Mendelssohn Bartholdy, FelixBiblio.com
1 782 résultats
2007réf. 5032142Eulenburg 05/11/2007. Sheet_music. Used; Very Good. WE SHIP WITHIN 24 HRS FROM LONDON UK 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books. Eulenburg unknown
1982réf. Q-3795767156SCHOTT MUSIK INTL MAINZ 1982-06-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
1986réf. Q-3795767768SCHOTT MUSIK INTL MAINZ 1986-01-01. Paperback. New. In shrink wrap. Looks like an interesting title! SCHOTT MUSIK INTL MAINZ paperback
réf. 0486278751.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986réf. DADAX3795768586Ernst Eulenburg & Co. GmbH 1986-01-01. paperback. New. 5.25x0.72x7.50. Buy with confidence. Excellent Customer Service & Return policy. Ernst Eulenburg & Co. GmbH paperback
2008réf. SONG3795765285Eulenburg 2008-03-15. paperback. Used: Good. 6.25x0.35x8.80. Buy with confidence. Excellent Customer Service & Return policy. Eulenburg paperback
réf. RO50012617Enoch & cie. début XXème. In-4. Relié demi-cuir. Bon état, Plats abîmés, Dos frotté, Quelques rousseurs. 197 + 251 + 43 pages. Nom doré sur la couverture. Titre, auteur, fleurons et filets dorés sur le dos. Ornements sur les diverses pages titre. Plats frottés.. . . . Classification Dewey : 780.26-Partitions
réf. 5253007like new. unknown
réf. 0486464156.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991réf. 2615200107030Polygram Records 1991-10-11. Audio CD. Like New. CD plays perfectly & the case looks good. Polygram Records unknown
réf. RO50049648BRÜSSEL, BREITKOPF & HAERTEL. NON DATE. In-Folio. En feuillets. A relier, Tâchée, Dos satisfaisant, Intérieur acceptable. 41 pages de partitions.. . . . Classification Dewey : 780.26-Partitions
réf. RO50044880UNIVERSAL EDITION. NON DATE. In-Folio. Broché. Etat d'usage, Tâchée, Dos fané, Intérieur acceptable. 65 pages de partitions. Premier plat illustré en couleur. Protection plastique transparente.Tampon et inscription sur le premier plat et tampon sur la page de titre.. . . . Classification Dewey : 780.26-Partitions
1851réf. 645371 vol. in-4 reliure pleine toile grise, Symphonie N°3 composée et dédiée à Sa Majesté la Reine Victoria d'Angleterre par F. Mendelssohn Bartholdy, arrangée pour Piano à quatre mains par l'Auteur, Brandus et Cie, Paris, Successeurs de Mce. Schlesinger, Rue Richelieu 87 (ancien 97) Londres, Ewer et Cie. Leipzig, Breithopf et Haertel, Publisher number B et Cie 4894, s.d. [circa 1849-1851 ], 66 pp., RISM, 1001176965 [ Suivi de : ] 4me Symphonie pour Piano à Quatre Mains par Félix Mendelssohn Bartholdy, Oeuv. 90, Chez S. Richault, R 10026, Paris, s.d. [circa 1851 ], 55 pp. [ Suivi de : ] 1ère Grande Symphonie e Ut Mineur pour Piano et à 4 mains avec accompt de Violon et Velle ad libitum par Félix Mendelssohn Bartholdy, Oeuv. 11, Chez S. Richault, 7705 R , Paris, s.d. [circa 1852 ], 51 pp. RISM 1001176960
1851réf. 40958Leipzig . London: Breitkopf & Härtel . Ewer & Co. PN 8347 1851. Octavo. Contemporary dark green morocco-backed dark green cloth boards with monogrammatic device gilt to upper incorporating musical instruments. 1f. recto title verso blank 193 i blank pp. Engraved throughout. Small publisher's oval handstamp and Ewer & Co.'s blindstamp to lower outer corner of title; decorative handstamp of "The Wandering Minstrels" to blank verso of title; "Presented by" handstamp followed by signature "Hon: S. Egerton" to upper margin of first page of music. With performance markings mostly dynamics with occasional articulations in lead and blue pencil. Binding slightly worn and bumped; upper hinge partially split; endpapers browned. Occasional minor browning and staining. A very good copy overall. First Edition. MWV pp. 225-226 no. 16. Hoboken 10 no. 284. Catalog of the Mendelssohn Papers in the Bodleian Library III 734. Felix Mendelssohn Bartholdy Leipzig catalog 152. Müller-Reuter I p. 73. Fuld p. 556. Mendelssohn finished his "Italian" Symphony in Berlin on 13 March 1833 conducting its first performance in London on 13 May 1833 at a London Philharmonic Society concert. The first edition of the full score was not published until after the composer's death. "The Italian sojourn of 1830 provided the raw musical material for the Italian Symphony finished and performed in London in 1833 revised the following year but published only posthumously as Symphony no.4 in 1851. For Julius Benedict the brightly scored opening was 'warmed with the balmy air of a southern clime'. The slow movement profitably compared to the 'Marche des pèlerins' from Berlioz's nearly contemporaneous Harold en Italie begins with a haunting modal melody evidently meant to depict a religious ceremony or procession. The third movement was probably inspired by Goethe's humorous poem Lilis Park. The finale labelled 'Saltarello' begins with a characteristic hopping figure reminiscent of the saltarellos Mendelssohn heard in Rome and Naples but then introduces in its development a new conjunct figure intended according to William Rockstro as a tarantella; the two are juxtaposed in the closing bars of the score." R. Larry Todd in Grove Music Online "The Wandering Minstrels were an amateur orchestra of forty or so players drawn from the ranks of the aristocracy and military. The Earl of Wilton and his sons were leading lights in the orchestra and for many years the Earl's younger son the Honourable Seymour Egerton was conductor and president. The Wandering Minstrels conscientiously documented their activities. Their albums of posters photographs and concert programmes shine a light on a little-studied aspect of musical life in the 19th century: concerts given by noble amateurs. The albums provide information on the music performed the structure of the concerts and Victorian programming habits and show which composers - and which musical works - were popular. Mendelssohn and Gounod were the most popular composers by a long way." British Library website music blog 17 August 2012. Breitkopf & Härtel ... Ewer & Co. [PN 8347] unknown books
