2 484 résultats
2002réf. x-3540435913Springer Verlag 2002. Paperback. New. 1st edition. 1095 pages. 9.00x6.00x1.50 inches. Springer Verlag paperback
1871réf. A141-1112[Wien], 1871. original Kupferstich, original engraving, ca. 44 x 50 cm in 6 Segementen auf Leinen gezogen
1875réf. A151-1630Wien, Kaiserlich-K?nigliches Milit?r-Geographisches Institut, 1875. Heliogravure in Kupfer vervielf?ltigt durch Umdruck vom Steine., Blatt ca. 51x 45 cm, Kartenbild; ca. 48 x 42 zu 6 Segmenten auf Leinen aufgezogen; Zustand: sehr gut
1875réf. A151-1448Wien, Kaiserlich und K?nigliches Milit?r-Geographisches Institut, 1875. Heliogravure in Kupfer vervielf?ltigt durch Umdruck vom Steine., Blatt ca. 51x 45 cm, Kartenbild; ca. 48 x 42 zu 6 Segmenten auf Leinen aufgezogen; Zustand: sehr gut - gut , teilkoloriert
1928réf. 3246ALeipzig, Vlg. für Industrie-Kultur, (1928). 4°. 231 Seiten. Sehr reich ill. OLn. mit Deckelvergoldung.
réf. #[22430]Met portretfoto en tekst "25 jaar zanger" tekst van de jubelzang handtekeningen van de leden van SDG. M7186 unknown
1995réf. 1522BChristie's Amsterdam 1995 Book. Good. Soft cover. English text; Paperback; 92 pages; 760 lots with colour illustrations; 27 x 21 cm; 0.6 kg; Catalogue from Christie's Amsterdam sale DIANA-2255 on the 6th and 7th of March 1995 with 1319 lots.; Includes loose pages with auction results that show some wear marks throughout namely yellowing.; Minor signs of wear on the exterior namely minor scuffs and scratches. Edge wear. Interior with signs of wear namely yellowing on the rear of the front cover and also on the rear of the back cover. The remaining interior show minor signs of wear.; "The bulk of the cargo was of course the porcelain. Over eleven tons of porcelain just under 24000 intact individual pieces were recovered from the wreck. Dinner plates saucers bowls cups bottles tureens serving dishes and jars comprising in total over 200 different shapes or patterns were brought ashore washed photographed inventorised and packed for shipment to Amsterdam. For me there were two great high-points in the salvage. One was finding the ship's bell. Nothing is so evocative of life on board ship for a mariner or a ship's historian as the bell which regulated all the daily routines. The watches the church services the meal-times. But recovering the porcelain gave us all just as much pleasure. The cargo contains porcelain from the early 19th Century of a type very familiar to ceramicists. It marks the revival of the China Trade after the ending of war; old established types of shape and pattern blend harmoniously with new innovations. Jingdezhen China's 'porcelain city' in Jiangxi Province always contained conservative potters producing wares are which they knew from long experience still remained in broad terms popular with western supercargoes in Canton. But there were new ingredients now in the complex Asian maritime trade. Americans were coming to Canton directly via California. This was a radical innovation after 1783 when the first Boston merchant by-passed the old English East India Company monopoly on Asian trade to the Colonies and sent a ship laden with ginseng to bring 'China goods' straight back to the Eastern seaboard. Many American collections contain this sort of blue and white export porcelain; some of it with the 'Fitzhugh' pattern much with the distinctive 'rain-cloud' border that evolves from 18th Century rim patterns. The porcelain was clearly popular in India too; this was being imported for the cream of Madrassi society the Anglo-Indian upper class which bought its fashionable China goods to use during the vast rounds of social events that marked the cool-weather 'Season'. The porcelain is slightly less familiar however to Europeans than its predecessor before the beginning of the Napoleonic Wars. The European market changed at the end of the 18th Century. Technology played a large part in this. New improved ceramic 'mixes' pioneered especially by Wedgwood in England- enabled cheaper stronger vessels to be potted for export all over Europe and to 'the colonies'. And accompanying this innovation of the 18th Century Industrial Revolution was another; the invention of 'transfer-printing. This made it possible for potters in Staffordshire and elsewhere to manufacture much more cheaply long runs of identical pots; because the design 'transferred' onto the undecorated pot from an engraved copper plate rather than hand-painted was almost infinitely reproducible to the same standard. This made manufacturing popular ceramics in Europe much cheaper and largely eliminated the production-cost advantages of Chinese export porcelain which had enabled it to maintain its huge share of the market in Europe as late as the 1770's. So the 'Diana Cargo' marks a moment of transition in taste and demand; one of the areas where this 'sealed time capsule' will continue to provide information for decades." Excerpt from the introduction by Dorian Ball. Christie's Amsterdam paperback
