ripiegata, con un piccolo restauro a uno strappo; legatura originale in mezza pelle con titolo impresso in oro al dorso. Giulio Ferrario scrive questa descrizione della Palestina raccogliendo testi già precedentemente scritti sui viaggi in Terra Santa, arricchendolo di immagini colorate tratta da D’Anville, dalle opere di Mayer sull’Impero Ottomano, sulla Siria e la Palestina, anche per facilitare i pittori che devono rappresentare i luoghi santi, i monumenti e costumi di quel tempo e di quei luoghi.
