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Best.-Nr. ria9783382500818_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reprint of the original first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age these books may have missing pages or inferior quality. Our aim is to preserve these books and ma hardcover
Best.-Nr. 0484462849.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 1331362342.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Best.-Nr. B9783368835545Paperback / softback. New. paperback
Best.-Nr. B9783368802851Hardback. New. hardcover
Best.-Nr. B9783382500818Hardback. New. hardcover
Best.-Nr. B9783368802844Paperback / softback. New. paperback
1874Best.-Nr. mon0000970574Macmillan and Co. 1874. Hardcover. Very Good. in x in x in. 2 volumes. Pages clean and bright no markings. Complete with numerous illustrations. Macmillan and Co. hardcover
1874Best.-Nr. 111111113691MacMillan and Co 1874. Hardcover. Good. MacMillan and Co.; London 1874. Hardcover. Two Volume Set. A Good full leather binding with gilt lettering and gilt illustration on front board gilt lettering and gilt ornate design on spines cracked but holding hinges some handling/scuffing and small soiled spots to boards marbled text block edges and pastedowns/endpapers bookplate affirmed to front pastedown both Volumes Volume 1 spine label missing tear bottom spine both Volumes also causing leather to be partially detached from spine rubbing along board edges and joints ink gift inscription on prelim Volume 1 previous owner handwritten ink name on prelim Volume 2 abrasions to board corners some age toning to pages crease top front free endpaper corner tear and crease at fore-edge of contents page Volume 1 bit of scattered foxing to front and back matters without Dust wrapper. A good and overall clean set. 8vooctavo or approx. 6 x 9 inches. Vol.1 289pp. Vol.2 255pp. indexed fold outs b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. MacMillan and Co hardcover
1874Best.-Nr. 911F34London: Macmillan and Co 1874. First edition. Leather. Near Fine. 9" by 6.5". Various. An extra-illustrated example of first edition of Marie Fox's brilliant history of Holland House her own family own in sumptuous signed bindings by Bayntun Riviere. The first edition of this work complete in two volumes bound in crushed morocco by Bayntun-Riviere.A beautiful study of Holland House and its impressive art collection.An extra-illustrated example of this work:Volume I illustrated with a hand-coloured frontispiece hand-coloured vignette title page eight further hand coloured portrait plates and fifty two further plates one of which is folding.Volume II illustrated with a hand-coloured frontispiece hand-coloured vignette title page nine further hand coloured plates and fifty-seven further plates five of which are folding.The majority of these extra plates are portraits and views of houses.Holland House originally called Cope Castle was an early Jacobean country house in Kensington first built in 1605. In the nineteenth century during the author's residence at Holland House the House was a notable gathering place for Whigs.Sadly the house was largely destroyed during the Blitz in 1940. This work provides a unique and important history of the great house before its destruction.With the armorial bookplate of J. F. D. Tutt to each front pastedown.Marie Fox the Princess Marie of Liechtenstein was an English writer a foundling of unknown paternity. She was adopted by Henry Fox and his wife and subsequently moved into their family home at Holland House. In signed crushed morocco bindings with gilt detailing. Boards exceptionally bright. Back strips age toned as is common with blue morocco. Bookplates to front pastedowns. Internally firmly bound. Pages exceptionally bright and generally clean with only the odd spot or faint handling mark. Near Fine Macmillan and Co hardcover
1874Best.-Nr. 876M28London: Macmillan and Co. 1874. First edition. Cloth. Good. 9" by 6.5". Not Stated. A first edition two-volume set on the history and art collection of Holland House originally known as Cope Castle. The first edition of this two-volume set in the publisher's original cloth bindings with gilt detailing to the spines. Mudie's Select Library bookplate to the front boards. Bookplate to the front paste downs. Illustrated with a frontispiece and a title page vignette and numerous headpieces tailpieces and in-text illustrations to each volume. Volume I is illustrated with eight further plates and a folding facsimile plate. Volume II is illustrated with nine further plates and four folding facsimile plates. Collated