Aaron LichtensteinBiblio.com
1 624 résultats
2007réf. G9657108861I3N00Urim Publications 2007. Hardcover. Good. Disclaimer:A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting and the copy can include previous owner inscriptions. At ThriftBooks our motto is: Read More Spend Less.Dust jacket quality is not guaranteed. Urim Publications hardcover
2007réf. AA1-22-07-26-003Urim Publications 2007-04-01. hardcover. Good. 5x0x8. Minor wear on edges and corners. Clean pages with no markings. Ships same day in most cases!Any queries just ask for photos. Your satisfaction matters! Urim Publications hardcover
réf. 9657108861.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 61026402Getty Publications . Hardback. New. pp. ix 215 Getty Publications hardcover
2008réf. 91392University of Chicago Press Distribution . New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 232 pages. Description: "Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others 'The Blind Spot' lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years." -- with a bonus offer--; Beginning in the seventeenth century the greatest French writers and artists became embroiled in a debate that turned on the priority of painting or sculpture touch or sight color or design ancients or moderns. Jacqueline Lichtenstein guides readers through these historic quarrels decoding the key terms of the heated discussions and revealing how the players were influenced by the concurrent explosion of scientific discoveries concerning the senses of sight and touch. Drawing on the work of René Descartes Roger de Piles Denis Diderot Charles Baudelaire and Émile Zola among others The Blind Spot lets readers eavesdrop on an energetic and contentious conversation that preoccupied French intellectuals for three hundred years. . 2008. 0892368926 . University of Chicago Press (Distribution) hardcover
2011réf. 83889Ostfildern & NY: Hatje Cantz/Morgan Library & Museum 2011. First edition. 4to. 207 pp w/list of works cited. Fine in illustrated boards. No dust jacket as issued. Essays by Graham Bader Clare Bell Thomas Crow and Margaret Holben Ellis and Lindsey Tyne. The first exhibition devoted to a group of about 50 large drawings created between 1961 and 1968. Ostfildern & NY: Hatje Cantz/Morgan Library & Museum hardcover
2010réf. BN96809Hatje Cantz Verlag The Morgan Library & Museum. 2010. 2010. Softcover. The Black-and-White Drawings 1961 - 1968. With Essays by Graham Bader. Clare Bell. Thomas Crow. Margaret Holben and Lindsey Tyne. The Black-and-White Drawings 1961 - 1968. With Essays by Graham Bader. Clare Bell. Thomas Crow. Margaret Holben and Lindsey Tyne. Hatje Cantz Verlag The Morgan Library & Museum. paperback
réf. 1549107755.GaudioCD. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1997Book is in excellent condition with two lightly bumped corners, slight wear at bottom edge. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. Black cloth covers with a photo-illustrated dustjacket. Lavishly illustrated with full page mostly colour photographs, including endpapers. Published posthumously as an ode to Versace and his art collection just after his death in July 1997; it was the last book he worked on. Works from his art collection are included in close-ups with fashion shots of male and female models. About 150 pages, unpaginated.
réf. 18394The National Gallery of Art, Washington 1994. Planche de six timbres, sans valeur faciale, au format 15 x 13 cm, reproduisant des oeuvres en couleurs, de Roy Lichtenstein, édité par le musée : The National Gallery of Art, Washington, pour l'exposition qi eut lieu du 30 octobre 1994 au 8 janvier 1995. Etat de neuf. Rare.
réf. 11-1012Amsterdam: Stedelihjk Museum 1991. 64 x 52.7 cm. Matted in red a glossy black wooden frame. Offset lithograph on white wove paper. One of the three prints in the triptych “As I opened Fire.” It is a reproduction of the painting in the collection of the Stedelijk Museum Amsterdam. First printed in 1966 and again in 1974 1983 1988 1990 and 1991. Corlett App.5. Amsterdam: Stedelihjk Museum, 1991. unknown
réf. 610350Ex Offic. Acad. C. G. Fleckeisen Helmstadii 1803 In-4 carré ( 275 X 230 mm ) de 172 pages, demi-basane tabac, dos lisse orné de filets dorés. Planches hors-texte. Edition originale. Reliure frottés bon exemplaire, pur, non rogné.
réf. 1024843084.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2003réf. 15883BBFrankfurt am Main/Basel, Stroemfeld Verlag, 2003. 4°, 393 S. mit zahlreichen Farb- und s/w-Abbildungen, Lesebändchen, illustr. original Leineneinband (Hardcover), illustr. Vorsätze, sehr gutes, sauberes Exemplar.
