1 306 résultats
2001réf. 62059Hudson Hills Press Inc. . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 104 pp. With 126 ills. 115 col. And 2 foldout. 29 x 25 cm. -- with a bonus offer-- . 2001. 1555952054 . Hudson Hills Press, Inc. hardcover
1984réf. 61003Gallery. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 50 pp. With 56 ills. 15 col. . 21 x 24 cm. -- with a bonus offer-- . 1984. Gallery paperback
2001réf. 62058D. A. P. /Distributed Art Publishers Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 60 pp. With 42 ills. 19 col. . 32 x 31 cm. -- with a bonus offer-- . 2001. 1880154625 . D. A. P. /Distributed Art Publishers (Distribution) hardcover
2008réf. 91392University of Chicago Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 232 pages. Description: "Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others 'The Blind Spot' lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years." -- with a bonus offer--; Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years. . 2008. 0892368926 . University of Chicago Press (Distribution) hardcover
1993réf. 53934University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to spine - 269 pages -- with a bonus offer--; Lichtenstein Jacqueline translated By McVarish Emily The Eloquence of Color Rhetoric And Painting In The French Classical Age . 1993. 0520069072 . University of California Press hardcover
2009réf. 79147University of California Press. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 160 pp. With 123 ills. 23 x 23 cm. -- with a bonus offer--; Through an examination of Surrealist photographs objects exhibitions activities and writings the essays in Twilight Visions the beautifully illustrated companion volume to the exhibition of the same name portray the French capital as a city in the process of metamorphosis-in a kind of twilight state. The Bureau of Surrealist Research the major Surrealist exhibitions and the photographs of Paris by Brassai Andre Kertesz Ilse Bing Germaine Krull and Man Ray among others all reflect the tumultuous social and cultural transformations occurring in Paris in the 1920s and 30s. Juxtaposing the strange with the familiar they seek to break down repressive hierarchies. At the same time they represent a desire to change the world through experimental activities. Introduced by Therese Lichtenstein with essays by Therese Lichtenstein Julia Kelly Colin Jones and Whitney Chadwick this absorbing volume considers the social aesthetic and political stances of the Surrealists as they probed hidden aspects of the commonplace and blurred the boundaries between dreams and reality subjectivity and objectivity. Copub: Frist Center for the Visual Arts . 2009. 0520260813 . University of California Press hardcover
2010réf. 87434Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 372 pages; 489 illus. -- with a bonus offer--; One of the most complete monographs of the artist to date this volume depicts the career of Roy Lichtenstein one of the finest American pop artists of his era. Roy Lichtenstein 1923-1997 was the master of the stereotype and the most sophisticated of the major pop artists. An emblematic protagonist of the New York art scene of the second half of twentieth century he became a legend in his prolific lifetime. Even now thirteen years after his death his works and lexicon of symbols subjects and themes continue to intrigue the art world. Published on the occasion of the major exhibition at the Milan Triennial this monograph covers the entire artistic development of Roy Lichtenstein through more than 250 paintings and sculptural works a rich photographic section including unpublished material and critical text. The reproductions of Lichtenstein’s work are large-format in full color. The insightful quotes and most of the references to his personal life serve to explain how his art evolved or how he came to be in a particular place in the world. This deluxe edition large square format with padded cover offers a dynamic and provocative look at the works of Lichtenstein through a powerful combination of text and visual elements. It will appeal to Lichtenstein fans critics dealers and anyone interested in contemporary art. . 2010. 885720460X . Skira hardcover
1971réf. 61791Palais Liechtenstein. As New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - Text in German. 78 pp. With 20 ills. 20 x 19 cm. -- with a bonus offer-- . 1971. Palais Liechtenstein paperback
