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LEGATURA EDITORIALE IN TUTTA TELA ROSSA CON TITOLI AL PIATTO IN ORO, TAGLI IN ORO. ALLA FINE DEL VOLUME UNA CARTA DELL'EGITTO PIU' VOLTE RIPIEGATA. OPERA A BENEFICIO DEGLI ASILI INFANTILI DI GENOVA numero pagine: 73 formato: 23.7X16.5 stato conservazione: BUONO
2010PREFAZIONE DI FRANCO ALBERTI ALFREDO GUIDA 2010 355 PP. FONDO DI MAGAZZINO: LIEVISSIMI SEGNI DEL TEMPO. VOLUME PARI AL NUOVO "La strega di Manfredonia", fu scritto nella prima metà del XIX secolo. Solo oggi gli eredi hanno dato alle stampe il prezioso manoscritto conservato per oltre un secolo dalla famiglia del Canonico Giuseppe Guerra, primicerio della cattedrale di Manfredonia, città natale dell'autore. La narrazione è condotta in uno stile accurato, sviluppata con straordinaria fantasia e una non comune conoscenza del folclore e delle vicende storiche della Puglia del XVII secolo, assillata dai pirati e dominata dagli spagnoli. Il racconto si apre, drammaticamente, sull'invasione della città di Manfredonia a opera dei Turchi (1620), che fu occasione di saccheggi, distruzione, morte. Amori contrastati, gelosie che spingono al delitto e "lei" è per tutti "la strega". Titolo: La strega di Manfredonia
1717In-8°, (30 cc) compreso ritratto, antiporta e frontespizio, pp. 272, 4 carte ripiegate, legatura in pelle con titolo al dorso. Prima edizione. La prima parte di questo lavoro, intitolata Compendium theologiae mohammedicae arabice et latine, è un'edizione in arabo, con traduzione, di una piccola opera simile al Mukhtasar di Abû Suj ed è probabilmente la prima edizione stampata di un'opera islamica così essenziale in Occidente . La seconda parte è il contributo più importante di Reelant per una migliore comprensione dell'Islam in cui si propone di correggere molte credenze popolari con citazioni dal Corano e da altre fonti arabe. In-8°, (30 cc) including portrait, frontispice and title page, pp. 272, 4 engraved folded plates, binding in calf with title at the spine. First edition.The first part of this work, entitled Compendium theologiae mohammedicae arabice et latine is an edition in Arabic, with translation, of a small work similar to Abû Sujâ s Mukhtasar and is probably the first printed edition of such an essential Islamic work in the West. The second part is Reelant’ s most important contribution towards a better understanding of Islam in which he sets out to rectify many popular misbeliefs with quotations from the Coran and other Arabic sources.
1993Supernova, dicembre 1993. Traduzione di Armando Pajalich. Testo originale in inglese a fronte. Teatro. Prima edizione. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. First edition. Soft cover in fine conditions, no inscriptions or markings inside. Worldwide delivery.
