MENDELSSOHN, Felix 1809-1847Biblio.com
1818 risultati
1841rif. 36202Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. Bound with: Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. Bound with: Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. 19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown
1851rif. 40954Bonn . Paris . London: bei N. Simrock . bei M. Schlesinger . chez J. A. Novello PN 3041 1851. 1f. recto title verso blank 3-17 i blank pp. First German edition later issue "chez" rather than "bei" J. A. Novello. MWV SD5 p. 470. Krause 216. Hoboken 10 150. Bound with: Sechs Lieder Ohne Worte Componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft . Eigenthum der Verleger . Pr. 3 Frs. Bonn . London . Paris: bei N. Simrock . chez N. Mori . chez Schönenberger PN 3204 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft . Preis 3 Frs. Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53 . IVtes. Heft . Preis 4 Frs. Bonn . London . Paris: bei N. Simrock . Chez Ewer & Co. . Chez Lemoine PN 3935 1841. 1f. recto title verso blank 3-25 i blank pp. First German edition later issue. MWV SD23 p. 478. Krause 227. Hoboken 10 222. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. . Vtes. Heft . Preis 3 Frs 50c. Bonn . Lyon . Mailand . London: bei N. Simrock . bei Benacci & Peschier . bei J. Lucca . bei Ewer & Co. PN 4343 ca. 1860. 1f. recto title verso blank i blank 4-19 i blank pp. First Edition early issue. MWV SD29 p. 481. Krause 231. Hoboken 10 237. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. . VItes. Heft . Preis 3 Frs 50c. Bonn . Mailand . Paris . London: bei N. Simrock . bei J. Ricordi . bei M. Schlesinger . bei Ewer & Co. PN 4478 1845. 1f. recto title verso blank i blank 4-21 i blank pp. First Edition early issue. MWV SD32 p. 482. Krause 236. Hoboken 10 245. 6 volumes. Folio. Contemporary black cloth-backed dark blue boards with titling in manuscript to upper. Titles lithographed on blue ground within decorative blue border music engraved. Provenance Heinrich Dorn 1800-1892 noted conductor composer music critic and teacher of the Schumanns with "H. Dorn" in manuscript to upper outer corner of upper board with his small oval handstamp "H. Dorn Coeln" and handstamp "M. Schloss in Coeln" to foot of titles. Binding slightly worn and soiled with small stains to upper. Some minor foxing soiling small stains and showthrough heavier to some leaves; small dampstain to blank lower margin of final half of volume; inner margins occasionally reinforced; some minor paper repairs. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven. . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online Dorn "studied the piano singing and composition in Königsberg made several long journeys throughout Germany during which he met Weber in Dresden and completed his studies with Ludwig Berger Bernhard Klein and Zelter in Berlin where his first opera Rolands Knappen was produced successfully in 1826. At the same time he became a co-editor of the Berliner allgemeine Muzikzeitung for which he wrote a spirited defence of the beleaguered Gaspare Spontini. Over the next two decades he built a solid reputation as a conductor of opera holding theatre posts at Königsberg 1828 Leipzig 1829-32 where he taught counterpoint to the young Schumann Hamburg 1832 Riga 1834-43 and Cologne 1844-8. He organized the first music festival of the Russian Baltic provinces in Riga 1836 and directed the Lower Rhine music festivals 1844-7. His most prestigious appointment in 1849 after Nicolai's death was as co-conductor with Wilhelm Taubert of the Berlin Hofoper. After his retirement from that post in 1869 he remained active in Berlin for many years as a teacher and writer." Adelyn Peck Leverett revised by Christopher Fifield in Grove Music Online. bei N. Simrock ... bei M. Schlesinger ... chez J. A. Novello [PN 3041] unknown
