DILLON (Arthur Richard, comte de)Livre Rare Book
2.512 Ergebnisse
Best.-Nr. 35146In-8, broché, couverture de papier bleu de parution, (2), 108 p. Paris, Imprimerie de Migneret, 1792.
Best.-Nr. 129931772 A Berlin chez G.J. Decker reliure plein cuir, pièces de titre et de tomaison sur le dos, triple filets dorés sur les plats, in-8. Des coiffes abîmées oiu absentes, coins usés, petits manques sur le dos du tome 1.
1790Best.-Nr. 140051790 In-8 345+xviii+416+392+407+384+427+380+388+335+520+354+424+342+336+461+413+340 pp, VII planches in-fine du tome I, peu de rousseurs éparses ; brochages papier, dos passés, quelques déchirures sans manques, titres manuscrits.
1765Best.-Nr. 622971Berlin, Voss, 1765. 2 Bl., VI, 291 S.; 1 Bl, 413 S. Mit 1 gestochenen Frontispiz (Porträt von Bayle). Pappband d. Zeit mit Pergament-Rückenschild (berieben u. fleckig, Ecken u. Kanten stark bestoßen, Rücken mit Bibliotheksschildchen). [3 Warenabbildungen]
1750Best.-Nr. 622966Berlin, Haude, 1750. 2 Bl., II, 284 S. Der Titel in Rot und Schwarz mit gestochener Vignette. Leder d. Zeit mit reicher Rückenvergoldung, Rückenschild u. goldgeprägtem Monogramm "FP" auf dem Vorderdeckel (leicht berieben u. bestoßen, Vordergelenk angeplatzt). [2 Warenabbildungen]
1762Best.-Nr. 158951762 Berlin, sans nom d'éditeur, 1762, 2 tomes en 2 vol. in 12 de XX-292 pp. ; (2)-344 pp., 2 grands tableaux généalogiques reliés dans le 1er volume, rel. de plein veau brun granité, dos à nerfs ornés de fers dorés, pièces de titres et de tomaisons de maroquin bordeaux, bel ex.
1811Best.-Nr. 33791Reliure demi-chagrin prune. Dos à nerfs orné de filets dorés et à froid. Trois tranches jaspées. Intérieur propre. Dos passés.
1892Best.-Nr. 324443Berlin, Reimer, 1892/93. Insgesamt 2907 S. Halbleder.
1900Best.-Nr. 605021Berlin, Reichsdruckerei, 1900. VI S., 1 Bl., 492 S.; VI S., S. 493-1091; XII, 660; XIV, 588 S. Mit 8 Porträts. Halbleinen d. Zeit (berieben u. etwas gelockert, Rücken leicht fleckig). [2 Warenabbildungen]
18064 volumi, 18 cm, bella rilegatura in mezza pelle, piatti marmorizzati, titolo in oro e decorazioni a secco al dorso, tagli colorati, segnalibro; p. (4), xvi, 360, (2); (4), 381, (1); (4), 436; (4), 408. Opera tradotta dal tedesco da Guilbert de Pixerecourt. Viaggio dell'autore in Prussia, Estonia, Livonia, Roma, Napoli. Alcune leggere bruniture. Nell'insieme esemplare molto buono
In-8, demi-chagrin rouge à coins à grain long, dos orné d'un riche décor de compartiments garnis de palettes, roulettes à froid, filets, grecques et fer spécial répété au centre (reliure de l'époque), xvj, 384 p., planche gravée en frontispice, exemplaire non rogné. Edition originale française de ce texte fondateur dans l'histoire de la critique et de l'esthétique modernes. L'ouvrage est illustré d'un frontispice représentant le groupe du Laocoon d'Agésandros gravé par Saint-Aubin d'après J.-G. Salvage. "La découverte, au début du XVIe siècle, à Rome, du groupe du Laocoon que l'on croyait perdu eut un retentissement considérable. Lessing en fait le thème de son oeuvre majeure, dans laquelle il explore les relations, de la peinture et de la poésie et définit leurs frontières. Rompant avec la doctrine dominante du classicisme, il jette les bases d'une esthétique nouvelle où les arts plastiques se trouvent émancipés de la tutelle du langage. Il annonce ainsi les grands développements de la critique artistique, jusqu'aux avancées contemporaines de l'iconologie" (Hubert Damisch). "Lessing's best-known work outside Germany, and it had a world-wide influence" (Printing and the Mind of Man, n°213). Le traducteur Charles Vanderbourg émigra sous la Terreur en Allemagne où il devint l’ami de Jacobi et de Stolberg. Quelques rousseurs et auréoles. Très bon exemplaire, non rogné, bien relié à l'époque dans le goût de Bozerian.
