2 766 résultats
In-8 (182 x 125 mm), demi-percaline vert bronze de l'époque, dos lisse orné de filets à froid, titre doré, xii, 300 p. Edition originale et unique. Wagner à Bruxelles. Lohengrin. Le vaisseau fantôme. Tannhäuser. A Bayreuth. L'anneau de Nibelungen. Mort de Richard Wagner. Les maîtres chanteurs. La Walkyrie. En attendant Siegfried... Importants appendices : Lettre de Richard Wagner à Henry Vieuxtemps - Théâtre de la Monnaie: tableau des ouvrages de Richard Wagner avec dates des représentations et chiffres des recettes - Concerts populaires de musique classique: oeuvres de Wagner. L'une des sources importantes pour l'histoire de la réception de Wagner en Belgique. L'auteur, Edmond Evenepoel, était un haut fonctionnaire belge, très cultivé et mélomane. (Silège, 'Bibliographie wagnérienne française', p. 54). Quelques rousseurs, papier légèrement jauni. Envoi autographe signé de l'auteur : "A Henri Titz, souvenir amical". Bon exemplaire.
1884réf. 38329In-8 (182 x 125 mm), demi-percaline vert bronze de l'époque, dos lisse orné de filets à froid, titre doré, xii, 300 p. Paris, Bruxelles, Leipzig, Librairie Fischbacher, Maison Schott frères, Otto Junne, 1891
réf. 9740sur divers sujets de physique et de philosophie. Trois tomes en trois volumes in 12 plein cuir fauve raciné, pièce de titre cuir rouge, filets, roulette dorés, roulette dorée sur coupes. Tome 1 : titre, VIII, 309 pages, 4 planches dépliantes ; Tome 2 titre, VIII 315 pages, 4 planches dépliantes Tome 3 titre, X, 351 pages, 11 planches dépliantes. Berne chez la Société typographique 1775. Exlibris gravé Le Chevalier de CROCHART. Très bon état.
Paris, Alcan 1893. 16°:pp.VIII+375n. Mezza tela coeva con titoli in oro al dorso.
1870Florence, Imprimerie de G. Barbèra, 1870, in-8, br. edit., pp. 27, [1]. Invio manoscritto sulla prima pagina bianca: "A s. Excellence le Ministre plenipotentiaire de l'Empire austro-hungarique, hommage de l'auteur".
réf. 1038.1aafvers 1893, 18.4 x 25.7 cm planche lithogr. finement coloriée à la main, Einzelblatt
1872Didier et Cie liraires éditeurs, 1872. In-12 broché de de 320 pages. La couverture est restaurée sinon Bon état
réf. HIS4083M1912, Plon. 2 volumes in12, relié, pleine toile enduite, dos long à pièce, 346 et 334 pages, 3 cartes dépliantes par tome. Dos tannés. Intérieur bon voire frais. Bon exemplaire
1872réf. 164227Didier et Cie libraires éditeurs Paris, Didier et Cie liraires éditeurs, 1872. In-12 broché de de 320 pages. La couverture est restaurée sinon Bon état
1872réf. 18941872 Paris, Didier, 1872. Un volume in-12 demi chagrin noir, dos à nerfs, titre doré, 286 pages et un feuillet non chiffré. Légères épidermures, bel exemplaire.
1876réf. 3244047Berlin, Wiegandt und Grieben, 1876. XVI, 272 S. Hldr (Stempel auf Titel).
réf. 60954Paris, Librairie Universelle sans date, vers 1900, 180x125mm, XII- 359pages, demi-percaline. Plats papier marbré. Auteur et titre dorés au dos.
