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1964réf. 362757Milan: Galleria Schwartz 1964. First Edition. Hardcover. Fine. A twenty-image gallery of original engravings printed from plates made in 1962 the defining year of American Pop Art by the defining artists of the era including Andy Warhol his first multiple Roy Lichtenstein Wayne Thiebaud Jim Dine and others. These etchings are presented in book format with each artwork bound into the book in a mat with a clear plastic protector. Usually these images are four removed from the book. However in your cataloguer's most humble opinion this book presentation is far superior to looking at individual images hanging on a wall. The intimate presentation of the book and the alphabetical sequencing which requires patience to find the famous works leads to unexpected discoveries. And the excitement of having a Warhol you can set on your lap is a real joy. For this issue of the International Anthology of Contemporary Engraving the editors commissioned the hottest young artists on the American scene to make engravings for this book mostly in 1962 for publication two years later. The highlight is Roy Lichtenstein's etching of a light switch. Wayne Thiebaud adapted a painting of yo-yos shifting the placement of the toys for this black-and-white medium. Andy Warhol appropriated an ad for a discount cooking pot that he found on page 35 of the October 16 1962 New York Daily News and made it visually interesting through clever cropping the ad may have appeared on other days as well but I found it first on October 16 and I stopped looking. These engravings were issued in an edition of 100 copies: 60 numbered with Arabic numerals 25 numbered with Roman numerals for the contributors and 15 artist's proofs marked "e.a." for "épreuve d'artiste." The mats measure 9 by 11-3/4 inches plus the binding stub. This bound volume includes 8 leaves two blank for text with all contents presented in English as well as French and Italian translation. The introduction is by Billy Klüver who worked with Andy Warhol. The original etchings presented in this volume are all signed by the artist with the exception of the Warhol which is blindstamped. They are as follows with captions for untitled works invented by your cataloguer and the mediums and plate sizes w x h taken from the cataloging of the Museum of Modern Art website: 1. George Brecht. Untitled "1 cut out this block". Etching; plate 4-3/4 by 5-1/2 inches; 2. Allan D'Arcangelo. "American Madonna." Etching; plate 4-3/8 by 5-7/8; 3. Jim Dine. "Corner Brace." Etching; plate 6 by 4-3/8; 4. Stephen Durkee. Untitled "Salvation". Photogravure; plate 4-7/16 by 6; 5. Lette Eisenhauer. Untitled Crossword Puzzle. Etching with pencil additions; plate 5-78 by 3-7/8; 6. Stanley Fisher. Untitled "BMOB". Etching; plate 4-7/16 by 5-7/8; 7. Sam Goodman. Untitled "6000000 Dead". Etching; plate 4-7/16 by 5-7/8; 8. Red Grooms. Untitled Walking Man. Etching; plate 6-1/6 by 4-5/8; 9. Robert Indiana. "Err." Photogravure with etching; plate 6 by 4-3/8; 10. Allan Kaprow. Untitled "srorriM". Etching; plate 4-7/16 by 5-13/16; 11. Roy Lichtenstein. "On." Etching; plate 4-1/2 by 5-7/8 inches. Corlett 32; 12. Boris Lurie. Untitled Stars of David. Etching and drypoint; two images each 5-3/4 by 4-1/2; 13. Claes Oldenburg. "Orpheum Sign." Etching and aquatint; plate 4-7/16 by 5-7/8; 14. James Rosenquist. "Certificate." Photogravure and etching; plate 6 by 4-1/2; 15. George Segal. Untitled Telephone. Etching; plate 4-5/16 by 5-7/8; 16. Richard Stankiewicz. Untitled Ink Blots. Etching; plate 4-1/4 by 5-13/16; 17. Wayne Thiebaud. Untitled Yo-yos. Etching; plate 5-13/16 by 4-1/4; 18. Andy Warhol. "Cooking Pot." Relief halftone; 4-5/8 by 6-3/16. Feldman 1; 19. Robert Watts. Untitled Dollar Bill. Etching; plate 5-7/8 by 2-1/2; 20. Robert Whitman. Untitled Crossroads. Etching; plate 5-15/16 by 3-15/16. A fine volume complete with all artwork. In a near fine paper sleeve as issued. All works are from the smallest limitation of 15 artist's proofs; and all but the Warhol are signed by the artists as issued. Galleria Schwartz hardcover
