Huet, Michel - J-L BedouinBiblio.com
159 risultati
rif. 20397Lausanne Guilde du Livre 1950. 4° ca. 60 Bl. ca. 80 s/w-Abb. Broschur. Etwas berieben Vors. papierbedingt gebräunt. Schwarzweisse Aufnahmen von schwarzen Menschen sind vermutlich nach den «Ideologen der Totalen Korrektheit» rassistisch zu nennen. Ich hingegen finde diese sehr poetisch und anziehend. 010 Lausanne, Guilde du Livre, 1950 unknown
1950rif. 37449Lausanne : La Guilde du Livre 1950. broché. BEDOUIN J.-L.Noir d’ivoire. Photos de Michel Huet. Lausanne La Guilde du Livre1950 280x220mm photos en héliogravure broché. Couverture rempliée. Bon exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance La Guilde du Livre unknown
1961rif. 74291Paris: Denoël 1961. Fine. Denoël Paris 1961 14.50 x 20.50 cm broché First edition one of 25 numbered copies on alfa paper the only deluxe copies. Iconography. Handsome copy. Denoël unknown
1950rif. 59357Paris: Seghers 1950. Fine. Seghers Paris 1950 14 x 17 cm broché First edition one of 100 numbered copies on alfa paper the only deluxe copies with some hors commerce also on alfa paper. Iconography. Work illustrated on the cover with a portrait of André Breton by Max Ernst. Spine and covers lightly and marginally discolored two small lacks at head and foot of covers. Seghers unknown
1885rif. 145461885. Vintage original albumen photograph of a Colonial French Algeria Bedouin Warrior with his camel published circa 1875. Image size: 8.25" x 11." In this image we can see a Bedouin traditionally dressed in a thoab and kufiyya. The warrior is standing in the desert holding the reins of his camel. The camel is saddled with the Bedouin's sword visible on his side flank. In the background is a single fort tower in the bare desert. Overall in very good condition. unknown
1880rif. 145821880. Colonial Era Vintage original albumen photograph of a Bedouin holding a white horse published circa 1880. Image size: 7" x 9." In this image we can see a Bedouin horseman traditionally dressed in a thoab and kufiyya with igaal. The warrior is approaching his horse from the front. His majestic white steed stands saddled and alert. Overall in very good condition. unknown
1920rif. 146951920. Early albumen photograph depicting an Algerian encampment during the period of French colonial rule circa late nineteenth century. 10 x7". The expansive view shows numerous canvas tents spread across an open plain beneath barren hills with groups of local Algerian men gathered throughout the camp. Horses or other pack animals supplies and equipment are visible among the tents suggesting a temporary tribal caravan market or traveling encampment. A tall solitary palm tree rises dramatically near the center of the composition providing a striking vertical element against the low tents and stark mountainous landscape. Men can be seen standing seated and congregating around the tents offering an unusually broad view of temporary camp life in rural Algeria. Although made during the French colonial period the photograph is notable for focusing on Algerian people and their material surroundings rather than on European colonial personnel. France's nineteenth-century conquest and occupation profoundly altered Algerian political economic and territorial life while indigenous communities continued longstanding traditions of pastoral movement caravan travel temporary encampment and regional commerce. The photograph therefore provides a valuable visual record of Algerian life within the larger setting of colonial rule without necessarily depicting the colonial authorities themselves. Albumen photograph with strong overall detail and an impressive panoramic composition. Visible edge wear losses and surface deterioration along portions of the margins consistent with age. unknown
