13.581 resultados
1990ref. ZB393214North Holland Publishing Company 1990-1997. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item Volumes 24-41; mostly in original paper wrappers price is for the lot. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. North Holland Publishing Company unknown
1972ref. ZB393213North Holland Publishing Company 1972-1987. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item Volumes 6-20; partly bound price is for the lot. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. North Holland Publishing Company unknown
1984ref. ZB394071North Holland 1984/1985-1992. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item volumes 1-8 1984/1985-1992an uninterrupted run of complete volumes partly bound library markings textually clean & tight PRICE IS FOR THE LOT. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. North Holland unknown
1979ref. ZB393813North Holland 1979-2001. Price HAS BEEN REDUCED by 10% until Monday Oct. 26 weekend SALE item volumes 2-73; lacks volumes 18; 24. 1979-2001. partly bound library markings textually clean & tight price is for the set. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. North Holland unknown
1940ref. 9047Los Angeles California 1940. Good . 19 works of mostly pencil and crayon one is watercolor on either art paper or artist's board measuring approximately 20" x 13". Generally good plus to very good with varying degrees of wear; occasional chipping or dust soiling. This is a collection of spectacular fashion drawings created by a young African American woman in Southern California possibly while working for the WPA. Nicola Jeanette Holland Fowles was born March 5 1910 in Kansas City Missouri to John and Essie Holland. By 1920 the Hollands had moved to Los Angeles and Nicola attended and graduated from Jefferson High School in 1927. Nicola attended Pasadena City College taking art classes aspiring to be a costume designer. She enrolled in Lipson's School of Costume Design by 1935. Throughout the mid 1930's she held various costume design and dressmaking positions working for the Los Angeles Board of Education in the Visual Education Section of Works Progress Administration. She later held the titles 'Jr. Clerk' 'Jr. Artist' and later 'Department Head Ladies Alterations' at Eastern Columbia Department Store by 1940. We are not sure when or for whom these pieces were created one is dated 1936 but several of the designs remind us of the WPA's Costumes of the World series. "The Cocktail Hour" is an art deco design and features a tall slender African American woman holding a cigarette as well as her cigarette case. "Fur Cape and Matching Hat" shows a woman in a fur coat and fur hat wearing gloves and a green dress. Another shows a woman in a red dress with a blue and purple cape along with headwear reminiscent of Greek or Roman fashion; at least two other designs reflect ancient fashions as well. There's a woman in an Elizabethan gown another in regal medieval dress wearing a crown one shows a woman in 18th century French dress and a fourth is clearly Egyptian. Two "Dance Frock" and "Brocade" have prices of $15 and $20 respectively written in Nicola's hand on the verso leading to the inference that she exhibited and tried to sell some of these drawings. A few may also have been intended for publication as some have specific color codes detailed on versos. Nicola went on to various interesting jobs throughout the rest of her career and we'll be happy to furnish what we know to whomever acquires this collection. Unique and compelling original fashion designs from a Black female artist. unknown
1940ref. 9047Los Angeles California 1940. Good . 19 works of mostly pencil and crayon one is watercolor on either art paper or artist's board measuring approximately 20" x 13". Generally good plus to very good with varying degrees of wear; occasional chipping or dust soiling. This is a collection of spectacular fashion drawings created by a young African American woman in Southern California possibly while working for the WPA. Nicola Jeanette Holland Fowles was born March 5 1910 in Kansas City Missouri to John and Essie Holland. By 1920 the Hollands had moved to Los Angeles and Nicola attended and graduated from Jefferson High School in 1927. Nicola attended Pasadena City College taking art classes aspiring to be a costume designer. She enrolled in Lipson's School of Costume Design by 1935. Throughout the mid 1930's she held various costume design and dressmaking positions working for the Los Angeles Board of Education in the Visual Education Section of Works Progress Administration. She later held the titles 'Jr. Clerk' 'Jr. Artist' and later 'Department Head Ladies Alterations' at Eastern Columbia Department Store by 1940. We are not sure when or for whom these pieces were created one is dated 1936 but several of the designs remind us of the WPA's Costumes of the World series. "The Cocktail Hour" is an art deco design and features a tall slender African American woman holding a cigarette as well as her cigarette case. "Fur Cape and Matching Hat" shows a woman in a fur coat and fur hat wearing gloves and a green dress. Another shows a woman in a red dress with a blue and purple cape