28.564 risultati
2005rif. 175798Brooklyn NY: Powerhouse 2005. First edition. Hardcover. Oversized monograph. Foreword by John Szarkowski. A stark and haunting collection of 44 black and white photographs of the walls and remains of the prison. A very near fine and tight copy in cloth boards with a photograph mounted on the front board and some light bumping to the bottom front corners. A beautiful production of a dark subject. Virtually as new and still in the publisher's shrinkwrap. Powerhouse unknown books
2005rif. 174793Tucson AZ: Nazraeli Press 2005. First edition. Hardcover. First printing. Number 48 of only 50 copies. A collection of 36 duotone images. A very fine copy in green cloth boards in a fine clamshell box. Original gelatin silver print affixed to the front board. Signed and numbered by Rome on the title page. As usual a beautifully printed book from this terrific publisher. Nazraeli Press unknown books
1978rif. 146365N.p.: N.p. 1978. Draft script for the 1978 film. Included with the script is a small note from producer Sidney Beckerman to casting agent Paul Kohner introducing the script as one they had discussed previously. After the end of World War I a young Prussian officer returns home to Berlin and begins working as a male prostitute in a brothel. Due to actor Marlene Dietrich's refusal to leave her home in Paris the scenes in which she appears were shot in France while the rest of the production took place in Berlin. Set in Berlin shot on location in West Germany and France. Self wrappers. Title page integral with first page of text. 162 leaves with last page of text numbered 161. Xerographic duplication rectos only. Pages Very Good Plus wrapper Very Good with silver prong binding. N.p. unknown books
2004rif. 132996Los Angeles: Pandemonium Theatre Company 2004. An archive of 10 original posters for productions staged by Ray Bradbury's Pandemonium Theatre Company from 1988 to 2004. The plays were performed in Southern California predominantly at The Court Theatre Falcon Theatre Theatre West The Raven Playhouse and Melrose Theatre. The archive includes posters from 10 productions including "Fahrenheit 451" "The October Country" "Past Present & Future" "The Time of Going Away" and "Drunk and In Charge of a Bicycle." and his Irish play "Falling Upward!" "Falling Upward!" was one of Bradbury's favorite plays and especially as he advanced in age he was know to encourage its frequent production simply for the joy of being able to see it again. Bradbury was an avid playwright and a familiar and enthusiastic presence in the Southern California theatre circuit near his home. In 1963 he and director Charles Rome Smith founded Pandemonium Theatre Company. The two friends would go on to work with the company together for the next four decades until Rome's death in 2004. This archive is a solid representation of the company's latter half before Smith's passing and Bradbury's hearing loss which would necessitate that he stop attending performances. Posters approximately 11 x 17 inches. About Fine condition. Pandemonium Theatre Company unknown books
rif. WELLER9780140449334New. New book. unknown books
2001rif. 133006Burbank CA: Pandemonium Theatre Company 2001. Original poster for the 2001 Falcon Theatre production of the Ray Bradbury play "Falling Upward!" The production ran from November 27 2001 to December 30 2001. "Falling Upward!" was known to be one of Bradbury's favorite plays and he often encouraged its production especially as he advanced in age simply for the joy of being able to see it again. Set entirely in an Irish bar with an entirely male cast he had in previous incantations considered the addition of a lone female cast member before deciding that was historically inaccurate. The play coalesced out of his experiences in Ireland which he first wrote into a short story entitled "The Anthem Sprinters" and which then were later incorporated into "Falling Upward!" Bradbury was an avid playwright and a familiar and enthusiastic presence in the Southern Californian theater circuit near his home. In 1963 he and director Charles Rome Smith founded Pandemonium Theatre Company. The two friends would go on to work with the company together for the next four decades until Rome's death in 2004. 11 x 17 inches. Fine condition. Pandemonium Theatre Company unknown books
2003rif. 133011Burbank CA: Pandemonium Theatre Company 2003. Original poster for the 2003 Court Theatre production of the Ray Bradbury play "The Time of Going Away" which ran as a night of four small plays also including "The Swan" "I Will Arise and Go Now" and "Death and the Maiden." The production ran from October 26 2002 to November 24th 2002. Bradbury was an avid playwright and a familiar and enthusiastic presence in the Southern Californian theater circuit near his home. In 1963 he and director Charles Rome Smith founded Pandemonium Theatre Company. The two friends would go on to work with the company together for the next four decades until Rome's death in 2004. 11 x 17 inches. Fine condition. Pandemonium Theatre Company unknown books