complete. Princess Marie Henrietta Adelaide of Liechtenstein 1850-1878 was an English writer who was adopted by a nobleman and wed into the Princely House of Liechtenstein. This was her only work but she also translated German works into English. This volume details Holland House and its art collection and was relatively popular remaining an important source for the house's history. Holland House was an early Jacobean country house in Kensington London built in 1605 and later destroyed during the Blitz in 1940 with only the east wing and some ruins remaining. It was a Whig social centre during its heyday. Remarkably despite twenty-two bombs falling upon the house the library and many important volumes within survived. In the publisher's original cloth bindings. Externally sound with marks to the boards and shelf wear to the extremities. Mudie's Select Library bookplate to the front boards. Hinges to both volumes are strained with webbing showing but are holding reasonably firm. Pages are generally bright and clean with the occasional spot to Volume II. Good Macmillan and Co. hardcover
1875Best.-Nr. 754R10London: Macmillan And Co. 1875. Cloth. Very Good. 9" by 6". Not Stated. A third edition on the subject of Holland House in a decorative binding profusely illustrated and with folding plates. Princess Marie Henrietta Adelaide of Liechtenstein 1850-1878 was an English writer who was adopted by a nobleman and wed into the Princely House of Liechtenstein. This was her only work but she also translated German works into English. This volume details Holland House and its art collection and was relatively popular remaining an important source for the house's history. Holland House was an early Jacobean country house in Kensington London built in 1605 and later destroyed during the Blitz in 1940 with only the east wing and some ruins remaining. It was a Whig social centre during its heyday. Remarkably despite twenty-two bombs falling upon the house the library and many important volumes within survived.Illustrated with steel plates and lithographs as well as a number of folding facsimile plates.In the publisher's original binding with gilt decoration to the boards and spine. In a full cloth binding. Externally a trifle rubbed slightly bumped to the head and tail of the spine some loss to the cloth at the worn extremities. Internally hinges are starting but firm pages are bright and clean. Very Good Macmillan And Co. hardcover
1875Best.-Nr. ST18174London: Macmillan and Co 1875. Third Edition. 226 x 151 mm. 9 x 6". xx 370 pp. VERY PRETTY SCARLET CRUSHED MOROCCO GILT BY LUCIEN BROCA stamp-signed on front turn-in covers with decorative roll border and frame of gilt and blind rules central panel diapered in ogival compartments each containing a lily raised bands spine compartments gilt in a similar design gilt lettering densely gilt turn-ins marbled endpapers all edges gilt. With eight steel-engraved plates including five folding manuscript facsimiles 88 wood engravings the majority head- and tailpieces but some full-page and EXTRA-ILLUSTRATED with 24 engraved portraits of artists whose work is represented in the house and notable personages who visited there all the added plates with tissue guards. Spine just slightly and evenly darkened a breath of rubbing to rear joint mild foxing to a few of the inserted plates but A VERY FINE COPY--the text clean and fresh and the most attractive binding with virtually no signs of wear. This is a handsomely bound and extra-illustrated history of one of England's most celebrated stately homes Holland House here minutely described with all its furnishings and grounds along with numerous anecdotes of its distinguished inhabitants. Located in Kensington which today has long been engulfed by greater London the mansion began life as Cope Castle built beginning in 1607 by Sir Walter Cope. From Sir Walter the manor passed to his daughter Isabel wife of Henry Rich who became the first Earl of Holland in 1624. Like the king to whom he was loyal Rich was beheaded in 1649. Later in the century Holland House was rented by William Penn and in 1767 it was bought by Henry Fox first Lord Holland 1705-74 who held the position of leader of the House of Commons. In its day Holland House hosted the leading lights of Europe including Byron and the future American president James Monroe. Our author Princess Marie Henriette Norberte of Liechtenstein 1843-1931 was motivated to write these memoirs by her friendship with the widow of the fourth Lord Holland. The very attractive binding is the work of French-born binder Lucien Broca 1829-1910 who immigrated to