1965Cartonato con legatura in tela e sovracoperta illustrata. leggermente rovinata; Fotografie e Tavole a colori e BN; pp. 221; buono
1989ref. x-0520067096Univ of California Pr on Demand 1989. Paperback. New. second printing edition. 372 pages. 9.25x6.25x1.00 inches. Univ of California Pr on Demand paperback
ref. 9788436835991New. unknown
ref. RGW25802No Binding. Very good. Engraving with fine early hand-colouring plate XXI from Carsten Niebuhr "Voyage en Arabie & en d'autres Pays" No Jacket issued unknown
2024ref. x-1032525894Routledge 2024. Paperback. New. 414 pages. 10.00x7.00x10.00 inches. Routledge paperback
2024ref. x-1032525355Routledge 2024. Hardcover. New. 414 pages. 10.00x7.00x10.00 inches. Routledge hardcover
2014ref. 1-1440237867Krause Pubns Inc 2014. Paperback. New. 128 pages. 9.75x8.00x0.50 inches. Krause Pubns Inc paperback
1847ref. 146231847. Mecca is the birthplace of prophet Muhammad and home to the Kaaba the holiest site while Medina is the second holiest city where the Prophet's Mosque is located.Two original steel engravings titled "Medina et Sepulcre du Prophete" and "Temple de la Mecque" issued in Picturesque Universe Paris: Firmin Didot 1847. Engraved plates measuring approximately 5" x 8.2". These mid-nineteenth-century French views present idealized yet intricately rendered representations of Islam's two holiest cities Medina and Mecca produced for a European readership at a moment of expanding Orientalist travel literature and imperial curiosity about the Islamic world. The Medina engraving offers a panoramic prospect from an elevated vantage point depicting the walled city and the Prophet's Mosque at its center approached by four travelers traversing a mountainous road some mounted on camels. The composition emphasizes distance and pilgrimage situating the sacred city within both devotional and geographic imagination. The companion engraving of Mecca presents a detailed architectural rendering of the Masjid al-Haram complex with the Kaaba prominently centered and surrounded by arcades and ancillary structures the broader urban fabric faintly delineated in the background. Produced at a time when non-Muslim access to these cities was extremely restricted such engravings mediated sacred Islamic space through European print culture shaping nineteenth-century visual conceptions of the Hijaz. As products of a major Parisian press renowned for technical excellence these steel engravings reflect both advances in reproductive printmaking and the period's fascination with global religious and cultural monuments.First engraving with loss to the lower right corner not affecting the primary architectural focal points; light age toning and minor edge wear consistent with issue; second engraving clean and well-preserved with strong plate impression. Overall very good. An evocative pair of mid-nineteenth-century European views of Medina and Mecca documenting the circulation of Islamic sacred geography within illustrated travel literature at the height of Orientalism publishing. unknown
1989ref. DADAX0520067096University of California Press 1989-08-15. paperback. New. 6.10x0.93x9.10. Buy with confidence. Excellent Customer Service & Return policy. University of California Press paperback
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1885ref. 000419Istanbul: Adolphe Braham 1885 Book. Very Good. Hardcover. 8vo - over 7¾ - 9¾" tall. 64 PP FRENCH REPORT. Chapitre 1: djeddah- ses environs- son importance commerciale- eaux- climat- Autorites Turque- Coutumes- Esclavage- Maladies. Chapitre 2: Itineraire de Djeddah a la Mecque- La Mecque- Ses anvironns- Ceremonie du Haram el Cherif- Description de la ville Sainte- Cherif actuel Cherif Abd El Moutaleb. Chapitre 3: Du Pelerinage son origine- Description de cette ceremonie- conditions pour que le Pelerinage soit valable- Pelerinage de 1882. Chapitre 4: Cholera- Congregations religieuses. Together with: Les Russes en Asie Mineure 1723-1877 Par M. Maxime Legrand Paris Imprimerie et Librairie Militaires 1878. 50 pp. bound together in contemporary ornamented hard cover spine slightly chipped. Adolphe Braham hardcover
1914ref. 000555Bagdad: Dar us Salam press 1914 Book. Good. No Binding. 1st Edition. 12mo - over 6¾ - 7¾" tall. Printed on weak paper. The first and only part printed in Bagdad of 3 parts by the author later printed together in Cairo. Very rare printed book in Bagdad during the world war about the political and military history of Bahrain and al-Khalifa. 144 p. Arabic text with one photographic plate of the author. Scarce. Dar us Salam press
ref. G9500443252I3N00Emecé. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Emecé paperback