1802Best.-Nr. 381101802 In-8, demi-chagrin rouge à coins à grain long, dos orné d'un riche décor de compartiments garnis de palettes, roulettes à froid, filets, grecques et fer spécial répétés au centre (reliure de l'époque), xvj, 384 p., planche gravée en frontispice, exemplaire non rogné. Paris, Antoine Augustin Renouard, an X - 1802.
1787in-8, pp. 48, broch post. Edizione originale della lettera del Conte Mirabeau (1749-1791) a Federico Guglielmo II, Re di Prussia, nipote successore del grande Federico II nel momento della sua acensione al trono. L'autore elargisce consigli sulle riforme e sul giusto modo di regnare. A partire dal 1786 Mirabeau intrattenne rapporti con la Prussia in qualità di agente segreto, inviò diverse decine di lettere al ministro Calonne e nel 1789 pubblicò un carteggio con il titolo di : "Histoire secrete de la cour de Berlin", l'opera fece scandalo e venne censurata.. .
1788Best.-Nr. 3438836Londres (d. i. Paris, Lejay), 1788. Mit gestochenem Porträt Friedrichs des Grossen in Band 1. Abweichend gebunden, Hldr, 2 Ppbde, 1 Lwd.
1768Best.-Nr. 382791768 In-12, plein veau marbré de l'époque, dos à nerfs orné de compartiments fleuronnés et cloisonnés, pièce de titre de maroquin bordeaux, tranches jaspées, (12), 360 p, planche frontispice gravée. Nancy, Veuve Babin, Berlin, Libraires Associés, Paris, Grangé, Hérissant, Lyon, Pierre Cellier, 1768.
Best.-Nr. 21558Berlin et Paris, chez Buisson et Maradan, 1788. 3 vol. in-12, 394 pp. 1 pl. + 378 pp. 1 pl. + 267-4 pp. 1 pl., demi-basane havane, dos long orné de filets et fleurons dorés, pièce de titre rouge, pièce de tomaison verte, tranches jaunes (petites épidermures, quelques minuscules rousseurs).
1839Best.-Nr. 351348Mannheim, Selbstverlag, 1839. 1 Bl., VIII, 227 S., 1 Bl. Pappband d. Zeit (stark beschabt u. bestoßen, Rückenbezug eingerissen u. mit Fehlstellen). [2 Warenabbildungen]
1745Best.-Nr. 14742Augsburg: Published by Martin Engelbrecht 1745. Engraving with thick early colour with gold highlights. Printed on laid paper. In excellent condition with the exception of some minor foxing in the margins. Image size: 9 3/4 x 7 inches. A majestic portrait with stunning early colour of Queen Elisabetha Christina by the celebrated Augsburg engraver Martin Engelbrecht. Martin Engelbrecht was one of the most prolific engravers and printsellers in Augsburg at the close of the 17th century. Along with his brother Christian Martin dominated the print trade producing some of the finest prints of his day. His outstanding portraits and landscape studies are beyond compare and his religious and allegorical engravings display a technical aptitude superior to many of his contemporaries. Martin had great success with his optical prints which were used in perspective boxes. He is best remembered for his equestrian portraits depicting European nobility and his engravings of Queen Elizabeth and Joseph II are numbered amongst his best work. This stunning portrait of Queen Elizabeth is a rare example with vibrant early colour and is a wonderful example of Engelbrecht's superior work. Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern the Queen of Prussia faced the challenging role of being a royal wife to Frederick the Great. Their marriage was a politically motivated one arranged to secure Frederick's release from his father's oppressive regime. From the very beginning it was clear that Frederick resented this union. He did not show any affection or interest in Elisabeth and she had to endure a difficult and somewhat lonely position at the Berlin Court. In spite of her husband's neglect Elisabeth took on a very public role in Prussia. She handled representational duties presided over court functions and hosted events even when Frederick did not attend. She was known for her charity work especially during the Seven Years' War where she became a symbol of Prussian resilience in the face of crisis. Her influence extended to matters of state and she actively participated in political literature. Elisabeth also successfully introduced silk cultivation to Prussia. As queen dowager after Frederick's death she continued to have an active role in public life and provided valuable insight and advice to the royal family. Despite the challenging circumstances of her marriage Elisabeth Christine left a lasting legacy as a strong compassionate and influential figure in European history. Published by Martin Engelbrecht unknown