2001rif. 133008Burbank CA: Pandemonium Theatre Company 2001. Original poster for the 2002 Falcon Theatre production of the Ray Bradbury play "Fahrenheit 451." The production ran from October 26 2002 to November 24th 2002. The story of a dystopian future in which all books are burned this item is a poster for Bradbury's dramatic adaptation of what is largely regarded as one of his best works. Bradbury was an avid playwright and a familiar and enthusiastic presence in the Southern Californian theater circuit near his home. In 1963 he and director Charles Rome Smith founded Pandemonium Theatre Company. The two friends would go on to work with the company together for the next four decades until Rome's death in 2004. 11 x 17 inches. Fine condition. Pandemonium Theatre Company unknown books
1973rif. 137578Vienna: Lisa-Film 1973. Collection of 12 vintage oversize double weight reference photographs for the 1973 German film based on the controversial 1897 play "Reigen" "La Ronde" by Arthur Schnitzler Adapted three time previously; by Max Ophuls in 1950 and Roger Vadim in 1964 both as "La Ronde" and by Richard Lerner and Paul Glickler in 1971 as "Hot Circuit" as well as several time subsequently. Schnitzler's play which satirizes the sexual and class morals of its era was not produced on stage until 1920 although published versions in various languages were available as early as 1900. With its frank sexual nature and depictions of relationships that crossed class and cultural lines the play was immediately condemned as pornography and withdrawn from the German stage although it remained popular elsewhere. The play consists of a series of vignettes each featuring a pair of lovers with each character appearing in two consecutive scenes with one character in the first scene appearing in the last. The photographs in this collection are from four scenes each featuring either Sydne Rome or Maria Schneider as follows: One photograph of Hans Bremmer and Rome as "The Soldier and the Parlor Maid." Four photographs of Rome and Helmut Berger as "The Parlor Maid and the Young Gentleman." Five photographs of Peter Weck and Schneider as "The Husband and the Little Miss." Two photographs of Schneider and Michael Heltau as "The Little Miss and the Poet." 9.5 x 12.25 inches. Near Fine. Lisa-Film unknown books
1975rif. 137576Paris: Cite Films 1975. Vintage oversize double weight reference photograph for the 1975 film as known as "Scar Tissue." With the label of the Paul Kohner agency on the verso. Maria Schneider stars as a young woman who must protect the son of her ex-lover when they are kidnapped while she is babysitting him. The final directorial effort of Rene Clement's long illustrious career. 9.25 x 11.75 inches. Near Fine. Cite Films unknown books
1970rif. 137567N.p.: N.p. 1970. Collection of five vintage oversized double weight press photographs of actress Sydne Rome circa 1970s. Three of the four photographs with the label of the Paul Kohner agency affixed over the stamp of Italian agency I.M. on the verso. One photograph with a label of William Morris agency and stamp crediting photographer and at the time her husband Emlio Lari on the verso. American born actress Sydne Rome achieved success in Italian and French films often typed the innocent or naive American abroad in films such as Roman Polanski's "What" 1972. 9.25 x 11.75 inches. Near Fine. N.p. unknown books
1970rif. 137569N.p.: N.p. 1970. Vintage oversized double weight press photograph of actress Sydne Rome circa 1970 with the label of the Paul Kohner agency affixed over the stamp of Italian agency I.M on the verso. American born actress Sydne Rome achieved success in Italian and French films often typed the innocent or naive American abroad in films such as Roman Polanski's "What" 1972. 9.25 x 11.75 inches. Near Fine. N.p. unknown books
1996rif. UROMCOM00VJMuseum of Modern Art 1996. Fine. Roma Thomas. Come Sunday. New York: Museum of Modern Art 1996. 1st edition. 111pp. 4to. Purple cloth. Book condition: NF/NF. Dust Jacket Condition: . Essay by Henry Louis Gates Jr. Museum of Modern Art hardcover books