along with headwear reminiscent of Greek or Roman fashion; at least two other designs reflect ancient fashions as well. There's a woman in an Elizabethan gown another in regal medieval dress wearing a crown one shows a woman in 18th century French dress and a fourth is clearly Egyptian. Two "Dance Frock" and "Brocade" have prices of $15 and $20 respectively written in Nicola's hand on the verso leading to the inference that she exhibited and tried to sell some of these drawings. A few may also have been intended for publication as some have specific color codes detailed on versos. Nicola went on to various interesting jobs throughout the rest of her career and we'll be happy to furnish what we know to whomever acquires this collection. Unique and compelling original fashion designs from a Black female artist. unknown books
1897ref. 7071Boston: Copeland & Day 1897. First Edition. First Edition. Original salmon-colored embossed cloth. Exceptional association platinum print by F. Holland Day affixed on the verso of the half-title of Gelett Burgess drawing a GOOP character which he invented signed by Burgess and additionally by Frank S. Birchall Dayís principal photographic printer. Small format 3 3/4 ◊ 5 1/2 inches but of remarkable importance: Dayís original platinum prints are among the rarest survivals in American pictorialist photography many having been destroyed in the catastrophic 1904 fire at his Norwood studio which obliterated a substantial portion of his negatives and prints. Surviving prints are consequently scarce and disproportionately represented in institutional collections notably the Library of Congress and the Royal Photographic Society. This example is further elevated by its literary and social context. Burgessópublisher wit and central figure in Bostonís avant-garde circle surrounding Copeland & Dayóreportedly issued a small number of privately distributed photographs of himself by Day signed and given out in conjunction with promotional or semi-private gatherings tied to his publications. While documentation is fragmentary references to such bespoke photographic insertions align with Dayís known practice of producing intimate limited presentation prints for his circle. As well Day's own copy of "Vivette" with the same print affixed on verso of half-title appears in the collection of a notable F. Holland Day collector. Birchallís signature is of particular significance: as Dayís master printer he was responsible for executing the technically demanding platinum prints that define Dayís tonal subtlety and surface refinement. Signed examples by both sitter and printer are exceedingly uncommon. Near fine. Copeland & Day unknown
1897ref. 7071Boston: Copeland & Day 1897. First Edition. First Edition. Original salmon-colored embossed cloth. Exceptional association platinum print by F. Holland Day affixed on the verso of the half-title of Gelett Burgess drawing a GOOP character which he invented signed by Burgess and additionally by Frank S. Birchall Dayís principal photographic printer. Small format 3 3/4 ◊ 5 1/2 inches but of remarkable importance: Dayís original platinum prints are among the rarest survivals in American pictorialist photography many having been destroyed in the catastrophic 1904 fire at his Norwood studio which obliterated a substantial portion of his negatives and prints. Surviving prints are consequently scarce and disproportionately represented in institutional collections notably the Library of Congress and the Royal Photographic Society. This example is further elevated by its literary and social context. Burgessópublisher wit and central figure in Bostonís avant-garde circle surrounding Copeland & Dayóreportedly issued a small number of privately distributed photographs of himself by Day signed and given out in conjunction with promotional or semi-private gatherings tied to his publications. While documentation is fragmentary references to such bespoke photographic insertions align with Dayís known practice of producing intimate limited presentation prints for his circle. As well Day's own copy of "Vivette" with the same print affixed on verso of half-title appears in the collection of a notable F. Holland Day collector. Birchallís signature is of particular significance: as Dayís master printer he was responsible for executing the technically demanding platinum prints that define Dayís tonal subtlety and surface refinement. Signed examples by both sitter and printer are exceedingly uncommon. Near fine. Copeland & Day unknown books
1790ref. 11074Paris, Dezauche, 1790. 4 cartes géographiques horizontales, réhaussées en couleurs, de 157 x 60 cm., entoilées sur un beau tissu saumon, au format plié de 13 x 22 cm., chacune avec l'étiquette de Goujon (marchand de géographie ancienne et moderne) contrecollée, languette de vélin portant le nom des cartes. Emboîtage en bois imitant la forme de 2 livres in-4, demi-veau blond, dos lisses ornés de décors dorés, étiquettes de titre ("Hollande") et tomaison vertes avec décors dorés, plats saumon encadrés de roulettes dorées avec "Bibliothèque V. Perdonet" en lettres dorées au premier plat. Quelques frottements à l'emboîtage, les cartes étant quant à elles en parfaite condition.
