Webster, NoahABAA
969 resultados
1871ref. 26931Tokyo: Binsei Kyosho 1871. Fukurotoji 7.25" x 4.75" 27 leaves; original blue wrappers printed paper label on upper cover; some wear dampstain entering text at bottom margins but generally good or better and preserving the original printed fukuro paper sheath. Spelling book in English with a Japanese translation by Yôyû Shisui. Osaka Joshi Daigaiku Library Selected Catalogue of Dutch and English Studies B-5. NYPL only in OCLC. [Binsei Kyosho] unknown books
ref. 06849Paris: Chez Aubert & Cie. 1845. All is Fair in Love and War" Cham's Complete Satirical Album of the French Army in Algeria - Thirty-One Lithographed Plates CHAM pseudonym of Charles Amédée de Noé. À la guerre comme à la guerre. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/8 x 12 3/4 inches; 254 x 324 mm. Pictorial lithographed title-page and thirty numbered lithographed plates each with printed caption beneath presenting Cham's wonderfully comic and frequently irreverent view of the experiences and misadventures of the French army in Algeria. Publisher's original pictorial green boards front cover reproducing the design of the lithographed title-page rear cover plain. Minimal rubbing and wear to spine ends and extremities; internally remarkably clean and fresh. An exceptional survival in the original publisher's pictorial boards. Near fine. A complete suite of Cham's celebrated caricatures of the French military campaign in Algeria comprising the pictorial title and all thirty numbered plates. The title À la guerre comme à la guerre is a proverbial French expression - literally "in war as in war" - conveying the idea that in difficult circumstances one must make do with whatever is available: essentially "you have to take things as they come." It provides the perfect framework for Cham's comic assault upon the romantic conception of military life. Rather than heroic battle scenes and martial glory Cham gives us the decidedly less glamorous realities of campaigning in North Africa: exhausting marches hunger and thirst unruly Arab horses uncomfortable nights beneath canvas troublesome provisions razzias encounters with wild animals and the innumerable indignities suffered by the ordinary soldier. Officers and enlisted men alike are subjected to Cham's irreverent eye the hardships of colonial campaigning becoming the raw material for a sustained sequence of visual jokes. The album relates specifically to the French conquest of Algeria begun in 1830 and still very much an active military enterprise when these lithographs appeared. By the mid-1840s the French army was engaged in the final stages of its long struggle against the forces of Abd el-Kader. Cham transforms this serious contemporary subject into an extended comic narrative of military discomfort confusion and misadventure. CHAM pseudonym of Charles Amédée de Noé 1818-1879. One of the most prolific French caricaturists of the nineteenth century Cham belonged to the generation that followed Daumier and Gavarni and became particularly associated with Le Charivari. His extraordinary productivity - he was said to have had "an idea a day" - resulted in thousands of drawings and lithographs many subsequently gathered into albums such as the present work. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. The Plates: Pictorial lithographed title-page. Ça ne vaut pas l'eau filtrée!!. Au diable les chevaux arabes! Quelle chance!! Pour faire un bon pot-au-feu. V'là soixante lieues d'avalées! Ces gueux d'arabes. Dites donc caporal. Une visite sous la tente. Encore quinze lieues à faire. Une razzia. C'est fort drôle conscrit!. Un héritage flambé. Allons bon!. Gueux de sauvages! Y a des gens qui ont du bonheur! Il est bon d'avoir des amis. C'est une flêche empoisonnée. En toute chose il ne faut jamais considérer la faim. Qué beau pays!!! Est-ce que tu attends l'omnibus. Pauvres camarades! Cristi! V'la mon paletot qui se déchire! Y a pas de bon sens! Cher papa et chère maman. Mon Général. C'est un coup superbe! Un petit homme à grandes passions. Marche de nuit. Un réveil désagréable. L'appétit est le meilleur cuisinier. A remarkably fresh example of one of Cham's most entertaining lithographic albums complete with all thirty plates and retaining the particularly desirable original pictorial boards. Paris: Chez Aubert & Cie., 1845 unknown books