1841rif. 36202Leipzig: Breitkopf & Härtel PNs 5542 5543 5544 1841. 1f. recto lithographic title verso blank 78; 1f. recto lithographic title verso blank 52 pp.; 1f. recto lithographic title verso blank 66 pp. Music engraved throughout. First Editions later issues of all three works. MWV P3 op. 21; MWV P7 op. 26; MWV P5 op. 27. Krause 135 143 146. Hoboken first issues only. Bound with: Op. 32. Ouverture zum Märchen von der schönen Melusine . Partitur . Pr. 1 Rthlr. 20 Ngr. Leipzig: Breitkopf & Härtel PN 5688 ca. 1857. 1f. recto title verso blank 72 pp. Engraved. First Edition later issue. Hoboken 10 181. Krause 149. Bound with: Op. 95. Ouverture zu Ruy Blas für grosses Orchester . Op. 95. Pr. 2 Thlr. Partitur No. 24 der nachgelassen Werke. Leipzig: Fr. Kistner PN 1837 1851-52. 1f. recto title verso blank 64 pp. Engraved. First Edition. Hoboken 10 290. Krause 153. 19th century mid-tan morocco-backed dark brown textured paper boards raised bands on spine with titling gilt marbled edges light blue endpapers narrow blue silk ribbon marker. Binding slightly worn rubbed and bumped. Minor internal wear. An attractive copy of all five of Mendelssohn's concert overtures. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Breitkopf & Härtel [PNs 5542, 5543, 5544] unknown books
1851rif. 40954Bonn . Paris . London: bei N. Simrock . bei M. Schlesinger . chez J. A. Novello PN 3041 1851. 1f. recto title verso blank 3-17 i blank pp. First German edition later issue "chez" rather than "bei" J. A. Novello. MWV SD5 p. 470. Krause 216. Hoboken 10 150. Bound with: Sechs Lieder Ohne Worte Componirt und Fräulein Elise von Woringen zugeeignet . Op. 30. IItes. Heft . Eigenthum der Verleger . Pr. 3 Frs. Bonn . London . Paris: bei N. Simrock . chez N. Mori . chez Schönenberger PN 3204 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Rosa von Woringen zugeeignet . Op. 38. IIItes. Heft . Preis 3 Frs. Bonn . London: bei N. Simrock . bei J. A. Novello PN 3383 ca. 1851. 1f. recto title verso blank 3-19 i blank pp. First German edition later issue. MWV SD9 p. 472. Krause 220. Hoboken 10 177. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophÿ Horsleÿ zugeeignet . Op. 53 . IVtes. Heft . Preis 4 Frs. Bonn . London . Paris: bei N. Simrock . Chez Ewer & Co. . Chez Lemoine PN 3935 1841. 1f. recto title verso blank 3-25 i blank pp. First German edition later issue. MWV SD23 p. 478. Krause 227. Hoboken 10 222. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Frau Dr. Clara Schumann geb. Wieck zugeeignet . Op. 62. . Vtes. Heft . Preis 3 Frs 50c. Bonn . Lyon . Mailand . London: bei N. Simrock . bei Benacci & Peschier . bei J. Lucca . bei Ewer & Co. PN 4343 ca. 1860. 1f. recto title verso blank i blank 4-19 i blank pp. First Edition early issue. MWV SD29 p. 481. Krause 231. Hoboken 10 237. Bound with: Sechs Lieder Ohne Worte für das Pianoforte . componirt und Fräulein Sophie Rosen zugeeignet . Op. 67. . VItes. Heft . Preis 3 Frs 50c. Bonn . Mailand . Paris . London: bei N. Simrock . bei J. Ricordi . bei M. Schlesinger . bei Ewer & Co. PN 4478 1845. 1f. recto title verso blank i blank 4-21 i blank pp. First Edition early issue. MWV SD32 p. 482. Krause 236. Hoboken 10 245. 6 volumes. Folio. Contemporary black cloth-backed dark blue boards with titling in manuscript to upper. Titles lithographed on blue ground within decorative blue border music engraved. Provenance Heinrich Dorn 1800-1892 noted conductor composer music critic and teacher of the Schumanns with "H. Dorn" in manuscript to upper outer corner of upper board with his small oval handstamp "H. Dorn Coeln" and handstamp "M. Schloss in Coeln" to foot of titles. Binding slightly worn and soiled with small stains to upper. Some minor foxing soiling small stains and showthrough heavier to some leaves; small dampstain to blank lower margin of final half of volume; inner margins occasionally reinforced; some minor paper repairs. "One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven. . The origins of the Lieder ohne Worte of which Mendelssohn published 36 pieces in six volumes between 1832 and 1845 two more volumes followed posthumously remain couched in mystery. Among his earliest piano lieder was one in E♭ written for Fanny's birthday in 1828 Fanny herself composed numerous examples