1690ref. AMO-4534Reliure plein vélin ivoire de l'époque à coutures apparentes (vélin hollandais). Reste de titre à l'encre au dos (presque effacé). Légers frottements. Exemplaire frais, non restauré. Papier de qualité plus ou moins médiocre selon les tomes, parfois uniformément teinté. Collationné complet. Ce recueil est extrêment rare selon les différentes sources consultées. Sa mise en oeuvre semble hératique (nom d'éditeurn, dates et mention d'édition assez fantaisistes). Il semble pourtant que ce soit tout ce qui a paru de cet ensemble composé de chansons bacchiques, lestes et gaillardes. On lit dans le catalogue de livres provenant de la bibliotheque de monsieur Leroux de Lincy, n°225 (vélin, même collation) : "Recueil extrêmement rare, dans lequel on trouve un certain nombre de chansons relatives au règne de Louis XIV (vendu 58 francs à la vente Silvestre en 1845, ex. relié vélin comme le nôtre). "Il s'y trouve un grand nombre de couplets hostiles à Louis XIV". On trouve un autre recueil quasi identique à la date de 1688, est-le même ? Et un autre en 12 parties datées de 1696, qui ne semble pas être le même que notre exemplaire. On lit par ailleurs dans le catalogue de la bibliothèque de monsieur Cigongne à propros d'un exemplaire identique au nôtre : "Tome I. 3è édition (6 parties intitulées t. I à VI, et 1ère partie d'un 2ème volume, datée de 1690). Sur l'imprimé à Paris (Hollande), 1691. Petit in-12. maroquin olive par Trautz-Bauzonnet (n°1228 du catalogue Cigongne), avec ce commentaire : "On croit que c'est tout ce qui a paru de ce recueil.".
1896ref. 015709Calcutta: Calcutta : Office of the Supt. of Govt. Printing 1896 1896. Book measures 33x21.cm. 452pp 12 folding mapsplans 2 single page maps 8 full page illustrations. Bound in original publishers printed boards. Binding rubbed worn spine sellotaped library stamp on top board. Internally occasional stamp. Pages and plates in good clean condition. A good copy of a rare work. F. First Edition. Hardcover. Near Very Good. Quarto. Calcutta : Office of the Supt. of Govt. Printing 1896 Hardcover
1889ref. 6249Paris 1889. 11 Ω x 9 9nches. Circa 1889 Day became intrigued with the French author Balzac and during a trip to Paris painted three watercolors while he was researching Balzac and making connections with other artists and authors. As well he photographed these houses and some of those original prints still turn up on the market. This is a wonderful watercolor painting of a house which probably captured his eye based on its whimsical architecture as well as the placard affixed to the front which reads ìDefense DíAfficherî a phrase coined in the 1700ís which basically means ìdo not post any advertisements here.î wonderful watercolor executed by F. Holland Day An avid publisher book collector and photographer F. Holland Day was a dedicated aesthete and well-known figure in turn-of-the-century Boston. He was one of the earliest advocates of Pictorial photography in America and like Alfred Stieglitz with whom he corresponded until they had a serious disagreement around 1902 he tirelessly wrote articles mounted exhibitions and encouraged like-minded photographers who supported the medium's artistic potential. Fine condition. Matted in a glass frame with a smaller window which hides the bottom inch or so unpainted area. A rare and historically significant watercolor painting by this polyglot of photography book publishing and art. unknown
