17 691 résultats
1915Grande mappa geologica della Russia europea pubblicata nel 1915, solo due anni prima della Rivoluzione d'Ottobre. Rara seconda edizione, in sei fogli sciolti, realizzata dal Comitato Geologico Russo. Perfetto stato di conservazione
1767réf. 38421767 A Lyon, Duplain, 1767. Deux volumes in-12, IV feuillets non chiffrés, XV-327 pages et IV-359 pages. Reliure époque plein veau moucheté, dos lisse orné de caissons et fleurons dorés, pièces de titre et de tomaison maroquin rouge, titre or. Deux grandes cartes hors-texte dépliantes gravées sur cuivre, avec petite déchirure au pli, sans manque, lune de Kamtchatka, lautre des isles Kurilski. Coins à peine usés et un mors fendu sur 2 cm. Bel exemplaire.
1760réf. 19495Paris Jean-Th. Hérissant 1760 in-8 de viii et 412 pp. veau moucheté, dos orné [Rel. de l'époque]
1859réf. 13623Paris Aug. Vaton 1859 in-8 demi-percaline faune à coins, dos lisse, orné d'un chiffre couronné impérial, tranches marbrées [Rel. de l'époque], qq. rouss. éparses
réf. EXE-115Paris, Belin-Leprieur et Morizot, 1854. In-8°, demi chagrin, dos orné, tranches dorées. Edition originale.
1900réf. 21241London, Rowland Ward, 1900. In-8 de XII-324 pages + 8 pages pour le catalogue des livres édités par Rowland Ward. Pleine percaline bleue d'éditeur.
réf. dola2480cNew York: cRussian Socialist Federation c1919. First Edition. oblong folio. title on thick red paper & 48 photographic plates on glossy paper covering the period 1917 to 1919 & including portraits of revolutionary leaders & officials & scenes of demonstrations military engagements political meetings &c. title & plate captions in Russian & English. original cloth-backed bds. binding worn but sound spine ends frayed small area of surface damage on lower rear cover resulting in loss of most of the copyright information - last word ‘Federation’ still visible internally very good. dola2480 [cNew York: cRussian Socialist Federation, c1919] hardcover
19498vo., First Edition, with portrait frontispiece, 14 plates on 11 and 3 folding maps (2 coloured); handsomely bound in full navy crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt top, hand-made endpapers, ribbon marker, custom-made-slip-case, an elegant copy ideal as a gift or for presentation. [SLIP-CASE NOT SHOWN IN IMAGE.] A classic of its time, recalling Maclean's Buchan-like experiences before and during WWII. Includes coverage of the Moscow State Trials, operating with LRDG in the Western Desert, kidnapping a general and being dropped in occupied Europe as Churchill's personal envoy to Tito. Enser, p.481
1750réf. 16523A large engraved cont. handcoloured map of the Northern part of Russia from Novaja Semlja in the north to the Caspian Meer in the South, from Finland to Jakusskkáy, measuring 48,5 x 62 cm. Folded in center. A few tears in margins.
1750réf. 16523A large engraved cont. handcoloured map of the Northern part of Russia from Novaja Semlja in the north to the Caspian Meer in the South from Finland to Jakusskkáy measuring 485 x 62 cm. Folded in center. A few tears in margins. This large map is from Vaugondy: Atlas universel Paris 1757. unknown
réf. 663833A Paris, Chez Desenne, 1796 5 vol. in-8, [4]-VIII-391, VIII-556, VIII-372, [4]-400 et [4]-299 pp., avec 6 tableaux dépliants, basane fauve marbrée, dos lisse orné de fleurons et de filets dorés, tranches mouchetées jaunes (reliure de l'époque). Petits trous de vers au dos de certains tomes, mors du tome V fendus. Qqs épidermures sur les plats. Rousseurs.
réf. 238091A Paris, Chez Desenne, 1796 5 vol. in-8, [4]-VIII-391, VIII-556, VIII-372, [4]-400 et [4]-299 pp., avec 6 tableaux dépliants, demi-basane brune à coins, dos lisse, filets dorés (reliure de l'époque). Accroc à la coiffe supérieure du tome 1.
réf. 111832A Paris, Chez Nicolas Le Gras, 1706 (I, IV, VI, VII) - 1701 (II, III, V) -1700 (VIII), 8 volumes in-12 de 90 x 160 mm environ, 292-268-349-426-316-367-234-341 pages. Ensemble comportant 27 cartes et 5 vues contrecollées. Pleines reliures mouchetées d'époque, dos à 5 nerfs portant tomaisons dorées et titres dorés sur pièce de cuir tabac, caissons ornés, roulettes dorées sur les coupes, tranches mouchetées. Reliures solides mais avec des défauts (7 coiffes manquantes, travail de vers par endroits, coins émoussés, quelques manques de cuir), des rousseurs, des pages brunies et des traces de mouillures, il manque 1 feuillet au tome VIII (p.223-224, sans manque de texte : feuillet vierge ? faux-titre ?), ensemble néanmoins très correct.
