25 475 résultats
1997réf. 166527Boston: Bulfinch Press 1997. First Edition. Softcover. First Edition. Illustrated with 650 color 405 halftone and 150 duotone illustrations. Published in conjunction with a traveling exhibition which opened on November 8 1997 at the Whitney in New York and closed at the Andy Warhol Museum in spring of 1999. Near Fine in perfect-bound wrappers. Bulfinch Press unknown
1997réf. 166527Boston: Bulfinch Press 1997. First Edition. Softcover. First Edition. Illustrated with 650 color 405 halftone and 150 duotone illustrations. Published in conjunction with a traveling exhibition which opened on November 8 1997 at the Whitney in New York and closed at the Andy Warhol Museum in spring of 1999. Near Fine in perfect-bound wrappers. Bulfinch Press unknown books
réf. 200815592Paris, Editions générales first, 1995 ; in-8, 264 pp., broché, couverture illustr.
1994réf. 42002Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. Near Fine. Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. First Edition. Slim oblong quarto; publisher's gray pictorial staplebound wrappers; 20pp.; halftone illus. throughout. Very light wear to margins else Near Fine. Inscribed and signed on title page "11/7/94 / To David / Annette Lemieux. Davis Museum and Cultural Center, Wellesley College unknown
2010réf. 33409Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. Near Fine. Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. First Edition. Quarto; publisher's maroon leatherette lettered in yellow and black; 229pp.; photographs throughout many full-color. Spine crown a bit bumped else a Near Fine example. Catalog accompanying the "mid-career presentation" of works by Annette Lemieux b. 1957 a member of the picture theory movement which emerged in the 1970s and 1980s. Krannert Art Museum and Kinkead Pavilion unknown
1994réf. 42002Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. Near Fine. Wellesley MA: Davis Museum and Cultural Center Wellesley College 1994. First Edition. Slim oblong quarto; publisher's gray pictorial staplebound wrappers; 20pp.; halftone illus. throughout. Very light wear to margins else Near Fine. Inscribed and signed on title page "11/7/94 / To David / Annette Lemieux. Davis Museum and Cultural Center, Wellesley College unknown books
2010réf. 33409Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. Near Fine. Seattle WA: Krannert Art Museum and Kinkead Pavilion 2010. First Edition. Quarto; publisher's maroon leatherette lettered in yellow and black; 229pp.; photographs throughout many full-color. Spine crown a bit bumped else a Near Fine example. Catalog accompanying the "mid-career presentation" of works by Annette Lemieux b. 1957 a member of the picture theory movement which emerged in the 1970s and 1980s. Krannert Art Museum and Kinkead Pavilion unknown books
1988réf. 103983Paris, Judith Henry 1988 In-8 20 x 14 cm. Broché, couverture blanche à rabats, titre en noir sur le dos et le premier plat orné en bleu, 350 pp., 37 planches hors-texte, table des matières. Exemplaire à l’état neuf.
2012réf. 225421Saint Louis Art Museum/Yale U. Press 2012. First edition first printing. Hardcover in dust jacket. Fine in fine dust jacket in mylar cover. Saint Louis Art Museum/Yale U. Press hardcover
réf. 201008622Paris, Presses de la cité, 1990 ; in-8, 287 pp., broché, couverture illustr. Bon état - rousseurs, bruni.
réf. 201600691Paris, Seghers - biographie, 1896 ; in-8, 501 pp., broché, couverture illustr. Du Danemark au Kenya : toute la vie de l'auteur de LA FERME AFRICAINE - exemplaire ptes usures un peu écorné.
réf. 200713222Paris, Seghers - biographie, 1896 ; in-8, 501 pp., broché, couverture illustr. Du Danemark au Kenya : toute la vie de l'auteur de LA FERME AFRICAINE.
réf. 200614936, Editions n°1, 1999 ; in-8, 283 pp., broché, couverture illustr.
réf. 201322754, Léandre, 2013 ; in-8, 79 pp., br.
1998réf. 25130Abrams 1998 In-4, pleine toile rouge editeur sous jaquette illustree. 376 p. 163 reproductions n&b et couleurs in-texte, 91 planches couleurs, 24 illustrations n&b, 3 cartes. Texte en anglais. Tres bon etat d’occasion.
réf. 14802Revue des sciences humaines, N°216, Lille, 1989. In-8°, broché.
