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1719Unesco Arcanes 17, 1991. In-8 broché 397 pages; Couverture légèrement défraichie.
La Haye, Charles Charpentier, 1716, 18 x 11,5 cm., cartoné de época, portada a dos tintas + 186 págs. (En la hoja de respeto anterior a la portada contiene una larga nota manuscrita de época sobre esta obra que es muy útil para el conocimiento de la organización política de Suecia).
Stockholm, L. J. Hjerta, 1829-36, 2 partes en un tomo, 28,5 x 22,5 cm., holandesa piel con los planos en cartoné original, 2 hojas + 116 págs. + 1 hoja + 1 lámina con notas musicales = portada con grabado coloreado y 47 bellas láminas coloreadas a mano. (Finísimo taladro de polilla en algunas hojas. Primera edición francesa).
(¿Sweden?), A. J. Salmson, (hacia 1880), 29,5 x 22,5 cm., tela original, portada + 22 láminas plegadas litografiadas en color con subtítulos en sueco y francés representando tipos suecos.
Madrid, Doña Catalina Piñuela, 1815, 21 x 15 cm., pasta española de época, 4 hojas + 293 págs.
STUTGART, Verlag Von W. Kohlhammer - 1933 - In-8 - Broché - IX & 441 pages (la dernière tachée) Sinon Exemplaire non coupé, Très propre
Nationalmuséum & Gunnar von PROSCHWITZ - 1998 - In-8 - Reliure éditeur à la bradel avec fac-similé de signature aux 1 & 4 plats de gustave II & catherine II, sous jaquette - Gardes fleuries - 32 planches NB ou couleurs PP HT - Illustrations Nb en texte - 361 pages - très propre
PARIS, Lecointe, Lib, Nelle Bibliothèque des Classiques Français - 1829 - In-16 - 2 Tomes en 1 Volume 1/2eliure havane - Dos lisse à filets dorés, Pièce de titre marron, titre doré - Plats, gardes & tranches marbrés - 216 & 208 pages - très propre
ZURICH, Ed. Silva - 1977 - In-4 - Reliure éditeur sous jaquette illustrée en couleurs - Gardes illustrées d'une carte - Très nombreuses illustrations NB et en couleurs dans le texte et HT, certaines PP et double page - 170 pages - Très bel exemplaire
PARIS, F. Lanore Ed. - 1935 - In-8 carré - Broché - Couverture illustrée en couleurs - Illustrations NB dans le texte et HT de Nemours Bonin - 177 pages
PARIS, Lib. Félix Juven - 1906 - EO - In-8 - Broché - Dos skotché - Frontispice, illustrations NB HT - 264 pages
Tapuscrit de 1966 - In-4 - Broché - non paginé, environ 200 pages - très propre Tapuscrit de 1966 - In-4 - Broché - non paginé, environ 250 pages - très propre - avec très bel envoi
LORIENT, Ed. du Pays breton - 1910 - 32 pages. Très propre Etude sur les induisteries locales en Allemagne, Suède et Irlande, considérées surtout au point de vue des applications possibles en Bretagne.
Planete N° 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39 de 03/04 1968 & 41 de 07/08 1968 - Bon état Les 40 Numéros 390 € Les N° qui se suivent sont vendus exclusivement en lots. N° à l'unité :9, 11, 12, 13, 14, 15, 16, 17, 18, 19, 21, 22 & 27 NOUVEAU PLANETE : 12, 11/1969 - 15, 03/1970
PARIS, Le moniteur de l'Armée - Années 1878 à 1882 - 5olumes 1/2 Reliure - Dos lisse à filets dorés - N° 384, 5 janvier 1878 au N° 565 du 16 décembre 1882, SOIT 182 Numéros Cartes en texte - 360 & 312 - 343 & 328 - 312 & 348 - 360 & 360 - 360 & 360 pages + Tables Analytiques des Matières contenues pour chaque semestre - Bel ensemble, Bons exemplaires
PARIS, Challamel, 1841 - Petit n-4 - Reliure 1/2 basane - dos à nerfs (accroc en queue) - Page de Titre, II-68 ages - Vignettes gravées sur bois - mouillures - rare
PARIS, Lib. Militaire de J; Dumaine - 1880 - In-12 - broché - 10 figures, certaines PP HT - XI-260 pages + Errata - Exemplaire non coupé
PARIS, Ed. Unal - 1977 - Grand In-4 - Cartonnage pleine toile éditeur - Illustrations en texte - 352 pages - Très frais, bon exemplaire
Amsterdam, de Boer, 1947 - In-_ - cartonnage éditeur - illustrations Nb Ht - 208 pages + 1 carte in-fine Ht + Table - bon exemplaire
PARIS, sd fin XIXe- Bibliothèque d'éducation et de récréation, J. Hetzel et Cie - Col. "La vie de Collège dans tous les Pays" - Reliure pleine percaline rouge de l'éditeur (dos insolé) - 1 er Plat mention "République Française, Liberté-Egalité- fraternité - Ville de Paris, Mairie du VIè Arrondissement, Caisse des Ecoles" avec Armoiries de la ville de Paris - Toutes tranches rouges - Frontispice & illustrations NB PP de Georges Roux - 356 pages - Bon exemplaire - envoi rapide et soigné
PARIS, chez durand de Sugères - 1778 - In-12 - 2 Tomes - Reliure plein veau - Dosà nerfs à caissons fleuronnés - Pièces de titre & de tomaison havane, titre doré - (14)-401 + Approbation & 362 pages - envoi rapide et soigné
STOCKHOLM, Tryckt i Central Tryckeriet - 1890 - In-Folio - Débroché - 2 Vignettes - 58 pages STOCKHOLM, Tryckt i Central Tryckeriet - 1895 - In-Folio - Débroché - 144 planches d'Armoiries, représentant environ 2800 blasons - 4 planches salies mais complètes - COMPLET en 2 Volumes, BEL ENSEMBLE à relier - RARE
