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rif. 06003Paris: Chez Aubert 1847. A Fine Album of Fifty Lithographs - Including Twelve by Honoré Daumier and Seventeen by Achille Devéria DAUMIER Honoré. CHAM pseudonym of Amédée de Noé. VERNIER Charles. La Nouvelle Lanterne Magique. Dessins par tous les Artistes. Paris: Chez Aubert ca. 1847-1850. Large quarto 11 3/4 x 9 1/4 inches; 298 x235 mm. Fifty lithograph plates on forty-nine sheets plates 28 & 29 on one double-sided plate. Several plates with varying amounts of foxing BUT the twelve Daumier plates generally clean. Publisher's printed yellow glazed boards expertly rebacked with the original spine laid down corners a little worn. Bookplate of Bernard Mamy and ink signature five times of Paul Gresset on front paste-down. Summary of the Artists: Daumier: 12; Devéria: 17; Lasalle: 3; Cham: 2; Levilly: 2; Vernier: 1; Berr: 1; Charlet: 1; Madau: 1; Provost: 1; Menut: 1; Grenier: 1; J.David: 1; Victor Dolly: 1; Deroy: 1; not identified: 4. The Plates: 1. Il est devenu pro-pri-é-taire! Daumier DR 1494 He has become a LAAAAND-LOOOOORD! 2. Papa contemplant l'image de son image. Daumier DR 1516 Papa admiring the image of his image. 3. - Tiens ma femme v'là mo portrait au Daguerrèotype que je te rapporte de Paris. - Pourquoi donc est-ce tu nàs pas aussi fair faire le mien pendant que tu y étas. égoiste va!. Daumier DR 1504 - Here my wife is my daguerreotype portrait which I brought back for you from Paris. - Why didn't you have mine done while you were there. get lost you egotist! 4. Le Billet de Logement. Allai suivai.allai marchai vous n'y êtes point.suivai tout drait tout au bout de la grand sente vous tournerai su vot main draite puis tout drait un petit quart d'heure. Charlet The Housing Ticket. Let's follow.let's walk you're not there.let's follow everything straight to the end of the big path you'll turn on your right hand then everything would take a quarter of an hour. 5. Les Jeunes Gens d'Aujourd'Hui Sont Bien Peu Attentifs. Madau Young People Today Are Very Inattentive. 6. Café de Basse Normandie. Grenier Lower Normandy Coffee. 7. Study Made Easy. Collection of Heads by W.D. No. 49. 8. - Mais viens donc.mauvais sujet!. Daumier DR 1524 But come on then you rake. 9. Un Malheur domestique. Daumier DR 1534 A domestic calamity. 10. Que Dieu Vous Garde Belle Dame. Devéria May God keep you beautiful lady. 11. Entrée Dans Milan. Le 14 mai la division Masséna se présenta aux portes de Milan; le lendemain le general Bonaparte fit son entrée solennelle dans cette capitale. Entry into Milan. On May 14 Masséna's division presented itself at the gates of Milan; the next day General Bonaparte made his solemn entry into this capital. 12. L'aumone. J. David Alms. 13. Le Départ Pour Le Bal. Psiché et l'amour. Daumier DR 1535 Departure for the ball. Psyche and Cupid. 14. Untitled. 15. - Il parait qu'on vient de revoir le serpent de mer dans le mer des Indes ! . . . . - Est-il dieu possible ! . . . . . - Mais certainement que c'est dieu possible puisque je te dis c'est imprimé dans le Constitutionnel . . . ainsi ! . . Daumier DR 1496 - It seems that the sea serpent has reappeared in the Indian Ocean!. - Oh my God. is it possible!. - Of course it's possible if I tell you that it has been printed like that in the Constitutional!. 16. Arcueil. Deroy Arcueil. 17. - Mais si ma femme je t'assure que monsieur dessine un paysage. n'est-ce pas monsieur que vous dessinez un paysage. Daumier DR 1499 But of course my dear I can assure you Monsieur is painting a landscape. isn't that so Monsieur You are painting a landscape. 18. Ce que le bourgeois est convenu de nommer une petite distraction. Daumier DR 1490 What the bourgeoisie calls a slight distraction. 19. Au nouvel an visite obligée à la tante Rabourdin. Daumier DR 1522 An indispensable New Year's visit at aunt Rabourdin's. 20. Consolation. A. Menut Consolation. 21. Les Mille et un Croquis. Sujets Variès par C. Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by C. Lassalle. 