Delfos, AbrahamBiblio.com
27 536 résultats
réf. 2385263Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1741. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2385262Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1741. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2385265Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1741. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. 2385264Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 18th century 1741. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
réf. K80254Allegorical representation of the month of august.Farmers sleeping on a hill under a tree. On the right background a man spreading seeds on the field.After Fredrick and Abraham Bloemaert. For the print see Rijksmuseum inv. RP-P-BI-1558.Titled at bottom center: Augustis NL Vier slapende boeren naast een appelboom. Op de achtergrond een zaaier. Drawing on paper black chalk pen and black ink brush in gray washed in gray; total: 140 x 175mm; inscription in pen and brown ink fading. Under passepartout and framed. In good condition. unknown
réf. 65261View on the Huis Zuidwijk a castle in Wassenaar between The Hague and Leiden. After a print by Rademaker. The artist did not copy the figures only the building and the landscape surrounding it.Inscribed at the bottom in pen and brown ink in a later stage: ""Le Chateau de Crespin: en Normandie prés de Ponteau de Mer""; on the verso with the same ink: ""Gautier Leseigneur de Crespin"" and nr. ""8"" on the top left. Further in blue ink: ""Huis te Zuidtwijk"". Drawing on paper pencil chalk pen and grey ink washed in grey; inscriptions in pen and brown and blue ink. Total: 174 x 228 mm. In good condition. unknown
réf. 65121View on the entrance of Kasteel Spangen by Overschie as it probably looked in 1550 before it was destroyed during the 80-Years war. The castle was named after the river. On the foreground a fisherman a horse rider and other figures.Inscribed below in pencil: ""Huis te Spangen in Westland"" and in pen and brown ink: ""Le Chateau de Bardou: en Normandie prés d'Escovis"" this inscription crossed out with a line in pencil and one in pen and blue ink.On verso further inscriptions: ""Philippe Dénis de Saint Cosme Seigneur de Bardou"" crossed out with pen and blue ink. Below in pen and blue ink: ""Huis te Spangen in Westland.""Possibly after a composition by Abraham Rademaker. Drawing on paper pencil pen and grey ink washed in grey. Total: 176 x 231 mm. In good condition. unknown
réf. K80240Decorative piece with an oval and a cloth or curtain falling on either sides of the sketch. Horizontal lines on the oval might be a sign that it framed some text. Above the oval is a lyre topped by a six point star. Some handwritten notes on the bottom and on the verso.Possibly from the atelier of Abraham van Strij I 1753-1826. We would like to thank Charles Dumas for his expertise on the attribution.NL Decoratie stuk met een ovaal en een doek of gordijn dat aan weerszijden van de tekening. Horizontale lijnen op het ovaal zouden een teken kunnen zijn dat er tekst in stond. Boven het ovaal staat een lier met daarop een zespuntige ster. Enkele handgeschreven notities aan de onderkant en op de verso. Drawing on paper black chalk with annotations in pen and brown ink total: 233 x 201 mm. hardcover
réf. PR121261The Prodigal Son as a swineherd sitting in front of a barn. The pigs eating from a manger beside a well. The young man is in a rather contemplative position holding his right hand up to his forehead.NL Antieke tekening uit de kring van Abraham Bloemaert 1566-1651. De verloren zoon als varkenshoeder zwijnenhoeder zittend voor een schuur. Drawing on hand laid paper pen and brown ink washed in brown; total: 303 x 206 mm; traces of black chalk; bottom left corner damaged and restored; foolscap watermark. Despite some light smudges in good condition. unknown