1937réf. 56038-A-67794Heemstede: De Toorts N.V. 1937. Old colonial white red & black checkered gingham style-cloth over boards 28 x 21 pp. 47 pp. text printed on heavy uncut paper ' in halfvette Hollandsche Mediaeval met Grotius-kapitalen' with illustrations including 4 original HAND-COLOURED drawings by Lou Manche. From a very limited edition of thirty totally 500 copies numbered III by hand and signed by the author in colophon. Nice copy bound in "Brabantsch Boerenbont"-cloth. Dutch Artists; 20th Century De Toorts N.V. hardcover
1993réf. 58540-k-D4Bussum: Forrer 1993. Cardboard portfolio hardcover with tipped-in cut-out colour lithographs on front-panel signed by Salentijn in the lower right 32 x 23 cms. containing colophon leaf handnumbered '28/80' and 5 including 1 double-page colour lithographs. Copy from an edition of 80 10 A.P. copies. Kees Salentijn is a Dutch visual artist and he studied at the Rijksacademie voor Beeldende Kunsten in Amsterdam where he followed the direction of painting. In the 80s he combines Cabra with influences from Spanish culture. One of the many characteristics of this artist is the use of different materials. Works on paper Forrer hardcover
réf. 43018266like new. unknown
2026réf. x-1350595195Bloomsbury Publishing Plc 2026. Hardcover. New. 226 pages. 6.14x0.71x9.21 inches. Bloomsbury Publishing Plc hardcover
1994réf. 016349Thoth 1994. Book. As New. Soft cover. A beautiful copy of this oversized paperback. Thoth Paperback
1997réf. 024377London/Bussum Netherlands: Lund Humphries//VK Publishing 1997. Book. Near Fine. Hardcover. First Edition. A solid clean copy with no marking or underlining; collectible condition; well illustrated with reproductions in black and white and in colour of drawings by Van Gogh between 1883-1885; 288 pages. Lund Humphries//V+K Publishing Hardcover
1995réf. BN367171Karl Müller Verlag 1995. 1995. Hardcover. Holland Holland Vermeer Jan Fotos Amsterdam Herman van Text Karl Müller Verlag hardcover
réf. ria9780295985886_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Twenty years ago commercial tourism in the People's Republic of China hardly existed. This book offers an exploration of why Chinese tourists pursue certain kinds of experiences what they make of them and how their experiences and in hardcover
2021réf. BN241386Taylor & Francis Ltd 2021. 2021. Softcover. Affective Health and Masculinities in South Africa Affective Health and Masculinities in South Africa Hans University of Amsterdam U.S.A Reihling Taylor & Francis Ltd paperback
1994réf. BN444611Lokaal Boek Sassenheim 1994. 1994. Hardcover. Rond de bollen: een terugblik op Arbeid op het land en in de schuur bollentoerisme opkomst en ondergang van bedrijven verdwenen land gereedschappen de glorietijd van het vak de bollenreizigers anekdotes enzovoorts Rond de bollen: een terugblik op Arbeid op het land en in de schuur bollentoerisme opkomst en ondergang van bedrijven verdwenen land gereedschappen de glorietijd van het vak de bollenreizigers anekdotes enzovoorts Amsterdam Herman van & Voort Peter van der Lokaal Boek, Sassenheim hardcover
2006réf. BN670249Kosmos Uitgevers 2006. 2006. Hardcover. Lekker blond: koken met vriendinnen Lekker blond: koken met vriendinnen Blond Amsterdam Kosmos Uitgevers hardcover
réf. 4530Nouvelle édition corrigée & augmentée de remarques historiques, d'une satyre en vers du même auteur, & de figures en taille douce. A Amsterdam, Chez David Mortier, 1714. Frontispice, Titre avec vignette gravée, (4ff) n.ch., 268 p. et 5 pl. HT (T1) ; Frontispice, Titre avec vignette gravée, 191 p. et 1 pl. HT (T2). bien complet de ses deux tomes en un seul volume ; petit in-12 reliure demi bazane à coins , dos lisse faux nerfs matrialisés par des filets dorés titre doré , Bandeaux, lettrines, culs-de-lampe, 6 planches + 2 frontispices.
