11,027 results
1989ref. 15674Paris RMN 1989 In-8 Ecu 127 pp, Musée du Louvre, 20 avril-24 juillet 1989. Reproductions en noir et quelques unes en couleurs, in et hors-texte, frontispice, 1ère de couverture illustrée.
1991ref. R100000501DAVID S. WARD. 1991. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 11 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
ref. 2895Lithographie au format 29 x 38 cm., à l'état de neuf.
1989ref. R100000495WARNER. 1989. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 7 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
1980ref. R100000508RICHARD FLEISCHER. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 5 photos en couleurs .. . . . Classification : 0-Affiches Cinéma
ref. 1090Christian Desbois éditions. Affiche 25 x 50 cm. A l'état de neuf.
ref. 1091Christian Desbois éditions. Affiche 25 x 50 cm. A l'état de neuf.
ref. 1100Christian Desbois éditions. Affiche 50 x 100 cm. A l'état de neuf.
ref. 1111Christian Desbois éditions. Affiche 60 x 60 cm. A l'état de neuf.
1989ref. R100000504JOHN JOHNSTON. 1989. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 6 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
1991ref. R100000493METROPOLITAN FILMEXPORT. 1991. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 8 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
1998ref. 64539Flammarion 1998 In-folio broché 38,2 cm sur 28,2. Bon état d’occasion.
1991ref. R100000500DWIGHT H. LI. 1991. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 1 lot de 7 photos en couleurs.. . . . Classification : 0-Affiches Cinéma
ref. 62633BBo.J. (Horst Janssen, geboren am 14. November 1929 in Wandsbek bei Hamburg, gestorben am 31. August 1995 in Hamburg. Zeichner, Grafiker, Autor, Plakatkünstler, Illustrator und Fotograf, einer der herausragendsten und produktivsten Zeichner und Grafiker des 20. Jahrhunderts). [2 Warenabbildungen]
ref. 7194EBo.J. [3 Warenabbildungen]
1962ref. LCI-65611962 60 x 80 LE CHOC DES TITANS : Affiche originale (1962) du film Ulysse contre Hercule. Mario Caiano orchestre l'affrontement épique entre l'intelligence et la puissance. Une composition graphique d'une intensité rare, capturant toute la démesure de la mythologie grecque. Présentée dans un état de conservation irréprochable, cette affiche est une pièce maîtresse pour tout collectionneur de l'âge d'or du péplum.
1965Une affiche sur papier couché fort; de dimensions 50 x64 cm; impression offset de l'imprimerie Lescaret, Paris.sur papier Bel état. Voir photo. Peu fréquente.
1965ref. 15794Paris à la Galerie 1965 1 Une affiche sur papier couché fort; de dimensions 50 x64 cm; impression offset de l'imprimerie Lescaret, Paris.sur papier
1978Milano, Vallardi, 1978, manifesto con dis. di uccelli a col. su fondo bianco.
1922- Lucien Vogel éditeur, Paris 1922, 18x24cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustrat
2024ref. 27006Genève, 2024. Dessin original signé au format de 15 x 21 cm, encre de Chine et encres de couleur.
ref. 10128620th Century. . Fine. - Two original color fantasy paintings of elf-like children by the American artist & illustrator Lee von Rackel. The first a bright color painting of a young female elf shepherd with pointed ears is painted on 10 inch high by 7-1/2 inch wide light yellow illustration board. The painting portrays the young elf with braided golden hair above pointed ears with large eyes glancing over her shoulders. She is attired in a white & blue flowing dress while holding a shepherd's crook as a lamb hides behind her skirt. Signed "vonRackel" at bottom right of the image. Fine. Together with a brightly colored 3-1/2 inch high by 4-3/4 inch wide shaped painting mounted on 7-5/8 inch high by 6-1/4 inch wide art board. The image depicts a young boy possibly an elf attired in a black vest over a yellow blouse and red pants a red & yellow elf's hat covering his black hair. The large eyed youth is collecting sticks in a field of flowers with birds a squirrel and a rabbit looking on. The edges of the mount are roughly cut and the mount slightly soiled. Near fine. Together with biography of the artist printed on 7 inch high by 5-3/4 inch wide white parchment paper. The American artist & illustrator Lee von Rackel 1918-1998 was a graduate of the Washington Institute of Commercial Art in New York City and the Norman Rockwell Famous Artist School in Westport Connecticut. Her works appeared as magazine covers and newspaper illustrations as well as advertising posters and a greeting card for the American Red Cross. von Rackel was a member of the Anaheim Art Association the Mission Viejo Association of Artists and Craftsmen the Westminster Art Association and the Art Association of San Juan Capistrano. 20th Century. unknown
1980ref. 1028631980 915x610, 1980. (102863)
1970ref. 1029751970 affiche Leo Castelli New York 24 October to 14 November 1970Affiche pliée et envoyée par la poste cachet de New York 22 Oct. 1970. (102975)