1806réf. 15664Londres et Paris, Cérioux, 1806 ; in-8 ; demi-veau glacé marron clair à petits coins, dos à faux-nerfs décoratifs dorés, fleurons-soleils dorés, pièce de titre rouge (reliure de l'époque) ; 123 pp., (1 bl.), (1) f. d'errata.
réf. 224622Vienne, Alfred Hölder, 1896 2 vol. in-8, XII pp., 608 pp. ; V pp., 313 pp., avec un tirage photographique contrecollé sur papier fort sous serpente en guise de frontispice, brochés.
réf. 231037Paris, Dumont, 1834 in-8, [2] ff. n. ch., 303 pp., demi-basane havane, dos lisse orné de filets et guirlandes dorés, tranches marbrées (reliure un peu postérieure). Coins abîmés, rousseurs, mouillures claires en début de volume.
1856réf. LBW-1084Paris, J. Andriveau-Goujon, 1856. 579 x 955 mm.
1920réf. 222981920 Gouache sur papier fort signée en bas à gauche, (1920), 39 x 26.7 cm ( format à vue), 48 x 31.4 cm (format de la feuille).
1802réf. PHO-1231Paris, F. Buisson, et Giguen, an X – 1802. In-4, broché ,titre sur le plat Atlas seul contenant 14 planches gravées (vues, costumes) et une carte dépliante du détroit qui sépare l'Asie de l'Amérique. Bon exemplaire.
réf. 13975100Saint Pétersbourg: Ministère des voies de communication; Société d'impression artistique, 1900 in-4, [4]-572 pages, 2 portrait des Tsars Nicolas et Alexandre III, 363 photo-typogravures, 4 cartes (carte de la Russie, carte du chemin de fer Samara-Zlatooust, Chelabinsk-Baïkal, Baïkal-Vladivostok) et 3 plans de villes (Irkoutsk, Tomsk, Vladivostok) + 1 f. Publicité de la Fabrique de parfumerie de Frédéric Plus à Varsovie. Demi maroquin lie de vin, légère épidermure en tête, dos à nerfs, monogramme et année dorés en queue, tête dorée, 1ère couv. conservée, coins un peu emoussés, sinon, très bel exemplaire. Envoi de Dmitrief-Mamonof.
réf. 222362Paris, Dupont, 1833 2 vol. in-8, [4]-420 pp., 1 f. d'errata et 436, 1 f. d'errata, gravures en frontispice, demi-veau havane, dos lisse orné (reliure de l'époque). Mors frottés. Rousseurs, très prononcées aux pages de titre, tache brune marginale à la fin du tome 1.
réf. 231437Paris, Librairie-imprimerie des Halles et de la Bourse de commerce, s.d. (1894) 4 vol. in-4, demi-chagrin cerise, dos à nerfs fleuronnés, tranches mouchetées (reliure de l'époque). Étiquette et trace d'étiquette au dos, petits frottements.
réf. 191601Paris, Perrotin, 1857 in-8, XVI-428-[2] pp., avec une carte dépl., demi-chagrin violine, dos lisse, filets dorés et à froid (reliure de l'époque). Rousseurs, plus particulièrement en début d'ouvrage. Dos passé.