of the genre; the idea of creating songlike piano pieces may have originated in a game Fanny and Felix played in which they apparently added texts to piano pieces. Then too the critical thought of A.B. Marx who explored in his writings of the 1820s the expressive potential and 'definiteness' of instrumental music was not without impact. Most of the lieder fall into three groups pianistic parallels to the vocal categories of solo songs duets and partsongs. The meaning of the new genre perplexed Mendelssohn's contemporaries. Schumann suggested that the composer had produced texted lieder but then suppressed the texts; when the composer's cousin Marc-André Souchay offered to give some of the lieder fanciful titles Mendelssohn replied that he had intended each lied 'just as it stands'. Only a small number of the lieder bear titles from Mendelssohn e.g. the three called Venetianisches Gondellied or his circle e.g. the 'Frühlingslied'; nevertheless later in the 19th century a host of insipid titles accrued to the lieder contributing to the view of Mendelssohn as a composer of overtly sentimental piano music for the parlour." R. Larry Todd in Grove Music Online Dorn "studied the piano singing and composition in Königsberg made several long journeys throughout Germany during which he met Weber in Dresden and completed his studies with Ludwig Berger Bernhard Klein and Zelter in Berlin where his first opera Rolands Knappen was produced successfully in 1826. At the same time he became a co-editor of the Berliner allgemeine Muzikzeitung for which he wrote a spirited defence of the beleaguered Gaspare Spontini. Over the next two decades he built a solid reputation as a conductor of opera holding theatre posts at Königsberg 1828 Leipzig 1829-32 where he taught counterpoint to the young Schumann Hamburg 1832 Riga 1834-43 and Cologne 1844-8. He organized the first music festival of the Russian Baltic provinces in Riga 1836 and directed the Lower Rhine music festivals 1844-7. His most prestigious appointment in 1849 after Nicolai's death was as co-conductor with Wilhelm Taubert of the Berlin Hofoper. After his retirement from that post in 1869 he remained active in Berlin for many years as a teacher and writer." Adelyn Peck Leverett revised by Christopher Fifield in Grove Music Online. bei N. Simrock ... bei M. Schlesinger ... chez J. A. Novello [PN 3041] unknown books
1796rif. 2330942Berlin: Bey Haude und Spener 1796. Second Edition. Hard Cover. Very Good/No Jacket. Second edition. Sticker on front corner edges rubbed ink name and stamp on endpapers. Scarce - only 12 in OCLC. 1796 Hard Cover. 124 pp. German text. Paper over boards handwritten titles on spine. Mendelssohn's ideas brought about the Haskalah Jewish Enlightenment. This work applies mathematical proofs to metaphysics. It won the author first prize in a Berlin Academy essay contest over Immanuel Kant and Thomas Abbt. Bey Haude und Spener hardcover
1838rif. 50610London: Longman Orme Brown and Longmans 1838. First edition. Hardcover. Good condition. Octavo. ix 329 371pp. Bound in green pebbled cloth with gilt lettering on spine. Marbled edges. Gray endpapers. With preface by the translator Vindiciae Judaeorum: or a letter by Rabbi Manasseh Ben Israel and Mendelssohn's preface to the German translation of "Vindiciae Judaeorum" notes on Mendelssohn's reply remarks on Mendelssohn and a short catalogue of Ben Israel works in volume one. Mendelssohn's "Jerusalem: A Treatise on Ecclesiastical Authority and Judaism" in volume two. Light wear along edges of binding and lightly rubbed. Starting at dedication page of volume one. Longman, Orme, Brown and Longmans hardcover
1796rif. 2330942Berlin: Bey Haude und Spener 1796. Second Edition. Hard Cover. Very Good/No Jacket. Second edition. Sticker on front corner edges rubbed ink name and stamp on endpapers. Scarce - only 12 in OCLC. 1796 Hard Cover. 124 pp. German text. Paper over boards handwritten titles on spine. Mendelssohn's ideas brought about the Haskalah Jewish Enlightenment. This work applies mathematical proofs to metaphysics. It won the author first prize in a Berlin Academy essay contest over Immanuel Kant and Thomas Abbt. Bey Haude und Spener hardcover books