22. - Je crois que j'ai entendu chanter un hibou. qu'est-ce que ça peut bien m'annoncer. Daumier DR 1518 I believe I heard an owl. I am just wondering what this might mean for me. 23. Costume d'Hoster Role de l'Ecorché. Levilly Hoster Costume Role of the Flayed Man. 24. Caporal Suisse Sous Louis XV. Vernier Swiss Corporal under Louis XV. 25. Les Fleurs. Devéria The Flowers. 26. Un château en Espagne. Daumier DR 1512 Building castles in the air. 27. Adolescence. Devéria Adolescence. 28. L' Année Prochaine. La Mer sera grosse. Plusieurs personnes souffriront beaucoup de cette grossesse. Le puits de Grenelle se joindra à le mer de Marmara et la Russie deviendra une province de la Banlieue. L'année prochaine Mr. Mulot fera des puits de tous les monuments publics la ville de Paris ne sera plus qu'une borne-fontaine. A force de changer le costume de l'Infanterie elle n'en conservera plus du tout le Capitaine d'habillement fera ses fournitures dans les vignes: ce sera beau comme l'Antique. Cham Next Year. The Sea will be big. Many people will suffer greatly from this pregnancy. The Grenelle well will join the Sea of Marmara and Russia will become a province of the Suburbs. Next year Mr. Mulot will make wells of all the public monuments the city of Paris will be nothing more than a fountain. By dint of changing the Infantry's costume it will no longer keep any at all the Captain of Clothing will make his supplies in the vineyards: it will be as beautiful as the Antique. 29. L' Année Prochaine. Les restaurateurs à 18 sous fourniront 18 plats et 4 desserts ou trouvera le moyen de faire de la soupe à la tortue avec des tiges de bottes. Melle. Garnerin ira dans la lune y porter des adresses de restaurants à 18 sous. Les chemins de fer continueront à faire concurrence à la Bataille de la Moskowa les condamnés à mort seront envoyés en wagon. Cham Next Year. The 18-cent restaurateurs will provide 18 dishes and 4 desserts or will find a way to make turtle soup with boot uppers. Melle. Garnerin will go to the moon to bring addresses of 18-cent restaurants. The railways will continue to compete with the Battle of Borodino the condemned to death will be sent by wagon. 30. Une Mere. Devéria A Mother. 31. Vue intérieure du grand salon et de l'une des galleries. Provost Interior view of the great hall and one of the galleries. 32. La Famille du Marin. The Sailor's Family. Devéria The Sailor's Family. 33. Petit Abbé. Berr Little Abbot. 34. La Corbeille de Mariage. Devéria The Wedding Basket. 35. Le Coin du Feu. Devéria The Fireside. 36. Une Prétentieuse. Devéria A Pretentious One. 37. Esclave Chinoise. Mille et Une Nuits. Porte St. Martin. Victor Dolly Chinese Slave. A Thousand and One Nights. Porte St. Martin. 38. Croquis Chinois par Lassalle. Lassalle Chinese sketches by Lassalle. 39. La Jardinière. Devéria The Gardener. 40. Le Bouquet. The Nosegay. Devéria The Nosegay. 41. Lisa Vous Mettrez Cette Lettre à la Poste. Devéria Lisa You will put this letter in the post. 42. The Venetian Coquet. Devéria The Venetian Coquet. 43. Les Fruits. Devéria The Fruits. 44. Le Petit Farceur. Devéria The Little Prankster. 45. Les Mille et un Croquis. Sujets Variès par Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by Lassalle. 46. Viens on Nous Attend. Devéria Come on we are waiting. 47. Le Réveil. Devéria The Awakening. 48. Le Sommeil. Devéria Sleep. 49. Untitled. 50. Les Mille et un Croquis. Sujets Variés par Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by Lassalle. Paris: Chez Aubert, 1847 unknown
rif. 06003Paris: Chez Aubert 1847. A Fine Album of Fifty Lithographs - Including Twelve by Honoré Daumier and Seventeen by Achille Devéria DAUMIER Honoré. CHAM pseudonym of Amédée de Noé. VERNIER Charles. La Nouvelle Lanterne Magique. Dessins par tous les Artistes. Paris: Chez Aubert ca. 1847-1850. Large quarto 11 3/4 x 9 1/4 inches; 298 x235 mm. Fifty lithograph plates on forty-nine sheets plates 28 & 29 on one double-sided plate. Several plates with varying amounts of foxing BUT the twelve Daumier plates generally clean. Publisher's printed yellow glazed boards expertly rebacked with the original spine laid down corners a little worn. Bookplate of Bernard Mamy and ink signature five times of Paul Gresset on front paste-down. Summary of the Artists: Daumier: 12; Devéria: 17; Lasalle: 3; Cham: 2; Levilly: 2; Vernier: 1; Berr: 1; Charlet: 1; Madau: 1; Provost: 1; Menut: 1; Grenier: 1; J.David: 1; Victor Dolly: 1; Deroy: 1; not identified: 4. The Plates: 1. Il est devenu pro-pri-é-taire! Daumier DR 1494 He has become a LAAAAND-LOOOOORD! 