réf. PR121161Antique print with the text ""De souvereine vorst gaande naar de vergadering der aanzienlijken"" Willem Frederik Prince of Orange to the Palace on the Dam square in Amsterdam. Nieuwe Kerk visible. Signed in the right bottom R. Vinkels sculp. Signed in the left bottom Abraham Vinkeles ad viv del.NL Willem Frederik prins van Oranje als souverein vorst sluit aan in de stoet van leden van de Vergadering der Aanzienlijken gaande van het Koninklijk Paleis naar de Nieuwe Kerk te Amsterdam op 29 maart 1814. Zie ook de pendant. Abraham Vinkeles 1790-1864 was de zoon van Reinier Vinkeles 1741-1816. Na de val van Napoleon keert Willem Frederik Prins van Oranje Nassau de zoon van Willem V terug naar Nederland. Hij wordt uitgeroepen tot Soeverein vorst der Verenigde Nederlanden en op 30 maart 1814 ingehuldigd. Op 16 maart 1815 aanvaardt hij het oppergezag over alle Nederlanden en de koninklijke waardigheid.Inhuldiging van prins Willem Frederik als souverein vorst - ceremonial celebration of installation of a ruler - Nieuwe Kerk Amsterdam - Willem I. Etching on laid paper 230 x 280 mm. Broad margins two visible folds as this print was used as a bookillustration. unknown
réf. 61724Handcoloured copperplate etching of ''t Huis Wolfwaert van Vooren' in the Dutch province of Gelderland as it appeared in 1719. Drawn and etched by A. Rademaker. Overall size: 120 x 145 mm; plate size: 82 x 113 mm. Very good state. Some age related discolouration. Handlaid paper with watermark. Beautifully Handcoloured. This print was part of the book 'Kabinet van Nederlandsche en Kleefsche Oudheden . Amsterdam issued by different publishers from 1725-1803'. unknown
réf. PR121333Portrait of Admiral Cornelis Tromp 1629-1691 bust turned slightly to the right facing viewer; wearing a neckerchief and an embroidered sash; within laurel oval on a pedestal with coat of arms below. After a painting by Peter Lely.Under the portrait is the coat of arms of the sitter with motto: Fortes Creantur Fortibus.Lettered on pedestal with five lines of Dutch description: d. ed. H. Cornelis . / . / . Maÿesteÿt Van Deenemarcke.Signed and dated: P. Lelij Pinxit./ A. Blooteling. Sculp. et ex. 1676.Dutch admiral and second son of the Admiral Martin Van Tromp. He visited England in 1675 when he was created a baronet by Charles II.NL Portret van Admiraal Cornelis Tromp; luitenant-admiraal van Holland en West-Friesland.; Admiraal-generaal en admiraliteitsraad van Denemarken drager van de Orde van de Witte Olifant. Portret in ovaal met lijst in vorm van samengebonden lauwerkrans boven plint. Gemaakt door Blooteling naar Lely. Gemerkt linksonder: 'P.Lelij Pinxit.' Gemerkt rechtsonder: 'A Blooteling Sculp et ex 1676.' Onderschrift in sierletters ter weerszijden van wapen: 'd Ed. H/r CORNELIS TROMP Ridder / Baronnet L' Admirael van Hollandt en / West-vrieslandt DomHeer tot Uytrecht / Admirael Generael en Secrete Raedt van / Sijn Conincklijcke Maije: steijt van Deenemarcke.' Opschrift wapenspreuk op banderol: 'FORTES / CREANTUR / FORTIBUS'. Engraving on laid paper cut on plate mark; total: 456 x 318 mm; somewhat aging paper some smudges due to handling traces of folding some hanwritten notes on verso though overall in good condition; traces of previous mounting on verso. Hollstein 49 Muller 5419. unknown
réf. PR121217Portrait of Justus Lipsius 1547-1606 bust directed to the right within an elaborate frame; on the right the serpent winding round the cornucopia symbolises Prudence while the scroll on the other side symbolises Doctrine and is lettered with the titles of Lipsius's major works; above is Mercury's winged hat. Frontispiece to Lipsius's edition of Seneca's works ""L. Annæi Senecæ Opera"" Antwerp: 1615 1st edition. This impression was included in the third edition from 1632.After a drawing by Rubens at the British Museum inv. 18910511.31. The preparatory drawing depicts the Flemish scholar Justus Lipsius and was for inclusion in the volume of Senecas works that was published in 1615 by the Plantin Press in Antwerp. Rubens depiction of Lipisus was produced by working from a painting by Abraham Janssens which explains for the rather static character. The portrait was drawn first and then Rubens drew in the foliate frame which is rich with emblematic meaning and incorporates a wreath cornucopia a winged hat of Mercury the sun and two lamps. Subsequent touches were added to the face of Lipsius in pen and ink. The design was subsequently engraved by Cornelis Galle I.Entry from J. Rowlands 'Rubens: Drawings and Sketches' exhibition catalogue London British Museum 1977:The sitter Justus Lipsius was a famous Flemish scholar and leading exponent of a modern stoic philosophy. He attempted to embrace and reconcile the ever increasing divisions in thought and religion in his day. In his search for a solution his restless moves from one sect to another of Christianity are not without considerable significance. Through his brother Philip who was a pupil of Lipsius Rubens adopted much of the Stoic