10 215 résultats
réf. List2883Austin Texas 1987. 14 x 22 inch poster on heavy cardstock. Some adhesive residue some slight marginal folding excellent contrast very good plus. In 1987 Brooklyn-based hip-hop group The Fat Boys released their fourth studio album Crushin’ which featured a hit version of the Surfaris’ “Wipeout” recorded with the Beach Boys. This poster is from their 1987 tour where they were supported by 4 by Four Salt N Pepa and Heavy D and the Boyz and Dana Dane all of whom had just released their first albums. unknown
1973réf. List2886Fort Worth Texas 1973. 18 x 23 ½ inch poster on heavy cardstock. Some creasing and wear chip at top left corner; excellent. A poster advertising a 1973 concert and dance with celebrated R&B act and Rock & Roll Hall of Famers Sam and Dave Sam Moore and Dave Prater at La Chic Club in Fort Worth Texas. The duo earned the nickname “Double Dynamite” as they are called on the poster from their legendary live performances. unknown
réf. js141022Academy Editions. Very Good/No Jacket. very large lavish book. original plain green boards. undated but appears to be from about 1971. contains 33 large poster sized prints. most brilliant colour and all eminently suitable for framing. sadly a few appear to have been removed.no inscriptions and well bound. due to the size this book will probably attract extra postage. Our orders are shipped using tracked courier delivery services. Academy Editions hardcover
1986réf. 278448Paris: WM 1986. paperback. very good. Filled with beautiful color examples of posters. 256 pages. 4to glossy pictorial wrappers a bit scuffed and worn at head. Paris: WM Editions 1986. A very good copy. WM unknown
réf. 68925E-041. Very Good. Hardcover. Leather. 8vo. Published by George Bell and Sons London UK. 1895. 367 pgs. Illustrated in black and white. Bound in 3/4 leather and marble paper covered boards with titles and raised bands present to the spine. Boards have shelf-wear present to the extremities spine is lightly sunned and faded. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Illustrated with abundant examples of the works of the Beggarstaff's Will Bradley Jules Cheret Grasset Walter Crane Edward Penfield Toulous Lautrec Edouard Manet et al. ; 8vo 8" - 9" tall . hardcover
1975réf. 000015130Chicago: The Art Institute of Chicago 1975. Poster. Very Good or better. 30.5" x 22.38". Poster. An image from Munch's oeuvre printed in black on white paper on the recto of the poster. The 150th anniversary of Norwegian settlement in the United States was celebrated in 1975. This poster was produced either in that year or around it in order to promote the Art Institute's exhibition of Munch's work. A striking image. A few wrinkles to the poster's edges. The Art Institute of Chicago unknown
1977réf. 000015150Berkeley: Portal Publications LTD 1977. Poster. Near Fine. 28" x 20". Poster. Four tiles printed in blue brown and yellow on a white background. Blue type printed on a white background below. Lithograph. Designed by David Lance Goines in 1973. The film was originally released in 1968. This poster was originally published in 1973 our copy has a copyright date of 1977. The poster was created to advertise the screening of the film to students on campus. A few small scuffs on the reverse else a sharp example. Portal Publications LTD unknown
1927réf. 879481927. POSTERS ASAHI SHIMBUNSHA. EI ZUI SENKYO POSUTAA-SHU. Tokyo Showa 2 1927 26.2 x 18.9 cm. illustrated wrappers. This interesting book on election and other political posters of the mid 1920s in England and in Switzerland captures very effectively the social political ferment in those two democracies after the end of the First World War. Profusely illustrated the posters themselves tell the tale most effectively. Must have had an avid audience in Japan whose admiration for effective design in advertising and propaganda would have combined with an interest in democratic movements in Europe as their own "Taisho Democracy" was evolving. Edgewear about good overall. unknown
1890réf. 176257Rochester N.Y.: Wm. S. Kimball & Co. c1890. Sizes vary but approx from 35 x 20cm to 28 x 17cm. A few minor marks but generally in very good condition William S. Kimball & Co merged with others to form the American Tobacco Company in 1890. . Wm. S. Kimball & Co. unknown
réf. 12399Blind stamp 32 Cheyne Row Chelsea SW London 3 Dec. 1895. One page 16mo spike-hole mainly good complete and clear. "I believe the copyright of my drawings which appeared in the P.M.B. Pall Mall Budget belongs to us. I made a distinct arrangement to that effect with regrad to drawings I made for the P.M.Pall Mall Magazine altho' I made no agreement in writing either way with the 'Budget' the Manager would no doubt' be able to tell you." [Blind stamp] 32 Cheyne Row, Chelsea, SW [London], 3 Dec. 1895. unknown