2. Papa contemplant l'image de son image. Daumier DR 1516 Papa admiring the image of his image. 3. - Tiens ma femme v'là mo portrait au Daguerrèotype que je te rapporte de Paris. - Pourquoi donc est-ce tu nàs pas aussi fair faire le mien pendant que tu y étas. égoiste va!. Daumier DR 1504 - Here my wife is my daguerreotype portrait which I brought back for you from Paris. - Why didn't you have mine done while you were there. get lost you egotist! 4. Le Billet de Logement. Allai suivai.allai marchai vous n'y êtes point.suivai tout drait tout au bout de la grand sente vous tournerai su vot main draite puis tout drait un petit quart d'heure. Charlet The Housing Ticket. Let's follow.let's walk you're not there.let's follow everything straight to the end of the big path you'll turn on your right hand then everything would take a quarter of an hour. 5. Les Jeunes Gens d'Aujourd'Hui Sont Bien Peu Attentifs. Madau Young People Today Are Very Inattentive. 6. Café de Basse Normandie. Grenier Lower Normandy Coffee. 7. Study Made Easy. Collection of Heads by W.D. No. 49. 8. - Mais viens donc.mauvais sujet!. Daumier DR 1524 But come on then you rake. 9. Un Malheur domestique. Daumier DR 1534 A domestic calamity. 10. Que Dieu Vous Garde Belle Dame. Devéria May God keep you beautiful lady. 11. Entrée Dans Milan. Le 14 mai la division Masséna se présenta aux portes de Milan; le lendemain le general Bonaparte fit son entrée solennelle dans cette capitale. Entry into Milan. On May 14 Masséna's division presented itself at the gates of Milan; the next day General Bonaparte made his solemn entry into this capital. 12. L'aumone. J. David Alms. 13. Le Départ Pour Le Bal. Psiché et l'amour. Daumier DR 1535 Departure for the ball. Psyche and Cupid. 14. Untitled. 15. - Il parait qu'on vient de revoir le serpent de mer dans le mer des Indes ! . . . . - Est-il dieu possible ! . . . . . - Mais certainement que c'est dieu possible puisque je te dis c'est imprimé dans le Constitutionnel . . . ainsi ! . . Daumier DR 1496 - It seems that the sea serpent has reappeared in the Indian Ocean!. - Oh my God. is it possible!. - Of course it's possible if I tell you that it has been printed like that in the Constitutional!. 16. Arcueil. Deroy Arcueil. 17. - Mais si ma femme je t'assure que monsieur dessine un paysage. n'est-ce pas monsieur que vous dessinez un paysage. Daumier DR 1499 But of course my dear I can assure you Monsieur is painting a landscape. isn't that so Monsieur You are painting a landscape. 18. Ce que le bourgeois est convenu de nommer une petite distraction. Daumier DR 1490 What the bourgeoisie calls a slight distraction. 19. Au nouvel an visite obligée à la tante Rabourdin. Daumier DR 1522 An indispensable New Year's visit at aunt Rabourdin's. 20. Consolation. A. Menut Consolation. 21. Les Mille et un Croquis. Sujets Variès par C. Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by C. Lassalle. 22. - Je crois que j'ai entendu chanter un hibou. qu'est-ce que ça peut bien m'annoncer. Daumier DR 1518 I believe I heard an owl. I am just wondering what this might mean for me. 23. Costume d'Hoster Role de l'Ecorché. Levilly Hoster Costume Role of the Flayed Man. 24. Caporal Suisse Sous Louis XV. Vernier Swiss Corporal under Louis XV. 25. Les Fleurs. Devéria The Flowers. 26. Un château en Espagne. Daumier DR 1512 Building castles in the air. 27. Adolescence. Devéria Adolescence. 28. L' Année Prochaine. La Mer sera grosse. Plusieurs personnes souffriront beaucoup de cette grossesse. Le puits de Grenelle se joindra à le mer de Marmara et la Russie deviendra une province de la Banlieue. L'année prochaine Mr. Mulot fera des puits de tous les monuments publics la ville de Paris ne sera plus qu'une borne-fontaine. A force de changer le costume de l'Infanterie elle n'en conservera plus du tout le Capitaine d'habillement fera ses fournitures dans les vignes: ce sera beau comme l'Antique. Cham Next Year. The Sea will be big. Many people will suffer greatly from this pregnancy. The Grenelle well will join the Sea of Marmara and Russia will become a province of the Suburbs. Next year Mr. Mulot will make wells of all the public monuments the city of Paris will be nothing more than a fountain. By dint of changing the Infantry's costume it will no longer keep any at all the Captain of Clothing will make his supplies in the vineyards: it will be as beautiful as the Antique. 