1889ref. 6249Paris 1889. 11 Ω x 9 9nches. Circa 1889 Day became intrigued with the French author Balzac and during a trip to Paris painted three watercolors while he was researching Balzac and making connections with other artists and authors. As well he photographed these houses and some of those original prints still turn up on the market. This is a wonderful watercolor painting of a house which probably captured his eye based on its whimsical architecture as well as the placard affixed to the front which reads ìDefense DíAfficherî a phrase coined in the 1700ís which basically means ìdo not post any advertisements here.î wonderful watercolor executed by F. Holland Day An avid publisher book collector and photographer F. Holland Day was a dedicated aesthete and well-known figure in turn-of-the-century Boston. He was one of the earliest advocates of Pictorial photography in America and like Alfred Stieglitz with whom he corresponded until they had a serious disagreement around 1902 he tirelessly wrote articles mounted exhibitions and encouraged like-minded photographers who supported the medium's artistic potential. Fine condition. Matted in a glass frame with a smaller window which hides the bottom inch or so unpainted area. A rare and historically significant watercolor painting by this polyglot of photography book publishing and art. unknown books
1743ref. ABC_46524The Netherlands 1743. Folio ca. 32 x 21.5 cm. Contemporary blind-tooled vellum sewn on 6 vellum supports laced through the joints with the manuscript title on the spine red sprinkled edges. With some woodcut decorated initials. 24 parts in 1 volume. 4 15 1 31 1 30 2 7 1 9 2 blank 1 4 10 2 2 2 21-27 3 1 6 20 67 1 9 2 blank 1 48 8 1 2 blank 1 8 4 10 1 1 2 2 pp. Rare collection of missives ordinances petitions and extracts from resolutions concerning the conflicts surrounding and law proceedings concerning Jacob Coren van der Mieden 1698-1751. He fled his hometown of Alkmaar in fear he would be captured by the Court of Holland. Initially the Van der Mieden family was a wealthy noble family with a good reputation. Jacob's father Aris was mayor of the city of Alkmaar Jacob was appointed bailiff of Nieuwburgen in 1731. Here one of his judicial officers ran a reign of terror. The people felt that bailiff Jacob was protecting his officer which made him very unpopular. Jacob was also lord of Callantsoog where he imprisoned the former bailiff Jan Harge in 1740 after Harge was being accused of abuse of office. The problem was that he did so under such bad conditions that the wife of Harge complained to the Court of Holland after which Harge was exonorated and the Court of Holland turned to Van der Mierde. Out of fear of being put behind bars he fled to Lent near Nijmegen. His wife Susanna Doubleth appealed the court and advocated that her husband would be tried by the local court in Alkmaar instead of the Court of Holland. These request are added in this collection. The last ordinance in the collection is the conviction of his younger brother Adriaan counselor of the Court of Holland who was accused of co-writing the requests with Susanna which were quite libel and defamatory undermining the Court of Holland as the highest judiciary institution of Holland. Adriaan was suspended from the court in 1747. The fate of Jacob van der Mieden remains unclear.With a manuscript annotation on the title page signed by G.J. van Persijn 1791. Govert Jan van Persijn was a lawyer advocaat at the Court of Holland Antonius Quirinus van Persijn was his son. Govert Jan van Persijn also added letters to the index and occassionaly made some marginal annotations and corrections in the text. The binding is slightly dust soiled otherwise in very good condition.l J.G. Gijsberti Hodenpijl van Hodenpijl Extracten uit de crimineele ordonnantien van Holland gives the pamphlets individually; STCN 240322061 3 copies; WorldCat 1144496082 1258013052 3 copies also in STCN; not in De Buck; Knuttel; Tiele. hardcover
1737ref. 380705 tomes en 4 volumes in-folio (391 x 250 mm), plein veau blond marbré de l’époque, dos à 6 nerfs guillochés or, ornés de caissons richement fleuronnés et cloisonnés, armes dorées au centre des plats, pièces de titre et de tomaison de veau havane et blond, coiffes et coupes filetées or, tranches rouges. A La Haye, par la Compagnie des Libraires [i.e. en France], 1737.
