1 927 résultats
1987réf. 214982New York: Sperone Westwater 1987. First edition. Softcover. 15 pages. Exhibition catalog for a show that ran September 18 through October 13 1987. Features a foreword by Angela Westwter and text by Anne Rorimer. Includes 9 color illustrations. A clean near fine copy in stapled wrappers. Sperone Westwater unknown books
2022réf. 183708New York: Miles McEnery Gallery 2022. First edition. Hardcover. 398 pages. Exhibition catalog for a show that ran September 10 through October 10 2015. Features an essay by Charles Palermo. Includes numerous color illustrations list of previous exhibitions and selected collections. A fine copy in illustrated boards with laid in reception card. No dust jacket as issued. Miles McEnery Gallery unknown books
1995réf. 164960Cologne Koln: Oktagon Verlag 1995. Hardcover. First German Edition. Text in German and English. Catalogue raisonné complete in two volumes. Published in conjunction with a show held at the Kunstmuseum Bonn from November 4 1994 through January 1 1995. Both volumes about Very Good plus in Very Good plus clear acetate dust jackets. Jackets lightly toned along the spine. Both volumes housed in publisher's cardboard slipcase. Oversize volume shipping billed at cost. Oktagon Verlag unknown books
1972réf. 604072Buenos Aires: Fernando García Cambeiro 1972. Softcover. Very Good. First edition. Text in Spanish. 183pp. Pictorial wrappers. Bookseller ticket on half-title moderate rubbing and edgewear very good. Fernando García Cambeiro unknown books
réf. 57307Second half of the 18th C. 12-1/2 x 17 inches. Bordered in green paper. Edges rubbed with a few small tears not affecting images some browning along edges else Very Good. 12-1/2 x 17 inches. unknown books
1994réf. 8142Hillsdale: Lawrence Erlbaum Associates 1994. First Edition. Hardcover. Good . First Edition. Hardcover. 9 1/4" X 6 1/4". xiii 307pp. Very mild shelf wear to covers corners and edges of glossy paper over boards. A spot of toning to edge of text block. Occasional inked underlining and notation to pages mostly to first half of book. Binding is sound. ABOUT THIS BOOK: Throughout its evolution Piaget's theory has placed meaning at the center of all attempts to understand the nature and development of knowing. For Piaget all knowing - whether sensorimotor representational or reasoned and whether directed toward successful problem solutions or toward general understanding - is necessarily a construction which arises out of meaning making activity. It was in this context that the editors of this volume approached the board of directors of the Jean Piaget Society with a proposal to organize a recent annual symposium around the topic of the nature and development of meaning. In forming this symposium and in moving from symposium to integrated text the editors wanted to insure both a breadth and depth to the analysis of the topic. Addressing philosophical theoretical and empirical perspectives this issue-oriented volume provides an integrated exploration of the current understanding of the nature and development of meaning. Contemporary issues that frame alternative understandings of the nature of meaning - nativist vs. constructivist positions and computational vs. embodied mind contexts - are examined as they impact on the investigation of meaning. Comparative cognitive and linguistic developmental dimensions of meaning are described and discussed.Publisher. Lawrence Erlbaum Associates hardcover books
1978réf. 3160Palermo: Centro di studi filologici e linguistici siciliani 1978. First Edition. Fine. Large 8vo. 263 4 pp. Original wrappers edges almost entirely uncut. Illustrated with 18 full-page photographic plates of high quality. NOT ex-library! Scarce catalogue of fifteenth century books in the Municipal Library of Palermo a formidable collection of 1038 incunables plus three in the Appendix for which see below. Ours appears to be the only copy currently on the market. Admirably compiled by Giuseppina Li Calsi 1917-2001 the work contains 18 useful images of genuinely rare incunables; in other words this is a catalogue for serious scholars. The collection contains at least three "unica": 1. Andreas de Escobar "Modus confitendi" Rome: Printer of 'Mercuriales Quaestiones' Theobaldus Schencbecher about 1473 -- Li Calsi's Appendice I & Tav. VIa-b; 2. Indulgentiae ecclesiarum principalium urbis Romae Rome: Printer of 'Mercuriales Quaestiones' Theobaldus Schencbecher about 1473 -- Li Calsi's Appendice II; 3. Virgil Opera Milan: Antonius Zarotus for Johannes de Legnano 25 Feb. 1485 -- Li Calsi's no. 1015 & Tav. Va-b. This work appeared as Volume 4 Supplement of the Bollettino of the Centro di studi filologici e linguistici siciliani. It is not to be confused with her colleague Anna Maria Dotto's "Catalogo degli incunabuli della Biblioteca nazionale di Palermo" 1971. ¶ From the famed Bibliotheca Bibliographica Breslaueriana sale at Christies NY 2005 lot 1255. Centro di studi filologici e linguistici siciliani unknown books
