10,255 results
ref. 66205Poster. 14 x 18 inches. One color lithograph poster on thick card stock corners blackened for mounting minor age toning very slight tidemark at left upper blank margin very minor chip from old thumb tack light soiling and some wear to the reverse still a very good bright copy. An original lobby poster for this pre-code Western set against the backdrop of cattle rustling in 1877 Utah. George O'Brien stars as itinerant cowboy Jim Hall who joins Hank Hays' band of rustlers only to fall in love with rancher Cecil Herrick's daughter Helen played by Maureen O'Sullivan. The movie was filmed entirely in Arizona. Zane Grey based his original western on the activities of Butch Cassidy who after rustling cattle would hide them on Robbers' Roost. The H.C. Miner Litho Co. of New York was originally Founded in 186 by H.C. Miner and son Miner Jr. After a reorganization in 1908 the company operated under Hugo Zigfield until 1935. No copies in Worldcat. unknown
1980ref. 216371人民教育出版社. People's Educational Publishing House. Reprint. Circa1980s. Set I complete. 19 coloured posters on topics relating to Chinese history for use with 3rd and 4th grade primary school students. Each has arresting photographic illustrations clearly captioned minor wear at extremities but overall in very good condition. Cover sheet slightly creased repaired with archival paper on reverse. Posters measure 77 x 53cm; folded 38 x 26.4cm. Text in simplified Chinese characters. The set includes an introductory poster with questions that can be answered by history; about military events the economy politics culture foreign affairs science and technology and ethnic groups. The other 18 posters relate to the topics of Paleolithic and Neolithic Banpo culture; Xia and Shang Dynasty culture and bronzes; slave cultural relics; Qin Shi Huangdi; social economic and cultural information about the two Han Dynasties; the Xiongnu; balance of power during the Three Kingdoms; the two Jin Dynasties; and the Southern and Northern Dynasties. . 人民教育出版社. [People's Educational Publishing House. unknown
1960ref. 217264Circa1960s. Collection of eight colour-printed Nianhua posters the central images onlaid within a stiff red paper border with a thin cream paper frame worn and discoloured and at the top of each a fine aqua paper border; the sheets a little creased two of the images with a visible tide-mark minor edge tears not affecting the images strengthened neatly on the verso with washi one with an early paper repair to the verso of the margin approx. 93 x 51.5cms sheet size in good condition. Eight Nianhua posters six feature traditional narrative tales one based on a woodblock print one possibly of a movie heroine and one other features a pair of chubby toddlers holding a tray of peaches and flowers symbols of longevity and abundance. . unknown
1960ref. 1101971960. 3 single leaves 11 x 9 inches b&w photos on monocxhrome ground with white lettering two machines portrayed photographically recto / specs verso except for "Spiral bevel" third image which recto an entirely lavender field with briefest lettering white on black band . Bright scarcely handled mostly by this cataloguer scarcely aged respectively lavender semigloss black and matte-cinnnamon. unknown
ref. 20208Both on letterhead of 9 Hillmarton Road Camden Road N.7. 8 December 1929 and 31 October 1930. Both items in fair condition on lightly aged and worn paper. ONE: 8 December 1929. 4pp. 12mo. Bifolium. He begins by stating that he has read Walters' 'Charm of Lancashire' with great enjoyment and considers it one 'of which every Lancashire family and lover of the county should possess a copy'. He continues: 'I myself was born between Pendle and Boulsworth. My Father's stock farmed around Trawden and the Boulsworth side and my mother's around Blacko and the Pendle slopes so your section devoted to this locality has an especial attraction for me. Many an afternoon as a boy have I waded i'thwatter-gait at Barrowford and higher up at Roughlee.' As an 'animadversion' on Walters' book he corrects his use of a dialect phrase: 'Out o't'gait! Is a colloquialism frequently heard in that locality “gait” signifying “way”; watter-gait – water-way: but water-gate is like saying water-door or barrier or obstacle whereas the other signification is intended.' He points out a 'printers error' and then states that he has 'written to several of my friends up north and recommended them to secure for themselves a copy of “The Charm of Lancashire”'. He ends with news of an exhibition he will be having at Eastertime at which 'there will be one or two pictures in which Pendle looms in the background'. Pencil note at foot of letter: 'This is Orlando Greenwood – a Painter in Oils'. TWO: 31 October 1930. 