ref. 04620Paris: Chez Aubert & Cie. 1846. A Satirical View of the French in Algeria CHAM pseudonym of Amédée de Noé. À la guerre comme à la guerre. Variantes lithographiques sur le thême bien connu: Ah! quel plaisir d'être soldat. Par Cham. Paris: Chez Aubert & Cie. n.d. 1846. First edition. Oblong folio 10 1/4 x 13 1/8 inches; 260 x 334 mm. Twenty-seven of thirty-one hand-colored lithographed plates heightened with gum Arabic presenting a satirical view of the life of the French contingent in Algeria. Publisher's sixteen page catalog bound in at end. Bound without the pictorial title-page and plates 1 29 & 30. Ten plates with short lower marginal tears. Twentieth century tan cloth over boards red morocco spine label lettered in gilt. A very good albeit incomplete example. The plates: 2. Au diable les chevaux arabes! 3. Quelle chance!! 4. Pour faire un bon pot-au-feu. 5. V'là soixante lieues d'avalées! 6. Ces gueux d'arabes. 7. Dites donc caporal. 8. Une visite sous la tente. 9. Encore quinze lieues à faire. 10. Une razzia. 11. C'est fort drôle conscrit!. 12. Un héritage flambé. 13. Allons bon!. 14. Gueux de sauvages! 15. Y a des gens qui ont du bonheur! 16. Il est bon d'avoir des amis. 17. C'est une flêche empoisonnée. 18. En toute chose il ne faut jamais considérer la faim. 19. Qué beau pays!!! 20. Est-ce que tu attends l'omnibus. 21. Pauvres camarades! 22. Cristi! V'la mon paletot qui se déchire! 23. Y a pas de bon sens! 24. Cher papa et chère maman. 25. Mon Général. 26. C'est un coup superbe! 27. Un petit homme a grandes passions. 28. Marche de nuit. CHAM pseudonym of Charles Amédée de Noé 1818-1879. "It is to be regretted that space will not serve to represent the caricaturists and depictors of manners who followed in the wake of Daumier and Gavarni. Among the most attractive of the former is Amédée de Noé known as Cham that is Ham the son of Noah of whom it was said that he had 'an idea a day' for Le charivari. A good proportion of his thousands of lithographs were gathered into albums. His contributions to the Album du siège in which Daumier was his collaborator are typical of his work" Ray The Art of the French Illustrated Book pp. 155-156. Paris: Chez Aubert & Cie., 1846 unknown books
ref. 31987Editions PAC 1983 livre étude 30*21 55 pages
2007ref. 500133247Delcourt 2007 85 pages 24 2x1 4x31 6cm. 2007. Broché. 85 pages.
2000ref. 300034143Sony Music Entertainment 2000 13x14x1cm. 2000. CD.
2000ref. 500001195Sony Music Entertainment 2000 13x14x1cm. 2000. CD.
2000ref. 500004672Sony Music Entertainment 2000 13x14x1cm. 2000. CD.
1988ref. 194141New York: Doubleday 1988. Hardcover. Fine/Fine. First edition. Fine in fine dust jacket. Nice copy. Doubleday hardcover books
ref. 141465aafWien: Waldheim, 1876, in-8vo, 2 Bll., 450 S., O.-Leinen mit Deckelillustr., (roter Rücken m. gold. Prägung).
1977ref. 35850Portland OR: Image Gallery 1977. Hardcover. Very Good. Hardcover. Number 77 of 250 copies. Signed by Elliott Brannen McClarty and Van Cleve. A beautiful collaborative limited edition with translations of 21 Japanese Fudoki poems dating from the 8th century. John McClarty's subtle and lovely woodcuts and Clyde Van Cleve's printing arts serve to honor these ancient poems say the translators. Inserted in the book is an original woodcut titled and signed by McClarty. Bound in cream cloth with stabbed sewn binding and paper title label to cover. Book is in near fine condition save for a couple of small spots on the top page edges but unfortunately the dust jacket is dampstained on both the front and back covers. Measures 8 x 10 inches. Unpaginated about 45 bi-fold pages. PRI/072022. Image Gallery hardcover books
ref. T64954Tielt, Lannoo s.d. 87pp.met buitentekstills., 21cm.
ref. 141854aafMünchen, Louis Finsterlin, 1867, in-8vo, 19 S., Exlibris von Peter E. Obergfell, Original-Broschüre.