1838rif. 50610London: Longman Orme Brown and Longmans 1838. First edition. Hardcover. Good condition. Octavo. ix 329 371pp. Bound in green pebbled cloth with gilt lettering on spine. Marbled edges. Gray endpapers. With preface by the translator Vindiciae Judaeorum: or a letter by Rabbi Manasseh Ben Israel and Mendelssohn's preface to the German translation of "Vindiciae Judaeorum" notes on Mendelssohn's reply remarks on Mendelssohn and a short catalogue of Ben Israel works in volume one. Mendelssohn's "Jerusalem: A Treatise on Ecclesiastical Authority and Judaism" in volume two. Light wear along edges of binding and lightly rubbed. Starting at dedication page of volume one. Longman, Orme, Brown and Longmans hardcover books
1979rif. 2083002115600381S. Fischer 1979. Soft Cover. Fine. Size: 20cm S. Fischer paperback
rif. N2503bBerlin: Akademie Verlag. Original Cloth with Box. Near Fine. 4to. 1929-1932. On volumes 1-3 and 7 11 16 edges and 2 or 3 pages with some foxing. A fine copy in protective dust jacket in the original publishers boxes these with some aging marks . FOR MANY MANY YEARS NOT SEEN COMPLETE AS THIS COPY ON THE MARKET - . Akademie Verlag hardcover
1847rif. 40967London . Bonn: Ewer & Co. Newgate Strt. . N. Simrock 1847. Large folio. Full maroon cloth with dark red leather title label gilt to spine. 1f. recto blank verso frontispiece 1f. recto engraved title within decorative border verso blank 1f. recto index verso blank iv typeset libretto 279 i blank pp. Text in English. Music engraved. Small format single-page list of errata bound in following title. The fine frontispiece portrait engraving of the composer is by A.H. Payne and W.C. Wrankmore after Hildebrand. Occasional annotations in pencil including instrument names and tempo indications. Binding slightly worn rubbed and bumped. Light uniform browning; frontispiece slightly foxed and creased at lower outer corner; foxing mainly to margins; minor soiling to blank margins of title; occasional minor soiling to lower outer corners. First English edition first issue with "Newgate Strt." address published in the same year as the first German edition published by Simrock in Bonn. MWV A25. Catalogue of the Mendelssohn Papers in the Bodleian Library III 362. Hoboken 10 253. Elijah to a libretto by J. Schubring was first performed in Birmingham England on 26 August 1846; Schubring also collaborated with Mendelssohn on his earlier oratorio St. Paul. "Mendelssohn was not the only 19th-century composer to revive the oratorio but his two completed works St Paul 1836 and Elijah 1846 were the only representatives of his time to achieve lasting popularity. . With few exceptions Mendelssohn's other sacred works lie largely in the shadow of St Paul and Elijah. . One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co. Newgate Strt. ... N. Simrock unknown
1847rif. 40967London . Bonn: Ewer & Co. Newgate Strt. . N. Simrock 1847. Large folio. Full maroon cloth with dark red leather title label gilt to spine. 1f. recto blank verso frontispiece 1f. recto engraved title within decorative border verso blank 1f. recto index verso blank iv typeset libretto 279 i blank pp. Text in English. Music engraved. Small format single-page list of errata bound in following title. The fine frontispiece portrait engraving of the composer is by A.H. Payne and W.C. Wrankmore after Hildebrand. Occasional annotations in pencil including instrument names and tempo indications. Binding slightly worn rubbed and bumped. Light uniform browning; frontispiece slightly foxed and creased at lower outer corner; foxing mainly to margins; minor soiling to blank margins of title; occasional minor soiling to lower outer corners. First English edition first issue with "Newgate Strt." address published in the same year as the first German edition published by Simrock in Bonn. MWV A25. Catalogue of the Mendelssohn Papers in the Bodleian Library III 362. Hoboken 10 