Abraham

Abraham — marelibri

Civil War Emancipation Maine Farmer Newspaper Printing of the Emancipation Proclamation 1863

1863réf. 182911863. Maine Farmer. January 8 1863 prints the full text of Abraham Lincoln's Emancipation Proclamation within one week of its issuance providing contemporaneous evidence of how federal emancipation policy was circulated to the Northern public during the Civil War. Published just days after January 1 1863 the issue situates emancipation alongside ongoing war reporting integrating the declaration of freedom for enslaved people in Confederate states into the broader military and political narrative of the Union war effort. Introduced under the subheading "The following is the text of the President emancipating the slaves in the rebellious states" the proclamation asserts federal authority through wartime powers declaring that "all persons held as slaves within said designated States and parts of States are and henceforward shall be free" and further authorizes the enlistment of Black men into the armed forces. The proximity of this text to battlefield reports and personal correspondence underscores the immediacy with which emancipation entered public discourse as both military strategy and social transformation. Maine Farmer. Vol. not stated. Maine January 8 1863. 4 pages. Newspaper format. The Emancipation Proclamation appears in full on the second page accompanied by additional Civil War coverage including reports of troop movements battle outcomes and casualties. On the same page a letter from a Union soldier of the 16th Maine Regiment written at the Battle of Fredericksburg reads in part: "Dear Father I write you while lying on the battlefield wounded perhaps fatally. Tell mother I think of her while lying here and wish I had her to be with me in my last parting moments." An editorial note explains that the letter was written in pencil on the battlefield the paper "tinged with blood" and that the soldier died the following day linking the proclamation directly to the lived experience of wartime sacrifice. Issued at a turning point in the Civil War the publication captures the intersection of emancipation policy military necessity and public communication in the Union states. The inclusion of both the proclamation and firsthand testimony from the battlefield demonstrates how questions of slavery citizenship and national survival were experienced simultaneously at the level of policy and individual life. Newspapers such as this served as primary vehicles through which federal decisions reached civilian audiences shaping understanding of the war's aims and consequences. Small edge tears and light foxing present not affecting text. Overall very good. unknown books

Max Rambod Inc. · États-Unis750,00 $US≈ 671,32 €

Abraham LincolnABAA

Civil War Presidency Abraham Lincoln Portrait Stereoview Based on the February 1865 Lewis Emory Walker Photograph

1865réf. 136231865. Lincoln Abraham. Late Civil War portrait of Abraham Lincoln derived from a February 1865 photograph taken during the final months of the American Civil War. The image records Lincoln near the conclusion of the conflict that preserved the Union and ended legal slavery in the United States. Created shortly before his assassination in April 1865 the portrait captures a visibly worn president whose appearance reflected the physical and political strain of leading the nation through four years of war. The photograph was long attributed to Mathew Brady but was actually taken by government photographer Lewis Emory Walker and issued commercially through the New York photographic publishers E. & H. T. Anthony. The portrait belongs to a group of late images that document Lincoln's appearance in the closing weeks of the war. Stereoview photograph published by Keystone View Company reproducing the 1865 Walker portrait of Abraham Lincoln. Keystone stereograph number 92. The mount bears the Keystone biographical text about Lincoln on the verso together with the company's copyright notice. A handwritten pencil notation on the reverse references the earlier attribution of the photograph to Mathew Brady. The portrait shows Lincoln with closely cut hair a style that contemporary accounts suggested was recommended by his barber in preparation for the creation of a life mask by sculptor Clark Mills. Photographic portraits of Lincoln produced during the final months of the Civil War became some of the most widely circulated visual representations of the president after his assassination in April 1865. Images such as this stereographic reproduction contributed to the creation of Lincoln's public memory in the late nineteenth century when photographic publishers issued stereographs and other prints that allowed Americans to view notable figures through emerging visual media. Stereographs played an important role in popular visual culture during this period offering audiences three dimensional photographic views through stereoscopic viewers and distributing portraits of political leaders to a wide national audience. Light wear consistent with age and handling. Overall condition good to very good. unknown books

Max Rambod Inc. · États-Unis750,00 $US≈ 671,32 €

Abravanel, Isaac; Moshe Alshich; Judah Loew ben Bezalel (the Maharal); Shlomo Ephraim Luntschitz (commentaries by); Abraham benABAA

Ma'aleh Bet Horin Ve-hu Seder Hagadah Shel Pesah/ Hagadah Shel Pesah ke-Minhag Ashkenazim ukhe-Minhag Sefaradim THIRD EDITION OF THE AMSTERDAM HAGGADAH MISSING THE MAP