2006réf. 90277D. A. P. Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 128 pp. ; 77 illus. -- with a bonus offer--; Charles Stuckey writes in his essay "Lichtenstein and Surrealism" that "Searching for a worldwide audience in the 1930s the Surrealists nowhere received more welcome than in the United States with important exhibitions at the Wadsworth Athenaeum in Hartford and The Museum of Modern Art in New York. The Julien Levy Gallery quickly became something of an official New York headquarters. By the 1940s when Lichtenstein attended art school at Ohio State University Surrealism was widely acclaimed as the matrix style for contemporary American abstract art." So no one should be surprised that the young Lichtenstein's work of that era is "fundamentally Surrealist in spirit" and that the style that influenced him as a young man would carry over into his life's work. The paintings and works on paper in Conversations with Surrealism show the movement's continuing power and inspiration through to the 1970s when Lichtenstein drew on the work of Dali Magritte and Picasso. The works from this series endow Surrealist archetypes such as dreamlike landscapes with Lichtenstein's distinctive style weaving the artist himself into an art-historical narrative. Conversations with Surrealism offers a glimpse into the development of some of Lichtenstein's best-known motifs including his "self-portraits" in which various objects represent the artist's head and face. Includes a work of short fiction by Frederic Tuten author of The Green Hour. . 2006. 0974960748 . D. A. P. (Distribution) hardcover
2003réf. 63919Museum. New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request – – IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 40 pp. With 23 col. Ills. 25 x 22 cm. Description: "Documents 16 paintings and drawings from the collection of television producer Cramer selected to examine contemporary artistic approaches to the body and sexuality including works by Warhol Hockney Salle Fischl Lichtenstein Pittman Currin and Essenhigh." -- with a bonus offer-- . 2003. Museum paperback
2008réf. 97614University of Chicago Press Distribution . New. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 330 pp. ; 72 illus. -- with a bonus offer--; AIMprint: New Relationships in the Arts and Learning offers an expansive model for arts integration that places relationships between people processes concepts and curricula at the center of effective teaching practice. Through curriculum samples essays and first-person testimony AIMprint outlines teaching methods that account for students' diverse learning styles and offers an expansive model for arts integration in the 21st century. AIMprint presents a new theory of arts integration practices in the multiple voices of teaching artists teachers principals college faculty program administrators and public school students. . addressed include: higher-order thinking strategies that link arts and literacy building partnerships between educational and community interests and creating a community of learners at every level of an arts partnership. . of School Partnerships and Amanda Leigh Lichtenstein Writer/Arts Educator and is a publication of Project AIM Arts Integration Mentorship and the Center for Community Arts Partnerships at Columbia College Chicago. Funding for the publication of AIMprint was provided by the US Department of Education's Fund for the Improvement of Postsecondary Education FIPSE the Oppenheimer Family Foundation and Columbia College Chicago. See http://www.colum.edu/ccap for more information. . 2008. 0929911229 . University of Chicago Press (Distribution) paperback
2010réf. 87435Gallery. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 228 pages; 154 illus. -- with a bonus offer-- . 2010. 1935263129 . Gallery hardcover
1828réf. D52GW8INTMYHBerlin 1828. 4to. Druckerei der Königliche Akademie der Wissenschaften Contemporary marbled boards with a red title-label on spine. With 10 numbered hand-coloured lithographs on 6 folding plates by and after J.A. Schmidt. 2 29 1 pp. Second edition of a beautifully illustrated monograph on Dipodidae jumping mice and jerboa by the German zoologist physician and explorer Martin Hinrich Carl Lichtenstein 1787-1857 who named some of the described animals. The work comprises a thorough historical survey and detailed descriptions of 14 Dipodidae a family which is considered today to include over 50 species among 16 genera. Tipped in is a table from Meyer's Palaeologie zur Geschichte der Erde und ihrer Geschöpfe titled "System der fossilen Saurier nach der Entwicklung ihrer Organe der Bewegung". Library stamps. The added table foxed otherwise in good condition.l Nissen ZBI 2505; not in Wood; for the author: ADB XVIII pp. 556-557. NATURAL HISTORY / Zoology Mammals ZZ NATURAL HISTORY / Oud hardcover
1970réf. mon0003764949University of California Press / 1970T. paperback. Very Good. . University of California Press / paperback
réf. 109522Paris Centre national d'art contemporain 1975. . First edition; square 8vo 20 x 21 cm; 99p. text in French illustrations throughout in colour and black and white; original printed wrappers inscribed in red ink on the front cover by the artist some wear to spine of wrapper a very copy. Richly illustrated catalogue for Lichtenstein's exhibition Dessins sans bande in the winter of 1975. Inscribed on the cover 'To Ferdinande Roy Lichtenstein '75.' Paris, Centre national d'art contemporain, 1975. unknown
