BRETON André / BEDOUIN Jean-LouisLivre Rare Book
BEDOUIN (Jean-Louis).Livre Rare Book
Libre Espace.
réf. 15570P., Pierre seghers, 1967, In-4, en feuilles, sous chemise, 57 pp.
Librairie Pages Volantes · Paris, France150,00 €
162 résultats
réf. 4499Milano, schwarz editore, 1960, collana di storia e cultura 2 volumes in 8 reliure toile de l'éditeur sous jaquette illustrée et emboîtage
réf. 4499Milano, schwarz editore, 1960, collana di storia e cultura 2 volumes in 8 reliure toile de l'éditeur sous jaquette illustrée et emboîtage
réf. PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
1948réf. 011649Paris Librairie La Hune 1948 4 pages, 62 x 42 cm, plié en quatre En feuille Edition originale
réf. 10085L'OEUF SAUVAGE. Collection suivie du n° 1 (octobre 1991) au n° 6 (hiver 1992). 6 fascicules in-4° sous chemise-étui et emboîtage de l'éditeur. Très bon état. /// Textes sur et illustrations de : Jean Dubuffet, Philippe Dereux, Joseph Crépin, Pierre Bettencourt, Josef Sima, Fred Deux, Dado, Armand Avril, Louis Pons, Picassiette, Séraphine de Senlis, Marie Morel, Anselme Boix-Vives, etc.
réf. 15570P., Pierre seghers, 1967, In-4, en feuilles, sous chemise, 57 pp.
1920réf. 146951920. Early albumen photograph depicting an Algerian encampment during the period of French colonial rule circa late nineteenth century. 10 x7". The expansive view shows numerous canvas tents spread across an open plain beneath barren hills with groups of local Algerian men gathered throughout the camp. Horses or other pack animals supplies and equipment are visible among the tents suggesting a temporary tribal caravan market or traveling encampment. A tall solitary palm tree rises dramatically near the center of the composition providing a striking vertical element against the low tents and stark mountainous landscape. Men can be seen standing seated and congregating around the tents offering an unusually broad view of temporary camp life in rural Algeria. Although made during the French colonial period the photograph is notable for focusing on Algerian people and their material surroundings rather than on European colonial personnel. France's nineteenth-century conquest and occupation profoundly altered Algerian political economic and territorial life while indigenous communities continued longstanding traditions of pastoral movement caravan travel temporary encampment and regional commerce. The photograph therefore provides a valuable visual record of Algerian life within the larger setting of colonial rule without necessarily depicting the colonial authorities themselves. Albumen photograph with strong overall detail and an impressive panoramic composition. Visible edge wear losses and surface deterioration along portions of the margins consistent with age. unknown
1920réf. 146951920. Early albumen photograph depicting an Algerian encampment during the period of French colonial rule circa late nineteenth century. 10 x7". The expansive view shows numerous canvas tents spread across an open plain beneath barren hills with groups of local Algerian men gathered throughout the camp. Horses or other pack animals supplies and equipment are visible among the tents suggesting a temporary tribal caravan market or traveling encampment. A tall solitary palm tree rises dramatically near the center of the composition providing a striking vertical element against the low tents and stark mountainous landscape. Men can be seen standing seated and congregating around the tents offering an unusually broad view of temporary camp life in rural Algeria. Although made during the French colonial period the photograph is notable for focusing on Algerian people and their material surroundings rather than on European colonial personnel. France's nineteenth-century conquest and occupation profoundly altered Algerian political economic and territorial life while indigenous communities continued longstanding traditions of pastoral movement caravan travel temporary encampment and regional commerce. The photograph therefore provides a valuable visual record of Algerian life within the larger setting of colonial rule without necessarily depicting the colonial authorities themselves. Albumen photograph with strong overall detail and an impressive panoramic composition. Visible edge wear losses and surface deterioration along portions of the margins consistent with age. unknown books
1950réf. 59357Seghers | Paris 1950 | 14 x 17 cm | broché
1951réf. 86431Paris 1951, 13 x 21 cm, agrafé, np (12p.). Couverture illustrée, imprimée en lithographie. 6 reproductions nb, liste des 25 oeuvres exposées. Bon état. Catalogue peu courant de la première exposition du couple Seigle. Henri et Marie se sont rencontrés en 1937 lors d'une exposition à la galerie de La Pléiade à Paris. Ils décident d'explorer ensemble la voie du Surréalisme. Ils rencontrent Victor Brauner et André Breton. Ils peindront "à quatre mains" sous le nom de SEIGLE.
1880réf. 145821880. Colonial Era Vintage original albumen photograph of a Bedouin holding a white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
1880réf. 145821880. Colonial Era Vintage original albumen photograph of a Bedouin holding a white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown books
1885réf. 145461885. Vintage original albumen photograph of a Colonial French Algeria Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
1885réf. 145461885. Vintage original albumen photograph of a Colonial French Algeria Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown books
réf. 050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 1949 Paris La Hune (diffuseur)
1950réf. 59357Paris: Seghers 1950. Fine. Seghers Paris 1950 14 x 17 cm broché First edition one of 100 numbered copies on alfa paper the only deluxe copies with some hors commerce also on alfa paper. Iconography. Work illustrated on the cover with a portrait of André Breton by Max Ernst. Spine and covers lightly and marginally discolored two small lacks at head and foot of covers. Seghers unknown
1792réf. PHO-1241Chez Briand, à Paris 1792, 2 tomes en 2 Vol. in-8 (13,5x21,8cm), (2) vj, 440pp. et (2) 483pp., relié plein basane tacheté , dos lisse orné avec pièces de titre et tomaison vertes , ex-libris manuscrit , coiffes et coins usés , charnières fendues , vieilles mouillures avec quelques traces .
1961réf. 74291Denoël | Paris 1961 | 14.50 x 20.50 cm | broché
1969réf. 185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
1969réf. 185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown books
1948réf. 27263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown
1948réf. 27263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown books
1961réf. 74291Paris: Denoël 1961. Fine. Denoël Paris 1961 14.50 x 20.50 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. Iconography. Handsome copy. Denoël unknown
réf. 2553Editions Seghers / Collection " Poètes d'aujourd'hui " n° 18 de 1950. In-12 broché carré de 226 pages au format 17 x 14 cm. Portrait de d'André Breton en couverture par Max Ernst. Etude de Jean-Louis Bédouin avec inédits, oeuvres choisies, bibliographie, dessins, photos et fac-similés. Dos légérement insolé avec petites pliures, mais qui est resté bien carré. Bords des plats ltrès légèrements insolés. Intérieur parfait. Intérieur frais. Un des 100 exemplaires du tirage de tête numérotés sur Alfamarais ( n° 63 ), seul grand papier. Edition originale.
1961réf. 25433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