253. Elijah to a libretto by J. Schubring was first performed in Birmingham England on 26 August 1846; Schubring also collaborated with Mendelssohn on his earlier oratorio St. Paul. "Mendelssohn was not the only 19th-century composer to revive the oratorio but his two completed works St Paul 1836 and Elijah 1846 were the only representatives of his time to achieve lasting popularity. . With few exceptions Mendelssohn's other sacred works lie largely in the shadow of St Paul and Elijah. . One of the most gifted and versatile prodigies Mendelssohn stood at the forefront of German music during the 1830s and 40s as conductor pianist organist and above all composer. His musical style fully developed before he was 20 drew upon a variety of influences including the complex chromatic counterpoint of Bach the formal clarity and gracefulness of Mozart and the dramatic power of Beethoven and Weber. Mendelssohn's emergence into the first rank of 19th-century German composers coincided with efforts by music historiographers to develop the concept of a Classic-Romantic dialectic in 18th and 19th-century music. To a large degree his music reflects a fundamental tension between Classicism and Romanticism in the generation of German composers after Beethoven." R. Larry Todd in Grove Music Online. Ewer & Co. Newgate Strt. ... N. Simrock unknown books
rif. Bloomsbury-9781843711070Thoemmes Continuum. Hardback. New. 290 pages Thoemmes Continuum hardcover
rif. Bloomsbury-9781843711070Thoemmes Continuum. Hardback. New. 290 pages Thoemmes Continuum hardcover
1783rif. 93701783 Berlin, bey Friedrich Maurer, 1783. Un volume in-8 (105 x 174 mm) en deux parties, de [2]+96+141+[1bl] pages. Reliure de lépoque en dem-basane à coins, pièce de titre jaune. Petits accrocs en bordure de la pièce de titre, sinon ouvrage en parfait état.
1843rif. 40969Leipzig: Breitkopf & Härtel PN 6925 1843. Octavo. Full 19th century dark green textured cloth with ruled border gilt "C.C.P" gilt to upper decorative device blindstamped to lower. 1f. recto title verso blank 63 "Compositionen ohne Ausgabe einer Opuszahl" i blank 65-83 i "Dedicationen der Werke Felix Mendelssohn-Bartholdy's" pp. Title lithographed catalogue engraved. Small publisher's oval handstamp to foot of title. Occasional annotations in pencil. Scattered staining mostly minor; small tear to upper blank margin of p. 63 repaired with archival tape to verso. OCLC 1477534799. Together with: Zweite Abtheilung. Unbound. 1f recto title verso "Bemerkung." pp. 39 i blank. 41-44. Title worn and slightly foxed and stained with tear repaired with archival tape to verso; small tears to edges. Not in OCLC. First Edition. Bound with: CHOPIN Thematisches Verzeichnis der im Druck erschienen Compositionen von Friedrich Chopin. Leipzig . Paris . London: Breitkopf & Härtel . Brandus & Co. . Wessel & Co. PN 8497 ca. 1853. 1f. recto title verso blank i-iii "Inhalt. I. Werke mit Opuszahl. II. Werke ohne Opuszhal. III. Portraits. IV. Über Chopin" iv "Dedicationen" 31 i blank 33-35 i blank pp. A few "x" marks in contemporary manuscript. Occasional minor staining and foxing. First Edition. OCLC 29298462. Binding slightly worn rubbed and bumped; spine lacking with inner edges of boards reinforced with black tape. Breitkopf & Härtel [PN 6925] unknown
1843rif. 40969Leipzig: Breitkopf & Härtel PN 6925 1843. Octavo. Full 19th century dark green textured cloth with ruled border gilt "C.C.P" gilt to upper decorative device blindstamped to lower. 1f. recto title verso blank 63 "Compositionen ohne Ausgabe einer Opuszahl" i blank 65-83 i "Dedicationen der Werke Felix Mendelssohn-Bartholdy's" pp. Title lithographed catalogue engraved. Small publisher's oval handstamp to foot of title. Occasional annotations in pencil. Scattered staining mostly minor; small tear to upper blank margin of p. 63 repaired with archival tape to verso. OCLC 1477534799. Together with: Zweite Abtheilung. Unbound. 1f recto title verso "Bemerkung." pp. 39 i blank. 