1745réf. 14742Augsburg: Published by Martin Engelbrecht 1745. Engraving with thick early colour with gold highlights. Printed on laid paper. In excellent condition with the exception of some minor foxing in the margins. Image size: 9 3/4 x 7 inches. A majestic portrait with stunning early colour of Queen Elisabetha Christina by the celebrated Augsburg engraver Martin Engelbrecht. Martin Engelbrecht was one of the most prolific engravers and printsellers in Augsburg at the close of the 17th century. Along with his brother Christian Martin dominated the print trade producing some of the finest prints of his day. His outstanding portraits and landscape studies are beyond compare and his religious and allegorical engravings display a technical aptitude superior to many of his contemporaries. Martin had great success with his optical prints which were used in perspective boxes. He is best remembered for his equestrian portraits depicting European nobility and his engravings of Queen Elizabeth and Joseph II are numbered amongst his best work. This stunning portrait of Queen Elizabeth is a rare example with vibrant early colour and is a wonderful example of Engelbrecht's superior work. Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern the Queen of Prussia faced the challenging role of being a royal wife to Frederick the Great. Their marriage was a politically motivated one arranged to secure Frederick's release from his father's oppressive regime. From the very beginning it was clear that Frederick resented this union. He did not show any affection or interest in Elisabeth and she had to endure a difficult and somewhat lonely position at the Berlin Court. In spite of her husband's neglect Elisabeth took on a very public role in Prussia. She handled representational duties presided over court functions and hosted events even when Frederick did not attend. She was known for her charity work especially during the Seven Years' War where she became a symbol of Prussian resilience in the face of crisis. Her influence extended to matters of state and she actively participated in political literature. Elisabeth also successfully introduced silk cultivation to Prussia. As queen dowager after Frederick's death she continued to have an active role in public life and provided valuable insight and advice to the royal family. Despite the challenging circumstances of her marriage Elisabeth Christine left a lasting legacy as a strong compassionate and influential figure in European history. Published by Martin Engelbrecht unknown books
1745réf. 14742Augsburg: Published by Martin Engelbrecht 1745. Engraving with thick early colour with gold highlights. Printed on laid paper. In excellent condition with the exception of some minor foxing in the margins. Image size: 9 3/4 x 7 inches. A majestic portrait with stunning early colour of Queen Elisabetha Christina by the celebrated Augsburg engraver Martin Engelbrecht. Martin Engelbrecht was one of the most prolific engravers and printsellers in Augsburg at the close of the 17th century. Along with his brother Christian Martin dominated the print trade producing some of the finest prints of his day. His outstanding portraits and landscape studies are beyond compare and his religious and allegorical engravings display a technical aptitude superior to many of his contemporaries. Martin had great success with his optical prints which were used in perspective boxes. He is best remembered for his equestrian portraits depicting European nobility and his engravings of Queen Elizabeth and Joseph II are numbered amongst his best work. This stunning portrait of Queen Elizabeth is a rare example with vibrant early colour and is a wonderful example of Engelbrecht's superior work. Elisabeth Christine of Brunswick-Wolfenbüttel-Bevern the Queen of Prussia faced the challenging role of being a royal wife to Frederick the Great. Their marriage was a politically motivated one arranged to secure Frederick's release from his father's oppressive regime. From the very beginning it was clear that Frederick resented this union. He did not show any affection or interest in Elisabeth and she had to endure a difficult and somewhat lonely position at the Berlin Court. In spite of her husband's neglect Elisabeth took on a very public role in Prussia. She handled representational duties presided over court functions and hosted events even when Frederick did not attend. She was known for her charity work especially during the Seven Years' War where she became a symbol of Prussian resilience in the face of crisis. Her influence extended to matters of state and she actively participated in political literature. Elisabeth also successfully introduced silk cultivation to Prussia. As queen dowager after Frederick's death she continued to have an active role in public life and provided valuable insight and advice to the royal family. Despite the challenging circumstances of her marriage Elisabeth Christine left a lasting legacy as a strong compassionate and influential figure in European history. Published by Martin Engelbrecht unknown
réf. 6655'Friday' date not stated; on letterhead of York House Twickenham S.W. London. 16mo roughly 11 x 8 cm 1 p. Creased and ruckled and with slight discolouration from previous mounting and with a piece of the mount adhering to the blank reverse. Reads 'My dear Sir I thank you for your letter and the information it contained. I write to Paris to have PP' book as soon as it is out. Yours truly signed Elisabeth'. Signature stylized to the point of illegibility. Piece of mount docketed in contemporary hand 'Elizabeth late Queen of Prussia'. 'Friday' [date not stated]; on letterhead of York House, Twickenham, S.W. [London]. unknown
1900réf. 50161- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1900réf. 51423- Photographie 4 x 7, 5 cm collée sur carton. Légèrement défraîchie.