1967réf. 87711New York: Tanglewood Press Inc. 1967. Edition of 200. Signed on the mount in pencil lower right by Lichtenstein numbered lower left additionally signed on verso of image in pencil upper right. Two-colour screenprint on silver gelatin photographic print mounted on a lenticular offset lithograph on white composition board with window mount as issued. Image size: 27.9 x 35.5 cm. Mount size: 60.4 x 50.8. Framed size: 67 x 58 cm. Excellent condition. Presented float-mounted in a light ash frame. Corlett 50 unknown
1992réf. 151018Paris: Les Editions du Solstice 1992. Artist's proof aside from the edition of 42. Signed and dated in pencil lower right numbered lower left. There was also an edition of 80 plus 40 hors commerce editions printed on Arches paper published in a book format these were initialled by Lichtenstein and undated. This piece is one of ten etchings produced as a collaboration with Allen Ginsberg's poetry for a book titled La Nouvelle Chute de L'Amérique. Etching and aquatint in three colours on Japon nacré paper lower and right edge untrimmed. Image size: 27.9 x 37.8 cm. Sheet size: 35.4 x 48 cm. Framed size: 49.3 x 58.2 cm. Margins lightly toned hidden by the mount otherwise excellent condition. Presented in a white box frame with acrylic glazing. Corlett 275 unknown
1986réf. 2413New York: Harry N. Abrams 1986. FIRST EDITION. Original box. Very Good. DELUXE SIGNED LIMITED FIRST EDITION ONE OF ONLY 100 COPIES SIGNED BY LICHTENSTEIN complete with 24 offset lithographs printed in color on Coronado Opaque SST Cover paper. Although known primarily for large bold works Roy Lichtenstein "always worked from meticulous finished sketches. During a distinguished career of almost three decades he has seldom deviated from the practice of using these sketches to generate paintings prints and sculpture in ongoing and discrete series. "The twenty-four drawings in this sketchbook are 'all landscapes figures and houses but they are essentially landscapes.' They do in part recall certain of his landscape images of the mid-sixties. However now devoid of the familiar Lichtenstein dots each is composed exclusively of brushstrokes-a combination of free seemingly spontaneous marks evoking Abstract Expressionism played against what the artist refers to as 'cartoon' brushstrokes that continue to represent his concern for artifice. "The drawings in Landscape Sketches 1984-1985 inspired by a semiabstract landscape that appeared as an element in his recent Paintings series constitute his first attempt at creating 'plain landscapes out of all brushstrokes'-the frankly 'fake' or cartoon marks providing the link that allows us to associate these new works with those we recognize as archetypal." Constance W. Glenn Introduction. Note: In addition to the 100 signed and numbered copies there were an additional 10 artist's proofs issued. New York: Harry N. Abrams 1986. Quarto 8.25 x 11 in loose as issued in cloth box with introductory booklet laid-in. Number 45/100 signed and dated on inside of portfolio. Complete with all tissue guards. Some soiling to box otherwise fine. RARE. Harry N. Abrams unknown books
1968réf. 100144New York The Letter Edged in Black Press, 1968. 1968 6 17.8 x 27.9 cm. New York, The Letter Edged in Black Press, 1968. Six portefeuilles 178 x 279 mm, présentés dans leurs emballages postaux d’origine, contenant chacun un sommaire, pour un total de 73 multiples originaux.