2008réf. 202749University Park PA: Pennsylvania State University Press 2008. Softcover. VG: Exlibrary book. Stamp on the top text block. Stamp on the front free end page. Stamp sticker and due date card on the back pasted end page. Sticker at the base of the spine. Glossy white softcover book with the title printed in blue and in red down the spine. Pages: 10 ix-xvii 1 1-269. Profusely illustrated with a mix of black-and-white and color images. "Fixed Ecstasy advances a fundamentally new understanding of Miró's enterprise in the 1920s and of the most important works of his career. Without a doubt Joan Miró 1893-1983 is one of the leading artists of the early twentieth century to be ranked alongside such artists as Picasso Matisse Mondrian and Pollock in his contributions to modernist painting. Still Miró's work has eluded easy classification. He is best known as a Surrealist but as Charles Palermo demonstrates Miró's early years in Barcelona and Paris require a revisionist account of Miró's development and his place in modernism. Palermo's arguments are based on new research into Miró's relations with the rue Blomet group of writers and artists as well as on close readings of the techniques and formal structures of Miró's early drawings and paintings. Chapter by chapter Palermo unfolds a narrative that makes a cogent argument for freeing Miró from long-standing dependence on Surrealism with its strong emphasis on dreams and the unconscious. Miró along with associates such as Georges Bataille Carl Einstein and Michel Leiris pressed representation to its limit at the verge of an ecstatic identification with the world." Contents are as follows: Introduction: silence in painting -- Calligraphy: vine and sundial -- Extension: toys and rainbows -- Stroke: medium and compass -- Entering painting's thickness: translucence and turning -- Suicide: Leiris and Siriel -- Conclusion: Miró in silence. Pennsylvania State University Press paperback books
2022réf. 197378New York: Miles McEnery Gallery 2022. Hardcover. VG light bump to spine tail. light wear to board edges & corners. pictorial boards w/ white printing. 39 pgs w/ color plates. Vibrant color plates throughout. Miles McEnery Gallery hardcover books
1984réf. 178251New York: Sperone Westwater 1984. Hardcover. VG- fading to boards light shelfwear to boards text and illustrations are clean. Tan boards with red lettering gray cloth spine and corners 55 pp profusely illustrated in bw and color. Text in Italian and French. Catalog includes prose writings of the artists translated by Suzanne Palermo. Sperone Westwater hardcover books
2007réf. 141314New York: Rain Mountain Press 2007. Softcover. VG. Tan & color illus. wraps 64 pp. no illus. "A stunning story half historical fiction half fever dream in which the noted naturalist Maria Sibylla Merian 1647-1717 travels from Holland to Surinam in South America." back cover. Rain Mountain Press paperback books
2016réf. 584286Athens Ohio: Swallow Press 2016. Hardcover. Near Fine. First edition. 354pp. Illustrated with photographic plates. Illustrated boards. Front board with a few light drip marks top corners slightly bumped near fine lacking a dust jacket if issued. Laid in are three holograph note cards of Susan Brynteson probably the foremost private collector of Dawn Powell books and related material and who is mentioned in the book. Swallow Press hardcover books
1869réf. 75821Firenze: Biblioteca Palatina 1869. modern cloth binding leather spine labels uncut edges. 4to. modern cloth binding leather spine labels uncut edges. xx 7411; xii 904 with four pages of plates and facsimiles; xxiv 716 2 42 pages. 3 volumes. First edition. An annotated catalogue of the manuscripts included in the Biblioteca Palatina in Florence the catalogue includes excerpts and entries on works of philosophy religion and literature from the collection of manuscripts assembled by Ferdinand III of Lorrain. In 1861 the Biblioteca Palatina was merged with the Biblioteca Nazionale Centrale di Firenze where the Palatino collection is now housed and which is one of the libraries most important antiquarian collections. Of special note is the section on Dante Alighieri which begins with an engraving of the author. Light foxing throughout. Bookplate on front pastedown indicates that this book came from the reference library and stock of H. P. Kraus. A commemorative booklabel which indicates that this set came from the reference library of H.P. Kraus and purchased by Oak Knoll Books at the auction sale is loosely inserted. Biblioteca Palatina unknown books