1855ref. GA1LWVIQL20BVienna 1855. Oblong folio 25 x 40 cm. Matthias Trentsensky printed by E. Sieger Loose leaves in a later paper folder. With 19 of 24 numbered leaves containing about 135 lithographic pen-drawings of people animals equipment & gear and goods from a caravan travelling to Mecca each drawing including a base so that one can cut them out paste them on card stock stand them up and arrange them in three-dimensional scenes. Lacking leaves 1-5. ll. 6-24 of 24. All but the first five leaves of a very rare lithographic print series issued in parts. Most copies were probably cut up and perhaps coloured by children and destroyed in play. The human figures to be cut out include Turkish Arabic African and Near Eastern men and women black and white in Islamic clothing some of the men with a variety of firearms spears daggers pipes prayer rugs and other gear and goods. There are also camels horses and donkeys often with their gear for riding or for carrying loads. The wild animals include wolves a hyena and an ostrich. Inanimate objects include containers for water an incense burner baskets chests barrels camel saddles and much more. The series must have provided many children and adults with their first notion of Islamic society and culture and is rich in authentic details.With an occasional pencil mark. Lacking leaves 1-5 but otherwise in remarkable good condition. The whole is slightly browned and the edges somewhat tattered.l Kleine Welt des Bilderbogens: der Wiener Verlag Trentsensky 1977 111; Siefert ed. Paläste Panzer Pop-up-Bücher 2009 with a chapter Die Carawane nach Mecca pp. 31-38; not in KVK; WorldCat. ART ARCHITECTURE & PHOTOGRAPHY DRAWINGS PRINTS & WATERCOLOURS HORSES HUNTING SPORTS & GAMES MIDDLE EAST & ISLAMIC WORLD Arabian Peninsula & Gulf States Games & Sports Islamic Art Culture & Science hardcover
1921ref. 148161921. Unpublished sepia-toned photograph of pilgrims journeying to Mecca circa 1921 documents the material and spatial realities of the Hajj in the early twentieth century during a period of geopolitical transition in the Arabian Peninsula following the First World War. The image captures a vast encampment of white tents set against a rugged and mountainous landscape outside Mecca visually conveying the scale of pilgrimage infrastructure prior to modern urban expansion. Created during the years immediately preceding the establishment of the Kingdom of Saudi Arabia in 1932 the photograph supports research in Islamic religious practice the history of pilgrimage logistics and British imperial observation of the Hejaz during the inter war period. Photograph. Circa 1921. Approximately 3.5 x 5 inches. Sepia-toned silver gelatin print. The composition presents thousands of white tents clustered across uneven terrain forming a temporary city of pilgrims undertaking the religious journey to Mecca. The mountainous backdrop situates the encampment geographically within the arid environment surrounding the holy city. The photograph originates from the album of a British naval officer who traveled in the region between 1920 and 1923 providing contemporaneous visual documentation from a foreign observer during a time of shifting political authority in the Hejaz following the collapse of Ottoman control. The image appears unpublished and retains the intimate scale characteristic of personal travel albums. As a visual record predating large-scale modernization of pilgrimage facilities the photograph preserves evidence of early twentieth-century Hajj organization material culture and environmental conditions. The presence of an extensive tent city underscores both the enduring continuity of Islamic ritual practice and the logistical complexity of pilgrimage prior to the oil-era transformation of the region. Light age-related curling; minor chipping at lower edge not affecting the image area; surface otherwise clean with strong tonal range. Overall good condition. A historically significant early twentieth-century photograph documenting the lived landscape of pilgrimage to Mecca during a pivotal moment in Arabian political history. unknown
1790ref. 145711790. Engraved plate titled View Of The Temple of Mecca and accompanying Plan Of The Temple of Mecca circa eighteenth century represents an early modern European visual interpretation of the Kaaba and the Masjid al-Haram in Mecca Islam's most sacred site. Produced for inclusion in eighteenth-century printed works including editions of André du Ryer's French translation of the Qur'an L'Alcoran de Mahomet the engraving reflects European efforts to depict and systematize knowledge of Islamic sacred geography during a period of expanding global contact. The print supports research in Islamic studies the history of book illustration Orientalist visual culture and early modern European representations of non-Christian religious architecture. Engraved plate. Circa 1700s. Approximately 8 x 12 inches. Unmounted and unframed. The foldout plate comprises two distinct but related images: an aerial plan of the sacred precinct at Mecca and a perspectival view of the Kaaba within the Masjid al-Haram. The central structure of the Kaaba is depicted surrounded by arcaded and domed architectural elements characteristic of the sanctuary as understood in the eighteenth century. In the foreground courtyard numerous Muslim worshippers-approximately one hundred figures-are shown engaged in prayer emphasizing both ritual practice