1808rif. 1951280Impensis M. Carey 1808. Full-Leather. Very Good/No Jacket. Ink note from previous owner on front endpaper 'The property of Otis Hutchins. purchased second hand. August 22d 1815. price 1.00 No. 77' edges of endpapers toned top corner of front free endpaper removed. 1808 Full-Leather. iv 256 pp. Original full leather red leather spine label gilt titles & rules. Books 1-4 of Tacitus's histories in the original Latin taken primarily from the Brotier's edition with portions from Barbou and Gronovius. Notes by Barbou taken from his 1793 edition. Publius Cornelius Tacitus was a Roman statesman in the first century A.D. whose histories provide an authoritative account of various events within the Roman Empire with the unique insight of a politician living at the time. Impensis M. Carey hardcover books
1982rif. 94944Venezia: Marsilio Editori 1982. Quarto pp. 1-11 12-156 157 158: blank note: first leaf is a blank many illustrations some in color pictorial wrappers. First edition. A fine copy. #94944 Marsilio Editori unknown books
rif. 13888Vintage albumen silver photograph 9-3/8" x7-3/4". Inscription on lower border reads: "ROMA - Mole Adriana e Ponte S. Angelo". In very good condition with expected age wear and toning. Slight bend imperceptible when framed. unknown books
2007rif. 110758Brooklyn NY: Powerhouse 2007. First edition. Hardcover. Oversized monograph. Commentary by Lopate and 111 black and white photogaphs. A fine and tight copy in a very near fine dust jacket. A stunningly beautiful book. Powerhouse unknown books
1491rif. 4196Venice: Theodorus de Ragazonibus 23 August 1491 Quarto: 20.5 x 14.9 cm. 52 leaves. Collation: a-f8 g4 SIXTH EDITION OF THE SOLINUS 1st ed. 1473. THIS IS THE FIRST AND ONLY EDITION WITH THE "MIRABILIA ROMAE". Bound in early vellum with later endpapers. A fine fresh copy with nice margins printed on high-quality paper. First leaf slightly soiled and with mild wear to the edges a few trivial light stains verso of final leaf lightly soiled faded early inscription to title. The "Mirabilia Romae" Marvels of Rome has achieved iconic status. It is the oldest extant guidebook to the city of Rome and the forerunner to all later guides to the Eternal City. Composed around 1143 possibly by a certain Benedict a canon of St. Peter's it serves as a guide to the ruins of the ancient city with explanations of the origins and functions of the buildings and places described see below for a discussion of the contents. The book was a bestseller for over 300 years from the Middle Ages to the Roman Renaissance appearing in numerous cheaply-printed editions in the 15th and early 16th c. the majority of them small slim octavos of just a few leaves. As a result of heavy use by tourists and pilgrims copies of all editions are extremely rare. Of the 111! editions recorded in ISTC dating from ca. 1472 to ca. 1511 many survive in only single copies and almost all in fewer than five. The work is very rare in North America with the text represented in only twelve North American institutions see the references at the foot of this description. The 1491 "Mirabilia" which appeared in a more substantial volume along with the ancient 3rd c. "Marvels of the World" by Solinus has fared better. In North America this 1491 edition is held by 9 institutions: Walters Art Museum Harvard LC BYU Huntington Smithsonian Newberry UT Austin and Yale. The mix of lore and fact found in the "Mirabilia" made the text a natural companion to the "Mirabilia" Solinus who "routinely eschews the mundane in favor of the bizarre to use geography as a structure through which wonders might be revealed." The text is divided into chapters that describe in this order: the walls of Rome the city gates the hills of Rome the bridges the "palaces" of the emperors-with mention of the columns of Trajan and Antoninus Pius and the apocryphal "Palace of Nero"; triumphal and memorial arches baths theatres the Vatican obeliskthought to house the ashes of Julius Caesar in its bronze finial cemeteries and catacombs both pagan and Christian the places where the saints suffered martyrdom the giant bronze pine cone the "pigna" temples the Capitol the "marble horses" the Quirinal Dioscuri the equestrian statue of "Constantine" i.e. Marcus Aurelius the Colosseum the Pantheon and the church of Santa Maria in Ara Coeli with an account of Octavian's vision of the Madonna and Child. The often fantastic tales recounted in the Mirabilia were sure to inspire a sense of wonder in the pilgrims and tourists who came to marvel at the ruins which helps to explain why the guidebook remained so popular even after the 15th c. humanists and antiquarians had begun to tease out the reality of Rome's antiquities through a more scientific examination of ruins and texts. The "Mirabilia" describes the vanished Capitolium as a palace composed almost entirely of gold said to be worth "a third of the word's wealth". Within this temple were as many statues as there were provinces all facing a statue that represented Rome. They were adorned "by mathematical art" with bells around their necks as a sort of ancient early warning system. Whenever