réf. 1647999723.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1023247429.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1019133848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3752379022.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3752324686.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 50272718like new. unknown
réf. 3387437781.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3387437773.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 356372654X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3563255520.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 3387076827.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1162716851.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1419193872.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 39491917 1st Edition G. P. Putnam's Sons; A Romance in the 12th Century. Lavendar embossed boards and text VG. hardcover
1910réf. 44643n.p.: n.p. 1910. Very good. Original draft entirely written out by hand of the sequel to the international sensation THE ROSARY. While Florence Barclay was working on this manuscript she was in the midst of a life-changing experience: her romance novel THE ROSARY had just become one of the biggest blockbuster novels of the Edwardian era. It was not only a runaway bestseller for years on end but also parodied by PUNCH made into at least five films and described by the Queen of England herself as her favorite book of the year. According to Rachel Anderson it was "said to have been read and wept over by every housemaid in the British Isles." THE MISTRESS OF SHENSTONE was something of its sequel featuring characters first introduced in THE ROSARY. THE MISTRESS OF SHENSTONE is an exquisite romance between a widow and the man who accidentally killed her husband: like THE ROSARY it combines a moving arc of emotional development with an alluring charisma between the main characters. When Barclay arrived in the United States for a book tour of SHENSTONE she was greeted as a celebrity much in the way that Charles Dickens had been on his first trip to the country. In addition to photographers and journalists she was met right off the boat by a crush of fans holding welcome banners. This experience was so unlike what was expected for English authors in the period that her daughter makes special remark upon it in her biography of the author: "To English readers it may seem a surprising outburst and very different to anything that can be imagined as taking place in England by way of reception accorded to a private individual" 220. In 1921 SHENSTONE also became the first of Barclay's books before THE ROSARY to be turned into a film. This manuscript offers a window into the writing process of a famous romance author at the height of her power. In addition to the entire base text in Barclay's hand essentially every page is revised in the same hand in some cases extensively. Common editorial markings include crossed out words and sentences some replaced with new text additions to punctuation and rearranged phrases. It is illuminating to compare the manuscript itself with the details of Barclay's writing as described in her daughter's book LIFE OF FLORENCE L. BARCLAY 1921. In seeking to champion her mother as an author for "ordinary readers" her daughter asserts that Barclay "had no eye to the literary connoisseur the seeker after mere artistic effect" 242. Yet many of the revisions made by Barclay in this draft suggest that she cared much more about the art of her work than the biography claims. Altered words often reflect the author's stylistic refinements seeking a more accurate or elevated word in place of the original e.g. "empty" changed to "desolate". Other changes show a focused eye for paring down. For instance "she poured out the doctor's tea" and "passed it across the folding tea table between them" has been changed simply to "handed it to him." These decisions reflect more than a desire to "supply them her readers with that they wanted" 242: they show an author spending hours refining her craft. A manuscript offering the opportunity to research further into the working process of a major popular romance writer - a topic that has thus far been rarely recorded or studied. 9'' x 6.75''. 386 individual lines sheets thread-bound by hand with pink ribbon filled out in pencil on rectos only. Text begins with Chapter I "On the terrace of Shenstone" and ends with the phrase sentence of the final chapter "Mrs. Jim Airth" in larger script an effect reproduced in the printed final. Editorial markings throughout. Housed in later waxed canvas wrapper with two printed labels "The Mistress of Shenstone" and one handwritten annotation "1st M S of Mistress of Shenstone." Provenance: by descent from author's family. n.p. unknown books
1912réf. 209725New York: Putnam 1912. Hardcover. Good. First edition. Good minus. Casecover spine faded torn at top and bottom shaken. Text yellowed good readable copy. Putnam hardcover books
1914réf. 601887New York: G.P. Putnam's Sons 1914. Hardcover. Fine/Very Good. First edition. Fine in about very good dustwrapper with moderate tears chips and creases. Hero returns to London after an absence of ten years is betrayed by his lost love tries to get her back. Very scarce in jacket. G.P. Putnam's Sons hardcover books
1910réf. 9032502New York: G.P. Putnam's Sons/Knickerbocker 1910. Hardcover. Very Good. Designed with decorations by Margaret Armstrong illustrated by Townsend. Bound in publisher's original green textured cloth with spine and cover stamped in beautiful illustrated gilt. Illustrated endpapers. Includes eight color plates and beautiful illustrated title page and text margins. Text block is fine. Book is gorgeous but has rubbing at corners head and heel through cloth. 5 3/4 x 8 1/2 inches. 340 pages. G.P. Putnam's Sons/Knickerbocker hardcover books
1911réf. 1125558276New York: G. P. Putnam's Sons 1911. Book. Illus. by Margaret Armstrong Binding designer F. H. Townsend Illustrator. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 10th printing.Original navy blue publisher's binding; bower of roses surrounding author/title all stamped in gold; binding signed MA Margaret Armstrong 4 ix 426 pages : color frontispiece 7 full color platesCloth binding design by Margaret Armstrong was also used for author's The rosary. Cf. Gullans & Espey CONDITION: very slight fade to spine ink sig. on front blank else a very bright tight clean example of an American Trade binding. G. P. Putnam's Sons Hardcover
PARIS, L'Edition Artistique - Sans date 1965 - Cahier de présentation de la Saison 1965-1966 - Présentation du Théatre & de la pièce - Enumération des acteurs avec leurs photographies NB pour certains PP : Jacques CHARON, Sophie DESMARETS, Jean POIRET, Jean CARMEZT, fraçoise CAILLAUD, Alain FRANCO, Florence CAMPELL, LEFEVRE-BEL, Mitreille GALOT - nombreuses publicités imagées de l'époque - 36 pages - Très propre
réf. 9786557122853BEST SELLER. new. O que te deixa arrepiada de prazer Com 25 contos er�ticos para estimular o pr�prio prazer Este livro vai te fazer sentir � um convite para o orgasmo a s�s ou acompanhada. A ideia de que s� homens gostam de sexo � bastante popular. Mas no � verdadeira. Escrito pela especialista em educao sexual relacionamentos e intimidade Florence Bark com Este livro vai te fazer sentir voc vai ter um mundo de satisfao literalmente ao alcance das suas mos! Com uma linguagem espontnea e divertida Bark compartilha contos er�ticos sobre todo tipo de fantasia. E a lista de safadezas no in�cio de cada conto torna mais f�cil escolher o que est� buscando. Essas hist�rias envolvem diferentes gostos e preferncias e contam com companhias variadas at� mesmo vampiros e fantasmas. H� tamb�m dicas para conhecer seus gostos e limites al�m de potencializar seus momentos de diverso. Com a combinao de contos er�ticos muito safados e dicas pr�ticas para uma vida sexual mais prazerosa voc vai encontrar maneiras para apimentar todas as experincias sexuais que desejar. Este livro vai te fazer sentir � uma leitura imprescind�vel para mulheres que buscam aumentar a pr�pria libido e descobrir a fonte infinita de prazer que � conhecer o pr�prio corpo. BEST SELLER unknown
réf. 16149Paris : Kirby-Beard & cie 1948. Small quarto original embossed wrappers with pictorial onlay in glassine jacket bound with staples and silk ties; pp 21 illustrated with colour plates depicting female models wearing fine dresses the illustrations also incorporating a selection of magnificent watches; a very good copy. A superbly produced promotional brochure for the Parisian firm Kirby-Beard horologists jewellers and goldsmiths showcasing designs of Omega watches and dress designs by Pierre Balmain Jacques Fath Lucien Lelong and Robert Piguet. unknown
réf. 1017788618.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 232239226X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 2322413194.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback