16 024 résultats
réf. 2332506918.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 000995Tours France: Terre Exotique. Couverture souple. Bon. Terre Exotique unknown
réf. 146673Used. For more details please contact me unknown
1972réf. Q-0819305510Parents' Magazine Press 1972-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Parents' Magazine Press hardcover
1870réf. List36105N.p. 1870. Carte After the original photograph by William Edward Kilburn 1818–1891 taken circa 1854 with later CDV issue probably circa 1870s. Albumen print mounted on card; sitter identified in print beneath image. Standard carte-de-visite format approximately 2½ x 4 inches. Excellent contrast with light surface wear. Seated three-quarter portrait of Nightingale in dark silk dress with white collar hands folded over a paper posed beside an upholstered Victorian chair. The image derives from a sitting arranged in London with William Edward Kilburn one of Britain’s early professional photographers and a former daguerreotypist who gained fame by exhibiting at the Great Exhibition of 1851. By the early 1850s Kilburn had established a reputation for photographing members of the aristocracy and prominent public figures. The Nightingale sitting happened shortly before her departure for the Crimea in October 1854 at a moment when her name was just entering the public press. The portrait predates her full transformation into the national icon later known as the “Lady with the Lamp.” Unlike later more romanticized images Kilburn’s photograph presents a composed unsentimental likeness more consistent with standard portraiture practices than her later photographs. Following Nightingale’s wartime service at Scutari 1854–1856 and the subsequent surge of public acclaim Kilburn’s image became the primary photographic source from which engravings lithographs and later carte-de-visite reproductions were made.1 1 Denis Pellerin “Florence Nightingale: The Mystery Behind Her Iconic Photographs” The Classic November 15 2020 https://theclassicphotomag.com/florence-nightingale-the-mysteries-behind-her-iconic-photographs/ accessed February 27 2026. unknown
1870réf. List36105N.p. 1870. Carte After the original photograph by William Edward Kilburn 1818–1891 taken circa 1854 with later CDV issue probably circa 1870s. Albumen print mounted on card; sitter identified in print beneath image. Standard carte-de-visite format approximately 2½ x 4 inches. Excellent contrast with light surface wear. Seated three-quarter portrait of Nightingale in dark silk dress with white collar hands folded over a paper posed beside an upholstered Victorian chair. The image derives from a sitting arranged in London with William Edward Kilburn one of Britain’s early professional photographers and a former daguerreotypist who gained fame by exhibiting at the Great Exhibition of 1851. By the early 1850s Kilburn had established a reputation for photographing members of the aristocracy and prominent public figures. The Nightingale sitting happened shortly before her departure for the Crimea in October 1854 at a moment when her name was just entering the public press. The portrait predates her full transformation into the national icon later known as the “Lady with the Lamp.” Unlike later more romanticized images Kilburn’s photograph presents a composed unsentimental likeness more consistent with standard portraiture practices than her later photographs. Following Nightingale’s wartime service at Scutari 1854–1856 and the subsequent surge of public acclaim Kilburn’s image became the primary photographic source from which engravings lithographs and later carte-de-visite reproductions were made.1 1 Denis Pellerin “Florence Nightingale: The Mystery Behind Her Iconic Photographs” The Classic November 15 2020 https://theclassicphotomag.com/florence-nightingale-the-mysteries-behind-her-iconic-photographs/ accessed February 27 2026. unknown books
réf. ANAIS-1559050756Marshall Cavendish Corp. hardcover. Good. 0x0x0. Buy with confidence. Excellent Customer Service & Return policy. Marshall Cavendish Corp hardcover
réf. 1559050756.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1952réf. 600970Cambridge: The Riverside Press 1952. Hardcover. Near Fine/Near Fine. First edition. Illustrated by Harve Stein. Octavo. 176pp. Ex-library copy with shelf number on spine faint evidence of pocket removal else very good lacking the dust jacket. The Riverside Press hardcover books
réf. p10051bPHOTOS SUR DEMANDE
1976réf. 144970Temps mélés Verviers, Temps mélés, 1976. In-8 carré broché (agrafé) non paginé. Tirage limité à 50 exemplaires, celui-ci portant le n° 50. Bon état
1976réf. 89361976. Verviers Éditions Temps mêlés 1976 - Agrafé 20 cm x 20 cm 20 pages - Texte de Nicolas Florence - Bon état
réf. 8881580322.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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