one of the provinces anywhere in the empire would start a revolt its corresponding statue would turn away from the statue of Rome and its bell would begin to ring. The Senate would then mobilize and send troops to crush the uprising. In the description of the Colosseum the seed of historical truth the colossus of Nero depicted as the sun god Sol gives rise to a marvelous conception of the amphitheater as a temple of the Sun the great opening above once covered with a gilded bronze dome that mimicked the sky complete with thunder and lightning and rain that was pumped through lead "fistula". The artificial sky was adorned with golden images of the planets and Luna riding her four-horse chariot. A monumental statue of the Sun whose head reached to the sky stood within bearing an orb in his hand a symbol of the Earth. Pope Sylvester we are told destroyed the temple but the arm and head of the statue were still to be seen in the Lateran where the general public misidentified them as belonging to Sampson. The colossal arm and head -moved to the Capitoline in 1471- are now recognized as those of the emperor Constantine. However the "Mirabilia" also contains much that is factual or nearly so and we can sense a desire to make accurate statements the heights of the columns of Antoninus Pius and Trajan for instance and to solve what were certainly difficult puzzles the workings of the ancient baths. The "Mirabilia" also preserves for us the names and details of monuments known to the author but later destroyed such as the elusive "Arcus Pietatis" near the Pantheon and the 4th century arch of Gratian Valentinian and Theodosius See Richardson New Topographical Dictionary pp. 26 28. But what is perhaps most valuable to us is the window that the "Mirabilia" provides into the medieval perception of Rome a city of pagan ruins and Christian monuments in which emperors saints prophetic youths and Virgil the Magician inhabit the same landscape. Solinus: "Gaius Julius Solinus who probably lived between the middle and the end of the third century was concerned with geography though not in the modern sense of the term. His work is entitled Collectanea Rerum Memorabilium but in the Middle Ages when it was widely read it was also known as Polyhistor to emphasize the great number of curiosities that were collected there. The work is a careful compilation from many literary sources chiefly Pliny the Elder but also Pomponius Mela and Suetonius along with various other geographical treatises that are no longer extant. Solinus noted down all the unusual things he came across when reading these works about peoples and their customs animals and plants… "The work opens with a full treatment of Rome and Roman history from the kings to the principate of Augustus. The area examined is then extended to Italy and then to Greece and the Black Sea Germany Gaul Britain and Spain; this counterclockwise tour ends with Africa Arabia Asia Minor India and the kingdom of the Parthians in accordance with a systematic geographical plan that is one of the most characteristic features of the work. It enjoyed considerable success in the Middle Ages when it was also read and studied as a summary of the excessively vast Naturalis Historia of Pliny the Elder. It did not however altogether replace it with the result that it enjoyed so to speak a success parallel to that of its more illustrious predecessor."Conte "Referring to the reading of Pliny and Solinus in the Middle Ages and Renaissance Anthony Grafton writes: 'Generations of readers thrilled like Desdemona listening to Othello at these tales of strange creatures foods and burial customs – and were no doubt stimulated by them to see the inhabitants of strange lands as literally outlandish less than civilized or even less than human.' Charles Raymond Beazley has made note of this remarkable appeal: 'The compilation of Solinus… became so fashionable in the Middle Ages and exercised so powerful an influence on the geographical imagination that it cannot be passed over. It is simply a collection of marvels chiefly of natural history brought together apparently on the principle 'Credo' or at least 'Lego quia impossibile.'