1781réf. 32033Amsterdam: Yaccov Proops 1781. Third edition. Hardcover. g-. Quarto. 2 52 double-sided leaves. Rebacked in modern brown leather spine over original period brown leather boards. Gilt lettering and ruling on the spine. Modern endpapers. Profusely illustrated throughout with copperplate engravings. Includes both an initial illustrated title page with copperplate engravings surrounding the text Ma'aleh Bet Horin and a printed title page with decorative woodblock borders and the publisher's device. In addition to the Hebrew text a few sections throughout are in Judeo-German Yiddish printed in Vaybertaytsh script. This third edition of the famous Amsterdam Haggadah found the work reformatted into a smaller size and saw the title officially changed to Maleh Beit Horin meaning "house free men". Most of the same famous copperplate engravings by Abraham ben Jacob aka Abraham bar Yaccov that previously appeared in the 1695 and 1712 editions are retained here. The two images added to the 1712 second edition are included the illustrated order of the Seder and the complete ten plagues but four of the full series of images included in the first two editions are not present. These missing images are Abraham smashing the idols of his father Moses receiving the Ten Commandments a Mount Sinai Moses and Aaron coming to Pharaoh and the Holy Temple in Jerusalem. In our copy the engraved title and three other other engravings contain contemporary hand-coloring the rabbis of Bene Brak the Four Sons the angels visiting Abraham. The text of this third edition replaces the complete running commentary from Isaac Abravanel of the earlier editions with 3 additional text commentaries. These include the "Gevurot Hashem" from the Maharal of Prague Judah Loew ben Bezalel writings by Rabbi Moshe Alshich and "Olelot Ephraim" a collection of ethical homilies by Rabbi Shlomo Ephraim Luntschitz. However Abravanel's commentary is present following Yishtabach through the end of the Seder and in the initial six-leaf section preceding the text of the Passover seder which discusses the laws of Passover. This copy is lacking the original engraved map of the Holy Land at the rear as it was originally issued. Binding with some rubbing and abrasions to the original boards and spine. Interior with heaving staining to pages throughout with text still legible. Biding and interior in in good- condition overall. Hebrew title: מעלה בית חורין ×•×”×•× סדר הגדה של פסח Alternate Hebrew title: הגדה של פסח: כמנהג ××©×›× ×–×™× וכמנהג ×¡×¤×¨×“×™× Publication: יעקב פרופס ××ž×©×˜×¨×“× תקמ"× Alternate transliterations: Ma'ale Bet Horin Ma'ale Beit Khorin Ma'ale Beit Chorin Ma'ale Beit Horin Bibliographic references: Yaari 199 Vinograd: Amsterdam 2113 Yudlov 300 Yerushalmi: Plate 75 This contravenes the statement made by Yerushalmi Plate 75 that all of the engravings of the previous editions are retained. Yaccov Proops hardcover books

Eric Chaim Kline - Bookseller · États-Unis750,00 $US≈ 671,32 €

Abulafia, Meir ben Todros HaLevi ("Ramah"); Yosef Elia HaLevi (ed); Bezalel ben Abraham Ashkenazi (commentary)ABAA

Yad Ramah On Tractate Bava Batra in 2 vols.

1791réf. 48770Thessaloniki: Mordekhai Nahman ve-David Yisraelig'ah 1791. First edition. Hardcover. g- to vg-. Two volumes large quarto. Vol.1: 2 157. Vol.2: 3 158- 274 1 35. Double-sided leaves. Rebound in modern burgundy mottled faux-leather boards with gilt lettering on the front covers gilt lettering and ruling on the spines. Edges of the book block in red. Title pages bordered with small woodcut motifs. The first printed edition of this commentary on the Talmudic tractate Bava Batra by famed mediaeval Spanish Rabbi Meir Abulafia aka 'The Ramah' c. 1170 - 1244. The work is one of only three surviving parts Tractates Bava Batra Sanhedrin and Kidushin plus the fourth chapter of Tractate Gittin from his larger series of his Talmudic commentaries known as Yad Ramah meaning "Hand of the Ramah" or "The Upraised Hand". The final section of the second volume contains Shiyur Shitah Mekubetset with its own title page a subsequent commentary on the work by Rabbi Bezalel Ashkenazi c. 1520 - c. 1592 and an approbation at the start of the first volume by editor Yosef Elia Halevi. The first volume includes a few illustrated figures and diagrams on leaf 123. Text throughout in Hebrew printed in Rashi script in a two column format. Bindings with minor rubbing bumping and damp staining to the corners. Minor scratches and smudges to the covers. Title page in volume one torn along the left margin. Title page of volume torn along the left margin with no loss of text. Title page of volume 2 with tears worming and staining with some loss of text. Volumes quite clean overall with only minor sporadic staining in the margins. Worming throughout both volumes with some loss of text mostly in the second volume. A few pages throughout the volumes have been repaired with tape. Bindings in very good- interiors in good- to good condition overall. Scarce. Hebrew title: יד רמה Authors: רבי ×ž××™×¨ הלוי ××‘×•××œ×¢×¤×™×™× הרמ"ה יוסף ××œ×™×” הלוי ×‘×¦×œ××œ בן ××‘×¨×”× ××©×›× ×–×™ Publication: ×©××œ×•× ×™×§×™ בדפוס ×”×©×•×ª×¤×™× מרדכי נחמן ודוד ×™×©×¨××œ×™×’'ה Bibliographic references: Vinograd- Salonica 407. Mordekhai Nahman ve-David Yisraelig'ah hardcover books