réf. 51-7261Paris: Editions du Solstice 1992. Folio. 36 x 48.5. 113pp. Printed on unwatermarked rag paper. Sheets loose as issued in original red cloth boards and blue cloth slipcase.One of 80 signed and numbered copies this one printed for Bruno Pons. The prints have been removed by a previous owner. This copy ideal for someone who owns any of the prints but not the actual portfolio. RLCR 4139 Corlett 267–276; RL 1654: ."The publisher Jean-Claude Meyer brought the poet Allen Ginsberg and Lichtenstein together for this collaboration. Work on the project began in 1991 and the book La Nouvelle Chute de l'Amérique The New Fall of America was published in 1992 by Les Éditions du Solstice Paris. Included are eleven poems by Ginsberg.WITHOUT the ten etchings created by Lichtenstein especially for this publication. One Ginsberg poem De Denver au Montana Départ 27 Mai 1972 is accompanied by two etchings; two poems are unillustrated Graffiti 12e Cabine des Pissotièrres – Aéroport de Syracuse Graffiti 12th Cubicle Men’s Room Syracuse Airport and Vendredi Treize Friday the Thirteenth. The Ginsberg text is given in both English and French translated from the English by Gérard-G. Lemaire Anne-Christine Taylor Robert Cordier Jean-Jacques Lebel and Yves Le Pellec.The unbound book is housed in a red cloth-covered folio cover fitted inside a blue cloth-covered slipcase. A Velin d’Arches paper folder surrounds the folio pages within the red folio. The book consists of 115 pages not all numbered including a title page and colophon page. Lichtenstein’s images were also published separately in an edition of forty-two suites on Japanese nacré paper."OCLC Number / Unique Identifier:29581308.Contents:.Amérique.Auto poésie : en cavale de BloomingtonBayonne en entrant dans NYC.Or automnal : arrière-saison en Nouvelle Angleterre.Une fenêtre ouverte sur Chicago.De nouveau au-dessus de Denver.Passage du Nord-ouest.Graffiti 12e cabine des pissotières-Aéroport de Syracuse.Vendredi treize.Hüm Bom!.De Denver au Montana départ 27 mai 1972.Notes:English and French on opposite pagesTranslations by Gérard-G. Lemaire and Anne-Christine Taylor except "America" Robert Cordier and Jean-Jacques Lebel--and "Hüm Bom" and "Denver to Montana" Yves Le PellecConsists of 25 bifolia and 10 prints. First and last leaf blank not counted in collation; p. 3-4 blank.Issued in white paper covers in burgundy linen portfolio and royal blue linen slipcase by Atelier Duval Paris. Paris: Editions du Solstice, 1992 hardcover
réf. 143165London: The Lilja Art Fund Foundation in association with Azimuth Editions. 1995. Signed by 7 Pop Artists First edition first printing number 18 of 50 copies. Signed by Dine Hockney Johns Lichtenstein Rauschenberg Rosenquist and Stella on a tipped in folding sheet. Together with a presentation letter from the publisher to Riva Castleman one of the contributors. The Lilja Art Fund Foundation is a charitable trust of the Lilja family in Sweden which has one of the finest collections of Pop Art prints. Quarto. Illustrated with 201 colour reproductions of prints. Original black boards titles to spine in white. With dust jacket. Fine in fine dust jacket. hardcover
1994réf. 102398Hudson Hills Pr. New. 1994. Hardcover. 1555951058 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- 336 pages. Illustrated in both black and white and in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Hudson Hills Pr hardcover
1874réf. 24393London: Macmillan and Co 1874. Second edition. All quite fine in worn slipcase. Second edition. Two volumes. xvi 289p; xi 259p. Extra-illustrated with 128 fine plates 24 in color an autograph of Lord Holland and an autograph of Lord Breadalbane. Bound by Bayntun in full blue morocco with silk endpapers a.e.g. the spines in six panels with gilt titles and geometric ornaments the covers with triple-ruled rectangle and diamond superimposed. Macmillan and Co unknown
2011réf. 90010Mitchell-Innes & Nash. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 64 pp. ; 48 ills. -- with a bonus offer--; Roy Lichtenstein Reflected presents a selection of paintings that treat ideas of reflections and doubling. A strategy that spanned Lichtenstein's career mirroring was explored in his Reflections series of the 1980s in which he used his early work as subject matter fracturing it with mirrored glass. Reflected also includes drawings source materials and exclusive clippings from the artist's notebooks. . 2011. 098145786X . Mitchell-Innes & Nash hardcover
2013réf. 106363Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English. 296 pages; over 200 illustrations most in color. -- with a bonus offer-- . 2013. 8857218899 . Skira hardcover
2001réf. 93919University of California Press; Et Al. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 256 pp. With 82 ills. 22 col. . 23 x 19 cm. -- with a bonus offer--; Discovery Series . 2001. 0520209842 . University of California Press; Et Al hardcover