outlook which in any case harmonised well with his temperament. He was for moderation in all things nothing to excess.This design is for the engraving in reverse by Cornelis Galle included in Lipsius's edition of Seneca's works published by the Plantin press in 1615 see 18910414.1001. Lipsius's edition of the works of the Roman rhetorician dramatist and philosopher was long to remain the standard one. The influence of Seneca's philosophical thought in the post-classical world reached its peak in Lipsius's own writings. As with all his other portraits of Lipsius Rubens based it on that now lost of the philosopher by Abraham Janssens.Lettered on the plinth with Lipsius's motto: MORIBVS ANTIQVIS. Lettered in Latin below in a cartouche with an allusion to Timanthes in two lines: LIPSIADÆ velum est Timantis imago. videri / Sol quoque sub picea non nisi nube potest. / Henr. d'Oultremannus. Lettered with production detail in lower right corner: Corn. Galle sculp.NL Antieke prent. Portret van de auteur en Belgische geleerde Justus Lipsius in een ovale omlijsting met vruchten slangen en fakkels. Aan weerszijden staan twee olielampjes op een sokkel met het opschrift: Moribus antiquis. Onder de voorstelling een cartouche met een Latijns vers van Oultreman. Justus Lipsius eigenlijk Jodocus Lips was een Zuid-Nederlandse humanist filoloog en historiograaf. Lipsius studeerde aan de katholieke Universiteit Leuven en doceerde in het lutherse Jena en in het calvinistische Leiden. Auteursportret voor: L. Annaeus Seneca ed. J. Lipsius. Opera quae extant omnia. Antwerpen ex officina Plantiniana meerdere edities; voor het eerst uitgegeven in 1615 voor het laatst gebruikt in de editie 1652.Het hoofdgebouw van de faculteit Geesteswetenschappen tot dec. 2008 faculteit Letteren van de Universiteit Leiden is vernoemd naar Lipsius net als de studievereniging van de master Encyclopedie en Filosofie van het Recht te Leiden en het gebouw waarin de Raad van de Europese Unie is ondergebracht. Dit "" Justus Lipsiusgebouw"" ligt in het hart van de Europese wijk rond het Brusselse Schumanplein. Engraving on paper text in letterpress on verso pasted down on another sheet of laid paper cut on plate; total: 295 x 193 mm; some rubbing and discolouration traces of folding on the top right corner in the middle and on the bottom corners; otherwise in good condition. Hollstein 177; Schneevoogt 183.255; Muller 3248; van Someren M.3248; Corpus Rubenianum XXI 30. unknown
réf. PR121131Plate with 15 illustrations from the Old and New Testament displayed around a cartouche with text describing the scenes and a smaller cartouche with a dedication.At top center are episodes from the story of Adam and Eve; on the left are Old Testament vignettes Genesis Exodus on the right from the New Luke Matthew Acts.Titled: BALANS des OUDEN en NIEWEN sic! TESTAMENTS of de Twee ZUILEN van de ALGEMEENE KERK.The dedication states: Toepassing. Al die de naam van Christine draagen Moet de inhoud van dit stuk behaangen 'k Wens haar gelyke een dragtigheid Als in de Twee Verbonden leyt.This last inscription is the replacement of earlier unknown writing of which only traces are visible. Etching and engraving on paper with margins; plate mark: 308 x 187 mm; state II/2 ; despite some rubbing in very good condition. unknown
réf. K80150Portrait of Frans Mieris half-length standing almost in profile to left looking to front his hand resting on his waist a cloak worn around his shoulders part of a classical building to right and others in the distance.Inscribed below: Dus kon FRANS MIERIS . / . zou bien.Signed: F.v.Mieris delin. / A. Blooteling Fecit et exc. / W. v. Heemskerk.After a self-portrait drawing by Frans van Mieris in the British Museum inv. 18540628.17.NL Portret van de schilder Frans van Mieris met de hand in de zij. Op de achtergrond de contouren van een stad. Antieke prent door Abraham Blooteling. Mezzotint on laid paper with some margin; total: 228 x 157 mm; state II/2 bottom left corner missing just outside the plate mark; folding traces otherwise in good condition; mounted on fine paper passepartout. New Hollstein 185. unknown
réf. K80138A landscape with many buildings of a farm in the background. Two farmers in the foreground on the right.Numbered on the bottom left: '16'.From a set of twenty numbered plates after Bloemaert's various landscapes.NL Boerderij met erf. Prent uit serie van twintig Landschappen met boerderijen naar ontwerp van Abraham Bloemaert. Etching on paper trimmed within plate mark; total: 154 x 243 mm; state II/ 2; top left and bottom right corner damaged a small lacuna on the left and one on the margins overall in good condition. Hollstein 353. unknown