1p. 12mo. He thanks him for 'the notice of the publication of “Romantic Cheshire” informs him that he has ordered the book and wishes him 'all the success that you had with your book on Lancashire'. According to one authority: 'Orlando Greenwood was born in Nelson Lancashire. He studied at Goldsmiths’ College of Art his studies interrupted by the First World War when he was conscripted into the Royal Engineers. His first major exhibition was held at Spinks London in 1925 which was reported as “a triumph” by the Daily Mail. Greenwood became a full member of the Royal Society of British Artists in 1922 and exhibited at the Royal Academy 1920-1933 the Royal Institute of Painters in Watercolours and the Royal Society of Portrait Painters as well as widely across London at Colnaghi Beaux Arts Gallery The Groupil Salon Gallery and the Leicester and Grosvenor Galleries. A centenary exhibition was held at The Bloomsbury Workshop in 1992. Greenwood completed iconic poster designs for the London Underground and the Great Western Railway and designs for London shops such as Liberty and Whiteleys. His works can be found in numerous public collections in the UK including Manchester City Galleries Towneley Hall Art Gallery & Museum Harris Museum & Art Gallery and Grundy Art Gallery.' Both on letterhead of 9 Hillmarton Road, Camden Road, N.7. 8 December 1929 and 31 October 1930. unknown
ref. 14143All three from 20A Alfred Place SW7 London. 14 April 10 July and 2 August 1929. Each item is 1p. 12mo the note being the last of the three. All written in green ink the first on green paper and the other two on pink paper. The three in very good condition on lightly-aged paper. Written in an attractive calligraphic hand. ONE: She writes that she is enclosing 'four rough designs not present for the woodcut frontispiece to the "Glade sic of Glenbella' and asks to be informed by return of the firm's choice and she will 'get on with it at once'. She ends with a query about galley sheets. TWO: Docketted with brief pencil accounts. 'Thank you for sending me a copy of the Glades of Glenbella I am very pleased to have it. What a difference it makes to the "cut" to see it printed well and on really nice paper!' She asks whether the author is satisfied before apologises for asking for the block to be returned: 'had I had more time at first I should have naturally taken a small edition before handing it over'. THREE: Note. She is returning the block and thanks the firm 'for enabling me to take a small edition of prints'. All three from 20A Alfred Place, SW7 [London]. 14 April, 10 July and 2 August [1929]. unknown
1970ref. 131131614New York: Judith Walker 1970s. Good. Broadside with photo of poet John Wieners and his poem "Home-Duty." Light edge wear creasing. Judith Walker unknown
2000ref. 1446Krakow Poland: Krzysztof Dydo Galeria Plakatu 2000. Original Wraps. New. Octavo pp. 334 indexed beautifully illustrated in b/w & color reproductions of several hundred posters by 200 artists arranged like a catalog text in Polish & English. Scarce Krzysztof Dydo Galeria Plakatu paperback
1986ref. 20621like new oversize pb 15" X 11" expedited shipping not available Artlines paperback
2001ref. 2111902153102396modern movie company 2001. Soft Cover. Fine. Number of books: 6 books set modern movie company paperback
ref. 2090502113711088Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
ref. 2090502113711509Not Available N.A. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2018ref. 2090502113714961Not Available 2018. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2016ref. 2090502113708575Not Available 2016. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2014ref. 2090502113717408Not Available 2014. Soft Cover. Fine. The book is in fine condition. Not Available paperback
ref. HU-MD4G-23S4Good. Good large format book some shelf wear to egdes small owners stamp inside fantastic posters. unknown
1977ref. 24689Cuba: Union de Escritores y Artistas de Cuba UNEAC 1977. Poster in colors text in Spanish. Also printed at bottom edge: C.P. "Evelio Rodriguez Curbelo"/Taller experimental. Approx. 20" x 30" size; in very good condition. Poster. Not Bound. Very Good. Union de Escritores y Artistas de Cuba UNEAC Paperback
1979ref. 1000056Paris: A.D.A.G.P. 1979 Boards. Quarto. Black and white and color illustrations of 273 French posters. Light shelfwear. Near fine in fine jacket. Text in Japanese. A.D.A.G.P., hardcover
2003ref. 32279Gent, Museum Dr. Guislain, 2003. Gr.-2° (59 cm x 40 cm !!!!!!!!!!).
1972ref. 91421Hamburg, 1972. Bild 45 x 50 cm; Blatt 53 x 59 cm.
1991ref. 69690ABParis., Galerie Amelio Brachot., 1991. 59,9 x 39,9 cm. [1] unpaginiertes Blatt., 69690A Erste Auflage. Kleine Abschabung recto. Sonst gutes Exemplar.
1993ref. 69691ABMünchen., Schirmer / Mosel Verlag., 1993. 55,9 x 41,0 cm. [1] unpaginiertes Blatt., 69691A Erste Auflage. Papier mittig mit leichten Bugfalten, eine Stoßkante etwas gewellt. Gutes Exemplar.
1993ref. 68660ABParis., Pièce Unique / Massimo de Carlo., 1993. 59,9 x 40 cm. 1 Blatt., 68660A Erste Auflage. Sehr gutes Exemplar.
1996ref. 68661ABMünchen / Paris / London., Schirmer / Mosel Verlag., o. J. [1996]. 55,9 x 40,8 cm. 1 Blatt., 68661A Erste Auflage. Sehr gutes Exemplar.
2005ref. 69583ABKopenhagen / Köln., Lousiana Museum for Moderne Kunst / Verlag der Buchhandlung Walther König., 2005. 85 x 62 cm. [1] unpaginierte S., 69583A Erste Auflage. Minimalst angerändert, sonst noch sehr gutes Exemplar.
