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CHAM, illustrator, pseud of Charles Amedee de NoeABAA

Souvenirs de Garnison et des plaisirs attachés a la chose

réf. 05996Paris: Chez Aubert 1850. Amusing Memories from a French Military Post. With Thirty Finely Hand-Colored Comical Lithographs Heightened with Gum Arabic CHAM illustrator pseud. of Charles Amédée de Noé. Souvenirs de Garnison et des plaisirs attachés à la chose. Paris: Chez Aubert n.d. ca. 1850. First edition. Large oblong quarto 10 1/8 x 12 7/8 inches; 258 x 327 mm. Pictorial lithographed title and thirty fine comical lithographed plates all finely colored by hand and heightened with gum arabic. Each plate with printed caption below. Publisher's original green lithographed boards upper cover with the elaborate pictorial title design printed in black and red. Boards a little soiled corners and extremities a little worn. Internally remarkably clean and fresh the hand-coloring bright and well preserved. An excellent copy of this extremely rare Cham title. A wonderfully amusing - and particularly desirable hand-colored - collection of Cham's comic observations on French military life. The thirty lithographs present a succession of wonderfully absurd episodes involving officers conscripts cavalrymen and ordinary soldiers lampooning virtually every aspect of garrison life: military training and theory uniforms and grooming inspections discipline illness boredom relations between officers and men and the innumerable indignities of army service. The humor is characteristically Cham: economical in execution immediate in effect and dependent upon the interaction between the visual joke and the printed caption beneath each plate. The brilliant reds and blues of the uniforms together with more delicately applied coloring to the figures landscapes and architectural backgrounds give the present copy exceptional visual appeal. The application of gum arabic to selected areas further enriches the plates and provides a subtle gloss and depth to the coloring. The work is also encountered with the lithographs uncolored; copies with the complete suite of thirty plates hand-colored and heightened with gum arabic are considerably scarcer. In more than fifty years we have handled only one other hand-colored copy in 2011. CHAM pseudonym of Charles Amédée de Noé 1818-1879. French caricaturist and lithographer Cham published his first book Monsieur Lajaunisse in 1839 and from 1843 contributed regularly to illustrated journals most notably Le Charivari. He became one of the most prolific and popular French caricaturists of the nineteenth century producing thousands of drawings and lithographs satirizing contemporary manners fashions politics and everyday life. Several artists "followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah.it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège 173 in which Daumier was his collaborator are typical of his work" Ray pp. 155-156. Published by Aubert the celebrated Parisian house closely associated with the flowering of French lithographic caricature Souvenirs de Garnison is a particularly attractive example of the comic album at mid-century. Its generous oblong format allows Cham's compositions considerable scope while in the present copy the hand-coloring transforms the lithographs into exceptionally lively scenes of nineteenth-century French military life. The Plates: L'Infanterie à Cheval. De la Coupe. La Théorie. En V'la du Gruau! Cas non prévu par la loi. C'est pas amusant la Guerre. Merci de la Préférence! Heureux Conscrit! Le Pansage. Ah ça pekin tu n'as donc jamais vu deux troupiers. Non mon colonel la musique ne marche pas trop. Coupe à 10 centimes frisure gratis. Monsieur le Vicomte. Qué Bêtise! Petit Inconvénient de la Salle de Police. Oui j'ai quitté le Service. Cap'taine! Ce qui prouve la nécessité de l'Étude. Quel artifice!. Réformes dans l'uniforme. Le pas gymnastique. Il faut consoler les malades. Quel amour de bonnet!. Inspection de Cavalerie. Gueux d'Arabes! En V'la des Inventions. M'est avis Jean Piarre que ce beau Monchieu qu'tire le village. Pacot le pot-aux-roses est découvert. Je fus hier à l'opéra. Fus-tu content Y ne savent quoi inventer pour nous époumonner! A remarkably attractive example of this scarce Cham album complete with all thirty lithographs finely colored by hand and heightened with gum arabic-a particularly desirable form of one of Cham's most entertaining satires of French military life. Ray The Art of the French Illustrated Book 1700 to 1914 pp. 155-156. Paris: Chez Aubert, 1850 unknown books

David Brass Rare Books, Inc. · États-Unis4 500,00 $US≈ 4 020,37 €

CHAM, illustrator, pseud of Charles Amedee de NoeABAA

Souvenirs de Garnison et des plaisirs attachés a la chose

réf. 06847Paris: Chez Aubert 1850. Thirty Hilarious Lithographs of French Garrison Life by Cham A Remarkably Fresh Copy in the Original Pictorial Boards CHAM illustrator pseud. of Charles Amédée de Noé. Souvenirs de Garnison et des plaisirs attachés à la chose. Paris: Chez Aubert n.d. ca. 1850. First edition. Large oblong quarto 10 x 12 7/8 inches; 254 x 327 mm. Pictorial lithographed title and thirty fine comical lithographed plates each with printed caption below. Publisher's original green paper-covered boards front cover with a large lithographed pictorial design printed in black and red reproducing the title-page composition. Slight wear to lower two inches of front joint and a little minor rubbing and wear to extremities; internally remarkably clean and fresh. An exceptional survival near fine. A wonderfully entertaining album of military caricatures by Cham Charles Amédée de Noé 1818-1879 one of the most prolific and popular French caricaturists of the nineteenth century. The thirty lithographs mercilessly lampoon the pleasures - and considerably more numerous discomforts - of French garrison life. Officers and soldiers appear on parade at inspections and military exercises enduring the boredom of provincial postings and finding various means of amusing themselves when relieved of their duties. Cham's captions provide the punch lines while his wonderfully economical draughtsmanship captures the absurdities of military hierarchy discipline uniforms and social pretension. Among the scenes are a soldier presenting an enormous bearskin to an officer; another dejectedly reflecting upon the seven years and seven months remaining before his discharge; and a wonderfully energetic cavalry inspection in which a mounted officer hurtles past his superior while declaring that he has difficulty following the commander's advice to remain firmly seated in the saddle. Born Charles Amédée de Noé Cham adopted his celebrated pseudonym as a contraction of his Christian name and a playful allusion to the biblical Ham Cham in French. After studying under Nicolas-Toussaint Charlet and Paul Delaroche he abandoned painting for caricature and became one of the defining comic draughtsmen of nineteenth-century France. His long association with Le Charivari placed him in the company of Honoré Daumier with whom he shared an extraordinary ability to expose the absurdities of contemporary French life. The present album belongs to the great flowering of French lithographic caricature in the decades following the July Monarchy. Published by Aubert the Parisian house intimately associated with La Caricature and Le Charivari and with such artists as Daumier Grandville and Gavarni these albums were essentially deluxe gatherings of topical visual humor intended for a contemporary audience. Their ephemeral nature and large oblong format made them particularly vulnerable to wear handling and disbinding. Copies retaining their original pictorial boards and with the lithographs as clean and fresh as those in the present example are consequently especially desirable. A superb example of Cham's wonderfully irreverent military satire - thirty comic lithographs of the trials tribulations and dubious "pleasures" of French garrison life preserved in unusually fresh condition in the striking original pictorial boards. Paris: Chez Aubert, 1850 unknown books