… no one ever influenced Christian geography more profoundly or mischievously." "References to and borrowings from Solinus can be found in a wide variety of medieval texts stretching though the whole of the medieval period. Readers of Solinus ranged from Augustine to Bede to Dante and Solinus' influence can be seen in examples as varied as the Hereford Mappa mundi ca. 1300 and Fazio degli Uberti's verse epic 'Dittamondo' 14th c. in which Solinus in the place of Dante's Virgil guides a pilgrim on a tour of the known world. The interest in Solinus had not waned by the fifteenth century… While geography was not a primary area of interest for the humanists Solinus Pliny and authors like them were widely read and commented upon by Renaissance scholars… The strong interest in antiquity that characterized the Renaissance continued the medieval curiosity for the Roman compilers who seemed to have succeeded in encapsulating the entire world and all the knowledge in it."Dover and McDonough Hain-Copinger 14880; BMC V 478; Schudt le guide di Roma 565; Goff S 620; GW M42830. North American holdings of the Mirabilia editions ca. 1470-1511: Canadian Center for Architecture Claremont Colleges Getty Harvard Huntington LC Metropolitan Museum of Art Morgan Library NYPL Walters Museum Library Williams Yale Theodorus de Ragazonibus, 23 August books
1767rif. 39389Paris: Briasson 1767. 8vo 3 vols. 7 11/16 x 4 5/8 inches. 36 571; 6 656; 6 290 286 1 pp. 30 engraved plates some folding. Contemporary half calf and marbled boards spines in six compartments with raised bands ruled and lettered in gilt with armorial crests in two compartments red edges. First and only edition of this comprehensive catalog of the Parisian curiosity collection of Pedro Dávila. Pedro Franco Dávila was born in Guayaquil in present-day Peru and studied natural sciences in Lima before moving to Paris in 1740. He took an interest in collecting around that time and over the course of 20 years he amassed the largest collection of natural history specimens in all of Paris. He sought to preserve it by establishing an institution in Spain but after King Carlos III rejected his request Dávila was forced to put the collection up for auction to settle the debts he incurred in building it. The Dávila catalogue as it became known was prepared as a sale catalogue when he sold the collection off in Paris prior to returning to his native Peru. Considering the size of the collection the sale became one of the major auction events of that time period and the catalogue was distributed widely in Paris London Amsterdam Rotterdam and Basel. The catalogue describes 8096 mineral specimens from a broad range of places including Canada Mexico and Paraguay. It further describes over 12000 prints and engravings 1741 original artworks 441 maps plus various scientific instruments and precious stones. It also lists 5253 shells 600 preserved animals 101 plants 3915 fossils 154 bezoars and calculi and 402 books. "Dávila had already written many descriptions but it was his introduction through Balthasar Sage to the young Romé de l'Isle that created this remarkable record of the collection. Romé de l'Isle took the existing material added considerably to the mineralogical descriptions and put the catalog into publishable form. In this task he was assisted by Abbé Duguat who helped with the mineralogical descriptions and Abbé Gua de Malves 1712-1786 who described the shells. Through their efforts two volumes describing natural history specimens were produced one of which was entirely devoted to minerals. In addition a third volume written by Romé de l'Isle probably with assistance from Pierre Remy describes the fossils artwork and books. "The published catalog provides a detailed insight into his collection his special tastes and preferences. The major value of the collection lay in its superb mineral specimens many of which were finely crystallized examples. Romé de l'Isle fully described the many fine mineralogical specimens which included examples of native silver from Norway cassiterite from the Dutch East Indies crocoite from Siberia pyrite from Columbia and calcite from Saxony etc." The Mineralogical Record. Dávila was able to make more than enough to pay off his creditors and subsequently began to amass a second collection. Within three years in October 1771 King Carlos III agreed to accept this second collection and Dávila became the founder and first director of the Royal Cabinet of Natural History of Madrid now known as the National Museum of Natural Sciences where his specimens are still located today. Nissen ZBI 1050; Wilson 209; Conlon 67:1238; Sinkankas 1594. Briasson unknown books
1997rif. 9007007John Wiley & Sons Inc 1997. Hardcover. Book fine Dust jacket fine. Bound in textured boards with the spine stamped in gilt. John Wiley & Sons Inc hardcover books
2005rif. 9003195Barcelona: Poligrafa 2005. Hardcover. Book fine Dust jacket fine. With 218 illustrations in color. Bound in the publisher's original black cloth with the spine and front cover stamped in copper. Poligrafa hardcover books
1998rif. 9002742New York: D.A.P. / International Center for Photography 1998. Hardcover. Book fine Dust jacket fine. Thomas Roma photographer. Introduction by Ian Frazier. Essay by Ellen Handy. Bound in the publisher's original black cloth with the title stamped in silver on the spine. D.A.P. / International Center for Photography hardcover books