Eric Chaim Kline - Bookseller · États-Unis750,00 $US≈ 671,32 €

Kupfersztoch, A I (Abraham Isaac Kupfersztoch/Kupperstock)ABAA

Biblja Mojzesza tom 1. Rozd. 49

réf. 37867Warsaw: NP n.d. Softcover. g. Octavo. 4 page folded pamphlet. Orange label with black text tipped on the cover titled "Objasnienie" Explanation. The publication offers an explanation of Genesis 49:1 in which Jacob offers his sons a prediction of the end. Basing himself on the 15th century biblical commentator Isaac Abarbanel R. Abraham Kupfersztoch's father took each letter from the verse and produced a prophecy about a world war in which the Russians English Serbians French Italians and Romanians fight against Germany and Turkey. Germany would invade and defeat Russia Poland would gain its independence and the Jews would return to Israel. This process was done in a similar fashion to modern day biblical interpretations known as the "Bible Code". This brand of apocalyptic prophecy was influenced by Abarbanel who read Daniel as predicting an apocalyptic war between Christians and Muslims. Kupfersztoch's prediction was made in 1905 and it appeared to be on its way to fulfillment with the beginning of World War I. His empathy for Polish nationalists is quite striking as it goes against the common view of Polish-Jewish relations as being uniformly negative. Text in Hebrew and Polish. Some marking in pen and underlying in crayon. Overall in good condition. Abraham Isaac Kupfersztoch aka Kupperstock Poland - 1940 Berlin the author was an eccentric Hassidic Rabbi originally from Warsaw. He aided Germany during World War I by providing secret plans of the layout of Russian defenses. His reasons for doing this were based both an personal animus he harbored towards the Russians for executing some of his students years earlier and also likely in connection with this prophecy. As a consequence of his actions during the war he was granted German citizenship. He lived in Berlin and operated a Yeshiva there up through the Nazi period. He was even given financial support from the government and amazingly was one of an extremely rare class of Jewish citizens to have actually been given protection from anti-Semitic actions and persecution during the period. An extraordinary story reports that his yeshiva was in fact guarded from violence during the infamous Kristallnacht by a squad of SS members. Upon his death of natural causes in 1940 his students were subsequently no longer shielded from the Holocaust and were sent to concentration camps. NP unknown books

Eric Chaim Kline - Bookseller · États-Unis750,00 $US≈ 671,32 €

Cornelis Bloemaert (ca1603-1692), after Abraham Cornelisz Bloemaert (1564/66-1651) a 1Biblio.com

7 Antique prints engraving Bloemaert: Otia delectant 10-16 published ca. 1630 7 pp.

réf. K80103Seven plates 10 to 16 from a set of sixteen pastoral scenes titled Otia delectant The Leisure series.10 Man lying on his stomach looking at an angel in the background;11 Five men drinking one vomiting;12 A woman holding a baby another with a basket on her lap and a boy;13 A traveller sleeping against a boulder and another with a dog;14 Shepherd sleeping with two armed soldiers;15 Man and woman sleeping with a dog;16 Two farmers and a child resting.Each plate bears two lines of Latin text at bottom. Text by Hendrik de Roij 'city physician of Utrecht and a nephew of Abraham's n.d.r. Bloemaert second wife' Eddy de Jong Mirror of Everyday's life 1997 cat. 37 p. 195.The original set was published in Utrecht between 1627 and 1630 and it became particularly popular and was copied in France notably by Louis Spirinx and in Italy.Plates are numbered below on the right. NL 10 Een man ligt op zijn buik te kijken naar een engel op de achtergrond; 11 Vijf mannen rusten uit en zijn flink aan het drinken; 12 Twee vrouwen zitten samen uit te rusten. Een vrouw houdt een baby in haar arm een jongen grijpt in de mand die de tweede vrouw op haar schoot heeft; 13 Een man ligt tegen een grote steen te slapen. Naast hem staat een andere man met een hond die zijn pootjes ophoudt; 14 Een herder ligt op de grond. Op de achtergrond vertrekken twee soldaten haastig. De ene heeft zijn zwaard getrokken; 15 Een man en vrouw liggen uit te rusten tegen een boom. Naast hen een drinkzak en een hond; 16 Een man vrouw en kind rusten uit. De man zit geleund tegen een steenblok met een kruik in de handen. De vrouw zit met een mand op haar schoot een kind trekt aan haar arm. Engravings on laid paper with broad margins; bound with tread on the left; total ca: 195 x 273 mm; state I or II / 2; smudges and some discoloration due to handling overall in great condition. Hollstein 212-215. unknown

Antiquariaat Arine van der Steur · Pays-Bas665,50 €

Abraham

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