5 tomes en 4 volumes in-folio (391 x 250 mm), plein veau blond marbré de l’époque, dos à 6 nerfs guillochés or, ornés de caissons richement fleuronnés et cloisonnés, armes dorées au centre des plats, pièces de titre et de tomaison de veau havane et blond, coiffes et coupes filetées or, tranches rouges. Edition la plus complète des oeuvres collectives de Pierre Bayle, donnée par Pierre Desmaizeaux, proche protégé de l'auteur. "Edition qui doit être préférée à celle de 1727-31, parce qu'elle contient, de plus que la première, cent cinquante lettres à sa famille, formant un cahier de 211 pages qui est placé à la fin du premier volume" (Brunet). "Ce recueil contient tous les ouvrages publiés de Bayle, hors le dictionnaire. Il comprend aussi tout ce qui avait été imprimé de la correspondance" (Delvolve, 'Pierre Bayle…', Bibliographie, p. 436). Selon le catalogue de la BnF, qui se fonde sur le matériel typographique, cette édition aurait été imprimée en France, probablement à Trévoux. Vignette de titre allégorique gravée par Frederik Ottens, d'après Bernard Picard. Table des matières en tête de chaque volume et table des matières de l'ensemble en fin du volume IV. Le premier volume renferme plusieurs gravures sur bois dans le texte et 3 planches hors texte sur cuivre (pages 518, 578 [placé face 584] et 600). Le volume III est divisé en deux parties sous page de faux-titre, titre particulier et pagination continue. Le volume IV renferme plusieurs illustrations sur bois dans le texte dont trois grandes représentations des systèmes planétaires de Ptolémée (p. 394), de Ticho-Brahé (p. 398) et Copernic (p. 401). Quelques rousseurs et petites auréoles éparses. Quelques traces de restauration à la reliure. Très bel exemplaire en veau blond de l'époque aux armes de Jean-Claude Fauconnet de Vildé (1694–1765) dorées sur les plats (aux volumes II, II et IV). Ecuyer, conseiller du roi et de la Ville de Paris, il devint avocat à la cour et au Parlement (Catalogue des livres de feu M. Fauconnet de Vilde, Paris, de Bure le jeune, 1765, p. 24). (Guigard, II, 210. OHR, pl. 1654).
ref. 43797Amsterdam. Joannis Blaeu.1657. Grotius. Gd.in-4 en vélin d'époque.569 p.+ Index. Portrait gravé.Edition originale. Bel exemplaire .Rosace et fleurons estampés à froid.Dos à 6 nerfs,nom de l'Auteur et titre manuscrits.Hugo Grotius ou Huig de Groot ou Hugo de Groot.
ref. 96391aafAmsterdam, Zacharias Chatelain 1730, in-Folio, XXII + 396 p. + 4; / II + 70 p. / VI + 723 p. + 34 p. double col.. With 3 engraved titelpges, 3 engr vign. on printed title, 2 folding maps, 51 double-page engravings and townplans+ 57 portraits by Jan Luyken, Bernard Picart, a.o.,. exlibris Carl Viol Amsterdam, contemporary full leatherbindings, spine richly gilt. Some signes of use esp. to the top of the spines.
1920ref. b21900New York: D.W. Griffith Service / Exhibitor's Trade Review n.d. circa 1920 1920. First Edition . Soft cover. Near Fine/Near Fine. Near fine in original plain white wrappers and gray paper dust jacket with a drawing of Griffth on the front panel. 9" x 12". 36 pages. Heavily illustrated. This exceptionally uncommon biography of Griffth and the related history of the beginnings of the movie industry in America is almost certainly a cooperative production with Griffith and his movie production company. D.W. Griffith Service / Exhibitor's Trade Review, n.d. [circa 1920] paperback
2006ref. 46226PRIMERA IMPRESION FACSIMIL A PARTIR DE LOS PERGAMINOS ORIGINALES PINTADOS A MANO DE ESTE IMPRESIONANTE ATLAS PORTUGUES DEL SIGLO XVI - 1519. CUYO ORIGINAL SE ENCUENTRA EN LA BIBLIOTECA NACIONAL DE FRANCIA.- Barcelona: M. Moleiro Editor 2006.- Son 8 mapas a todo color de 41 x 50 cm. aproximadamente sobre grueso papel apergaminado fielmente reproducidos incluso en su contorno perimetral que van en una caja de 645 x 47 cm. totalmente forrada en raso de seda de color granate con estampaciones doradas. Mas 2 grandes mapas a todo color en una gran hoja a pintada a doble cara de 625 x 1185 cm. sobre grueso papel apergaminado magistralmente reproducidos incluso en su contorno perimetral que van enrollados dentro de una caja poliédrica alargada y forrada en raso de seda de color granate con estampaciones doradas; Seguido de un VOLUMEN EXPLICATIVO con 427 p. 1 h.: Ilustrado con profusión de mapas a todo color; en Gran Folio 354 x 255 cm; Encuadernado en Plena Tela en raso de seda azul con camisa ilustrada.