15 570 résultats
1976réf. 198655New York: Thomas E. Crowell 1976. First edition and first printing. Hardcover. 302 pages. Features text by Florence Curtis Graybill and Victor Boesen. A collection of sepia toned images of Native Americans by Edward Sheriff Curtis. A tight very good copy in brown cloth boards with some foxing to the page edges and in a very good plus dust jacket with some edge tears and associated creases. A solid copy of this terrific book. Thomas E. Crowell unknown books
1994réf. 7613new oversize hc expedited and international shipping not available--CURTIS Galahad hardcover
réf. 0883940892New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
2004réf. 142510070001Galahad 2004. Hardcover. Good. 10x1x13. Hardcover with dust jacket. Dust jacket and cover show edge wear. Pages are clean and unmarked. Binding is tight hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day! Galahad hardcover
2004réf. Q-0883940892Galahad 2004-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Galahad hardcover
réf. 10436Paris, Editions Alpina, 1937 17 x 25, 159 pp., aquarelles, reliure dos/coins cuir, couverture conservée, bon état
réf. 54719Gap, Editions "Alpes et Midei", Louis Jean, 1933, in 12 broché, 177 pages ; planches hors-texte ; quelques rousseurs.
réf. Z1-A-014-02492Academic Press. Used - Acceptable. Used - Acceptable. Barcode cut out. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. Academic Press unknown
réf. 0121447308.Gspiral_bound. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1910réf. ST17129-032London: Published for the Florence Press by Chatto & Windus 1910. ONE OF 250 COPIES ON PAPER 12 additional copies were printed on vellum. 250 x 185 mm. 9 7/8 x 7 1/4". 5 p.l. 120 pp. 1 leaf. ANIIMATED DARK GREEN INLAID CRUSHED MOROCCO ELABORATELY GILT BY SANGORSKI & SUTCLIFFE signed on front turn-in covers with inlaid border of russet ribbon laced at each corner through a blue heart from which is suspended a pair of bells in inlaid brown morocco an inner border of red inlaid hearts alternating with small gilt floral tools front cover with centerpiece medallion of five inlaid flowers in green white and yellow on a densely stippled ground within a red inlaid circle with a gilt collar of oak leaves and acorns rear board with centerpiece inlay in brown and pink of Pan pipes suspended on a ribbon the whole enclosed in a gilt garland; raised bands spine gilt in compartments featuring floral cornerpieces and knotwork centerpiece with red heart and dot inlays very ornate gilt inner dentelles silk pastedowns and endpapers all edges gilt. In a slightly marked quarter morocco fleece-lined clamshell box with gilt titling on spine. 12 fine color plates by Norman Wilkinson. With the binders' typed description of the binding on Sangorski & Sutcliffe letterhead laid in at front. ◆Tips of joints and corners almost imperceptibly rubbed one leaf with small faint stain a few minute marginal adhesions otherwise INTERNALLY AND EXTERNALLY IN VIRTUALLY PERFECT CONDITION. This is a finely bound and finely printed edition of a group of essays short stories and autobiographical and travel sketches originally published in various periodicals and first printed as a collection in 1881. Founded in 1908 by the London publishers Chatto & Windus and operated by Philip Lee Warner the Florence Press had as its expressed intention the production of "beautiful books in the choicest types . . . in larger editions and at lower cost than was usual with such monuments of typography as the issues of the Kelmscott and other presses." Florence books are readily distinguishable by their special type designed by Herbert P. Horne after 15th century Italian faces that are elegant simple and easily readable. Binders Francis Sangorski and George Sutcliffe met as boys attending Douglas Cockerell's bookbinding classes at the L. C. C. Central School. Cockerell was so impressed by their skill that he hired Sutcliffe as a finisher and Sangorski as a forwarder. In 1901 Francis and George went into business for themselves and before long they had become two of the most renowned English binders of the 20th century. We can date the time of our binding to the decade of the 1910s because there is a letter from the binders laid in with an explanation of the decoration on stationery with the printed date "191__." The letter indicates that "250 different pieces of various colored leathers are used as inlays" many to suggest the contents of the essays: "the wedding bells and heart border are suggestive of the first essay 'Virginibus Puerisque.' The front centerpiece composed of spring flowers surrounded by a wreath of oak suggests 'Crabbed Age and Youth' and the back centerpiece suggests 'Pan's Pipes.'" In terms of its design quality of execution and condition the binding is simply beautiful. Published for the Florence Press by Chatto & Windus unknown books
