Jerusalem

Jerusalem — marelibri

'IMÂD EL-DÎN MUHAMMED B. MUHAMMED B. HÂMÎD EL-KÂTIB AL-ISFAHÂNÎ, (1125-1202).MareMagnum

El-Bark el-Sâmî. [= Kitab al-Barq al-Shami]. Vol. 5. Abridged by Al-Bundârî. Published, prepared and introduction by Ramazan Sesen.

1979Fine Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). Reprint in Arabic; large introduction, and annotations in Turkish. [4], [xLvi], 236 p. El-Bark el-Sâmî. [= Kitab al-Barq al-Shami]. Abridged by Al-Bundârî. Published, prepared and introduction by Ramazan Sesen. Muhammad ibn Hamed Isfahan was a Persian historian, scholar, and rhetorician. He left a valuable anthology of Arabic poetry to accompany his many historical works and worked as a man of letters during the Zengid and Ayyubid period. He was born in Isfahan in the year 1125, and studied at the Nizamiyya school in Baghdad. He graduated into the bureaucracy, and held jurisdiction over Basra and Wasit. He then became a deputy of the vizier ibn Hubayra. After the death of ibn Hubayra, he went to Damascus in 1166 CE (562 Islamic Calendar) and entered the service of the qadi of Damascus, Kamal ad-Din. The qadi presented him to the Zengid Nur ad-Din, who appointed him a professor in the school he had established there, which then became known as the Imadiyya school in his honour. Nur ad-Din was later appointed to be his Chancellor. After the death of Nur ad-Din in 1174, Imad ad-Din was removed from all his bureaucratic duties, and was banished from the palace. He went to live in Mosul and later entered the service of Saladin, the Kurdish Sultan of Egypt during that time. When Saladin took control of Damascus, Saladin's vizier, al-Qadi al-Fadil, appointed him chancellor, and he also became al-Fadil's deputy. Saladin had been unsure of his talent because he was only a scribe, Imad ad-Din soon became one of the sultan's favourites. As chancellor he did not have to perform the everyday duties of the chancery scribes, and he had a lot of leisure time in Egypt. From then on he accompanied Saladin on all his campaigns. After a certain raid, he was chosen to kill one of the prisoners, but the prisoner was a child and was instead exchanged for a Muslim prisoner held by the Crusaders. Imad ad-Din was present at the Battle of Marj Uyun, the Battle of Hattin, and the subsequent campaign to expel the Crusaders from the Holy Land. At Acre, he criticized Saladin for giving away the city's treasure instead of spending it on the reconquest. At Beirut, he became ill, but was the only scribe capable of writing the terms of surrender. He had recuperated in time to see the aftermath of the Siege of Jerusalem (1187), where he again criticized Saladin's generosity; he was also disgusted by those in charge of the ransom who took bribes, and the rich Crusader nobles who took their treasures with them rather than ransoming the poor. He was present at Acre again during the Third Crusade when the Christians retook the city of Acre, and was among those who fled after the defeat. After Saladin's death in 1193, he began writing his biographies of the sultan. He wrote the Kitab al-Barq al-Shami, which is lost, but was abridged by al-Bundari. This study contains just 5th volume of manuscript abridged by Al-Bundârî.

Bookshop Khalkedon Books, IOBA, ESA · Turquie32,45 €

Louis Henri LaffilléeLivre Rare Book

Entrée du temple de Jérusalem — Dessin original signé

1930réf. boz_006191Louis Henri Laffillée. Dessin original signé de ses initiales Réalisé à l'encre vers 1930 Entrée du temple de Jérusalem Reproduit dans son ouvrage « L'architecture et la décoration de l'âge de pierre à nos jours » Tome II page 571 sous le numéro 760 (voir photo) Voir également dans mes autres ventes un important ensemble d'oeuvres originales de cet artiste... Dimensions de la feuille :24x18 cm État : Voir photos et description pour plus de détails. "L'architecture et la décoration de l'âge de pierre à nos jours" fut publié en 1939 en trois tomes avec plus de 1700 figures. Dans celui-ci Henri Laffillée élargit son champ d'étude à l'histoire de l'architecture, soulignant la continuité des formes artistiques. À travers une méthode visuelle, il simplifie l'enseignement de l'art, proposant une approche didactique novatrice. Louis Henri Laffillée, né en 1859 à Paris et décédé en 1947, a restauré des édifices emblématiques tels que la cathédrale de Reims et l'abbatiale Sainte-Foy de Conques. M. Laffillée, fut également architecte en chef des monuments historiques, service qu'il quitta en 1921 après une carrière remarquable. Henri LAFFILLÉE Louis Henri Laffillée est un architecte français, architecte en chef des monuments historiques et architecte diocésain né à Paris le 3 avril 1859 et mort à Paris 16? le 2 mai 1947. Wikipédia Contactez-nous Lettres autographes, vieux papiers, livres anciens, photographies, gravures, timbres... Nous expertisons et/ou rachetons dans toute la France vos lettres, collections de lettres et livres anciens. Une question ? Une précision ? N'hésitez pas à me contacter Paiement Sont acceptés les paiements par eBay, par PayPal, par virement ou par chèque. Envoi Envoi soigné dans un emballage rigide et étanche sous trois jours. Prévoir les délais postaux habituels en plus. Retour Satisfait ou remboursé. Si vous n'êtes pas entièrement satisfait, retour à la charge du vendeur pour l'Europe. À la charge de l'acheteur pour le reste du monde.