41-44. Title worn and slightly foxed and stained with tear repaired with archival tape to verso; small tears to edges. Not in OCLC. First Edition. Bound with: CHOPIN Thematisches Verzeichnis der im Druck erschienen Compositionen von Friedrich Chopin. Leipzig . Paris . London: Breitkopf & Härtel . Brandus & Co. . Wessel & Co. PN 8497 ca. 1853. 1f. recto title verso blank i-iii "Inhalt. I. Werke mit Opuszahl. II. Werke ohne Opuszhal. III. Portraits. IV. Über Chopin" iv "Dedicationen" 31 i blank 33-35 i blank pp. A few "x" marks in contemporary manuscript. Occasional minor staining and foxing. First Edition. OCLC 29298462. Binding slightly worn rubbed and bumped; spine lacking with inner edges of boards reinforced with black tape. Breitkopf & Härtel [PN 6925] unknown books
2004rif. SONG3772813534Frommann-Holzboog 2004-03-01. hardcover. Used: Good. 6.10x2.48x8.50. Buy with confidence. Excellent Customer Service & Return policy. Frommann-Holzboog hardcover
rif. 24753Rare French edition of the celebrated letters of Jewish Enlightenment philosopher Moses Mendelssohn documenting the religious controversies surrounding Judaism and Christianity in the Age of Enlightenment. An important work on Jewish emancipation and religious tolerance illustrated with an engraved frontispiece depicting scenes of Jewish life.Modern old style binding half calf leather. Else a good copy with an ownership mark on the titlepage Joseph Basler or Basbe. With an engraved frontispiece showing three scenes from jewish life and a small engraving on the titlepage by I.M. Eben. A-Z 8 pag.: 368. The filosopher Moses Mendelssohn 1729-1786 was the spiritual leader of the German Jewry during the Enlightenment. He wrote many philosophical treatises and is considered the father of the Jewish Enlightenment. Thus he became the symbol of progressive Judaism to the Christian world. At the height of his career in 1769 Mendelssohn was publicly challenged by a Christian apologist a Zurich pastor named John Lavater to defend the superiority of Judaism over Christianity. The letters forming his reply - published in German in 1770 and translated for the present rare French edition - neither attacked Christianity nor defended Judaism; they maintained instead that such polemics were inconsistent with Judaism and unbecoming of Jews. The controversy which disturbed Mendelssohn greatly forced him to recognize that his Judaism created a barrier between himself and his enlightened colleagues. Mendelssohn wanted to take the Jews out of a ghetto lifestyle and into secular society. He tried to improve the relationship between Jews and Christians as he argued for tolerance and humanity. B0109. hardcover
rif. Frommann-9783772813535frommann-holzboog Verlag e.K. German. Hardcover. New. XLII 855 p. 156 x 209 cm. This volume provides annotations for the approximately 125 articles by Mendelssohn in the Briefen die neueste Litteratur betreffend 17591765 Letters concerning the Most Recent Literature and shows the scope of his essays on the most important humanities-related institution of the »Berlin Enlightenment«. Moreover the commentary includes the thematic connections between Mendelssohns reviews and those of his contemporaries and for the first time calls attention to Hamann Kant still unknown at this time Boscovich the physicist and Leeuwenhoek the biologist. The merits of Spinozas still unrecognized at that time as well as contemporary philosophy and aesthetics are also discussed. frommann-holzboog Verlag e.K. hardcover
rif. Frommann-9783772813535frommann-holzboog Verlag e.K. German. Hardcover. New. XLII 855 p. 156 x 209 cm. This volume provides annotations for the approximately 125 articles by Mendelssohn in the Briefen die neueste Litteratur betreffend 17591765 Letters concerning the Most Recent Literature and shows the scope of his essays on the most important humanities-related institution of the »Berlin Enlightenment«. Moreover the commentary includes the thematic connections between Mendelssohns reviews and those of his contemporaries and for the first time calls attention to Hamann Kant still unknown at this time Boscovich the physicist and Leeuwenhoek the biologist. The merits of Spinozas still unrecognized at that time as well as contemporary philosophy and aesthetics are also discussed. frommann-holzboog Verlag e.K. hardcover