- VA ADJUNTA EL ACTA NOTARIAL QUE DICE: Yo José Antonio Caneda Goyanes Notario de Barcelona Colegio de Cataluña DOY FE. De que a la presente edición facsímil del ATLAS MILLER cuyo original se conserva en la Bibliotheque Nationale de France le corresponde el número 748 de la edición UNICA E IRREPETIBLE numerada en arábigo y limitada a 987 ejemplares realizada bajo la dirección de Manuel Moleiro Rodríguez y editada por M. Moleiro Editor S. A. Forman parte de esa misma edición 77 ejemplares con numeración romana destinados a la Bibliotheque nationale de France al Editor y al Depósito Legal. Todo ello según el acta autorizada por mi el catorce de noviembre de dos mil tres número 933 de mi protocolo. Barcelona 14 de noviembre de 2003. Siguen la firma y el sello del Notario. Va copia en inglés de esta misma acta. En un magnífico estado de conservación. Según nos indica el editor: El ATLAS MILLER sin ninguna duda el más hermoso de la historia de la cartografía y según los especialistas la obra magna por excelencia nos permite tener un conocimiento bastante detallado de la situación geopolítica del mundo y la marcha de los descubrimientos y colonización de los pueblos del lejano Oriente en el primer cuarto del siglo XVI. El Atlas Miller fue creado por el equipo de cartógrafos más brillantes de la época ayudados para embellecerlo por el pintor y miniaturista Antonio de Holanda. EL PRESENTE FACSIMIL CONSTITUYE UN VERDADERO ALARDE EDITORIAL LOGRANDO UNA PERFECCIÓN ENCOMIABLE. DIGNO DE UNA GRAN BIBLIOTECA. GEOGRAFÃA GUÃAS Y ATLAS DEL EXTRANJERO Libro en español M. Moleiro, Editor hardcover
1634ref. 78666London: Adam Islip 1634. Hardcover Quarto. Hardcover. Fair. 2 volumes rebound half leather decorated papered boards five raised bands to spine gilt lettering on black label two new blank end papers front and rear 614 42 632 86 pp 2 vol. signature of owner John Griffiths Jesus College Oxford 1947 glued to front pastedown of both volumes title page and preface missing in volume one first pages of both volumes with tears on corners edges trimmed in both volumes paper slip with contemprary description laid in volume 1light damp stains to edges and corners Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Adam Islip hardcover
In-4, plein vélin rigide de l'époque, dos titré à la plume, (16), 364, (14) p. Edition princeps de la célèbre autobiographie testamentaire d'Uriel da Costa ('Exemplar humanae vitae'), composée à la veille de son suicide en 1640 et publiée "presque par hasard" (Daniel Lacerda) quarante-sept années après sa mort. Elle est insérée entre les pages 341 et 354 d'un recueil qu'un ministre calviniste arminien, Philip Van Limborch professeur à Amsterdam (1633-1712), consacre à la défense de la "vérité de la religion chrétienne", en discussion avec un Juif érudit, Isaac Orobio de Castro (c.1617-1687), lui-même réfugié du Portugal à Amsterdam. Éditée d'après un manuscrit et peut-être révisée, "Une vie humaine" est suivie de sa réfutation par Limborch. Né au sein d'une famille portugaise marrane, Uriel Da Costa (1585-1640) s'installa à Amsterdam en 1617 et revint au judaïsme, mais il entra bientôt en conflit avec la synagogue. Soumis à une humiliante pénitence publique, il se suicida. Ce document demeurait l'unique seule source d'informations sur Uriel da Costa jusqu'à la découverture récente (1990), à la bibliothèque d'Amsterdam, d'un exemplaire unique d'un autre de ses textes que l'on croyait perdu ("Exame das tradições fariseas") et qui le place aux côtés de Spinoza, dix années avant la condamnation de celui-ci, parmi les victimes du durcissement doctrinaire des autorités juives d'Amsterdam. "Cette autobiographie écrite par Uriel da Costa en 1640 avant de se suicider, reflète toute la culture et toutes les interrogations religieuses de cet esprit qui passa du christianisme-marranisme au judaïsme puis au sadducéisme, enfin au déisme vénérant la Nature. Juif portugais d'Amsterdam, Gabriel, devenu Uriel da Costa, reflète - lui et toute sa famille, affiliée à celle de Spinoza - les recherches de cette société des nouveaux convertis du Portugal et des pays occidentaux au XVII° siècle" (Béatrice Leroy). Cf. I.S. Revah, H. Méchoulan et coll., 'Des Marranes à Spinoza', Vrin, 1995, passim. (Bamberger, 'The printed literature of Spinozism', n° 67. Fürst, 'Bibliotheca judaica', I, p. 17). Quelques rousseurs éparses. Petite trace de restauration de vélin au dos. Très bon exemplaire, très bien conservé dans sa première reliure hollandaise de vélin rigide.