and spatial organization. The engraving was issued in connection with eighteenth-century European editions of Islamic texts including Du Ryer's influential translation and reflects the period's hybrid combination of documentary ambition and interpretive stylization. As a visual artifact circulating within early modern printed Qur'anic translations the plate documents how European readers encountered Islam through mediated imagery shaped by travel accounts diplomatic reports and secondhand description. Such engravings played a formative role in constructing Western visual conceptions of Mecca at a time when access to the holy city was restricted to Muslims. The presence of both plan and elevation view demonstrates Enlightenment-era interest in architectural order cartographic precision and comparative religion. Light age-related toning and traces of original fold at center; minor fold wear consistent with issuance as a book plate; image clear with well-preserved engraved detail. Overall very good condition. A significant eighteenth-century engraved representation of the Kaaba and Masjid al-Haram reflecting early European visual engagement with Islamic sacred space. unknown
1926ref. 144221926. Gröber Karl. Bird's Eye View of Mecca 1926. Original copperplate photogravure depicting Mecca Islam's holiest city and the destination of the annual Hajj pilgrimage. The elevated view records the historic urban setting of Mecca home to the Masjid al-Haram the Sacred or Grand Mosque and the Kaaba toward which Muslims worldwide direct their daily prayers. Published in 1926 the image dates from the early rule of Abdulaziz Ibn Saud over the Hejaz following his conquest of Mecca in 1924 and assumption of the title King of the Hejaz in 1926. The illustration preserves a photographic view of the holy city during a period of political transition decades before the extensive urban redevelopment and mosque expansions of the later twentieth century. Gröber Karl photographer. Bird's Eye View of Mecca. 1926. Original copperplate photogravure after a photograph by Gröber published as an illustration in the first edition of a 1926 book containing his text and photogravures. Sheet measures approximately 8.25" x 10.25" with a printed area of approximately 8.5" x 6.25". The elevated perspective presents a panoramic view of Mecca recording the city's buildings and urban topography. The copperplate photogravure process reproduces the tonal gradations and architectural detail of the original photograph. Mecca had been under Ottoman sovereignty until the Arab Revolt of 1916 after which it formed part of the Hashemite Kingdom of the Hejaz before coming under Saudi control in 1924. Gröber's 1926 publication belongs to this transitional period in the city's modern history. The original photogravure provides a contemporary visual record of Mecca before the major architectural alterations and expansions undertaken in subsequent decades. unknown
1926ref. 144231926. Gröber Karl. Two Views of the Mosque at Mecca 1926. Pair of original copperplate photogravures depicting the Masjid al-Haram the Sacred or Grand Mosque in Mecca Islam's holiest city and the destination of the annual Hajj pilgrimage. The mosque surrounds the Kaaba toward which Muslims worldwide turn in daily prayer. Published in 1926 the illustrations date from the early period of Saudi rule over Mecca following the city's conquest by Abdulaziz Ibn Saud in 1924. The two views record the mosque from ground-level and elevated perspectives preserving photographic documentation of the sacred precinct before the extensive architectural expansions of the later twentieth century. Gröber Karl photographer. Two Views of the Mosque at Mecca. 1926. Two original copperplate photogravures after photographs by Gröber published in the first edition of a 1926 book containing his text and photographic illustrations. Each sheet measures approximately 8.25" x 10.25" with a printed area of approximately 6.25" x 8.25". The first photogravure presents a ground-level view of the mosque recording its architecture from within the surrounding urban setting. The second provides a bird's-eye view of the mosque showing the sacred complex from an elevated perspective. Both illustrations reproduce the tonal gradations and architectural details of the original photographs through the copperplate photogravure process. The illustrations were published during a decisive period in the modern history of Mecca. Following the collapse of Ottoman authority in the Hejaz during the First World War the city came under Hashemite rule before its capture by Ibn Saud in 1924. In 1926 Ibn Saud assumed the title King of the Hejaz incorporating Mecca into the expanding Saudi state. The paired views record the mosque's architectural setting during this transition preceding the major expansion and redevelopment campaigns undertaken from the mid-twentieth century onward. Both original photogravures are in excellent condition presenting complementary perspectives of the Grand Mosque as reproduced in 1926. unknown