2010réf. 87619Hatje Cantz. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 208 pages; 138 illus. 118 col. . -- with a bonus offer--; Between 1961 and 1968 at the height of the Pop art movement Roy Lichtenstein 1923-1997 created about 50 large black-and-white drawings. Not only was their imagery culled from consumer culture entirely new--baked potatoes ads for foot medication and BB Guns--but so was their treatment which drew on the rudimentary character of cheaply printed commercial drawings. Conceived independently from Lichtenstein's paintings these drawings recast illustrations from newspaper ads and comic books into works of keen visual intensity curiously echoing the clean-edge aesthetic of 1960s geometric abstraction. "Drawing is the basis of my art" Lichtenstein later affirmed; "It is where my thinking takes place." Published for an exhibition at the Morgan Library in New York this richly illustrated publication offers 120 color illustrations plus essays on Lichtenstein's technique and on his little-known 1967 Aspen project in which the artist transformed a room into a black-and-white cartoon drawing. . 2010. 3775726438 . Hatje Cantz hardcover
2008réf. 77415Gallery; Yale University Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 96 pp. one foldout with 91 ills. 76 col. and one tipped-in artist's book with 43 col. Ills. 32 x 32 cm. -- with a bonus offer--; This publication surveys the seminal group of Girl paintings by Roy Lichtenstein. In the Summer of 1961 Lichtenstein embarked on a series of iconic images of women taken directly from newspaper clippings and the romance comic books prevalent in post-war America. The anonymity of mass-produced cheap comics helped him capture specific impressions of real life while maintaining the necessary degree of aesthetic distance afforded by what he understood to be the 'high restrictive quality of art'. The 'Girl' paintings together with the war images or 'Boy' paintings established him as a major protagonist of the American Pop Art movement. His amalgamation of text and image high and low culture and his strategy to involve appropriated images continues to be a rich source of inspiration for subsequent generations of artists from Richard Prince Jeff Koons and Raymond Pettibon to John Currin and Elizabeth Peyton.A conversation between Jeff Koons and Dorothy Lichtenstein opens the catalogue. The publication also brings together an exceptional collection of over 130 images of paintings drawings sources and documentary photographs. Included in these images are 22 full-coloured plates of the 'Girl' paintings 18 of which are featured in the exhibition. The catalogue closes with a select chronology of Roy Lichtenstein's life pinpointing important exhibitions and occasions.An artist's book response to the Girl paintings created by Richard Prince is also included as an insert. . 2008. 0300149271 . Gallery; Yale University Press (Distribution) hardcover
2011réf. 96300The Monacelli Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 79 illus. 73 in color. -- with a bonus offer--; Roy Lichtenstein in His Studio is a portfolio of vivid and engaging photographs by Laurie Lambrecht who was an administrative assistant to Lichtenstein for three years. She and the artist worked together daily and the bond between them is evident in the photographs. Lichtenstein is shown working on two major series Reflections and The Interiors. He is completely absorbed oblivious to the camera as he mounts ladders assembles colors composes and steps back to consider the effect. During this period Lambrecht assisted in gathering material for a major retrospective at the Guggenheim Museum in New York. As a result the photographs include scrapbooks and sketchbooks and other archival material that document Lichtenstein’s entire career. There are stencils of Ben-Day dots clippings from newspapers and comic books Polaroid snapshots rolls of tape and boxes of colored pencils. Lichtenstein encouraged Lambrecht to make photographs and was often pleased and amused by the results. These images offer fascinating insight into Lichtenstein’s working processes and source materials as well as being vibrant works of art in their own right. In her essay Dorothy Lichtenstein wife of the artist recalls the collegial atmosphere of the studios in New York and Southampton in the early 1990s a time of extraordinary productivity. Edward Robinson an associate curator at the Los Angeles County Museum of Art describes Lambrecht’s process and approach. . 2011. 1580933181 . The Monacelli Press hardcover