ref. 25815Arnoud Leers The Hague 1691 In-folio ( 395 X 265 mm ) de 127 pages, pleine basane tabac, dos à nerfs orné de caissons richement dorés, tranches mouchetées de rouge ( Reliure de l'époque ). Frontispice allégorique par Romeyn De HOOGHE ( "Qui ne serait point indigne de RUBENS" écrit VINET ), page de titre typographique portant la marque d'imprimeur gravée sur bois avec la devise de LEERS, et 15 planches hors-texte gravées de Romeyn De HOOGHE, dont 11 à double-page, 3 planches à simple page et un portrait du roi par Pieter Van GUNST d'après John BRANDON. PREMIÈRE ÉDITION de l'un des plus beaux livres de fête hollandais de la période baroque. Il célèbre la joyeuse entrée à La Haye de GUILLAUME III en tant que roi de Grande-Bretagne. Les gravures de Romeyn De HOOGHE montrent la procession, les arcs de triomphe, le Vyverberg et le Binnenhof, les décorations spécialement élaborées pour l'évènement, y compris la peinture et la sculpture, et un spectaculaire feu d'artifice. Coiffes absentes, coins usés, très bel état intérieur, les planches sont très fraîches.Berlin Kat. 2952 Landwehr, Cérémonies splendides 146 Ruggieri 1095 Vinet 752 Hollstein, Dutch and Flemish, IX, 168-85.
1913ref. 238650New York: Privately printed 1913. First edition no. 96 of 200 copies initialed and numbered on the half-title. With frontispiece 19 plates including 2 group portraits double map of Lake George around Bolton Landing at back. 65 pp. 1 vols. 8vo. Original green cloth titled in gilt on upper board. Bixby bookplate of Mohican Point house on front pastedown. Fine. First edition no. 96 of 200 copies initialed and numbered on the half-title. With frontispiece 19 plates including 2 group portraits double map of Lake George around Bolton Landing at back. 65 pp. 1 vols. 8vo. Inscribed on flyleaf "Mr. & Mrs. A. B. P- names partly effaced with sincere regards of Mr. & Mrs. W.K. Bixby St. L. 5/18/14" "Includes 12 pages of text on fishing for smallmouth bass lake trout and land-locked salmon. one of the few early books to contain as much material on fishing in Lake George" Heller. An important and rare book. Plum Adirondack Bibliography 568; Bruns S27; Heller 1:716 Privately printed unknown
1913ref. 238650New York: Privately printed 1913. First edition no. 96 of 200 copies initialed and numbered on the half-title. With frontispiece 19 plates including 2 group portraits double map of Lake George around Bolton Landing at back. 65 pp. 1 vols. 8vo. Original green cloth titled in gilt on upper board. Bixby bookplate of Mohican Point house on front pastedown. Fine. First edition no. 96 of 200 copies initialed and numbered on the half-title. With frontispiece 19 plates including 2 group portraits double map of Lake George around Bolton Landing at back. 65 pp. 1 vols. 8vo. Inscribed on flyleaf "Mr. & Mrs. A. B. P- names partly effaced with sincere regards of Mr. & Mrs. W.K. Bixby St. L. 5/18/14" "Includes 12 pages of text on fishing for smallmouth bass lake trout and land-locked salmon. one of the few early books to contain as much material on fishing in Lake George" Heller. An important and rare book. Plum Adirondack Bibliography 568; Bruns S27; Heller 1:716 Privately printed unknown books