réf. 8959Black & white photographic illus. on recto details to verso. Photographic postcard mailed. Bremerhaven: Kunstverein Bremerhaven 1980. Postcard invitation to a posthumous exhibition of Palermo’s prints and multiples at the Kunstverein Bremerhaven. The recto photograph depicts the artist in Jürgen Wesseler's Kabinett für aktuelle Kunst for his 1972 exhibition Wandmalerei. In fine condition. Mailed to graphic designer Wim Crouwel's Total-Designe. ⧠Not in Blinky Palermo Drucksachen 2018. unknown books
réf. 109959 color illus. 15 pp. 4to printed wrappers staple-bound. New York: Sperone Westwater 1987. Scarce Palermo 1943-77 exhibition catalogue essay by art historian Anne Rorimer. In excellent condition with a pictorial postcard with a portrait of the artist laid-in. unknown books
réf. 10759Black & white illus. to recto details on verso. Pictorial postcard. Düsseldorf: Konrad Fischer 1970. Postcard invitation to Palermo’s second exhibition with Fischer the artist showed a single painting: Treppenhaus 1970. This work depicted on the postcard’s recto is now part of the Tate collection purchased in 2012. Anne Rorimer writes about this 1970 exhibition: “Palermo painted a form which was produced by the projection of a stairway profile. The surface of the wall on one side of the gallery became the background for what is experienced as an independent abstract shape but one derived from the form of an actual staircase."–Blinky Palermo Sperone Westwater: 1987 p. 10. In excellent condition. ⧠D. Fischer ed. Ausstellungen bei Konrad Fischer: Düsseldorf Oktober 1967-Oktober 1992 Edition Marzona: 1993 32. unknown books
réf. 10919Printed on both sides. Card mailed. Tokyo: Kanransha 1992. Announcement card for Palermo’s 1992 exhibition in Tokyo mailed to museum director Rudi Fuchs. Fine. ⧠Not in Blinky Palermo: Drucksachen 2018. unknown books
réf. 10925Black & white screen-printed illus. to recto details on verso. Illustrated card. Cologne: Galerie Rudolf Zwirner 1970. Exhibition announcement for Palermo’s 1970 solo show at Zwirner’s gallery with a work reproduced on the recto. Brief biography list of solo and group exhibitions to verso. Near fine. ⧠R. Zwirner Give Me the Now 2021 p. 289. Blinky Palermo: Drucksachen 2018. unknown books
réf. 10760Printed on one side. Postcard. Cologne: Heiner Friedrich 1976. Postcard invitation to Palermo’s solo show with Friedrich the year before the artist’s death. In fine condition. ⧠Not in Blinky Palermo: Drucksachen 2018. unknown books
réf. 10755Five full-page color illus. 30 pp. Oblong 4to printed softcover. N.p.: 1975. Scarce Palermo 1943-77 exhibition catalogue published for his presentation at the 13th Sao Paulo Biennial representing West Germany. The artist displayed what would be his final body of work the Metallbilder Metal Pictures which are documented with full-page illustrations herein. Texts by curator Evelyn Weiss and Ralph Tremmel a check-list of paintings exhibited and a useful exhibition history for the artist. The layout is attributed to Palermo. A near fine copy. WorldCat records only three examples in North America as of January 2025. unknown books
1972réf. 105851972. Black & white photographic illus. to recto details on verso. Large photographic postcard. Munich: Galerie Heiner Friedrich 1972. Postcard invitation to Palermo’s 1972-3 exhibition with Friedrich who had given the artist his debut solo show in 1966. An installation photograph of Palermo’s work is on the recto. In fine condition. unknown books
réf. 8767Illus. throughout a few in color. 75 pp. Small 4to blue printed wrappers one corner creased. Leverkusen: Städtisches Museum Leverkusen 1975. Scarce Blinky Palermo 1943-77 exhibition catalogue with many reproductions of his prints. Essay by Walter Ehrmann. Near fine copy. ⧠Blinky Palermo Drucksachen 2018. unknown books
1803réf. 33503London, R. Bowyer, 1803. 23 x 31 cm Bildgröße. [4 Warenabbildungen]
1803réf. 33500London, R. Bowyer, 1803. 23 x 32 cm Bildgröße. [4 Warenabbildungen]
2002réf. 46296München : List, c 2002. 479 S. : Kt. im hinteren Spiegel. 8°. 4. Aufl., 3. Aufl. dieser Ausg. Bibl.- Einbd. mit Lesebändchen.