1910réf. ST17129-032London: Published for the Florence Press by Chatto & Windus 1910. ONE OF 250 COPIES ON PAPER 12 additional copies were printed on vellum. 250 x 185 mm. 9 7/8 x 7 1/4". 5 p.l. 120 pp. 1 leaf. ANIIMATED DARK GREEN INLAID CRUSHED MOROCCO ELABORATELY GILT BY SANGORSKI & SUTCLIFFE signed on front turn-in covers with inlaid border of russet ribbon laced at each corner through a blue heart from which is suspended a pair of bells in inlaid brown morocco an inner border of red inlaid hearts alternating with small gilt floral tools front cover with centerpiece medallion of five inlaid flowers in green white and yellow on a densely stippled ground within a red inlaid circle with a gilt collar of oak leaves and acorns rear board with centerpiece inlay in brown and pink of Pan pipes suspended on a ribbon the whole enclosed in a gilt garland; raised bands spine gilt in compartments featuring floral cornerpieces and knotwork centerpiece with red heart and dot inlays very ornate gilt inner dentelles silk pastedowns and endpapers all edges gilt. In a slightly marked quarter morocco fleece-lined clamshell box with gilt titling on spine. 12 fine color plates by Norman Wilkinson. With the binders' typed description of the binding on Sangorski & Sutcliffe letterhead laid in at front. ◆Tips of joints and corners almost imperceptibly rubbed one leaf with small faint stain a few minute marginal adhesions otherwise INTERNALLY AND EXTERNALLY IN VIRTUALLY PERFECT CONDITION. This is a finely bound and finely printed edition of a group of essays short stories and autobiographical and travel sketches originally published in various periodicals and first printed as a collection in 1881. Founded in 1908 by the London publishers Chatto & Windus and operated by Philip Lee Warner the Florence Press had as its expressed intention the production of "beautiful books in the choicest types . . . in larger editions and at lower cost than was usual with such monuments of typography as the issues of the Kelmscott and other presses." Florence books are readily distinguishable by their special type designed by Herbert P. Horne after 15th century Italian faces that are elegant simple and easily readable. Binders Francis Sangorski and George Sutcliffe met as boys attending Douglas Cockerell's bookbinding classes at the L. C. C. Central School. Cockerell was so impressed by their skill that he hired Sutcliffe as a finisher and Sangorski as a forwarder. In 1901 Francis and George went into business for themselves and before long they had become two of the most renowned English binders of the 20th century. We can date the time of our binding to the decade of the 1910s because there is a letter from the binders laid in with an explanation of the decoration on stationery with the printed date "191__." The letter indicates that "250 different pieces of various colored leathers are used as inlays" many to suggest the contents of the essays: "the wedding bells and heart border are suggestive of the first essay 'Virginibus Puerisque.' The front centerpiece composed of spring flowers surrounded by a wreath of oak suggests 'Crabbed Age and Youth' and the back centerpiece suggests 'Pan's Pipes.'" In terms of its design quality of execution and condition the binding is simply beautiful. Published for the Florence Press by Chatto & Windus unknown
1910réf. 420London: Chatto & Windus for the Florence Press 1910. Limited Edition. Fine. Norman Wilkinson. 4to 10 x 7 1/2 in. 253 x 189 mm; 6 leaves including 1 blank 120 pp 2 leaves including 1 blank. 12 chromolithographed plates by Norman Wilkinson printed on plate paper and not included in the pagination legends on tissue guards printed in red. This is COPY no. 4 OF 12 COPIES PRINTED ON VELLUM as noted on the limitation page on verso of second leaf: «Of this edition of Virginibus Puerisque / have been printed on Aldwych hand- / made paper 250 copies of which 235 are / for sale; on vellum 12 copies of which 10 / are for sale. / Vellum Copy No. 4». Limp vellum binding with four green ties; gilt lettering on spine and upper cover t.e.g. Very faint spotting to front free endpaper slight offsetting of ties. Otherwise a pristine copy. Provenance: William Russell Flint from the family by descent. Beinecke Stevenson 79; Ransom 278:6; Tomkinson 85:6; Prideaux 13. A splendid edition of Stevenson's first collection of essays which promote a spirit of playfulness in defiance of both the hardships of human life and the restrictions imposed by bourgeois callowness. The volume brought together essays that had been previously published in the Cornhill Magazine and Macmillan's: "Virginibus Puerisque i" 1876; " ii" 1881; "iii: On Falling in Love" 1877; "iv: The Truth of Intercourse" 1879; "Crabbed Age and Youth" 1878; "An Apology for Idlers" 1877; "Ordered South" 1874; "Aes Triplex" 1878; "El Dorado" 1878; "The English Admirals" 1878; "Some Portraits by Raeburn" previously unpublished; "Child's Play" 1878; "Walking Tours" 1876; "Pan's Pipes" 1878; "A Plea for Gas Lamps" 1878 The essays inspired Norman WILKINSON 1878 - 1971 to create the 12 striking and lyrical images that accompany the texts. Wilkinson was a British artist renowned for his poster work and honored