AMSTERDAM, JAY D,Biblio.com
2 549 résultats
1990réf. AME_9780824782092marcel dekker 1990. 1st. Hardcover. New/New. _ marcel dekker hardcover
réf. 0824782097.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 694287-nnew. unknown
1994réf. ABE-1576277122606Distributed Art Pub Inc 1994. Hardcover. Very Good/No Jacket. 11x9x0. Distributed Art Pub Inc hardcover
réf. 14-0053London : Lund Humphries 2007. 8vo. 127pp. Hardcover. Very Good very minor markings on cover. Color plates throughout. Provenance: from the Estate of Judy Stone 1924 –2017 The San Francisco Chronicle’s movie critic who for two decades was a passionate and articulate advocate for the world of cinema outside Hollywood. Judy Stone started at the San Francisco Chronicle in 1961 putting in 10 years as editor of the Datebook section. She began reviewing films for the paper in 1971 favoring arthouse films. She was the youngest of four politically minded children whose eldest brother was the great reporter and gadfly I. F. Stone.She won the Novikoff Award given for "enhancing the public's appreciation of world cinema.” Among her publications are “The Mystery of B. Traven” and "Eye on the World” a collection of her interviews with filmmakers from the 1960s to the 1990s. [London] : Lund Humphries, [2007]. hardcover
réf. B196515-1Amsterdam 1990. 22pp. 6 plates. 4to. Wraps. Signed and dated by the artist 13-4-97 Bremen in green. Amsterdam, [1990]. paperback books
1966réf. 219624Milano: Grafica Uno 1966. Rilegato mezza tela custodia half-cloth binding slip-case. Ottimo Fine. Libro d'artista composto da 22 litografie originali in bianco e nero sagomate di Leo Lionni raffiguranti profili di volti femminili. Cm 175x16. pp. 22 n.n. Ottimo Fine. Prima edizione di 100 XX esemplari numerati e firmati dall'Autore First edition of 100 XX copies numbered and signed by the author. Grafica Uno, hardcover
1969réf. 2204The Johns Hopkins Press 16 x 23,5 Jaquette en très bon état Couverture rigide Baltimore and London 1969 Jaquette et reliure pleine toile éditeur, ix-183 p, bibliography, index. La nouvelle Néerlande était constituée de sept Etats de la Côte Est des Etats-Unis. Petites déchirures à la jaquette, reliure et intérieur en excellent état. Livre
1969réf. 2204The Johns Hopkins Press 16 x 23,5 Jaquette en très bon état Couverture rigide Baltimore and London 1969 Jaquette et reliure pleine toile éditeur, ix-183 p, bibliography, index. La nouvelle Néerlande était constituée de sept Etats de la Côte Est des Etats-Unis. Petites déchirures à la jaquette, reliure et intérieur en excellent état. Livre
1971réf. 29833Amsterdam: Kunsthandel Gebr. Douwes N. V. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Artists featured: Richet Pelouse Harpignies Guillemet and others. Asking prices of several works recorded next to descriptions of same. -- with a bonus offer--; T-Doupays; Kunsthandel Gebr. Douwes N.V. Amsterdam Paysages De France - Tentoonstelling Van Landschappen Uit De Barbizon-School En Van Aanverwante Schilders / Exhibition of Landscape Paintings from the Barbizon & Related Schools - Kunsthandel Gebr. Douwes N.V. Amsterdam - 7 May - 4 June 1971 . 1971. Kunsthandel Gebr. Douwes N. V. paperback
2001réf. Q-0300088604Metropolitan Museum of Art 2001-09-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Metropolitan Museum of Art hardcover
2001réf. 91314Museum; Yale University Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 336 pages. Description: "This book the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay Paris the Van Gogh Museum Amsterdam and The Metropolitan Museum of Art New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings drawings watercolours and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet Guillaumin and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony contrasts and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton Director of the Van Gogh Museum provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist and Sjraar van Heugten Chief Curator of the Van Gogh Museum summarises Signac's activity as a printmaker. Anne Distel Chief Curator of the Musee d'Orsay examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities - beyond painting - that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors contemporaries and followers - as evidenced in his artworks in his published and unpublished writings and in his private collection. Susan Alyson Stein Associate Curator of European Paintings The Metropolitan Museum of Art examines the ways Signac understood the genius of such painters as Delacroix Monet Renoir Cezanne Van Gogh Bonnard