réf. 25176Paris Au Sans Pareil 1926 in 8 (19,5x14,5) 1 volume broché, couverture imprimée rempliée, 42 pages [1], illustré de 6 eaux-fortes hors-texte gravées par Nathalie Gontcharova, dos et plat supérieur de la couverture légérement insolés. Edition originale. Tirage limité, celui-ci un 120 exemplaires numérotés sur papier de Hollande Van Gelder, accompagné d'une suite sur papier japon impérial des 6 eaux-fortes hors-texte. Nathalie Gontcharova, peintre sculpteur et décorateur, Ladhyzhino 1881-1962, école russe. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
19241st edition of authors second book. Period boards with original modernist wrappers mounted front and back. 12mo, 62 pages; 22 cm. In Yiddish. Title translates as Hard Reality. Beautiful modernist typographical title and author on front cover, signed by artist in the print (illegible). Moyshe Khashtshevatski (1897 - 1943) was born in Buky, near Uman, Ukraine. He father was a teacher in the local Talmud-Torah. He studied in religious elementary school and in a Talmud-Torah, and in 1916 he graduated from the commercial school in Uman. In the last years of WWI and the first years of the Russian Revolution, he was studying at the Universities of Petrograd and Ekaterinburg. In 1918 (April 6) he debuted in print with a poem, entitled Friling kumt (Spring comes), in Di naye tsayt (The new times) in Kievusing the pen name M. Mishal. In 1921 he moved to Kiev, where he forged a strong bond with the local Yiddish writers (Dobrushin, Hofshteyn, Dis Nister, and others), and from that point he enhanced ever more his reputation as a creator and builder of Soviet Yiddish literature. In the Soviet Yiddish periodicals of Kiev, Kharkov, Minsk, and Moscow, he published poetry and ballads. He also translated from the Russian and Ukrainian classics, as well as from other languages. From 1923 over the course of three years, he contributed intensively to Emes (Truth) in Moscow, and he actively took part in the Soviet community and political life. His first works were in the symbolist vein, although he would later switch to a more realistic depiction of life and address the major issues of the time. He brought new motifs and imagery into Soviet Yiddish poetry. His range of interest was extremely broad. His books include: Dorsht (Thirst), poems (Kiev, 1922), 31 pp.; Harte vor (Hard reality) (Moscow, 1924), 62 pp.; and 38 other titles. Shortly after the outbreak of the Nazi-Soviet war in 1941, he was evacuated to Samarkand, Uzbekistan, and there he learned of the death at the front of his only son. He proceeded to volunteer for mobilization into the Red Army, despite the fact that he was forty-six years of age. He contributed in the harshest of battles in that period of the fighting and died in battle. Moyshe Khashtshevatski is, it seems to me, wrote Shmuel Niger, [was] the most candid among all Yiddish poets in Ukraine. His lyric poetry was born with an old, broken, wrinkled, quietly suffering soul; unabashed, he says that it is old, broken, wrinkled, and suffering in silence. He makes no pretense and no heroic or demagogic poses. It does not shake the earth and demonstrates no valor against the empty, blue skies. (Borekh Tshubinski in Yiddish Leksikon, 2017). For more on Khashtshevatski, see M. Litvakov, In umru (Disquiet), vol. 2 (Moscow, 1926), M. Litvakov, In umru (Disquiet), vol. 2 (Moscow, 1926), pp. 189-219; D. Tsharni (Daniel Charney), in Literarishe bleter (Warsaw) (January 21, 1927); A. R. Tsvayg, in Shtern (Minsk) (December 1930); Y. Daytsh, in Literarishe tribune (Lodz) 10 (1931); Y. Bronshteyn, in Tsaytshrift (Minsk) 5 (1931); Y. Dobrushin, In iberboy, literarish-kritishe artiklen (Under reconstruction, literary-critical articles) (Moscow, 1932), pp. 88-101; N. Oyslender and Y. Dobrushin, in Eynikeyt (Moscow) (October 5, 1944); A. Kushnirov, in Naye prese (Paris) (July 27, 1945); F. Sito, in Eynikeyt (New York) (March 1945); Y. Serebryani, in Eynikeyt (Moscow) (October 11, 1945); N. Mayzil, in Yidishe kultur (New York) (May 1957); Mayzil, Dos yidishe shafn un der yidisher shrayber in sovetnfarband (Jewish creation and the Yiddish writer in the Soviet Union) (New York, 1959), see index; A. Finkel, in Folks-shtime (Warsaw) (June 8, 1957); M. Shklyar, in Folks-shtime (November 7, 1957); Shmuel Niger, Yidishe shrayber in sovet-rusland (Yiddish writers in Soviet Russia) (New York, 1958), pp. 56, 61, 411-20; Leksikon fun yidish-shraybers (Biographical dictionary of Yiddish writers) (New York, 1986), col. 316; Leksikon fun yidishe shrayber in ratn-farband (Biographical dictionary of Yiddish writers in the Soviet Union), ed. Boris Sandler and Gennady Estraikh (New York: Congress for Jewish Culture, Inc., 2011), pp. 189-90.] Interestingly, the book, obviously published in the Soviet Union, is overstamped faintly (in English), Printed in Poland on the cover, probably an attempt to get past postal inspectors and to make import into North America easier. 1 of 1100 copies printed. SUBJECT(S): Yiddish poetry. OCLC: 51754692. OCLC lists 8 copies worldwide. Spine label removed, unobtrusive number on spine. Jewish library stamps on blank endpapers, title page and margins of 2 text pages. Number penned in upper margin of blank endpapers as well. Toning to covers and pages. Otherwise Good Condition. Dramatic modernist 1st edition of important Soviet Yiddish writers second book. YID-36-6 -LOE-xcc).