réf. K80172Portrait of Constantijn Huygens 1596-1687 bust to right in an oval wearing a flat-cap and black coat and white collar; coat of arms below; second state with lettering.Secretary and artistic advisor to the stadholder Frederik Hendrik at The Hague from 1625 and of his successor William II. He followed his father in this role and was succeeded in it by his son of the same name. His mother was the sister of the artist Jacob Hoefnagel. A diplomat knighted by James I poet composer and patron of the arts and one of the earliest recognisers of the talent of Rembrandt.Inscribed on oval frame: CONSTANTINUS HUGENIUS. EQU. ZULICHEMI ZEELHEMI ETC. TOP. CONCILII RATIONUMQUE SEREN.MI PRINCIPIS ARAUSII PRAESES. AETAT. ANNO XC.Signed: B. Vaillant delin. / A. Blooteling Fecit Excudit cum Privil Holl et Westfrisiae.Together with Johan Braakensiek 1858-1940 lithography portrait.NL Portret van Constantijn Huygens dichter secretaris van prins Frederik Hendrik en prins Willem II en eerste raad en rekenmeester van prins Willem III. Onder het portret zijn familiewapen en een gedicht. Antieke zwarte kunst prent door Abraham Blooteling. Mezzotint on laid paper cut on plate mark; total: 352 x 258 mm; state II/2; some staining at bottom some scratches on the surface otherwise in fair condition. With lithography by Braakensiek. Mounted in paper passepartout. Hollstein 170. unknown
réf. PR121087Half-length portrait William Frederick Prince of Nassau-Dietz 1613-1664 Stadtholder of Friesland Groningen and Drenthe.In armour standing slightly turned to the right eyes to the observer. He is holding a comand staff in his right hand and leaning his left wrist on the sword hilt. On the bottom left corner is a helmet and the gloves. Beyond the tree standing behind him on the right is a battle with soldiers on horses.Eight lines of text in Dutch by Jacob Westerbaen under the portrait.Signed below: PNason pinxit/ A. Blotelingh sculp. ; with the publisher: P. Tongerloo Excudit. Engraving on paper with some margins; total: 492 x 396 mm; state II/2 some smudges otherwise in great condition. Hollstein 54 Wess 50 Muller 439. unknown
réf. PR121088Bust portrait of Hieronymus van Beverningh 1614-1690 a prominent Dutch regent diplomat amateur botanist and patron of the arts. Body slightly turned to the right looking at the observer. Within inscribed oval frame. Latin inscription below.Signed at bottom: Maes pinxit / A. Blooteling fecit et ex. cum Privilegio.NL Hiëronymus van Beverningh was een Gouds regent diplomaat en thesaurier-generaal van de Republiek der Zeven Verenigde Nederlanden in de Gouden Eeuw. Van Beverningh groeide op in Gouda en studeerde aan de Universiteit Leiden. Hij was tevens amateur-botanist. Mezzotint on paper with some margins; total: 445 x 328 mm; state III/3 some light smudges otherwise in great condition. Hollstein 148 Wess 4 Muller 395. unknown
réf. 65716The baker sounding his horn. Inscribed at the bottom right: A.v. ostade. in. Numbered at the bottom left: 8. Etching on paper with margins; platemark: 130 x 105 mm total: 264 x 214 mm; foxing and traces of red.Village romance. A woman and a man leaning out of a doorway. Inscribed at the bottom right: A.v. ostade. in. Numbered at the bottom left: 7. Etching on paper with margins; platemark: 129 x 103 mm total: 266 x 213 mm; foxing at the papers edges and stain in the margins on the left.The smoker at the window. Man with a pipe and a drinking cup leaning out of an open window. Inscribed at the bottom right: A.v. ostade. in. Numbered at the bottom left: 6. Etching on paper with margins; platemark: 129 x 103 mm total: 266 x 213 mm; foxing at the papers edges.Peasant leaning on his doorway. A man with a hat leaning out of his doorway looking outside. Inscribed at the bottom left: A. stade in. Numbered at the bottom right: 4. Etching on paper with margins; platemark: 120 x 105 mm total: 263 x 213 mm; light foxing at the papers edges.The painter. Frontispiece of the series showing a painter in his studio sitting behind his easel at the window with a book on a stool beside him. On the painting is written: CAPRICE Ostade inv: Two assistants or pupils are preparing paint at a table under the stairs. Inscribed at the bottom left: A. Blooteling excudit. Numbered at the bottom right: 1. and numbered at the bottom no 24 by a later hand. Etching on paper with margins; platemark: 120 x 103 mm total: 266 x 212 mm; light foxing at the papers edges and a small stain in the left margin.The pater familias. An interior with a man on chair feeding a child and a woman and child watching. Inscribed at the bottom left: A. ostade in. Numbered at the bottom left: 2. Etching on paper with margins; platemark: 124 x 103 mm total: 264 x 214 mm; light foxing at the papers edges. After Godefroy 7 9 10 11 32 33 but not mentioned in Godefroy under his list of copies. unknown
