7,372 results
ref. 48407710-nnew. unknown
2000ref. mon0004213975Routledge 6/10/2026 12:00:01 A. paperback. Like New. 0.8268 9.1732 6.1417. Routledge paperback
2025ref. x-9048561256Amsterdam Univ Pr 2025. Hardcover. New. 392 pages. 9.75x6.50x1.00 inches. Amsterdam Univ Pr hardcover
ref. ria9786209332715_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Dies ist eine akademische Abhandlung die eine multidimensionale afrikanische Perspektive des Alten Testaments in Bezug auf Geschichte Kultur Religion und Spiritualität bietet. Sie basiert auf der Idee dass das afrikanische Erbe in d paperback
ref. 6209332714.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2004ref. Q-0374529337Farrar Straus and Giroux 2004-05-03. Paperback. New. In shrink wrap. Looks like an interesting title! Farrar, Straus and Giroux paperback
2003ref. Q-0374177694Farrar Straus and Giroux 2003-04-15. Hardcover. New. In shrink wrap. Looks like an interesting title! Farrar, Straus and Giroux hardcover
2011ref. SKU0511185Northwestern University Press 2011-01-17. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLYNO ACCESS CODE NO CD Ships with Emailed Tracking Northwestern University Press paperback
2007ref. Q-006073664XHarperOne 2007-05-08. Paperback. New. In shrink wrap. Looks like an interesting title! HarperOne paperback
2011ref. Q-0061827037Harper 2011-07-26. Mass Market Paperback. New. In shrink wrap. Looks like an interesting title! Harper paperback
2011ref. Q-0061826987William Morrow 2011-02-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title! William Morrow hardcover
ref. 3659108596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0737769025.Glibrary. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ref. DADAX0737769033Greenhaven 2014-04-15. 2. paperback. New. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Greenhaven paperback
2005ref. Q-1592212387Africa World Press 2005-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! Africa World Press paperback
ref. 6368737-nnew. unknown
1858ref. 118971858. Paris Maison Martinet s.d. circa 1858 - Paris / Bruxelles Maison Martinet / Jules Gruzel s.d. Un vol. in-4 354 x 253 mm non pagin. Reliure postrieure de pleine percaline grÂge jansniste dos lisse tranches mouchetes. Edition originale rare pour chacun de ces deux volumes. Premier tirage des 35 dont page de titre planches lithographies signes de Cham dans la plaque figurant 1 2 sujets par page. ''Son got naturel pour le dessin lui fait frquenter les ateliers des peintres Nicolas-Toussaint Charlet et de Paul Delaroche. Sous leur influence Cham se spcialise dans la caricature. Il publie tout d'abord un album Monsieur Lajaunisse puis collabore au journal Le Charivari lui donnant pendant trente-six ans l'essentiel de sa production. Son got de l'absurde fait de lui un des grands humoristes de ce journal. Ses dessins valent non seulement par le trac simple et fort inspir sans doute par Honor Daumier mais aussi par l'esprit et par les lgendes qui les accompagnent.'' Absent du Fonds franÂais ainsi que de la B.n.F. Quelques rares tches affectant les marges dont une planche est cependant davantage pourvue. Page de titre du second ouvrage ici absente. En outre une planche semble faire dfaut ce mÂme volume. Rare. b42961 unknown
ref. 1J8110Maison Martinet Hautecoeur Paris um 1855. 40 Lithographien auf 20 Tafeln sowie eine Titel-Lithographie original illustrierter Pappband 34 cm x 26 cm quart Kanten berieben u. bestoßen / etwas fleckig / oberer Einbanddeckel lose / Seiten teils stockfleckig / Name auf Vorsatz. unknown
ref. 05552Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not In Twenty Hand Colored Lithographs CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Hand colored pictorial lithographed title and twenty hand colored lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. Publishers dark brown patterned cloth front cover decoratively lettered in gilt spine slightly faded. Pictorial title a little foxed in blank margins otherwise clean. Extremities of spine and corners expertly restored front free endpaper replaced. An excellent example of a rather scarce Cham title. Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown
ref. 05354Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not In Twenty Scarce Lithographs CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Pictorial lithographed title and twenty lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. Publishers dark blue patterned cloth front cover decoratively lettered in gilt spine slightly faded. A few plates with light mainly marginal foxing. Plate numbers 1 7 8 14 & 17 with partial and minimal coloring. An excellent example of a rather scarce Cham title. Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown
1858ref. 23179PRIMERA EDICION .- Paris: Maison Martinet Hautecoeur frères ca. 1858.- 1 h. 20 folios de láminas litográficas en negro la portada con 2 figuras en cada lámina y leyendas al pie de cada dibujo grabadas solamente en la cara anterior; Folio mayor 345 x 26 cm; Texto en francés; Cartoné Ed.- La obra constituye una graciosa visión satírica y crítica de los viajes en diligencia y ferrocarril en aquella época. MUY RARO. Encuadernación original ligeramente fatigada con roces en las esquinas y pequeños desperfectos en la cabeza y pie de la lomera. El interior en muy buen estado salvo algunas motas de óxido. CUENTOS AVENTURAS LEYENDAS LITERATURA INFANTIL CÓMICS HUMORISMO. Livre en français Maison Martinet hardcover
1858ref. 11897Paris, Maison Martinet, s.d. [circa 1858] - Paris / Bruxelles, Maison Martinet / Jules Géruzel, s.d. Un vol. in-4 (354 x 253 mm) non paginé. Reliure postérieure de pleine percaline grège janséniste, dos lisse, tranches mouchetées.
ref. 05552Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not In Twenty Hand Colored Lithographs CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Hand colored pictorial lithographed title and twenty hand colored lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. Publishers dark brown patterned cloth front cover decoratively lettered in gilt spine slightly faded. Pictorial title a little foxed in blank margins otherwise clean. Extremities of spine and corners expertly restored front free endpaper replaced. An excellent example of a rather scarce Cham title. Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown books
ref. 05354Paris: Maison Martinet / Hautecoeur Frères 1860. Oh What Fun To Travel! Not In Twenty Scarce Lithographs CHAM pseudonym of Amédée de Noé. Ah quel plaisir de voyager! Paris: Maison Martinet / Hautecoeur Frères n.d. ca. 1860. First edition. Folio 13 3/4 x 10 1/4 inches; 349 x 261 mm. Pictorial lithographed title and twenty lithographed plates with sixty-two humorous scenes with captions limning the downside to travel. Publishers dark blue patterned cloth front cover decoratively lettered in gilt spine slightly faded. A few plates with light mainly marginal foxing. Plate numbers 1 7 8 14 & 17 with partial and minimal coloring. An excellent example of a rather scarce Cham title. Only eight copies in institutional holdings worldwide. No copies have come to auction since ABPC began indexing results in 1923. Of Amédée de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. CHAM pseudonym of Amédée de Noé 1818-1879. French caricaturist and lithographer published his first book Monsieur Lajeunesse in 1839 and from 1843 began to be regularly published in illustrated magazines such as Le Charivari which in 1835 focused primarily on publishing satires of everyday life thereafter becoming one of the most popular of French caricaturists through entertaining storybooks such as this work which satirized 'jokes in poor taste.' Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédéé de Noé "known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Cham had contacts with English artists many of whom had trained on the Continent most in company with English artist and follower of the pioneering German lithographer Alois Senefelder. Paris: Maison Martinet / Hautecoeur Frères, 1860 unknown books
ref. Atlantic-9781119723844Wiley. Hardcover. New. Wiley hardcover