2019New English Original bdg. In publisher's special box. Folio. (33 x 29 cm). In English. 2 volumes set: (240 p., 5 unnumbered folded plates on pages; Second volume is a hard-case including two reprint panoramas and one reprint map: First panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu; size 28x336 cm; Second panorama is a huge hand-coloured drawing shows Ottoman Palace across Sarayburnu again which is indicating Palace from a different angle; size 28x196 cm; and one map: 'Carta ufwer Orienten Med de Darom kring Grantzande Lander... (Turkey and its around map printed originally in early 18th century), descriptive text surrounding the map, size 65x85 cm. Cornelius Loos in the Ottoman world: Drawings for the King of Sweden, 1710-1711. [with] Panoramas & map [book]. Prep. by Lâle Uluç, David Jones, Klas Kronberg, Ersu Pekin. 2 volumes. [BOXED]. Cornelius Loos was one of the young military officers who followed Karl XII to the Ottoman Empire in 1709. From the royal headquarters in what is at present the republic of Moldova, Loos was sent to Istanbul on the King's orders in 1710. From there his journey was pursued by boat over the Mediterranean to Egypt and he returned by land through Jerusalem, Damascus, Aleppo, Konya and Izmir. Loos' mission was to make drawings of the "rarities and monuments" that he would encounter on his journey. Out of the drawings that have survived until today, one is from Palmyra, two from Rhodes and Bodrum and around forty aquarelle tush drawings from Istanbul. It is possible that part of the original drawings were destroyed in the "Skirmish at Bender" in 1713, while other works, due to various reasons, disappeared on their way to Sweden. The conserved drawings are kept at the Swedish National Museum and were exhibited there in 1985. (See catalogue titled "Cornelius Loos. Teckningar från en expedition till Främre Orienten 1719-1711", Stockholm, Nationalmuseum, 1985). The drawings represent a unique record of the urban landscape and the monuments in Istanbul in the early 18th century. The collection includes three great panoramas of the city seen from the Topkapi palace to the upper part of the Golden Horn. To the Loos paintings can be added the great Mecca painting brought to Sweden by Mikael Eneman and kept in the Uppsala University Library, and a small group of oil paintings brought back by Loos' travel companion Conrad Sparre, which are also kept in the art collection of Uppsala University. In addition there are travel accounts and correspondence from these journeys. (From the 'SRII's official site, Karin Adahl's project). "In January 1710 the Swedish king Charles XII, in exile in the Ottoman Empire, sent three of his officers on a journey from the royal camp near Bender in Moldova to travel to Constantinople and from there along the Eastern Mediterranean to Egypt. Their mission was 'to view the there existing rarities and monuments, to draw and to measure'. Cornelius Loos, one of the young officers, returned to his king in 1711 with more than 250 drawings. Only forty-nine, kept under the king's bed, survived a skirmish in the camp in 1713, the so called 'kalabalik' at Bender. King Charles had a vision to publish an encyclopaedic work about the Near East, a dream that was lost in the fire in the camp. The drawings were brought to Sweden when the king returned from the Ottoman Empire in 1714. He died in battle in Norway in 1718. Loos' drawings are unique documents of Constanttinople in the early 18th century, with large scale, detailed panoramas, important prospects of the interior of the Hagia Sophia and views from the Ottoman city. A big map is accompanied by minor drawings from the Black Sea, the Eastern Mediterranean and Egypt, as well as a spectacular set of water-colours of head dresses from the Ottoman world. The Loos collection of drawings is today kept in the National Museum in Stockholm.". Texts by Göran Baarnhielm, Ulla Ehrensvard, Nurhan Atasoy, Günsel Renda, Bo Lundstörm
2015New English Original decorative red cloth bdg. Oblong folio. (30 x 34 cm). Panoramic photograph size: 27x270 cm., b/w panorama. Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in Istanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in Istanbul, where he is to spend the rest of his life. In 1870, he opens a studio at 414, Grand Rue de Péra (present-day Istiklal Caddesi). He sends for his niece Hilda Ullin, who arrives from Sweden in 1883 to asist him. Prior to his monetary problems Berggren works intensely until 1900 and documents the recent developments in the modernizing Ottoman Empire, the shores of the Bosphorus, the streets of the city and its peoples through captivating compositions revealing his technical skills. To sustain himself for some time, he takes portraits, photographs of tourists and sells clichés to magazine. In 1914, he is forced to disperse his archieve for financial reasons and eventually dies in poverty at the age of 85. (Source: Pera Museum Blog). This panoramic photograph's original was taken by Berggren in 1870-1888.
2015New English Original decorative red cloth bdg. Oblong folio. (30 x 34 cm). Panoramic photograph size: 27x270 cm., b/w panorama. Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in Istanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in Istanbul, where he is to spend the rest of his life. In 1870, he opens a studio at 414, Grand Rue de Péra (present-day Istiklal Caddesi). He sends for his niece Hilda Ullin, who arrives from Sweden in 1883 to asist him. Prior to his monetary problems Berggren works intensely until 1900 and documents the recent developments in the modernizing Ottoman Empire, the shores of the Bosphorus, the streets of the city and its peoples through captivating compositions revealing his technical skills. To sustain himself for some time, he takes portraits, photographs of tourists and sells clichés to magazine. In 1914, he is forced to disperse his archieve for financial reasons and eventually dies in poverty at the age of 85. (Source: Pera Museum Blog). This panoramic photograph's original was taken by Berggren in 1870-1888.