1977ref. 342556Oklahoma City: Southwest Radio Church 1977. 42p. staplebound pamphlet very good. Fundamentalist interpretation of Biblical prophecies alleging an imminent Soviet attack a step towards the return of the Messiah. Southwest Radio Church unknown books
2022ref. 590806No Place: Netflix 2022. Softcover. Near Fine. Advance copy. Perfect bound wrappers. 131pp. Light rubbing near fine. A screenplay based on the novel by Don Delillo written and directed for Netflix by Baumbach starring Adam Driver Greta Gerwig and Don Cheadle. Netflix unknown books
1909ref. ROD0106010THE TRADE. 1909. In-4. Relié. Etat d'usage, Coins frottés, Dos abîmé, Intérieur acceptable. XXV+1762 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Tampon sur la page de titre. Texte sur 3 colonnes.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1937ref. 258258OH: World Syndicate 1937. Hardcover. Very Good. Very good hardcovers. 2 volume set. A comprehensive addenda of newest words compiled by Joseph Devlin. Profusely illustrated. Unabridged dictionary. Pages are clean. Nameplate inside both books front covers. Corners on cover lightly bent. Spine browning on both books. World Syndicate hardcover books
1936ref. 39633Cleveland: World Syndicate Publishing Company 1936. 2 volumes large 4to pp. lvi 968 969-2024 8 leaves of color maps; engraved portrait frontispiece of Webster in volume 1 text illustrations throughout; original tan embossed cloth red and black-stamped spine labels all edges red; some shelf wear edges and corners a bit rubbed; pages uniformly toned; an attractive set. "This dictionary is not published by the original publishers of Webster's Dictionary or by their successors" - at head of title pages. World Syndicate Publishing Company unknown books
1934ref. RO60122600Grosset & Dunlap. 1934. In-8. Relié. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 827 pages. Dessins en couleur (drapeaux) en frontispice. Illustré de nombreuses photos en noir et blanc et en couleur hors texte. Texte sur 2 colonnes. Tranche rouge à onglets. Dos du 1er plat défraîchi.. . . . Classification Dewey : 423-Dictionnaire anglais
1836ref. 39574Sandbornton N.H.: Charles Lane 1836. Small 8vo pp. 144; wood-engraved illustrations throughout; contemporary brown paper-backed blue boards some water stains shelf wear wooden boards exposed in various places 1/4-inch loss at spine head hinges weak; foxing pages uniformly toned; interior in over all good condition. 1817 copyright application printed on t.p. verso. Skeel 256a. Charles Lane unknown books
1970ref. 39628Cleveland: World Publishing Company 1970. Large thick 4to pp. xiv 2129 160 8 leaves of color maps some double page; pictorial endpapers text illustrations throughout; original olive cloth gilt lettering blue and gilt decorative boarders all edges speckled; in tan white and blue printed dust jacket; a bit rubbed a few shallow tears along jacket edges else a fine copy. World Publishing Company unknown books
1966ref. RO80261039A Fawcett Crest Book. 1966. In-12. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Papier jauni. 896 pages. Texte sur deux colonnes. Annotation au stylo en page de titre. Texte en anglais.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1891ref. RO40166478George Bell & Sons - G. & C. Merriam & Co.. 1891. In-4. Relié. Etat d'usage, Coins frottés, Mors arrachés, Intérieur acceptable. 2011 pages. Gravure en noir et blanc en frontispice (portrait). Illustré de très nombreuses gravures en noir et blanc dans le texte. texte sur 3 colonnes. Ruban adhésif vert et étiquette de code collés sur le dos. Tampons de bibliothèque en page de titre. Premiers cahiers se détachant.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
1876ref. 16051Brooklyn: privately printed 1876. Folio 15 leaves printed on the rectos only engraved frontispiece portrait of the lexicographer after the painting by Samuel F.B. Morse engraved title-page of A Dictionary of the English Language with a vignette showing Webster at work in his library note: these two engravings are not in all copies of the Genealogy; 5 vignette illustrations of fables taken from early American editions of Webster's Spellers; original plain gray paper wrappers some splitting along top edge and spine but generally very good. The first book by the eleven-year-old great-grandson of Noah Webster which he printed himself at his home in Brooklyn in an edition of 250 copies. The original edition of the Genealogy published by Webster himself in octavo format and without illustrations appeared in 1836. BAL 6140; Skeel 752. privately printed unknown books
1876ref. 46697Brooklyn: The Author 1876. Paperback. Fair. Paperback. Wraps half title and last prelims loose but present. Dampstain to left edge of signatures text not affected. Fifteen leaves printed on rectos only five vignette illustrations of fable but lacking the one showing Webster at work. The Author paperback books