1745Best.-Nr. 14742Augsburg: Published by Martin Engelbrecht 1745. Engraving with thick early colour with gold highlights. Printed on laid paper. In excellent condition with the exception of some minor foxing in the margins. Image size: 9 3/4 x 7 inches. A majestic portrait with stunning early colour of Queen Elisabetha Christina by the celebrated Augsburg engraver Martin Engelbrecht. Martin Engelbrecht was one of the most prolific engravers and printsellers in Augsburg at the close of the 17th century. Along with his brother Christian Martin dominated the print trade producing some of the finest prints of his day. His outstanding portraits and landscape studies are beyond compare and his religious and allegorical engravings display a technical aptitude superior to many of his contemporaries. Martin had great success with his optical prints which were used in perspective boxes. He is best remembered for his equestrian portraits depicting European nobility and his engravings of Queen Elizabeth and Joseph II are numbered amongst his best work. This stunning portrait of Queen Elizabeth is a rare example with vibrant early colour and is a wonderful example of Engelbrecht's superior work. Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern the Queen of Prussia faced the challenging role of being a royal wife to Frederick the Great. Their marriage was a politically motivated one arranged to secure Frederick's release from his father's oppressive regime. From the very beginning it was clear that Frederick resented this union. He did not show any affection or interest in Elisabeth and she had to endure a difficult and somewhat lonely position at the Berlin Court. In spite of her husband's neglect Elisabeth took on a very public role in Prussia. She handled representational duties presided over court functions and hosted events even when Frederick did not attend. She was known for her charity work especially during the Seven Years' War where she became a symbol of Prussian resilience in the face of crisis. Her influence extended to matters of state and she actively participated in political literature. Elisabeth also successfully introduced silk cultivation to Prussia. As queen dowager after Frederick's death she continued to have an active role in public life and provided valuable insight and advice to the royal family. Despite the challenging circumstances of her marriage Elisabeth Christine left a lasting legacy as a strong compassionate and influential figure in European history. Published by Martin Engelbrecht unknown books
1867Best.-Nr. 391722Berlin, (1867-70). Schöne neue Halbleineneinbände.
Best.-Nr. 10026accompagnée d’un grand nombre de remarques, pièces justificatives & anecdotes, dont la plupart n’ont point encore été publiées. Quatre tomes en quatre volumes in 12 plein cuir fauve raciné, pièce de titre chagrin rouge, pièce de tomaison cuir vert. Titre tomaison roulette, fers, filets dorés, roulette dorée sur coupes, tranches rouges. Tome 1 années 1712 à 1756 titre, 2 feuillets-VII362 pages Tome 2 : années 1756 à 1763 titre, 470 pages ; Tome 3 : administration pendant la paix Tome 4 : Vie privée et littéraire titre, 410 pages 2 pages avis important au relieur. Chez J.G TREUTTEL libraire à Paris. A Genève chez BARDE et MANGET & Cie 1787. Petit raccommodage à la coiffe supérieure du tome 1, sinon bel ensemble de cette Première édition, rarement complète
1887Best.-Nr. 029740UK 1887. First Edition . Paper. Good. 48mo - over 3 - 4" tall. An Original Handwritten and Signed Royal Letter Signed by Future Canadian Governor General Prince Arthur Duke of Connaught and His Wife Princess Louise Margaret of Prussia. Signed with their maiden names. Dated 1887. Prince Arthur Duke of Connaught and Strathearn Arthur William Patrick Albert; 1850 - 1942 was the seventh child and third son of Queen Victoria of the United Kingdom and Prince Albert of Saxe-Coburg and Gotha. He served as Governor General of Canada the tenth since Canadian Confederation and the only British prince to do so. Princess Louise Margaret of Prussia Louise Margaret Alexandra Victoria Agnes; 1860 -1917 later Duchess of Connaught and Strathearn was a member of the House of Hohenzollern who married into the British royal family. She served as the viceregal consort of Canada while her husband Prince Arthur Duke of Connaught and Strathearn served as the governor general from 1911 to 1916. . Size is 180mm x 115mm. Condition is good. More images can be taken upon request. Ref 18807 unknown
2016Best.-Nr. BN113136Ravensburger Verlag Ravensburger Verlag Gmbh 2016. 2016. Wieso Weshalb Warum junior: Der Pinguin Band 29 Wieso Weshalb Warum junior: Der Pinguin Band 29 Ravensburger Verlag, Ravensburger Verlag Gmbh unknown
Best.-Nr. 055820A Berlin - A Gross-Glogau Chez C. F. Voss, Libraire - Chez Haude & Spenner, Libraires 1760 in 12 (17x10) 2 volumes reliures plein veau fauve marbré de l'époque, dos lisses ornés, pièces de titre et de tomaison de maroquin rouge, tranches teintées, 296 pages, et 271 pages. Tome 1 : Odes et Epitres. Tome II : Lettres en vers et en prose (10 à Voltaire), Epitres familières, Pièces diverses, L'Art de la Guerre. Bel exemplaire, reliures décoratives et très fraîches ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. BN112931Mein großes Bilderlexikon Mein großes Bilderlexikon unknown