rif. Frommann-9783772812026frommann-holzboog Verlag e.K. German Hebrew. Hardcover. New. 570 p. 156 x 209 cm. These are previously unpublished philosophical fragments and Judaica by Mendelssohn as well as letters from and to Mendelssohn. Among other things the volume contains comments on the concepts of time and space in Kant a note on the concept of eternal truths poems written during and about the Seven Years War Herr! der du die Welt mit deiner Allmacht regierest annotations on Johann David Michaelis' review of Dohms Über die bürgerliche Verbesserung der Juden On the Civil Improvement of the Jews letters from and to Abbt Iselin Lessing Friedrich II. Gleim Joh. J. Engel Lavater Penzel Nicolai Dohm Kuh Lowth Carmer Ramler among others. frommann-holzboog Verlag e.K. hardcover
rif. Frommann-9783772812026frommann-holzboog Verlag e.K. German Hebrew. Hardcover. New. 570 p. 156 x 209 cm. These are previously unpublished philosophical fragments and Judaica by Mendelssohn as well as letters from and to Mendelssohn. Among other things the volume contains comments on the concepts of time and space in Kant a note on the concept of eternal truths poems written during and about the Seven Years War Herr! der du die Welt mit deiner Allmacht regierest annotations on Johann David Michaelis' review of Dohms Über die bürgerliche Verbesserung der Juden On the Civil Improvement of the Jews letters from and to Abbt Iselin Lessing Friedrich II. Gleim Joh. J. Engel Lavater Penzel Nicolai Dohm Kuh Lowth Carmer Ramler among others. frommann-holzboog Verlag e.K. hardcover
rif. Frommann-9783772815225frommann-holzboog Verlag e.K. German. Hardcover. New. 622 p. 175 x 25 x 53 cm. Due to the long history of this edition it can only really be made accessible through the complete indexes which replace missing cross references in the commentaries in volumes published first to later volumes and provide an overview of texts which are presented in various places but whose subject matter does belong together. Deutschsprachiger Teil: German-language section: index of terms index of persons index of titles for all the books and essays mentioned catalogue of works for all the letters from and to Mendelssohn as well corrigenda as well as complete table of contents. Hebräischer Teil: Hebrew section index of terms index of persons index of titles for all the Hebrew texts in the edition. Inhalt: Werkverzeichnis nach Bänden geordnet Werkregister Verzeichnis wiederaufgefundener Handschriften Briefverzeichnis Personenregister Begriffsregister Titelregister Stellenregister Bibel und rabbinische Literatur Corrigenda Verzeichnis der anhand von wiederaufgefundenen Handschriften korrigierter Texte Konjekturen frommann-holzboog Verlag e.K. hardcover
rif. Frommann-9783772815225frommann-holzboog Verlag e.K. German. Hardcover. New. 622 p. 175 x 25 x 53 cm. Due to the long history of this edition it can only really be made accessible through the complete indexes which replace missing cross references in the commentaries in volumes published first to later volumes and provide an overview of texts which are presented in various places but whose subject matter does belong together. Deutschsprachiger Teil: German-language section: index of terms index of persons index of titles for all the books and essays mentioned catalogue of works for all the letters from and to Mendelssohn as well corrigenda as well as complete table of contents. Hebräischer Teil: Hebrew section index of terms index of persons index of titles for all the Hebrew texts in the edition. Inhalt: Werkverzeichnis nach Bänden geordnet Werkregister Verzeichnis wiederaufgefundener Handschriften Briefverzeichnis Personenregister Begriffsregister Titelregister Stellenregister Bibel und rabbinische Literatur Corrigenda Verzeichnis der anhand von wiederaufgefundenen Handschriften korrigierter Texte Konjekturen frommann-holzboog Verlag e.K. hardcover