29. L' Année Prochaine. Les restaurateurs à 18 sous fourniront 18 plats et 4 desserts ou trouvera le moyen de faire de la soupe à la tortue avec des tiges de bottes. Melle. Garnerin ira dans la lune y porter des adresses de restaurants à 18 sous. Les chemins de fer continueront à faire concurrence à la Bataille de la Moskowa les condamnés à mort seront envoyés en wagon. Cham Next Year. The 18-cent restaurateurs will provide 18 dishes and 4 desserts or will find a way to make turtle soup with boot uppers. Melle. Garnerin will go to the moon to bring addresses of 18-cent restaurants. The railways will continue to compete with the Battle of Borodino the condemned to death will be sent by wagon. 30. Une Mere. Devéria A Mother. 31. Vue intérieure du grand salon et de l'une des galleries. Provost Interior view of the great hall and one of the galleries. 32. La Famille du Marin. The Sailor's Family. Devéria The Sailor's Family. 33. Petit Abbé. Berr Little Abbot. 34. La Corbeille de Mariage. Devéria The Wedding Basket. 35. Le Coin du Feu. Devéria The Fireside. 36. Une Prétentieuse. Devéria A Pretentious One. 37. Esclave Chinoise. Mille et Une Nuits. Porte St. Martin. Victor Dolly Chinese Slave. A Thousand and One Nights. Porte St. Martin. 38. Croquis Chinois par Lassalle. Lassalle Chinese sketches by Lassalle. 39. La Jardinière. Devéria The Gardener. 40. Le Bouquet. The Nosegay. Devéria The Nosegay. 41. Lisa Vous Mettrez Cette Lettre à la Poste. Devéria Lisa You will put this letter in the post. 42. The Venetian Coquet. Devéria The Venetian Coquet. 43. Les Fruits. Devéria The Fruits. 44. Le Petit Farceur. Devéria The Little Prankster. 45. Les Mille et un Croquis. Sujets Variès par Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by Lassalle. 46. Viens on Nous Attend. Devéria Come on we are waiting. 47. Le Réveil. Devéria The Awakening. 48. Le Sommeil. Devéria Sleep. 49. Untitled. 50. Les Mille et un Croquis. Sujets Variés par Lassalle. Lassalle The Thousand and One Sketches. Various Subjects by Lassalle. Paris: Chez Aubert, 1847 unknown books
1819rif. ZB1325136NY/London: Kirk & Mercein/John Miller 1819. first edition; vi 1 errata 431 1 xlvii appendix pp. portrait frontis. and 3 other plates including a folding view; contemporary full leather covers dry and worn remnants of an old paper label to the base of the spine light to moderate foxing throughout leaves 331/332 and 333/334 tattered with a few horizontal slices and small tape repairs the Abdallah American Drogaman plate is repaired and trimmed at the fore edge image unaffected book plates to the front paste down old inked signature and hand stamp to the title page old hand stamp to the first page of the main text good only; as the author was formerly United States Consul to Tunis there is much on that area. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. NY/London: Kirk & Mercein/John Miller hardcover
1600Xilografia originale (mm 395x257) ad opera di Andrea Andreani dal soggetto di Tiziano. Primo degli otto legni contrassegnati dalla lettera A-H, che deriva in controparte dalla versione di Lucantonio degli Uberti, che ricalca la celebre opera di Tiziano "Corteo processionale con il trionfo di Cristo". Andreani dedica il suo Trionfo a Jacopo Liguzzi, come indicato in basso a sinistra entro piccolo drappo : "Titian inven Andreas Andrianis fecitdicavit D. Iacobo ligotiae pic Mag Duc Etruria Roma". Rafigurazione della parte iniziale del corteo del trionfo della fede disegnato da Tiaziano. Un angelo guida il corteo a capo del quale si vedono: Adamo ed Eva, Noè portante una simbolica arca sovrastata da una colomba bianca. In basso centrale la lettera A ad indicare la prima delle otto tavole. . Bartsch, XII, p. 91,9. Bénézit, I, p. 312. Mauroner p. 37. Cfr. Fondazione G. Cini, Atlante delle Xilografie italiane del Rinascimento..