réf. a159274 American posters; 1 British. All in English. Range in size from 12x17" to 23x17". All VG - no stains no chips no tears just occasional fold lines or slight wrinkling . Only 2 posters are unillustrated text with fancy calligraphy - 4 have photo or drawing illustrations as well as text. Posters titles: 1."I am a Liberty Loaner and this is my Creed"; 2. "War's Innocent Victims" is a poster asking for used clothing by American Red Cross with 3 large photographs of European war victims ; 3. "For Some of us the War will never be over" with large drawing of a blinded soldier; 4. "The War of Munitions - How Great Britain has Mobilised Her Industries" poster has text plus several cartoon-type illus several fold lines on this poster; 5. " America's Creed. Victory Bonds". Mostly undated but 1918 and 1919. Would make a fine exhibition. Photographs available. All posters are guaranteed original. Each poster is held in flat cardboard artwork sleeve with cellophane face. Extra postage will be needed. Group of 5 Posters. . hardcover
réf. 66205Poster. 14 x 18 inches. One color lithograph poster on thick card stock corners blackened for mounting minor age toning very slight tidemark at left upper blank margin very minor chip from old thumb tack light soiling and some wear to the reverse still a very good bright copy. An original lobby poster for this pre-code Western set against the backdrop of cattle rustling in 1877 Utah. George O'Brien stars as itinerant cowboy Jim Hall who joins Hank Hays' band of rustlers only to fall in love with rancher Cecil Herrick's daughter Helen played by Maureen O'Sullivan. The movie was filmed entirely in Arizona. Zane Grey based his original western on the activities of Butch Cassidy who after rustling cattle would hide them on Robbers' Roost. The H.C. Miner Litho Co. of New York was originally Founded in 186 by H.C. Miner and son Miner Jr. After a reorganization in 1908 the company operated under Hugo Zigfield until 1935. No copies in Worldcat. unknown
1980réf. 216371人民教育出版社. People's Educational Publishing House. Reprint. Circa1980s. Set I complete. 19 coloured posters on topics relating to Chinese history for use with 3rd and 4th grade primary school students. Each has arresting photographic illustrations clearly captioned minor wear at extremities but overall in very good condition. Cover sheet slightly creased repaired with archival paper on reverse. Posters measure 77 x 53cm; folded 38 x 26.4cm. Text in simplified Chinese characters. The set includes an introductory poster with questions that can be answered by history; about military events the economy politics culture foreign affairs science and technology and ethnic groups. The other 18 posters relate to the topics of Paleolithic and Neolithic Banpo culture; Xia and Shang Dynasty culture and bronzes; slave cultural relics; Qin Shi Huangdi; social economic and cultural information about the two Han Dynasties; the Xiongnu; balance of power during the Three Kingdoms; the two Jin Dynasties; and the Southern and Northern Dynasties. . 人民教育出版社. [People's Educational Publishing House. unknown
1960réf. 217264Circa1960s. Collection of eight colour-printed Nianhua posters the central images onlaid within a stiff red paper border with a thin cream paper frame worn and discoloured and at the top of each a fine aqua paper border; the sheets a little creased two of the images with a visible tide-mark minor edge tears not affecting the images strengthened neatly on the verso with washi one with an early paper repair to the verso of the margin approx. 93 x 51.5cms sheet size in good condition. Eight Nianhua posters six feature traditional narrative tales one based on a woodblock print one possibly of a movie heroine and one other features a pair of chubby toddlers holding a tray of peaches and flowers symbols of longevity and abundance. . unknown
1960réf. 1101971960. 3 single leaves 11 x 9 inches b&w photos on monocxhrome ground with white lettering two machines portrayed photographically recto / specs verso except for "Spiral bevel" third image which recto an entirely lavender field with briefest lettering white on black band . Bright scarcely handled mostly by this cataloguer scarcely aged respectively lavender semigloss black and matte-cinnnamon. unknown
réf. 20208Both on letterhead of 9 Hillmarton Road Camden Road N.7. 8 December 1929 and 31 October 1930. Both items in fair condition on lightly aged and worn paper. ONE: 8 December 1929. 