1985réf. 1523BChristie's Amsterdam 1985 Book. Good. Soft cover. English text; Paperback; 17.5 x 24 cm; 0.2 kg; 51 pages with colour and black and white illustrations. 226 lots; Includes loose price list which shows some yellowing and wear marks throughout.; Used with signs of wear. The exterior show edge wear scuffs and scratches on the front cover spine and back cover. Interior with some yellowing one loose page and pen written numbers near some lots. The loose page is worn on the right side.; VERY HARD TO FIND.;"The fame of the Hatcher collection spread when over two thousand porcelains of the Transitional Period which covers the years between 1620 and 1682 were sold in March 1984 for between three and ten times their estimated values. Most interested people did not know then that only a part of the total number of pieces twenty-three thousand approximately which Captain Hatcher of Singapore had salvaged from a depth of 40 meters in the South China Sea had changed hands. When another eighteen thousand pieces were auctioned only three months after predictions were that prices could not hold. But they remained high and very high. Lot 315 the cover to a barrel-shaped jar painted with a cyclical date corresponding to 1643 and estimated at f 300 and f 500 went for f 17.000. When the first Hatcher-pieces had been on sale in Amsterdam no one had yet recognised this material's importance. This quickly changed. The last pieces of the recovery originally held back as a private collection are now on offer. As a whole the recovery strikingly illustrates the variety of Transitional productions and the diverse qualities of porcelain China produced and exported around 16-40-1650. The largest number was of luxury items mostly small-sized for instance in the form of wine-cups tea-bowls and stem-bowls vases covered boxes and the like. Larger items included dishes and bowls as one might have used them for food at table. covered jars and bottles kendi's tea- and wine-pots censers urinals even night-lights. Many pieces were carefully shaped and painted. Though some were glazed monochrome or overglaze polychrome a vast majority was blue-white. Considering the fact that these porcelains had laid in silt and salt for more than three hundred years and that they had been recovered from fair depths they were in surprisingly good condition. Once all these pieces are dispersed it will be important to recall what they looked like as an assemblage and to have them available in public collections. In Holland some are already displayed in musea. The catalogues which describe them 7 December 1983 14 March and 12-13 June 1984 and 14 February 1985 respectively are important background for anyone concerned with the study of wares of this type." introduction by Dr. Barbara Harrison Director of the Municipal Museum Princessehof Leeuwarden. Christie's Amsterdam paperback
réf. 13664RODOGUNE tragédies suivant la copie imprimée à Paris 1682 (Amsterdam Abraham WOLFGANG 1682) Petit in 12 broché 75x130mm. Couverture d’attente. Titre frontispice, titre, 66 pages. Rare contrefaçon hollandaise, réimpression de celle de 1663 par Wolfgang avec la vignette de Quaerendo. Caractéristique de la page de titre.
1777réf. 70651777 Edité par F.J. Desoer, 1777a Amsterdam, 1 vol. in-8 oblong reliure de l'époque pleine basane marbrée, dos à 4 nerfs, tranches marbrées
réf. 1866aaKönigliche Gemäldegalerie in Dresden um 1750. Plattenmaß: ca. 42 cm x 385 cm in der Platte oben links signiert 'Rembrandt f 1641' hinter Glas im schlichten Nußbaum-Holzrahmen etwas fleckig/Rahmen gering berieben. - Quadro di Rembrant dalla Gallerie Reale di Dresda = Tableau de Rembrant de la Galerie Roiale de Dresde No. 47 / Jacobus Houbraken war ein holländischer Kupferstecher - unknown
réf. 17690poids et monnoyes de la Hollande et d' Amsterdam. Amsterdam. Marret. 1714. In-4 (22X16). 4-584 pages + tables. Basane de l'époque, dos à nerfs (reliure solide mais usée avec manque de cuir).
réf. 32713416like new. unknown