1858rif. 11897Paris, Maison Martinet, s.d. [circa 1858] - Paris / Bruxelles, Maison Martinet / Jules Géruzel, s.d. Un vol. in-4 (354 x 253 mm) non paginé. Reliure postérieure de pleine percaline grège janséniste, dos lisse, tranches mouchetées.
1858rif. 118971858. Paris Maison Martinet s.d. circa 1858 - Paris / Bruxelles Maison Martinet / Jules Gruzel s.d. Un vol. in-4 354 x 253 mm non pagin. Reliure postrieure de pleine percaline grÂge jansniste dos lisse tranches mouchetes. Edition originale rare pour chacun de ces deux volumes. Premier tirage des 35 dont page de titre planches lithographies signes de Cham dans la plaque figurant 1 2 sujets par page. ''Son got naturel pour le dessin lui fait frquenter les ateliers des peintres Nicolas-Toussaint Charlet et de Paul Delaroche. Sous leur influence Cham se spcialise dans la caricature. Il publie tout d'abord un album Monsieur Lajaunisse puis collabore au journal Le Charivari lui donnant pendant trente-six ans l'essentiel de sa production. Son got de l'absurde fait de lui un des grands humoristes de ce journal. Ses dessins valent non seulement par le trac simple et fort inspir sans doute par Honor Daumier mais aussi par l'esprit et par les lgendes qui les accompagnent.'' Absent du Fonds franÂais ainsi que de la B.n.F. Quelques rares tches affectant les marges dont une planche est cependant davantage pourvue. Page de titre du second ouvrage ici absente. En outre une planche semble faire dfaut ce mÂme volume. Rare. b42961 unknown
1837rif. 95EAM501U79OValparaiso 1837. 12mo. Imprenta de la Bandera Contemporary blue paper wrappers with protective paper cover. With the title in woodcut borders a woodcut printer's vignette and some woodcut head- and tailpieces. 2 155 pp. Rare Spanish grammar intended for use at primary schools printed in Valparaiso Chile. Deschamps mentions 3 other works printed in this city 1822 1828 1836.Library stamp on title-page: ''Wilson collection'' owner's inscription on back of title-page: "A.L. Langlois 1 March 1842". Upper corner missing from last 2 leaves not affecting text. Otherwise in good condition.l Paul Deschamps L' Imprimerie hors l'Europe pp. 182-183; cf. Palau another work by Juan Nicolas: Lecciones elementales de aritméticia escritos Valparaiso 1853. unknown
rif. mon0000291830Cambridge University Press and A 25/04/2019 00:00:01. bundle. Very Good. 1.8986 27.5790 21.5836. Cambridge University Press and A unknown
1807rif. 60047New Haven: Brisban & Brannan 1807. First edition 12mo pp. 250 original full calf gilt-paneled spine; light dampstaining to the upper gutter; all else very good and sound. Of this small grammar Webster wrote in an 1805 letter to the American publisher Mathew Carey: "I am compiling a Grammar upon what appear to be the true idioms & fundamental principles of the Language--which I hope to have ready for the press within a year." Webster's goal was to lay out the principles of American English based on its own structure thereby discarding previous grammatical systems which served British English. In it he has developed "the real structure and idiom of our language. I have left Lowth and Johnson and mounted to the original writers as far back as the first Saxon laws and annals. The result is that many of the principles of grammar as taught in Lowth formerly and now in Murray whose book is nothing but Lowth's altered and enlarged prove to be totally false; and I affirm that those grammars now taught introduce more errors than they correct" letter from Webster to Joel Barlow Nov. 12 1807. Although this title was not as successful as his series of spellers and readers Webster considered it one of his two most important works. Twenty years later in a letter to Lemuel Shattuck Nov. 18 1829 Webster writes: "My Philosophical and Practical Grammar was first published in 1807 and a second edition in 1822. This work has been but little used; but except for my quarto dictionary I consider it as altogether the most valuable work I have ever published." Skeel 433; Sabin 102375; American Imprints 14192. Brisban & Brannan unknown
1807rif. 60047New Haven: Brisban & Brannan 1807. First edition 12mo pp. 250 original full calf gilt-paneled spine; light dampstaining to the upper gutter; all else very good and sound. Of this small grammar Webster wrote in an 1805 letter to the American publisher Mathew Carey: "I am compiling a Grammar upon what appear to be the true idioms & fundamental principles of the Language--which I hope to have ready for the press within a year." Webster's goal was to lay out the principles of American English based on its own structure thereby discarding previous grammatical systems which served British English. In it he has developed "the real structure and idiom of our language. I have left Lowth and Johnson and mounted to the original writers as far back as the first Saxon laws and annals. The result is that many of the principles of grammar as taught in Lowth formerly and now in Murray whose book is nothing but Lowth's altered and enlarged prove to be totally false; and I affirm that those grammars now taught introduce more errors than they correct" letter from Webster to Joel Barlow Nov. 12 1807. Although this title was not as successful as his series of spellers and readers Webster considered it one of his two most important works. Twenty years later in a letter to Lemuel Shattuck Nov. 18 1829 Webster writes: "My Philosophical and Practical Grammar was first published in 1807 and a second edition in 1822. This work has been but little used; but except for my quarto dictionary I consider it as altogether the most valuable work I have ever published." Skeel 433; Sabin 102375; American Imprints 14192. Brisban & Brannan unknown books