réf. 68-2085San Francisco CA: Pasquale Iannetti Art Galleries 1986. . Color Separation. Image: 10 x 13.5 cm. Very Good. Pasquale Iannetti Art Galleries photo documentation. San Francisco, CA: Pasquale Iannetti Art Galleries, [1986?]. unknown
1988réf. 783457PN. New. 1988. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
2005réf. Q-0399152873G.P. Putnam's Sons 2005-05-05. Hardcover. New. New. In shrink wrap. Looks like an interesting title! G.P. Putnam's Sons hardcover
1992réf. 029081Zurich Switzerland: Museum fur Gestaltung 1992. 1st Edition. Hardcover. Very Good. Color and b/w illustrated.A nice copy clean and unmarked int he inside. 4to. Museum fur Gestaltung hardcover
réf. 58739Baden Lars Müller 1992. 4° 319 S. zahlr. meist s/w Abb. Kart. Widmung u Stempel a. Schmutztitel tadell. EA. = Museum für Gestaltung Wegleitung 384. 010 Baden, Lars Müller, 1992 unknown
1996réf. BN6656Princeton Architectural Press 1996. 1996. Softcover. 298 x 24 x 21 cm. From Library Journal Swiss architects surveys streamlining transportation design ships trains planes automobiles dirigibles motor scooters museum exhibition Boston Architectural design professional Freiräume. Entwerfen als Landschaftsarchitektur Hans Loidl Stefan Bernard This sophisticated and charming book edited by two Swiss architects surveys the phenomenon of streamlining in transportation design during the first half of the 20th century. It covers ships trains planes and automobiles as well as dirigibles and motor scooters. With its generous illustrations and succinct essays it reads more like the catalog of a museum exhibition than a straightforward historical text. The photographic material including a ten-page color portfolio is especially valuablechock-full of period detail. Well priced this book serves sophisticated tastes and will be a fine addition to specialized collections.Peter S. Kaufman Boston Architectural Ctr. As a design professional I thought I was familiar with the streamlined era - wrong! Page after page I was delighted to discover something new and amazing. You owe it to yourself to get a copy of this book it's an eye-opening tour filled with fascinating visions. From Library Journal Swiss architects surveys streamlining transportation design ships trains planes automobiles dirigibles motor scooters museum exhibition Boston Architectural design professional Freiräume. Entwerfen als Landschaftsarchitektur Hans Loidl Stefan Bernard This sophisticated and charming book edited by two Swiss architects surveys the phenomenon of streamlining in transportation design during the first half of the 20th century. It covers ships trains planes and automobiles as well as dirigibles and motor scooters. With its generous illustrations and succinct essays it reads more like the catalog of a museum exhibition than a straightforward historical text. The photographic material including a ten-page color portfolio is especially valuablechock-full of period detail. Well priced this book serves sophisticated tastes and will be a fine addition to specialized collections.Peter S. Kaufman Boston Architectural Ctr. As a design professional I thought I was familiar with the streamlined era - wrong! Page after page I was delighted to discover something new and amazing. You owe it to yourself to get a copy of this book it's an eye-opening tour filled with fascinating visions. Princeton Architectural Press paperback
réf. G3906700712I3N00Lars Muller Publishers 1899. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Lars Muller Publishers paperback
réf. 3906700712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 3030882683.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. ria9783030882686_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Providing an alternative to short term bottom line thinking this book enters into a deeper dialogue about the role of personal values in strategy formulation and implementation.Personal values are at the core of people's personality. T hardcover
1971réf. 31561New York: The School of Visual Arts 1971. Strong fold-lines but otherwise a remarkably well-preserved copy; near fine. Lithographic poster 23 x 17 inches promoting two series of fundraising events for the School of Visual Arts Feb. - May 1971 / Oct. 1971 - May 1972 with thirteen evenings headlined by an impressive list of post-War American artists: Carl Andre Larry Bell Michael Heizer Donald Judd Alan Kaprow Joseph Kosuth Sol Lewitt Roy Lichtenstein Bruce Nauman Claes Oldenburg Robert Rauschenberg Richard Serra and Andy Warhol. Co-organized by Dayton’s Gallery 12. Proceeds from these events were earmarked for SVA scholarships for “Black Puerto Rican & American Indian students.” New York: The School of Visual Arts unknown