and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art New York. Lavishly illustrated with comparative and documentary photographs the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works." -- with a bonus offer--; This book the catalogue of the first retrospective of the work of the French Neoimpressionist artist Paul Signac to be held in nearly forty years accompanies the 2001 exhibition organised by the Reunion des Musees Nationaux/Musee d'Orsay Paris the Van Gogh Museum Amsterdam and The Metropolitan Museum of Art New York. This long overdue tribute to Signac's power of expression and artistic influence features some two hundred paintings drawings watercolours and prints from public and private collections worldwide. Fully illustrated in colour and discussed in individual entries these works offer an unprecedented overview of Signac's fifty-year career. Signac's artistic development began with the luminous plein air paintings he made in the early 1880s which reveal the lessons he absorbed from Monet Guillaumin and other leading Impressionists. From 1884 until 1891 Signac's close association with Georges Seurat encouraged his explorations of colour harmony contrasts and Neoimpressionist technique. In the scintillating works of his maturity the rigours of Pointillism gave way to richly patterned decorative colour surfaces. In a series of essays the exhibition's curators discuss Signac's richly interesting career from a variety of perspectives. John Leighton Director of the Van Gogh Museum provides an introductory essay that chronicles Signac's triumphs as a painter. The well-known Signac scholar Marina Ferretti Bocquillon focuses on Signac's achievements as a draftsman and watercolourist and Sjraar van Heugten Chief Curator of the Van Gogh Museum summarises Signac's activity as a printmaker. Anne Distel Chief Curator of the Musee d'Orsay examines Signac's role as a promoter of his own works and those of his colleagues and describes a host of other activities - beyond painting - that engaged Signac's interest. The final essays in this volume shed new light on Signac's appreciation of the works of his predecessors contemporaries and followers - as evidenced in his artworks in his published and unpublished writings and in his private collection. Susan Alyson Stein Associate Curator of European Paintings The Metropolitan Museum of Art examines the ways Signac understood the genius of such painters as Delacroix Monet Renoir Cezanne Van Gogh Bonnard and Matisse. Marina Ferretti Bocquillon explores the Signac's role as a collector providing a wealth of new information about the works he owned by fellow artists. Contributor Kathryn Calley Galitz is Research Associate in the Department of European Paintings at The Metropolitan Museum of Art New York. Lavishly illustrated with comparative and documentary photographs the volume includes an annotated chronology and a map that pinpoints the sites depicted in Signac's works. . 2001. 0300088604 . Museum; Yale University Press hardcover
réf. 17075, Amsterdam, De Praktijk / Dirk Vermeulen, 1999, 1999 Kartonomslag met flappen, foto - frontispice, 240 x 340mm., pagina's zijn niet genummerd, reprodukties van 10 acryl's, 7 etsen, 4 aquarellen in kleur. ISBN 9080486515.
réf. 49545Amsterdam: Amsterdam n.d. paper wrappers. Type Specimens. large 8vo. paper wrappers. 6 leaves. Specimens of the Amsterdam firm's Pascal type face. A fine copy. Amsterdam unknown books
réf. B195019-1Amsterdam 1997. 136pp. Prof. illus. Lrg. 4to. Wraps. Parallel texts in Dutch and English. The exhibition was subsequently shown at IVAM Centre Julio Gonzalez Valencia Jan.-March 1998 and the Contemporary Art Museum and Graphic Studio University of South Florida Tampa Spring 1998. Amsterdam, 1997. paperback books
2009réf. SBBI-mon0000131403Kosmos Uitgevers 2009. hardcover. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Kosmos Uitgevers hardcover
1906réf. 96443Partitions sur l'imprimerie , journaux et livres 1906
1946réf. 108029Partitions sur les États-Unis Leo Feist inc. 1946
1924réf. 96624Partitions sur l'Alcool,Partitions sur l'Europe 1924
1883réf. 96619Partitions sur l'Europe Rahr Utrecht Arnhem 1883 approx.
1889réf. 96630Partitions sur l'Alcool,Partitions sur l'Europe Van Vollenhovens Compagnie Amsterdam 1889 approx.
1944réf. 17739Partitions sur l'Alcool,Partitions sur les Antilles France Mélodie 1944
1944réf. 5532Partitions sur l'Alcool,Partitions sur les Antilles France Mélodie 1944
1944réf. 32638Partitions sur l'Alcool,Partitions sur les Antilles France Mélodie 1944
1945réf. 110328Partitions sur l'Amérique Latine Leo Feist inc. 1945