1992réf. 44607Kansas City MO & Seattle WA: Nelson-Atkins Museum of Art Univ. of Washington Press 1992. Folio. 475 1 pp. 100s of colour and blk & wht text illusts. many full page some double-page. Colour-illust. softcvrs mnr shlfwr slght rubbng still a VG copy. First softcover edition of this massive catalogue of the works of the famed 16th-Century Chinese painter calligrapher and art theorist. This exhibition catalogue draws heavily from the Beijing Palace Museum. Nelson-Atkins Museum of Art, Univ. of Washington Press, paperback
1900réf. 15050Paris: Felix Juven 1900. New Edition augmented. Hard Cover. Very good. Ca. 1900 not dated; first published in 1867. A signed presentation copy to Madame 'Vatsamachi' unclear by Judith Gautier the first woman elected to the Academie Goncourt and the daughter of the poet and dramatist Theophile Gautier. With the initials LV at the base of the spine. Judith Gautier was an artist poet novelist and orientalist the friend and collaborator of artists such as Wagner Hugo and Sargent who painted a full length portrait of her. She wrote poetry prose essays and articles; her creative work drew on Middle Eastern Japanese and Chinese sources. She studied Chinese at a young age from Tin Tun Ling a Chinese man brought to Paris by the bishop of Macao to work on a French-Chinese dictionary. This is an anthology of Chinese poetry translated into French one of the earliest translations of Chinese poetry published in a European language. Each page is decorated with varying Art Nouveau inspired designs around the borders with poems grouped by topic such as: 'Les Amoureux' 'La Lune' 'Les Voyageurs' 'La Cour' 'La Guerre' 'Le Vin' 'L'Automne' and 'Les Poetes'. Signed presentation copy. "Nouvelle edition considerablement augmentee et ornee de vignettes et de gravures hors texte d'apres les artistes chinois". 8vo 279pp with black & white illustrations after Chinese artists. Half dark red gilt decorated cloth and marbled boards gilt title to red spine label. Corners and head and tail of spine gently rubbed. The rear free end paper missing. HK2700. Felix Juven unknown
2000réf. 23923New York:: Abrams 2000. First Printing of the First Edition. A Fine copy in a Fine bright dust jacket. The drawings in this volume date from 1915 to 1965 and chart the development of O'Keeffe's personal abstract vision. Essays by well-known scholars place her works on paper in context of her American modernist contemporaries and the Stieglitz circle in particular. This collection contains 88 of O'Keefe's watercolors charcoals and pastels--55 in color. Abrams, unknown
réf. 48982N.p.: Communist Party USA 1990. Staple-bound pamphlet 11" x 8-1/2"; 31pp. Fine. Includes full text of reports by Monteiro "Update on the Struggle for Equality"; LeBlanc "The Winston Enrollment Campaign"; Tyner "Highlights & Lessons of the 1989 Elections"; Webb "Developments in the Working Class and Trade Union Movements". unknown books
réf. 200812905Montreal, Editions Brimar, 1992 ; in-4, 256 pp., cartonnage d'éditeur avec jaquette. Poissons et fruits de mer pour tous les gouts.
réf. 200604521, Editions rodale, 1989 ; in-8, 489 pp., cartonnage de l'éditeur.
1993réf. 71868Washington DC & NY: Hirschhorn/Rizzoli 1993. First edition. 218 pp. Near fine in near fine dust jacket with a short closed tear at the crown. Washington DC & NY: Hirschhorn/Rizzoli unknown books
1990réf. 78896Pittsburgh: University of Pittsburgh Press 1990. First edition. xxii 423 pp. Fine in full blue cloth with gold stamping to spine and front cover. No dust jacket as issued. Pittsburgh: University of Pittsburgh Press, hardcover books
1989réf. SKU2020025217The Greenwich Workshop 1989. Softcover. Like New. 10x8x0. Over 50 Color & b/w Illustrations. Signed by Author. A scarce early catalog. Signed "Bev Doolittle" on half title page. Bev Doolittle is one of America's most collected artists. Her camouflage art is loved by art collectors around the world. Through sheer force of talent and dedication she has achieved a status in the art world few contemporary artists even dream of. Crowded with intricate visual detail haunted by presences seen and unseen her paintings captivate the viewer on many levels. The Greenwich Workshop paperback