4pp. 12mo. Bifolium. He begins by stating that he has read Walters' 'Charm of Lancashire' with great enjoyment and considers it one 'of which every Lancashire family and lover of the county should possess a copy'. He continues: 'I myself was born between Pendle and Boulsworth. My Father's stock farmed around Trawden and the Boulsworth side and my mother's around Blacko and the Pendle slopes so your section devoted to this locality has an especial attraction for me. Many an afternoon as a boy have I waded i'thwatter-gait at Barrowford and higher up at Roughlee.' As an 'animadversion' on Walters' book he corrects his use of a dialect phrase: 'Out o't'gait! Is a colloquialism frequently heard in that locality “gait” signifying “way”; watter-gait – water-way: but water-gate is like saying water-door or barrier or obstacle whereas the other signification is intended.' He points out a 'printers error' and then states that he has 'written to several of my friends up north and recommended them to secure for themselves a copy of “The Charm of Lancashire”'. He ends with news of an exhibition he will be having at Eastertime at which 'there will be one or two pictures in which Pendle looms in the background'. Pencil note at foot of letter: 'This is Orlando Greenwood – a Painter in Oils'. TWO: 31 October 1930. 1p. 12mo. He thanks him for 'the notice of the publication of “Romantic Cheshire” informs him that he has ordered the book and wishes him 'all the success that you had with your book on Lancashire'. According to one authority: 'Orlando Greenwood was born in Nelson Lancashire. He studied at Goldsmiths’ College of Art his studies interrupted by the First World War when he was conscripted into the Royal Engineers. His first major exhibition was held at Spinks London in 1925 which was reported as “a triumph” by the Daily Mail. Greenwood became a full member of the Royal Society of British Artists in 1922 and exhibited at the Royal Academy 1920-1933 the Royal Institute of Painters in Watercolours and the Royal Society of Portrait Painters as well as widely across London at Colnaghi Beaux Arts Gallery The Groupil Salon Gallery and the Leicester and Grosvenor Galleries. A centenary exhibition was held at The Bloomsbury Workshop in 1992. Greenwood completed iconic poster designs for the London Underground and the Great Western Railway and designs for London shops such as Liberty and Whiteleys. His works can be found in numerous public collections in the UK including Manchester City Galleries Towneley Hall Art Gallery & Museum Harris Museum & Art Gallery and Grundy Art Gallery.' Both on letterhead of 9 Hillmarton Road, Camden Road, N.7. 8 December 1929 and 31 October 1930. unknown
réf. 14143All three from 20A Alfred Place SW7 London. 14 April 10 July and 2 August 1929. Each item is 1p. 12mo the note being the last of the three. All written in green ink the first on green paper and the other two on pink paper. The three in very good condition on lightly-aged paper. Written in an attractive calligraphic hand. ONE: She writes that she is enclosing 'four rough designs not present for the woodcut frontispiece to the "Glade sic of Glenbella' and asks to be informed by return of the firm's choice and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts. 'Thank you for sending me a copy of the Glades of Glenbella I am very pleased to have it. What a difference it makes to the "cut" to see it printed well and on really nice paper!' She asks whether the author is satisfied before apologises for asking for the block to be returned: 'had I had more time at first I should have naturally taken a small edition before handing it over'. THREE: Note. She is returning the block and thanks the firm 'for enabling me to take a small edition of prints'. All three from 20A Alfred Place, SW7 [London]. 14 April, 10 July and 2 August [1929]. unknown
2000réf. 1446Krakow Poland: Krzysztof Dydo Galeria Plakatu 2000. Original Wraps. New. Octavo pp. 334 indexed beautifully illustrated in b/w & color reproductions of several hundred posters by 200 artists arranged like a catalog text in Polish & English. Scarce Krzysztof Dydo Galeria Plakatu paperback
1987réf. D7986Berlin: Galerie Arndtstrasse 1987. Paperback. Very Good. Sixteen leaves bound with a plastic clasp along spine; 210 x 297 mm; with typed text 3 tipped-on full-color postcards and 19 tipped-on full-color original photographs showing and describing in German 22 avant-garde posters from 1908-1935. Covers lightly rubbed; sometimes a price handwritten in the margins in ink. An unusual hand-made catalogue -- the original photographs show the posters displayed with magnets or sometimes just held up by a person standing in behind it fingers boxes of office supplies or -- once -- a chin visible. A nice reference nonetheless featuring works by Ludwig Hohlwein Lucian Bernhard Wilhelm Deffke Max Burchartz Koos Hooykaas and Ottomar Anton. Galerie Arndtstrasse paperback
1986réf. 20621like new oversize pb 15" X 11" expedited shipping not available Artlines paperback
2001réf. 2111902153102396modern movie company 2001. Soft Cover. Fine. Number of books: 6 books set modern movie company paperback
réf. 2090502113711088Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
réf. 2090502113711509Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2018réf. 2090502113714961Not Available 2018. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2016réf. 2090502113708575Not Available 2016. Soft Cover. Fine. The book is in fine condition. Not Available paperback