réf. 60685Representation of the month of April with some shepherds with a cow and goats. Published by Nicolaes Visscher Lettered below: 'April / t'Amsteldam by Nicolaus Visscher met Privil / 4'. Etching and engraving on paper with broad margins; plate mark: 129 x 169 mm total: 188 x 252 mm; state II/3 Hollstein 253. unknown
réf. 65515Published in Paris by Jean Leblon between 1632-1635 the set featured seven plates representing seven different trades the doctor the owner of a tavern. . Four columns of French text below.Signed within plate on the bottom right: ""A. Bosse in fé"" addressed at the bottom: ""A Paris Chez le Blond avec Privilege du Roy.""Great is the amount of details. The gaze of the beholder is soon kidnapped by the gorgeous gowns of the characters from the surgeon to the young maid on the left. In the background on the left an opened window shows houses on the street. On the wall are two portraits with the dates: 1635 and 1632. Below a large river landscape; the rest of the wall is covered with tapestries. The decorative frame of the print recalls the decoration of the tapestries. A cat and a dog are sitting next to each other. Behind the figures on the right is a fictive wall with two vases atop. Above also a lute is visible. Etching and engraving on paper trimmed close to plate on the top especially: tot: 270 x 365 mm; state II /2; the print is backed with Japanese paper as reinforcement. On the top margin a small repaired hole. Some smudges due to handling light foxing overall; in good condition. unknown
réf. K80002Allegorical representation of the month of July.Farmers resting on a hill. On the left foreground some tools to work on the fields.Titled and signed with the address of the publisher below: 'Julius / t' Amsterdam bij Nicolaus Visscher met Privil:'; numbered on the bottom right corner: 7.From a set with the twelve months with landscapes.Collector's initial on verso in pencil: JLK not in Lugt.NL Boeren pauzeren tijdens het oogsten. Links een kruik en een sikkel op de achtergrond hooibergen. Engraving on paper with margins; total: 189 x 316 mm; state II/2; some smudges due to handling some light staining on the most external margins otherwise in very good condition; watermark with fool's cap; Hollstien 256. Mounted on cardboard passepartout. unknown
réf. K80004Allegorical representation of the month of November. Farmers by a meat market: on the right a couple of women are selling poultry to a gentleman; on the far left background farmers are working on a dead pork.Titled and signed with the address of the publisher below: 'November / t' Amsterdam bij Nicolaus Visscher met Privil:'; numbered on the bottom right corner: 11.From a set with the twelve months with landscapes.Collector's initial on verso in pencil: JLK not in Lugt.NL Boeren verkopen kippen aan een vrouw. Op de achtergrond wordt een varken geslacht. Engraving on paper with margins; total: 186 x 317 mm; state II/3; some smudges due to handling some light staining on the most external margins otherwise in very good condition; watermark AD; Hollstien 260. Mounted on cardboard passepartout. unknown
réf. K80003Allegorical representation of the month of August. Farmers resting on a hill under a tree. On the right background a farmer planting seeds on a field.Titled and signed with the address of the publisher below: 'Augustus / t' Amsterdam bij Nicolaus Visscher met Privil:'; numbered on the bottom right corner: 8.From a set with the twelve months with landscapes.Collector's initial on verso in pencil: JLK not in Lugt. Engraving on paper with margins; total: 189 x 316 mm; state II/2; some smudges due to handling some light staining on the most external margins otherwise in very good condition; watermark AD; Hollstien 257. Mounted on cardboard passepartout. unknown