rif. Z1-K-036-01638Comparative Education Research Centre Hong Kong University. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Comparative Education Research Centre, Hong Kong University unknown
rif. Z1-B-036-02051Chandos Publishing. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Chandos Publishing unknown
2011rif. SONG0077477634Brand: McGraw-Hill/Irwin 2011-03-04. 4. paperback. Used: Good. 7.00x0.90x9.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: McGraw-Hill/Irwin paperback
rif. L3 box109 b1A Facsimile of Noah Webster's Original 1828 Edition An American Dictionary of the English Language. In two volumes. Published by Johnson Reprint Corporation in 1970. Hardcover. Johnson Reprint Corporation hardcover
1970rif. 5004536NY: Johnson Reprint Corp. 1970. Bound in gold cloth stamped in red in matching dust jackets. A tight clean "as new" two volume set of this rare facsimile reprint of Webster's master work. Unpaginated -- but two massive volumes. Downright rare -- only 1 copy on OCLC. Introduction by Mario A. Pei. First Thus. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall. Johnson Reprint Corp. Hardcover
1970rif. 5004536NY: Johnson Reprint Corp. 1970. Bound in gold cloth stamped in red in matching dust jackets. A tight clean "as new" two volume set of this rare facsimile reprint of Webster's master work. Unpaginated -- but two massive volumes. Downright rare -- only 1 copy on OCLC. Introduction by Mario A. Pei. First Thus. Hard Cover. Fine/Fine. 4to - over 9¾" - 12" tall. Johnson Reprint Corp. Hardcover books
rif. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown
rif. 04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown
rif. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown
rif. 04607Paris: Mon. Martinet 1860. The Trial of Jean Bidoux in his Military Career CHAM Pseudonym of Charles Amédée de Noé. Les Tâtonnements de Jean Bidoux dans la Carrière Militaire. The trials of Jean Bidoux in his Military Career. Par Cham. Paris: Mon. Martinet 1860. First edition. Large quarto 13 1/4 x 9 7/8 inches; 336 x 250 mm. Pictorial lithograph title-page and eighteen lithograph plates with sixty-five amusing images. Publisher's quarter red roan over blind stamped red cloth front cover decoratively titled in gilt. Small stain to top margin of last plate otherwise a fine copy. Paris: Mon. Martinet, 1860 unknown books
rif. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown books
rif. 06867Paris: Chez Aubert & Cie. 1851. The French Take on the British. Fifteen Hilarious Lithographs Caricaturing British Life and Manners CHAM pseudonym of Charles Amédée de Noé. Mœurs Britanniques. Paris: Chez Aubert & Cie. n.d. ca. 1850. First edition. Large folio 13 1/4 x 10 inches; 336 x 252 mm. Lithographed pictorial title and fifteen numbered lithographed plates each with printed caption below. Publisher's original cream-colored glazed lithographed boards upper cover reproducing the pictorial title design. A remarkably fine clean and fresh copy. A wonderfully entertaining series of fifteen caricatures devoted entirely to the peculiarities of the British as observed from across the Channel by one of nineteenth-century France's most popular comic artists. Cham turns his irreverent eye upon an extraordinary cross-section of British life and manners: marriage Quakers army recruiting museums philanthropy prize-fighting Scottish dress the national costume incomprehensible English conversation the stocks turnpikes Chelsea pensioners and finally Smithfield Market. The splendid pictorial title sets the tone for the album. The British lion sits beside the Union Jack with a diminutive figure perched upon its mane while immediately before it lies a tied bundle prominently marked "IRLANDE" - a pointed visual joke upon Anglo-Irish relations that would have been immediately recognizable to Cham's contemporary French audience. The individual plates continue the sustained Anglo-French satire. In Un Costume National an elegantly dressed English gentleman encounters a ragged Irishman and asks whether he comes from a hot country to which the latter replies "Non monsieur je suis Irlandais." Baragouin Britannique makes comic capital of the Frenchman's traditional bewilderment at the English language while Les Hauts Grades lampoons the spectacular proportions of British military headgear. Elsewhere Cham takes aim at Quakers army recruiting the English enthusiasm for boxing Scottish national dress philanthropy public