1900réf. 52117- Photographie 4 x 7, 5 cm. Notice biographique collée au dos.
1910réf. 3031595Tübingen, 1910. V, 165 S. Geheftet. 4to.
1816réf. 8664ABBerlin, Maurer 1816. Gr.8°. 1 Bl., 116 S. Interimsbroschur der Zt, unbeschnitten. Umschlag etwas berieben, Rücken etwas lädiert. 1
18632 vols., 8vo., First Edition, with tinted lithographed frontispieces and 16 tinted lithographed plates; publisher's red pebble-gain cloth, boards elaborately framed in blind, gilt backs, primrose endpapers, uncut, covers mildly age-soiled, backstrips chafed at heads and tails, joints rubbed else a good, bright, clean set. Sold from an institution with its bookplates and press-marks on front paste-downs [only], and neat blind stamp on titles and margins of some plates. VERY SCARCE.
Sans Editeur - Sans date - Complet en 3 Volumes In-4 ° Reliés, dos cuir à filets dorés - Nombreuses Illustrations Couleurs & N.B. pleine page et Cartes - 1848 Pages - Très Propre
1993New English Original cloth bdg. by Legatoria Rigoldi SNC. Oblong folio. (36 x 47 cm). In English. 16, [1] p. text,1 full paged b/w map in text (Byzantivm nunc Constantinopolis), 8 folding color plts. of panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). 1100 copies were printed in Italy. Numbered copy. 357/1100. Printed on handmade paper by Cartiere Enrico Magnani S.p.A. Preface.; Historical setting.; Images of Istanbul, I: A wedding procession. II: Entertainment in a Harem (women dancing and playing dance music). III: Ladies going to a bathhouse. IV: An imperial residence. V: Arrival of the Crimean Embassy. VI: Sultan embarking on a hunt. VII: Sultan going to Friday prayer. VIII: Procession of the Queen Mother. Images of imperial Istanbul. Facsimile Edition of eight panoramic views made by Zacharias Wehme in 1582 from an album in the Sachsische Landesbibliothek Dresden (Mscr. J 2a). Published by Ahmet Ertug. Photographic reproduction of originals by C. Hüttel. Translation of captions from German by Ali Özdamar.
réf. 1839Sans Editeur - Sans date - Complet en 3 Volumes In-4 ° Reliés, dos cuir à filets dorés - Nombreuses Illustrations Couleurs & N.B. pleine page et Cartes - 1848 Pages - Très Propre
1838réf. 1865WURZBURG. CHRISTIAN WEISS. 1838-1842. ENSEMBLE DE 91 LITHOGRAPHIES COLORIEES A LA MAIN ET GOMMEES D’UNIFORMES AUTRICHIENS (42) ET PRUSSIENS (49) DONT 79 HORS TEXTE PORTANT EN MARGE INFERIEURE LA LEGENDE IMPRIMEE AINSI QUE LE TIMBRE SEC DE L’EDITEUR. 91 PLANCHES MONTEES SUR ONGLET ET RELIEES EN UN VOLUME FORMAT IN-FOLIO (29 X 35,5 X 4 CENTIMETRES ENVIRON), RELIURE POSTERIEURE FIN XIX° PLEIN VEAU BLOND A COINS, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE, ETIQUETTE CONTRECOLLEE SUR LE PLAT SUPERIEUR : « W. GARFORTH. XCVII REGT ». QUELQUES PLANCHES ANCIENNEMENT RESTAUREES, AVEC QUELQUES DEFAUTS, LA GRANDE MAJORITE EN BEL ETAT.