L'Art Délivré · Fondettes, France120,00 €

Pseudo-Eusebius of Cremona, Pseudo-Augustine, Pseudo-Cyril of Jerusalem, JeromeBiblio.com

Epistola de morte Hieronymi; Epistola ad Cyrillum de magnificentiis Hieronymi; Epistola de miraculis Hieronymi; Vita Sancti Hieronymi; Vita sancti Pauli; illuminated medieval manuscript on parchment

réf. TM 656ILLUMINATED MEDIEVAL MANUSCRIPT IN LATIN ON PARCHMENT Northern Italy c. 1440-1470. 203 x 153 mm. 70 folios complete collation i-vii10 remnants of quire and leaf signatures flourished vertical catchwords written in a humanist minuscule on 30 long lines justification 147-149 x 95-100 mm horizontal lines ruled very lightly in ink single vertical bounding lines ruled in lead prickings remain in top and bottom margins on some leaves rubrics and paragraph marks in pale red two-line red or blue initials with contrasting pen flourishes in violet or red two five-line blue initials ff. 29v and 35 infilled and on square grounds of elaborate penwork; f. 64v seven-line polished GOLD INITIAL with white vinestem decoration extending along twenty lines of text and into the upper margin infilled and edged in deep red and blue with numerous tiny silver dots; f. 1 five-line polished GOLD HISTORIATED INITIAL of St. Jerome bearded and dressed in red standing before a Crucifix with a hilly landscape in the background on a white vinestem ground extending into a FULL WHITE VINESTEM BORDER infilled and edged in deep red and blue with tiny silver dots and an erased coat of arms in lower margin with modern F.A. BINDING: Early almost certainly contemporary reddish-brown leather over wooden boards flat spine with three slightly raised bands head and tail bands clasp and catch fastening front to back with brass catch lettered ave front cover decorated most likely in the nineteenth century with an attractive painted border in green orange and gray connecting four brass studs and the title De laudibus et miraculis divi Hieronymi with initials F.C. at the bottom back pastedown is leaf from a late fourteenth-century Italian copy of Donatuss Latin grammar front pastedown shows offset script from removed pastedown from a fourteenth-century Italian text in Latin verse. TEXT: This manuscript is a vivid witness to the importance of St. Jerome in fifteenth-century Italy and includes the foundational texts for his cult: three letters regarding his death miracles and titles to glory and veneration and purporting to be written by three contemporaries of St. Jerome c. 347-420 namely St. Eusebius of Cremona d. 423 St. Augustine of Hippo 354-430 and Bishop Cyril of Jerusalem c. 313-386 but probably written in Rome at the end of the thirteenth or beginning of the fourteenth century; a life of St. Jerome by an unknown author probably writing in Italy in the twelth century; and Jeromes own life of St. Paul the Hermit written in 374 or 375. These texts were widely disseminated in both Latin and in vernacular translations and they influenced the work of numerous writers and visual artists. ILLUSTRATION: The iconographical choice in the historiated initial f. 1 to depict the ascetic Jerome contemplating the Crucifixion dates from c. 1400 in Italy and can be particularly associated with Hieronymite congregations in Tuscany. PROVENANCE: Copied in Northern Italy in the middle years of the fifteenth century as suggested by the evidence of the script and decoration; the penwork initials in particular seem to point to Northern Italy. The manuscript almost certainly once included the coat of arms of its original owner in the lower margin of the illuminated border on f. 1. Three sets of initials are inscribed in three different hands all possibly initials of owners: within the roundel on f. 1 a modern owner inscribed an outline of a shield in pen and the initials F.A.; inside front cover white embossed seal with the initials L.F.; on front cover as part of the added decoration F. C. CONDITION: Slight loss of the leather at the back top of the spine and over the lower band of the binding; top of the painted border on f. 1 is very slightly trimmed; f. 1 is darkened; and there is some soiling throughout but overall in very good condition. Full description and photos available TM 656. hardcover