réf. ACHnsLIC46np: Rosenthal Porcelain Studio-Linie nd. original plate multiple. 12 1/8 inches in diameter. glazed porcelain. loosely inserted in original clamshell box with printed certification booklet. Edition of 3000 numbered on verso; signed by Lichtenstein in the print on recto & verso. "When Roy Lichtenstein was asked over thirty years ago how he would classify this new trend in painting he replied: ". in reality it is industrial painting the significance of my work lies in the fact that it is industrial." By "industrial" Lichtenstein meant the kind of art which is in keeping with the machine age an art based on absolute precision and clarity of form: 'The style is cool'." Prof. Dr. Heinz Spielmann Director Museum of Schleswig-Holstein. Signed by Authors. np: Rosenthal [Porcelain], Studio-Linie, nd. unknown
2002réf. 215962New York / Washington D.C.: Hudson Hills Press in association with The National Gallery of Art 2002. Second revised edition. Hardcover. 372 pages. A revised and expanded edition. Features a foreword by Earl A. Powell III and a special new introduction by Ruth E. Fine for this edition. A comprehensive look at the wide range of works by Lichtenstein from prints posters books announcements and other projects. Includes 389 color plates with an additional 60 black and white illustrations. A clean very near fine copy in cloth boards and in a very near fine dust jacket. A lovely copy of a somewhat elusive book that remains one of the best reference books on this important Pop artist. Hudson Hills Press in association with The National Gallery of Art unknown
1968réf. 1029501968 affiche Affiche 1281x907mm, pour l’exposition à la Kunsthalle de Berne 23 février-31 mars 1968, imprimée en sérigraphie par Albin Uldry à Berne.D’après l’œuvre originale de 1963. Bel exemplaire malgré une déchirure marginale n'atteignant pas l'image. (102950)
1981réf. 23974New York: Hudson Hills Press in association with the Saint Louis Art Museum 1981. Fine in gilt-stamped boards red slipcase. First Edition. Quarto in slipcase. A fine presentation copy SIGNED by Lichtenstein and Cowart and inscribed in the year of publication to the book's publisher Paul Anbinder: "For Paul Anbinder / With our most sincere thanks / and best wishes / Roy Lichtenstein 81' / Jack Cowart." Published in conjunction with a major traveling retrospective of Roy Lichtenstein's work that began at the Saint Louis Art Museum May 8 - June 28 1981. Profusely illustrated with 67 color plates and 100 black-and-white images including 5 gatefolds. With an introduction and two essays by curator Jack Cowart. New York: Hudson Hills Press, in association with the Saint Louis Art Museum unknown books
1989réf. 25714New York: Mary Boone Gallery 1989. A little worn at the edges and extremities; back cover with irregular toning else close to near fine in textured boards. Rare signed copy of an unaccountably uncommon publication. First Edition. Tall quarto. SIGNED and briefly inscribed: "To Bob John / Roy / Roy Lichtenstein / 1/18/90." Tissue-guarded mirrored pastedowns and endpapers. Rare hardcover catalogue published in conjunction with Lichtenstein's exhibition "The Mirror Paintings" at Mary Boone Gallery New York 21 October - 18 November 1989. Introduction by Robert Rosenblum essays by Lawrence Alloway and Henry Geldzahler. 19 color illustrations black and white frontispiece. Elegant and iconic design high quality printing. New York: Mary Boone Gallery unknown books
1963réf. 26412Düsseldorf: Verlag Kalender / Hansjoachim Dietrich 1963. Printed on card stock with an extremely delicate binding; this copy with one signature loose and a hint of age-toning else near fine in black wrappers. First Edition. Thick octavo. An early Pop Art anthology illustrated in black-and-white with works by Wolf Vostell Nam June Paik Roy Lichtenstein Claes Oldenburg Jim Dine George Segal Diter Rot Hansjoachim Dietrich Mimmo Rotella and George Brecht followed by numerous blank pages interspersed with poetry and occasional images. A work of art in its own right. Düsseldorf: Verlag Kalender / Hansjoachim Dietrich unknown books
1874réf. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown
1963réf. ZB252502Springer 1963. volumes 84-89 91-112 116-143 148 149 1963-1976 partly bound ex library else texts clean & bindings tight. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Springer unknown
1874réf. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown books
Corlett, Mary Lee: The Prints of Roy Lichtenstein. A Catalogue Raisonné. New York: Hudson Hills, 2002. 374pp with 379 colour and 60 monochrome illustrations. Cloth. 31.3x23.8cms. Second edition of the catalogue of 350 prints, original posters, book and magazine illustrations and announcements. With chronology, exhibition history, bibliography, concordances, index. Second edition of the catalogue of 350 prints, original posters, book and magazine illustrations and announcements. With chronology, exhibition history, bibliography, concordances, index. Text in English