London in 1875. According to Tidcombe's "Women Bookbinders" Broca was a "superb trade finisher" who originally worked for Antoine Chatelin then went into partnership with German émigré Simon Kauffmann from 1876 to 1889. Tidcombe and Sarah Prideaux's former pupil Katherine Adams believe that most of the bindings attributed to Prideaux between 1890 and 1900--some 290 volumes--were actually done by Broca with Tidcombe giving the Frenchman credit for the "best Prideaux bindings." Prideaux never publicly acknowledged his work perhaps for fear of disappointing fans of the most famous woman bookbinder in England. Broca was in business for himself as an "Art Binder" in 1901 and our binding was probably done about that time. The beauty of the present design is dependent on his perfection of finish--crispness of line and solidity of impression were Broca's hallmarks. Macmillan and Co unknown books
1874Best.-Nr. 223351London: Macmillan 1874. hardcover. fine. Extra illustrated with lithographs copper and steel engravings mainly portraits and numerous woodcuts throughout the text several fold out facsimlies. 2 volumes tall 8vo beautifully rebound in 3/4 brown morocco with black spine labels marbled boards t.e.g. London: Macmillan 1874. Fine. Macmillan unknown books
1874Best.-Nr. 214672London: Macmillan 1874. Second. hardcover. very good. Numerous steel engravings and lithographs several fold out facsimlies. 2 volumes tall 8vo ornately gilt blue cloth top of spines repaired. London: Macmillan 1874. Second Edition. Very Good . Macmillan unknown books
1874Best.-Nr. 1367820London: Macmillan and Co 1874. Second edition. Hardcover. Octavo; 2 volumes; G-; Hardcover; Spine brown with gold print raise bands; Boards 3/4 bound with brown leather to spine and corners and marbled paper to boards slight wear to spine caps and corners toning to spine else clean and strong; Text blocks have has gilt top edge marbled endpapers slight penciled note p. xiii v. 1 foxing to endpapers title pages and occasional foxing within else clean and tight; Illustrated with frontispieces and b&w plates some folded; 2 vols. xvi 289 pages ; xi 259 pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. NOTE: Shelved in Locked Annex Area ND-HV Column. 1367820. FP New Rockville Stock. Macmillan and Co hardcover books
1983Best.-Nr. 0309531983. Softcover. Very Good Condition. Exhibition catalog from 1983 gallery opening. SIGNED and inscribed by Solomon in year of publication. Some bumping and nicking to edges. Artists represented include: Roy Lichtenstein; William Wegman; Andy Warhol; Christo; Laurie Anderson; Robert Mapplethorpe; and more. Installation views and BW plates. 126 pages. Binding is tight covers and spine fully intact. Quantity Available: 1. Shipped Weight: 2-3 Pounds. Category: Art::Painting Drawing & Sculpture; Signed by Author. Inventory No: 030953. BZDB373 paperback
Best.-Nr. 17-6139Hannover Germany: Kestner-Gesellschaft 1973. 84 x 59.4 cm. sheet. Offset color lithograph. Printed signature and date in image. Very Good a few minor tears along sheet edges sheet slightly yellowed. Hannover, Germany: Kestner-Gesellschaft, 1973. unknown
1968Best.-Nr. 1029501968 affiche Affiche 1281x907mm, pour l’exposition à la Kunsthalle de Berne 23 février-31 mars 1968, imprimée en sérigraphie par Albin Uldry à Berne.D’après l’œuvre originale de 1963. Bel exemplaire malgré une déchirure marginale n'atteignant pas l'image. (102950)
1957Best.-Nr. 151688New York: Jewish Science Publishing Co 1957. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Light stain on spine heel and bottom text block edge. Jewish Science Publishing Co hardcover
2002Best.-Nr. Q-0871207222Association for Supervision & Curriculum Development 2002-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Association for Supervision & Curriculum Development paperback
2011In-8 (cm. 28), brossura, titolo al dorso, pp. 201, con illustrazioni in bianco e nero e a colori, ISBN 978-88-904871-7-0. In buono stato di conservazione (good copy).
2017Best.-Nr. x-3525800215Vandenhoeck & Ruprecht 2017. Paperback. New. 160 pages. German language. 9.80x6.50x0.32 inches. Vandenhoeck & Ruprecht paperback
1963Firenze, 1963, 8vo stralcio con copertina posticcia muta, pp. 833/844 con 8 illustrazioni fotografiche. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perché ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “extract” or “excerpt” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
1957Milano, 1957, stralcio con copertina posticcia muta, pp. 961/974 con fotografie, tavole fotografiche ed una cartina. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.