26 518 résultats
1980xi, 386, + 4 leaves of plates : illus. Book
1931réf. 33651ABHeidelberg, Winter 1931. 5. Tsd. mit Nachträgen Bibliographie 1907 - 1910 und Bibliographie 1911- 1930. 8°. XVII, 486, 20 S. OLn. 1910 OLn.
1931réf. 69371Heidelberg: Winter 1931. 8°, 486 S., OHLwd.
1931réf. 69371Heidelberg: Winter 1931. 8°, 486 S., OHLwd.
1884réf. 21849Melbourne / London, John Ferres / Trübner and Co., 1884. 8vo. With 1 coloured fold-out map and numerous statistical tables. IV (1), 695 (1) p. Modern half-cloth binding of a library. 1 stamp of a library on the endpapers, 3 stamps on the title page.
1990223 pages, several pages of b&w photos. Nice clean copy with light use.
1972No inscriptions or marks. No creasing to covers or to spine. A very clean very tight copy with lightly foxed boards and no bumping to corners. With black & white photographs and sketches. 63pp. A local and social history which sets out the main features of change in the county during its most important period of development.
1993réf. 21630Mitchell Beazley, (1993). OKart. OU. 240 S. 4°. Zahlr. farb. Abb. Gut erhalt.
1973réf. 23756Arco Publishing Company, Inc, New York, 1973. 112 S.; Ill. Leinen
1976réf. 8022London: Faber & Faber, 1976. 260 S., mit zahlreichen Abbildungen, gebunden mit Schutzumschlag, 25 x 20 cm,
1978réf. 42018ABLondon, Barrie & Jenkins, 1978. 29,528,5 cm. 257 S., 7 Bl. OLn., OU. 2nd., rev. ed.
198025x20. 32p. 181 ilstr. Introd. W. Sanson.
1992réf. 178DBNew Haven., Yale Center for British Art., 1992. 32 x 24 cm. 196 S. OPappband mit illustriertem OUmschlag., 178D Erste Auflage. Tadelloses Exemplar. Originalverschweisst.
1971réf. 74425ABNew York, Praeger Publ., 1971. 4°. 287 S., mit vielen Abbildungen. OLn., OU.
1968No inscriptions or marks to contents. No creasing to covers. A very clean very tight copy with bright boards with a very tiny mark on front and no bumping to corners. 28pp. Essex Record Office Publications No 40 - Second Edition. Contains forty plates depicting places, people and social history in the County, with a double page plate in the centre and detailed captions.
197325x19. 75p. Fotogr.
1962238pp. with some figures in text and 71 illustrations out-of-text, 25cm., publisher's hardcover, dustwrapper (bit sunfaded), good condition, S96825
1977réf. 59593BBLondon., Marlborough Fine Art., [1977]. 30 x 21 cm. 16 S. OKarton., 59593BB Erste Auflage. Einbandkanten minimal gedunkelt, Einband etwas angestaubt, sonst gutes Exemplar.
1992réf. MILI1548(London), Cassell (1992). 4, 160 S., mit zahrl. Abb., OPp. m. ill. OU., fast wie neu. In Englisch.
réf. 20870Sampson Henry. Two stereoviews of Liverpool circa 1860s document the civic architecture commemorative landscape and street activity of a major Victorian port city. One view records St. George's Hall Liverpool's monumental neoclassical complex of law courts and concert spaces while the second shows the equestrian monument to King George III on London Road. Together the images capture public buildings and monuments as active parts of the urban environment providing visual evidence for the study of Victorian Liverpool architectural photography civic commemoration transportation and the nineteenth-century stereograph trade. National Museums Liverpool dates Sampson's view of the London Road monument to approximately the 1860s and identifies him as a photographer working from Southport. Two sepia-toned albumen stereographs mounted on cards each measuring approximately 6 by 3 inches. The St. George's Hall view presents the building's long classical façade and columned portico beyond a broad street occupied by pedestrians and horse-drawn vehicles. The second card titled "The Monument London-road" depicts the fenced equestrian statue of King George III on its elevated stone pedestal with surrounding buildings establishing its original urban setting. The paired exposures on each card were intended to produce a three-dimensional image when examined through a stereoscope. Sampson's surviving Liverpool stereographs include views dated approximately 1865 to 1870 supporting a mid-nineteenth-century attribution for the group. These views preserve Liverpool's built environment during a period of commercial expansion and civic investment using stereoscopic photography to make the city's architectural landmarks available to viewers beyond Liverpool itself. Both cards retain clear photographic detail and even sepia tonality; no tears significant fading or losses are reported. Near fine condition. A complementary pair of early urban views joining monumental architecture public sculpture and observable Victorian street life. unknown books
1981réf. 22115Newton Abbot, London, North Pomfret, David u. Charles, (1981). OKart. 192 S. Gr.-8°. Mit zahlr. Abb. Guter Zustand. Schnitt etw. stockfl.
1973Very good condition, top and tail of spine are bumped, corners are slightly rubbed, clear, bright and tight. ex - library with minimal stamps and labels. Ex - Library
1977Discoloration to DJ ; B&W Photographs; 4to 11" - 13" tall
London/Sydney, B.T.Batsford, 1975, 130pp.with 155 ill., hardcover with dustwrapper
réf. 20870Sampson Henry. Two stereoviews of Liverpool circa 1860s document the civic architecture commemorative landscape and street activity of a major Victorian port city. One view records St. George's Hall Liverpool's monumental neoclassical complex of law courts and concert spaces while the second shows the equestrian monument to King George III on London Road. Together the images capture public buildings and monuments as active parts of the urban environment providing visual evidence for the study of Victorian Liverpool architectural photography civic commemoration transportation and the nineteenth-century stereograph trade. National Museums Liverpool dates Sampson's view of the London Road monument to approximately the 1860s and identifies him as a photographer working from Southport. Two sepia-toned albumen stereographs mounted on cards each measuring approximately 6 by 3 inches. The St. George's Hall view presents the building's long classical façade and columned portico beyond a broad street occupied by pedestrians and horse-drawn vehicles. The second card titled "The Monument London-road" depicts the fenced equestrian statue of King George III on its elevated stone pedestal with surrounding buildings establishing its original urban setting. The paired exposures on each card were intended to produce a three-dimensional image when examined through a stereoscope. Sampson's surviving Liverpool stereographs include views dated approximately 1865 to 1870 supporting a mid-nineteenth-century attribution for the group. These views preserve Liverpool's built environment during a period of commercial expansion and civic investment using stereoscopic photography to make the city's architectural landmarks available to viewers beyond Liverpool itself. Both cards retain clear photographic detail and even sepia tonality; no tears significant fading or losses are reported. Near fine condition. A complementary pair of early urban views joining monumental architecture public sculpture and observable Victorian street life. unknown