punishment toll roads Chelsea pensioners and the notorious livestock market at Smithfield. Taken together the fifteen scenes form a delightful visual survey of British national character institutions dress and customs as perceived through decidedly French eyes. CHAM pseudonym of Charles Amédée de Noé 1818-1879 was one of the most prolific and popular French caricaturists of the nineteenth century. He published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to Le Charivari producing thousands of drawings and lithographs satirizing contemporary politics society manners and everyday life. Of Cham Ray notes that several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the golden age of French caricature and with such artists as Daumier Gavarni and Grandville Mœurs Britanniques is especially appealing for its sustained concentration upon Britain. Rather than merely including occasional English subjects among a broader collection of social satires Cham devotes the entire album to British manners and national stereotypes. Copies were also produced with the plates colored by hand; Bobins records a colored copy III 842. The present copy is the uncolored issue the lithographs displaying the strength and subtlety of Cham's original draughtsmanship to particularly good effect. The Plates: Une femme bien attachée. Le Quaker. Le Recruteur. Visite au Musée. Mariage d'inclination. Les Hauts grades. Philanthropie. Bien entendue. Les Boxeurs. L'Écossais. Un Costume national. Baragouin Britannique. In the Stocks. Le Péage du turn-pike. L'Invalide de Chelsea. Smithfield Market. A remarkably fine and fresh copy of Cham's delightful visual satire on Britain and the British-fifteen wonderfully observed caricatures ranging from Quakers prize-fighters and Highlanders to Irishmen Chelsea pensioners and the inhabitants of Smithfield Market preserved in the striking original glazed pictorial boards. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Bobins III 842 colored copy. Paris: Chez Aubert & Cie., 1851 unknown books
rif. 06847Paris: Chez Aubert 1850. Thirty Hilarious Lithographs of French Garrison Life by Cham A Remarkably Fresh Copy in the Original Pictorial Boards CHAM illustrator pseud. of Charles Amédée de Noé. Souvenirs de Garnison et des plaisirs attachés à la chose. Paris: Chez Aubert n.d. ca. 1850. First edition. Large oblong quarto 10 x 12 7/8 inches; 254 x 327 mm. Pictorial lithographed title and thirty fine comical lithographed plates each with printed caption below. Publisher's original green paper-covered boards front cover with a large lithographed pictorial design printed in black and red reproducing the title-page composition. Slight wear to lower two inches of front joint and a little minor rubbing and wear to extremities; internally remarkably clean and fresh. An exceptional survival near fine. A wonderfully entertaining album of military caricatures by Cham Charles Amédée de Noé 1818-1879 one of the most prolific and popular French caricaturists of the nineteenth century. The thirty lithographs mercilessly lampoon the pleasures - and considerably more numerous discomforts - of French garrison life. Officers and soldiers appear on parade at inspections and military exercises enduring the boredom of provincial postings and finding various means of amusing themselves when relieved of their duties. Cham's captions provide the punch lines while his wonderfully economical draughtsmanship captures the absurdities of military hierarchy discipline uniforms and social pretension. Among the scenes are a soldier presenting an enormous bearskin to an officer; another dejectedly reflecting upon the seven years and seven months remaining before his discharge; and a wonderfully energetic cavalry inspection in which a mounted officer hurtles past his superior while declaring that he has difficulty following the commander's advice to remain firmly seated in the saddle. Born Charles Amédée de Noé Cham adopted his celebrated pseudonym as a contraction of his Christian name and a playful allusion to the biblical Ham Cham in French. After studying under Nicolas-Toussaint Charlet and Paul Delaroche he abandoned painting for caricature and became one of the defining comic draughtsmen of nineteenth-century France. His long association with Le Charivari placed him in the company of Honoré Daumier with whom he shared an extraordinary ability to expose the absurdities of contemporary French life. The present album belongs to the great flowering of French lithographic caricature in the decades following the July Monarchy. Published by Aubert the Parisian house intimately associated with La Caricature and Le Charivari and with such artists as Daumier Grandville and Gavarni these albums were essentially deluxe gatherings of topical visual humor intended for a contemporary audience. Their ephemeral nature and large oblong format made them particularly vulnerable to wear handling and disbinding. Copies retaining their original pictorial boards and with the lithographs as clean and fresh as those in the present example are consequently especially desirable. A superb example of Cham's wonderfully irreverent military satire - thirty comic lithographs of the trials tribulations and dubious "pleasures" of French garrison life preserved in unusually fresh condition in the striking original pictorial boards. Paris: Chez Aubert, 1850 unknown
