1 637 résultats
1965réf. 610029Paris: Ileana Sonnabend 1965. Softcover. Near Fine. First edition. Quarto. 14pp. Text in French. Stapled wrappers. Light age-toning to wrappers near fine. Ileana Sonnabend unknown
2010réf. 1808New York: Gagosian Gallery 2010. First Edition. Hardcover. Near Fine. Roy Lichtenstein. Square 4to. Pp. 225. Includes a transcribed conversation with Roy Lichtenstein with Mark Francis and Joe Helman. Lavishly illustrated with black and white photographs and full plate color reproductions of the artist's works. Bound in bright red cloth with lettering stamped in white on rear cover and spine and a mounted reproduction of a Lichtenstein on the front cover. Slight bump to top corner else a fresh bright copy. A handsome exhibition catalog: the large-format enhances the photos of Lichtenstein's work. Gagosian Gallery hardcover
réf. 27746-Louisiana Museum of Modern Art 2003-. Exhibition catalogue. First edition 2003. 144 pages. Illustrated in colour throughout some black and white. Pictorial boards. Near fine. No dustjacket issued. We are specialists in Catalogues: Exhibitions Auctions Collections etc. with a picture of the cover available on request. All items are as described and dispatched within 36 hours in a secure package. We are professional booksellers with over 35 years experience you may order with confidence. Roy Lichtenstein All About Art -Louisiana Museum of Modern Art (2003)- hardcover
réf. aly1935Baden & Zurich: Lars Muller Publishers Museum of Design 2001. First Edition. 8vo. pp. 320. b/w illus. cloth. dw [Baden & Zurich]: Lars Muller Publishers, Museum of Design, [2001] hardcover
1875réf. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown books
1875réf. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown
1841réf. 115754ABLeipzig:, Teubner;, 1841. ca. 14,5 cm. XVI, 255, 256, 291 S., mit 1 Portrait, 1 gestochenem Titel, 24 Stahlstichen und 2 Faksimiles. Ln. der Zeit mit Golddruck. [5 Warenabbildungen] Kanten etw. beschabt und Ecken bestossen. Nur sehr einzeln moderat etw. fingerfleckig.
réf. 18394The National Gallery of Art, Washington 1994. Planche de six timbres, sans valeur faciale, au format 15 x 13 cm, reproduisant des oeuvres en couleurs, de Roy Lichtenstein, édité par le musée : The National Gallery of Art, Washington, pour l'exposition qi eut lieu du 30 octobre 1994 au 8 janvier 1995. Etat de neuf. Rare.
1825réf. 13807Wien, Trentsenky, (um 1825). Ca. 16,5 x 24 cm
1725réf. 18058Ausgburg, Seutter, (1725). Ca. 51,5 cm x 55,5, cm. [3 Warenabbildungen]
2000réf. 186343Berlin, Blanke, 2000. Gr.-8°. u. 4°. 235 S. u. 36 Bl. (Beiband). OLwdbde. in Pp.-Schuber.
1985réf. 18909München : ADAC-Verlag, c1985. 64 S. : Ill., Kt. 4°. Ill. OBroschur. (ADAC-Freizeit-Atlas)
1906réf. NSWK0157Wien, k.u.k. Hof- u. Staatsdruckerei 1906. 4°. 1568 Seiten, rest. Orig.-Halblederband, durchg. Gebrauchsspuren, fingerfleckig.
1944réf. 44672Auerswalde: Karl Goldammer. 1944. Karte mit leichten Gebr.spuren, beschrieben, gelaufen, sonst gut
1910réf. 64611Metz: Tübingen. 1910. Stempel Reutlingen Karte gelaufen, beschrieben, leichte Gebr.spuren, kl. Druckstelle am Rand, gut
2004réf. 140604Ardey-Verlag 18. Ausgabe. Münster 2004. 260 Seiten u. eine CD-Rom im Anhang. Gelbe Originalbroschur. Gutes Exemplar. 24x17 cm
2013réf. ABE-1621463860894150 PAGES-22 CM X 28,5 CM-LE MOMA CELEBRE LE CORBUSIER-SPIROU ET SES PERES-LORNA SIMPSON-LE MUSEE SECRET DE JACQUES BOSSER-MIRO L'ENCHANTEURROY LICHTENSTEIN SORT DE SA CASE-ETERNEL MIKE KELLEY
2000réf. 12003Ohne Ort: Regierung des Fürstentums Liechtenstein. 2000. 347 S. 4to. Mit zahlreichen Schwarzweiss-Abbildungen. Illustrierter Original-Pappband.
1925réf. 17388München, Verkehrswerbung-Ges., o. J. (ca. 1925). gefaltet 8°. Farbendruck. 65 x 44,5 cm ; Oberer Rand leicht gerändert.
1964réf. 012453Paris Sonnabend 1964 In-8 Agrafé, couverture pointillée bleue Edition originale
1996réf. 012444Nice Profession Plastique, Musée d'art moderne et d'art contemporain 1996 In-4 carré Cartonnage éditeur
1995réf. EEzz8508bLuxembourg, Musée national d'histoire et d'art Luxembourg 1995. 4°. 144 S. Mit zahlr., farb. Abb. OLeinenbd. m. goldgepr. Titel u. OSchutzumschlag. Umschlag geringf. gegilbt u. angestaubt, sonst tadellos. Einleitender Text Französisch, Deutsch und Englisch.
1957réf. ABE-16198558093100 PAGES FORMAT 24,5 CM X 31,5 CM-EN COUVERTURE "PENDENTIF A VISAGE D'HOMME, AFRIQUE NOIRE"-JEAN ADRIEN MERCIER POUR PUBLICITE COINTREAU-LA DEMEURE FEODALE DU PRINCE DE LIECHTENSTEIN, 4P-LE PIONNIER DU STYLE ITALIEN ACTUEL GIO PONTI, 4P, 13 PHOTOS-LES GRANDES HEURES DE LA FEMME, 10P PAR PAUL GUTH-LE MUSEE IMAGINAIRE DE DELACROIX, PAR FRANCIS DUMONT-MAGIE DES BIJOUX NOIRS, 4P PAR PHILIPPE SOUPAULT, PHOTOS-A LA DECOUVERTE DES CURIOSITES DE LA PEINTURE LES PERSONNAGES FACTICES, 6P-UN EBENISTE MET UNE COMMODE SUR PIED, FETON, 2P, 12 PHOTOS-LA GALERIE DES PEINTRES CONTEMPORAINS: CLAUDE SCHURR, 2P, 7 PHOTOS-
Napoli, 2007, in-4. tela editoriale con sovraccoperta figurata. Stemma del Principato a colori in antiporta. Testo in tedesco con traduzione italiana a fronte.
réf. 11575Schaffhausen, Verlag Steiner & Grüninger AG. 4°, 176 S., mit zahlreichen farb. Abb., N.a.V., ger. Gebr.sp., kartoniert