1900rif. 145891900. Nineteenth century albumen photographs depicting Bedouin camp life in the Arabian desert during the period when early photography began documenting nomadic societies of the Middle East. European photographers and travelers working across the Ottoman and Arabian regions during the nineteenth century frequently recorded images of desert encampments tribal leaders and mounted riders as part of a broader photographic interest in documenting cultures associated with caravan routes pastoral nomadism and the social organization of Bedouin communities. These images present scenes of communal gathering and mounted travel central to Bedouin social and economic life. Two original albumen prints showing Bedouin encampment scenes. Circa nineteenth century. Each photograph measures approximately 8 x 10 inches. One image depicts a large group of Bedouin men assembled beneath a tent in an open desert plain covered with sparse grass suggesting a communal meeting or gathering within the camp. The second photograph captures five mounted horsemen their horses fully saddled speaking with an older Bedouin figure positioned outside a cluster of tents that form part of a larger encampment. The photographs document both the spatial layout of a Bedouin camp and the presence of mounted riders whose mobility was central to pastoral life and desert travel. Modern colonization of Middle East and North Africa was dominated by France Italy and Britain with France administering Algeria Morocco and Tunisia under varying forms of rule. Photographs of Bedouin communities produced during the nineteenth century formed part of a wider photographic record of the Middle East created by travelers military observers and early ethnographic photographers. Such images circulated in travel literature and photographic albums that introduced European audiences to the landscapes and social organization of the Arabian deserts. Visual documentation of Bedouin camps offers insight into the material culture of nomadic life including tent structures mounted transport and communal gathering practices that structured desert society. Light age toning and minor handling wear; overall very good condition. A clear pair of nineteenth century albumen photographs documenting Bedouin camp life. unknown
1880rif. 145371880. Albumen photograph "Biskra. Fantasia Arabe" circa 1880s-1890s depicting a group of mounted Algerian horsemen charging across the desert near Biskra during the period of French colonial rule. Approximately a dozen riders gallop across the foreground with rifles and swords raised while a Bedouin encampment scattered palms and the mountains surrounding the Biskra oasis appear in the distance. The image captures the speed and spectacle of the fantasia a traditional North African equestrian display involving coordinated riding weapons and demonstrations of martial skill. Inscribed in the negative "2090. Biskra. fantasia arabe." A photograph bearing the same title and negative number is held by the École Nationale Supérieure des Beaux-Arts in Paris and attributed to J. Geiser of Algiers a prominent photographer of colonial Algeria.Approximately 7" x 9". Strong image with excellent detail in the riders encampment and surrounding landscape. An evocative visual document relevant to French colonialism in North Africa Algerian history Orientalist photography Indigenous cultural representation and nineteenth-century military and equestrian traditions. Biskra became an important destination for European travelers artists soldiers and photographers during the nineteenth century and images of its desert landscape and Indigenous population circulated widely within the visual culture of French colonial Algeria. Photographs of the fantasia were especially popular because they combined genuine regional traditions of horsemanship with the dramatic exotic imagery sought by European audiences. As a result such photographs function both as records of Algerian social and equestrian culture and as examples of the colonial and Orientalist lens through which North Africa was presented to the West.Light wear consistent with age; very good condition. unknown