rif. 06847Paris: Chez Aubert 1850. Thirty Hilarious Lithographs of French Garrison Life by Cham A Remarkably Fresh Copy in the Original Pictorial Boards CHAM illustrator pseud. of Charles Amédée de Noé. Souvenirs de Garnison et des plaisirs attachés à la chose. Paris: Chez Aubert n.d. ca. 1850. First edition. Large oblong quarto 10 x 12 7/8 inches; 254 x 327 mm. Pictorial lithographed title and thirty fine comical lithographed plates each with printed caption below. Publisher's original green paper-covered boards front cover with a large lithographed pictorial design printed in black and red reproducing the title-page composition. Slight wear to lower two inches of front joint and a little minor rubbing and wear to extremities; internally remarkably clean and fresh. An exceptional survival near fine. A wonderfully entertaining album of military caricatures by Cham Charles Amédée de Noé 1818-1879 one of the most prolific and popular French caricaturists of the nineteenth century. The thirty lithographs mercilessly lampoon the pleasures - and considerably more numerous discomforts - of French garrison life. Officers and soldiers appear on parade at inspections and military exercises enduring the boredom of provincial postings and finding various means of amusing themselves when relieved of their duties. Cham's captions provide the punch lines while his wonderfully economical draughtsmanship captures the absurdities of military hierarchy discipline uniforms and social pretension. Among the scenes are a soldier presenting an enormous bearskin to an officer; another dejectedly reflecting upon the seven years and seven months remaining before his discharge; and a wonderfully energetic cavalry inspection in which a mounted officer hurtles past his superior while declaring that he has difficulty following the commander's advice to remain firmly seated in the saddle. Born Charles Amédée de Noé Cham adopted his celebrated pseudonym as a contraction of his Christian name and a playful allusion to the biblical Ham Cham in French. After studying under Nicolas-Toussaint Charlet and Paul Delaroche he abandoned painting for caricature and became one of the defining comic draughtsmen of nineteenth-century France. His long association with Le Charivari placed him in the company of Honoré Daumier with whom he shared an extraordinary ability to expose the absurdities of contemporary French life. The present album belongs to the great flowering of French lithographic caricature in the decades following the July Monarchy. Published by Aubert the Parisian house intimately associated with La Caricature and Le Charivari and with such artists as Daumier Grandville and Gavarni these albums were essentially deluxe gatherings of topical visual humor intended for a contemporary audience. Their ephemeral nature and large oblong format made them particularly vulnerable to wear handling and disbinding. Copies retaining their original pictorial boards and with the lithographs as clean and fresh as those in the present example are consequently especially desirable. A superb example of Cham's wonderfully irreverent military satire - thirty comic lithographs of the trials tribulations and dubious "pleasures" of French garrison life preserved in unusually fresh condition in the striking original pictorial boards. Paris: Chez Aubert, 1850 unknown books
1868rif. 623307Albion New York: The Orleans American 1868. Unbound. Very Good. Large broadside extra. Measuring 23" x 27½". Text in nine columns printed recto only. Old folds a few tiny pinholes at the folds and tiny edge tears a bit of foxing a nice very good or better example. The final 1¼ columns filled with news stories mostly political and the poem "The Bride's Dream" by J. E. Carpenter reprinted from Bentley's Magazine. Noah Davis 1818-1902 a Republican was running for Congress to represent New York's 28th District to replace Lewis Sulye who was not running for reelection. Davis' speech addresses the negative effects of the Democratic Party on the Reconstruction Acts and takes to task the Democratic nominee for President Horatio Seymour who was opposing Ulysses S. Grant in the 1868 election. Davis was elected to Congress in 1868 and served until July 1870 when Grant appointed him U.S. District Attorney for Southern New York. He later served as a justice on the New York Supreme Court presiding over the trials of William H. "Boss" Tweed sentencing him to 12 years for embezzlement and interfering with municipal elections cf. DAB. The Orleans American was a weekly published in Albion New York from 1832 to 1943 the final 33 years under the title Orleans American and Weekly News. A large handsome Reconstruction-era New York political broadside. Seemingly not recorded separately by OCLC. The Orleans American unknown