by the British Admiralty for coming up with the idea and design for "dazzle camouflage" to protect Royal Navy ships from attacks by German submarines. Founded in 1908 by the London publishers Chatto & Windus and operated by Philip Lee Warner THE FLORENCE PRESS had as its mission to produce "beautiful books in the choicest types" but in somewhat larger and less costly editions than Kelmscott and the other more celebrated English fine presses. Florence books are readily distinguishable by their special type designed by Herbert P. Horne after 15th century Italian faces that are elegant simple and easily readable. Tomkinson p. 84 This volume comes from the collection of Sir William Russell Flint 1880 - 1969 a Scottish artist illustrator and author who was linked to the Pre-Raphaelites and art nouveau designers. He enjoyed much commercial success during his career was on staff for years at 'The Illustrated London News' was commissioned to illustrate many books and the librettos of several Gilbert and Sullivan librettos. He served as president of both The Royal Society of Painters Etchers and Engravers and the Royal Watercolour Society and was knighted in 1946. Chatto & Windus for the Florence Press unknown
1981réf. RO40061625LES EDITIONS MONDIALES / COLLECTION DELPHINE N°463. 1981. In-12. Broché. Etat d'usage, Couv. légèrement passée, Coiffe en pied abîmée, Quelques rousseurs. Environ 220 pages. Dos fané. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
2005réf. Q-0387231994Springer 2005-07-22. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Springer hardcover
2005réf. DADAX0387231994Springer 2005-01-01. 2005. hardcover. New. 6.14x0.81x9.21. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
1995réf. x-0275948730Praeger Pub Text 1995. Hardcover. New. 248 pages. 9.75x6.50x1.00 inches. Praeger Pub Text hardcover
2007réf. DADAX1573316679Wiley-Interscience 2007-01-05. 1. paperback. New. 6.02x0.70x9.00. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience paperback
2007réf. SONG1573316679Wiley-Interscience 2007-01-05. 1. paperback. Used: Good. 6.02x0.70x9.00. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Interscience paperback
2006réf. 018866Malden Massachusetts: Blackwell Publishing 2006. Paperback. As New. As new unmarked throughout. Contents: Concepyualizing Violence and Exploitation against Females - Violence against Girls Adolescrents and Young Women - Violence against Women - Cultural and International Perspectives on Violence against Women. 391 pages. Blackwell Publishing paperback
réf. A9781573316675Paperback / softback. New. Drawing upon the expertise of a cadre of scholars and practitioners this book has four parts: 1 conceptualizing violence and exploitation against females 2 violence against girls and female adolescents 3 violence against women and 4 cultural and international perspectives on violence against women. paperback
réf. 17-2561San Francisco: Robert Koch Gallery 1986. Large format color print poster 22” x 28”. Very Good. Minor signs of handling. Extremely Scarce. San Francisco: Robert Koch Gallery, 1986. unknown
1940réf. 6028241940. "Florence Bates" in blue fountain pen ink on 1/2 length portrait with her hair up in curls and wearing three strands of pearls. Note the lorgnette type glasses Bates is holding. Photograph is on single weight stock; 7 1/2" x 9 1/2". Very good ca. 1940. Signed and inscribed: "To Martha with love Florence Bates." Provenance: from the collection of Hollywood hairdresser Martha Acker. No Binding. Very Good. unknown books
réf. 608411not signed on 3/4 length sexy pose wearing low cut snugly fitting black and gold lame gown. Wow! Photograph is on single stock; 8" x 10"; very good; 1938. Information printed on lower margin reads: "Florence George in Paramount Pictures 1938.". No Binding. Very Good. unknown books
réf. 602444on the original printed photographer's mount by Parker 740 Fifth Ave. San Diego. Three story wooden structure occupied the entire block bounded by Third Fourth Fir and Grape streets. 8 1/2" x 6 1/2"; very good; ca. 1880. A contemporary note on verso records a visit in 1886. F. Hardcover. hardcover books
réf. 607922not signed on a full length candid shot of Fredric March and his wife Florence Eldridge leaving the studio during the filming of the 1948 film "Another Part of the Forest." Photograph is on single stock; 8" x 10"; very good minor signs of handling; 1948. Information slip reads: "Universal-International Universal City California FREDRIC MARCH WANTS AND WIFE TEAMED IN 'ANOTHER PART OF THE FOREST' - Fredric March winner of last year's acting 'Oscar' for his performance in 'The Best Years of Our Lives' has returned to Hollywood with his wife Florence Eldridge for two Universal-International films. March's first film since 'Best Years' is the role of Marcus Hubbard in the screen adaptation of Lillian Hellman's 'Another Part of the Forest.' Miss Eldridge is cast in the film as his wife Lavinia. Their second for U-I also as screen man and wife is 'The Judge's Wife.'". No Binding. Very Good. unknown books