1965réf. 455649Breitkopf & Härtel Leipzig 1965. Edition Unstated. Softcover. Good paperback copy; edges somewhat dust-dulled and nicked. Cover creased with previous owner's signature. Remains well-preserved overall. Date is suggested/cannot be verified. Physical description; 193 pages music. Breitkopf & Härtel, Leipzig paperback
1851réf. 40958Leipzig . London: Breitkopf & Härtel . Ewer & Co. PN 8347 1851. Octavo. Contemporary dark green morocco-backed dark green cloth boards with monogrammatic device gilt to upper incorporating musical instruments. 1f. recto title verso blank 193 i blank pp. Engraved throughout. Small publisher's oval handstamp and Ewer & Co.'s blindstamp to lower outer corner of title; decorative handstamp of "The Wandering Minstrels" to blank verso of title; "Presented by" handstamp followed by signature "Hon: S. Egerton" to upper margin of first page of music. With performance markings mostly dynamics with occasional articulations in lead and blue pencil. Binding slightly worn and bumped; upper hinge partially split; endpapers browned. Occasional minor browning and staining. A very good copy overall. First Edition. MWV pp. 225-226 no. 16. Hoboken 10 no. 284. Catalog of the Mendelssohn Papers in the Bodleian Library III 734. Felix Mendelssohn Bartholdy Leipzig catalog 152. Müller-Reuter I p. 73. Fuld p. 556. Mendelssohn finished his "Italian" Symphony in Berlin on 13 March 1833 conducting its first performance in London on 13 May 1833 at a London Philharmonic Society concert. The first edition of the full score was not published until after the composer's death. "The Italian sojourn of 1830 provided the raw musical material for the Italian Symphony finished and performed in London in 1833 revised the following year but published only posthumously as Symphony no.4 in 1851. For Julius Benedict the brightly scored opening was 'warmed with the balmy air of a southern clime'. The slow movement profitably compared to the 'Marche des pèlerins' from Berlioz's nearly contemporaneous Harold en Italie begins with a haunting modal melody evidently meant to depict a religious ceremony or procession. The third movement was probably inspired by Goethe's humorous poem Lilis Park. The finale labelled 'Saltarello' begins with a characteristic hopping figure reminiscent of the saltarellos Mendelssohn heard in Rome and Naples but then introduces in its development a new conjunct figure intended according to William Rockstro as a tarantella; the two are juxtaposed in the closing bars of the score." R. Larry Todd in Grove Music Online "The Wandering Minstrels were an amateur orchestra of forty or so players drawn from the ranks of the aristocracy and military. The Earl of Wilton and his sons were leading lights in the orchestra and for many years the Earl's younger son the Honourable Seymour Egerton was conductor and president. The Wandering Minstrels conscientiously documented their activities. Their albums of posters photographs and concert programmes shine a light on a little-studied aspect of musical life in the 19th century: concerts given by noble amateurs. The albums provide information on the music performed the structure of the concerts and Victorian programming habits and show which composers - and which musical works - were popular. Mendelssohn and Gounod were the most popular composers by a long way." British Library website music blog 17 August 2012. Breitkopf & Härtel ... Ewer & Co. [PN 8347] unknown
1997réf. 22085Naxos, 1997. 8.553163 1 CD CD
2000réf. 30149Mis 2000 14x13x1cm. 2000. CD.
1984réf. Q-3795768160Eulenburg 1984-10-01. Paperback. New. In shrink wrap. Looks like an interesting title! Eulenburg paperback
1994réf. 22084Teldec, 1994. 1 CD CD
réf. 2298180823110Edition Peters. Staple Bound. Very Good. Nice looking book has minor edge wear. Edition Peters unknown
1850réf. 41200Germany 1850. Image size 146 x 124 mm; sheet size 261 x 214 mm. The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. Unevenly browned; foxed; remnants of former mount to verso. unknown books
1850réf. 41205Germany 1850. Image size 146 x 124 mm; sheet size 251 x 166 mm. The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. Slightly worn and foxed; horizontal crease to lower portion not affecting image. unknown books
1850réf. 41200Germany 1850. Image size 146 x 124 mm; sheet size 261 x 214 mm. The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. Unevenly browned; foxed; remnants of former mount to verso. unknown
1850réf. 41205Germany 1850. Image size 146 x 124 mm; sheet size 251 x 166 mm. The composer is depicted half-length facing quarter-right. No engraver publisher or place of publication. Slightly worn and foxed; horizontal crease to lower portion not affecting image. unknown