1606rif. 4235Prague: Aegidius Sadeler 1606. Price: $25000.00 Oblong folio: 34.7 x 203.5 cm. Engraved title page and 50 engraved plates. FIRST EDITION. A very fine broad-margined copy with very rich and clear impressions of the plates. Occ. marginal soiling a few pin-prick wormholes in the margins of a few leaves. Bound in contemporary morocco richly tooled in gold. With an engraved allegorical title with the main title incised within a wolf's hide hung on a monument; an engraved dedication to Matthaeus Wacker von Wackenfels numbered'1' with the text incised on a stone tablet between flanking obelisks and with two putti supporting the dedicatee's arms; and 49 full-paged engraved plates ca. 170 x 270 mm all numbered and signed 'Marco Sadeler excudit' with descriptive captions in Italian. This is the first edition. Thirty-six of these images were copied by Aegidius Sadeler from Etienne Du Pérac's " Vestigi dell'Antichità di Roma" Rome 1575. For the other images Sadeler drew on drawings by Jan Breughel the elder and Pieter Stevens. Marco Sadeler whose name appears on the plates was an engraver and print seller in Prague in the early 1600's and probably the nephew of Aegidius. In the middle of the 17th century a copy of the 1606 edition found its way to Rome where it was copied for Giovanni Giacomo de' Rossi by Girolamo Ferri and published in 1660. In this series the artists have depicted the ancient monuments of Rome Tivoli and Pozzuoli as they appeared in the late sixteenth- and early seventeenth-century: crowned with vegetation half-buried by the rising ground level and encroached upon by a host of post-Roman structures. The scenes are alive with Rome's inhabitants: herdsmen mule-drivers cattle sheep and every manner of citizen. The images in which the ruins are depicted in their un-restored state and within the context of their early modern environments serve as a record of the monuments as they appeared in this period and evoke the atmosphere of daily life in early modern Rome. Sadeler and The Bay of Naples: In addition to the views of Rome the Sadeler series also includes a number of plates of ruins and views of the Bay of Naples and its environs: the Gulf of Baiae Cuma Lago Averno the Campi Flegrei Capo Miseno and the Villa Agrippina at Oplontis and other places within the confines of Pozzuoli. Cicognara 3871; Hollstein. Dutch & Flemish XXI 151-201; Fowler 283 2nd ed.; Catalogue of the exhibition "Vestigi delle antichita . Momenti dell'elaborazione di un'immagine" edited by Anna Grelle Rome 1987 pages 123-144 and passim. Aegidius Sadeler, books
1925rif. 41057Rome NY: Rome Gas Electric Light & Power Company ca. 1925. 16mo 15.1 cm 6". 16 pp.; illus. Uncommon electric promotional booklet: "Electric service in the home has become an essential comfort of our modern life" p. 14 and this pamphlet encourages homeowners to get their houses wired for it arguing that installations are clean and quick and subsequent electric bills cheap. The text is illustrated with a cutaway diagram showing the process of wiring a three-story house with attic photographs of electricians on the job inside various homes exterior shots of older and newer buildings and an interior image of an "American workingman's home where . . . every possible economy is practiced." The colophon labels this "Electrical Progress Booklet No. 1" part of an advertising campaign noted at the time for its success. Publisher's printed paper wrappers stapled; small scuffs back wrapper with streak of staining pressure point from a front-wrapper scuff or prick unobtrusively carried throughout. => This ephemeral eye-opening item is now scarce. Rome Gas, Electric Light & Power Company unknown books
1725rif. 36632Romae: Typis Bernabò sumptibus Francisci Giannini bibliopolae 1725. 8vo 19 cm; 7.5". 18 ff. 464 pp. 12 last a blank ff. During the first year of Benedict XIII's pontificate 1725 as the bishop of Rome he hosted a concilium for the province of Rome. The assembled prelates met in the Lateran Basilica to review and revise the rules and laws regulating the clergy in and of the province producing revisions that were numerous and important. These were promulgated promptly and published in several editions in 1725. This is one of three editions we have identified as being printed in that year all from the press of the same printer. No priority has yet been established for their order of appearance. Contemporary vellum over light pasteboards with slightly raised bands; the vellum used here was recovered from earlier use in a binding or some document. Some foxing and other staining/soiling in text; in all a solid good to good-plus copy. Typis Bernabò, sumptibus Francisci Giannini bibliopolae hardcover books