rif. PJH55654Editions Denoel Paris 1961. Ownership Signature of Roger Cardinal and with comments in his hand throughout and on rear endpaper VG in slightly rubbed publishers decorated wrappers creased on spine.Illustrated.1st edition. Roger Cardinal was one of Britains most distinguished art historians best known for defining what is generally known as Outsider Art - that is art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba Canada subsequently moving to Warwick University and finally to the University of Kent at Canterbury where he taught for fifty years and held a professorship. Roger Cardinal was not only a leading authority on Outsider Art but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent percipient writings include several books on a wide range of subjects such as Outsider Art 1972 German Romantics in Context 1975 Figures of Reality 1981 Expressionism 1984 The Landscape Vision of Paul Nash 1989 The Cultures of Collecting 1994 and Kurt Schwitters 2011. He also acted as a curator and was a regular contributor to art-historical publications. CardinalÕs interest in art lay in its margins - the neurodiverse psychotic uneducated autistic self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking. Editions Denoel (Paris) 1961 unknown
rif. 52683Eds Seghers In-12-carre 230pp. illustr. photos Nb-0204 unknown
rif. 41790Collection En Dehors - Editions Plasma In-8 246pp. petites usures d'usage sur la couverture A64 unknown
1964rif. 1319paris: éditions seghers 1964. 1964. movement-defining anthology of surrealist verse compiled by poet-critic jean-louis bédouin charting four decades of the movement from breton onward. this canon-shaping selection aragon breton desnos éluard péret frames surrealism as a lived poetics of revolt. long kept in print most recently reissued in an illustrated centenary edition. paris: éditions seghers. 5.25 x 8.5 inches. 356 pages. harcover. bound in black cloth-cover boards . book condition: light damp-staining. jacket condition: closed tear to spine. moderate shelf-wear. light soiling. vey good. from the library of richard perlbinder. éditions seghers unknown
rif. 51-7298Paris: Editions Savelli 1977. . 8vo. 13.3 x 23cm. 79pp Original wraps. Expertise by Amaury BONNETAIN Paris: Editions Savelli, 1977. paperback
rif. 2221011988.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
rif. 042887567X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1948rif. 27263Paris: Éditions surréalistes 1948. First edition. 13 p. 17 cm. Wrappers fine. One of 30 numbered copies on Marais paper. Fine. An anti-clerical tract signed in type by Adolphe Acker Sarane Alexandrian Maurice Baskine Jean-Louis Bédouin Hans Bellmer Jean Bergstrasser Roger Bergstrasser Maurice Blanchard Joë Bousquet Francis Bouvet Victor Brauner André Breton Jean Brun Pierre Cuvillier Pierre Demarne Charles Duits Jean Ferry André Frédérique Guy Gillequin Arthur Harfaux Jindrich Heisler Georges Henein Maurice Henry Jacques Hérold Véra Hérold Marcel Jean Alain Jouffroy Nadine Kraïnik Jerzy Kujawski Pierre Lé Stan Lélio Pierre Mabille Jehan Mayoux Francis Meunier Nora Mitrani Henri Parisot Henri Pastoureau Benjamin Péret Gaston Puel Louis Quesnel Jean-Dominique Rey Claude Richard Jean Schuster Iaroslav Serpan Seigle Hansrudy Stauffacher Claude Tarnaud Toyen Clovis Trouille Robert Valançay Jean Vidal Patrick Waldberg. Éditions surréalistes unknown
1961rif. 25433Paris: Denoël 1961. First edition. Wrappers slight wear unopened copy. 325 pages illustrated. 21 cm. One of 25 copies on Alfa d'Avignon paper including 5 h.c. Denoël unknown
1969rif. 185731969. Five autograph letters signed. 11 pp. To Stephen Schwartz editor of the surrealist review Antinarcissus on activities of the French and American surrealist groups and the BLS Magloire-Saint-Aude. Excellent content. With a letter from Alberto Maera. unknown
1961rif. 93367Paris: Denoel 1961. Paperback. An unopened copy with mild creasing to spine; overall very good. Small quarto in glossy color illus wraps; 325 pages: illustrations; 21 cm. In French. / Art. Surrealism. surréalisme. Denoel paperback
rif. 050281949 Paris La Hune diffuseur. 62 x 40 cm - 4 pgs - pliées en 4 - les articles imprimés en fac-simile du manuscrit original - collaborzateurs Breton Péret Schuster Toyen Riopelle ea - très fragille! - voir Bolliger D.B. III 199 - Rare - Bolliger K 3 nr684 1949 Paris La Hune (diffuseur)
1969rif. 2092902140602934Shicho-sha 1969. Soft Cover. Fine. The book is in fine condition. Shicho-sha paperback
1969rif. 2092902140307308Shicho-sha 1969. Soft Cover. Fine. Number of books: 1 Shicho-sha paperback
1950rif. 59357Seghers | Paris 1950 | 14 x 17 cm | broché
1961rif. 74291Denoël | Paris 1961 | 14.50 x 20.50 cm | broché