2009réf. 79234Museum; D. A. P. Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 48 pp. With 46 ills. 37 col. . 21 x 16 cm. -- with a bonus offer--; Roy Lichtenstein made a tremendous impact on Modern art in the twentieth century. As a pioneer of Pop art he was a key figure in the postwar tradition that brought American art to the forefront of the international scene. This new volume in the MoMA Artist Series which explores important artists and favorite works in the collection of The Museum of Modern Art guides readers through a dozen of the artist's most memorable achievements. A short and lively essay by Carolyn Lanchner a former curator of painting and sculpture at the Museum accompanies each work illuminating its significance and placing it in its historical moment in the development of Modern art and the artist's own life. This volume provides a unique overview of someone who shaped the development of American art since mid-century and is an excellent resource for readers interested in the stories behind the masterpieces of the Modern canon. . 2009. 0870707701 . Museum; D. A. P. (Distribution) paperback
2008réf. 85414R. A. Publications. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 472 pages 460 color illustrations. -- with a bonus offer--; Henry Moore is one of the key figures in modern sculpture. His work both representational and abstract is some of the most significant and well-known of the twentieth century and can be seen today in museums and public spaces around the world. In this authoritative survey Christa Lichtenstern establishes Moore’s place in twentieth-century art history exploring the sculptor’s guiding principles and his artistic development from his study of Greek antiquity and his fascination with early Italian sculpture to his interest in English heritage and culture. A leading scholar in modern sculpture Lichtenstern provides a comprehensive and accessible study of this unique artist. . 2008. 1905711212 . R. A. Publications hardcover
2009réf. 88772Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 44 pp. ; 60 illus. -- with a bonus offer--; Softcover art book to accompany exhibits at Katonah Museum of Art in Katonah NY and Dixon Gallery and Gardens in Memphis TN. Like the exhibition the catalogue follows the artist's creative process from sketchbook to drawing to large color collage. Avis Berman who directed the oral history program of the Roy Lichtenstein Foundation has compiled excerpts from interviews with Lichtenstein and his assistants. Photos of the artist at work animate the text.44 pages; over 50 color illustrations; 10 photographs . 2009. 0915171775 . Museum paperback
2016réf. 119220Indiana University Press. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - -- with a bonus offer-- . 2016. 025302126X . Indiana University Press hardcover
2006réf. 89761Lars Muller Mueller Müller Publishers. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 300 pp. ; 312 ills. -- with a bonus offer--; This broad selection of Swiss architecture graphic design and design from 1950 to 2006 demonstrates that in this context playful humor and clarity are by no means opposites but a highly unusual duo of qualities that mingle and interpenetrate. The question addressed by this publication is: are these examples from three professions various regions and languages and a period of more than fifty years bound together by a common denominator No parade of luxury items but talents and ideas finding material expression and clients with the courage to embrace new "inventions” presented with examples from architecture graphic design and design: movie theaters swimming pools pedestrian bridges gas stations posters journals record and CD covers books web design furniture and the legendary TEE train Trans-Europe Express. This publication is accompanied by an exhibition at the Kornhausforum in Bern which then goes on to additional locations throughout the world. . 2006. 3037780908 . Lars Muller (Mueller, Müller) Publishers hardcover
2013réf. 106920Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . 2013. 1935263846 . Gallery hardcover
2012réf. 105114UW Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 96 pages; many illustrations most in color. -- with a bonus offer-- . 2012. 0642334285 . UW Press (Distribution) paperback
2012réf. 104718Abrams Distributor . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 80 pages; illustrated with color and several black and white images. -- with a bonus offer-- . 2012. 1849760217 . Abrams (Distributor) paperback
1970réf. 59656Irvine California U. S. A. : Art Gallery University of California. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 66 pp. With 27 pls. 24 col. . 26 x 27 cm. -- with a bonus offer-- . 1970. Art Gallery, University of California paperback
2005réf. 72273Verlag Der Buchhandlung Walther Konig. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- Text in English. 248 pp. 16 foldout with 158 ills. 126 col. . 34 x 25 cm. -- with a bonus offer-- . 2005. 3883759651 . Verlag Der Buchhandlung Walther Konig hardcover
