56,672 results
1921ref. 2130Paris, Éditions de la Galerie Simon, 1921. Un volume in-4 (326 x 230 mm) broché, couverture illustrée. Édition originale. 13 BOIS GRAVÉS ORIGINAUX PAR VLAMINCK : COUVERTURE, UN FRONTISPICE À PLEINE PAGE ET 10 GRANDS BOIS ENTOURANT LES POÈMES. Un grand bois illustre également le colophon. Tirage à 112 exemplaires : 10 Japon impérial + 100 sur Hollande van Gelder et 2 pour le dépôt légal. Chaque exemplaire est numéroté au composteur et signé par Vlaminck. Celui-ci 1 DES 10 SUR JAPON IMPÉRIAL signé à l'encre noire par Vlaminck. Note : les exemplaires sur Japon sont très légèrement plus grands que les Hollande. Photographies supplémentaires sur demande. More pictures on request.
1829ref. 1489Madrid: Imprenta de Don Miguel de Burgos 1829. First edition. Atlas imprint: A Paris: Imp. Lith. de Engelmann & Cie. Lithographes de la Chambre et du Cabinet du Roi 1829. 10 desultorily numbered but complete 11–118 p. Text volume: In publisher’s illustrated wrappers. Atlas: In publisher’s printed wrappers. Lithographed throughout. Text volume: Pastedowns discolored also a few quires. Browning to some quires at print space. Cover artistically restored. In fine condition. Atlas: Wrappers stained. A brown stain to lower left corner of the front cover it affects the first leaves. Pastedowns discolored. Occasional brown spots throughout. Browning to some leaves at the rear. Artistically restored overall in very good condition. First edition. Atlas imprint: A Paris: Imp. Lith. de Engelmann & Cie. Lithographes de la Chambre et du Cabinet du Roi 1829. 10 desultorily numbered but complete 11–118 p. Text volume: In publisher’s illustrated wrappers. Atlas: In publisher’s printed wrappers. Lithographed throughout. 4 I–XII I–IX 1 1–63 1 1–210 p. Extremely scarce documentation of the topographical survey and the design of the navigation on the entire length of the Tagus River. Both volumes in original wrappers. The Napoleonic Wars and the loss of the American colonies resulted in a political turmoil and economic disaster in Spain in the first half of the 19th century. A shift in the economics and the modernization of the country seemed to be the path to overcome the crisis. Among many signs of progress an attempt was to make the Tagus River Rio Tajo the longest river in the Iberian Peninsula navigable by steamships on its entire length from Aranjuez to Lisbon to facilitate the transport of people and goods thus strengthen the country’s internal market. The plan was designed by Francisco Javier de Cabanes 1781–1834 a multitalented Spanish military historian in cooperation with an engineer Agustín Marco-Artu. Although the plan has never been realized the present work shows Cabanes' profound and systematic preparations. The text volume contains a prologue and detailed indexes and the sixty-three pages of the report on the project “Memoria relativa á la navegacion del Rio Tajo” which is divided into twelve sections and the conclusion exposing the advantages and the obstacles of the plan and the possibilities of its realization. This part is followed by the appendix the most extensive part of the book with extraordinary value. It contains a collection of 177 documents related to the plans and survey of the navigability of Tagus from the earliest attempt by Juan Bautista Giovanni Battista Antonelli in 1581–1582 through Luis Carduchi’s and Carlos Simón Pontero’s surveys in 1641 and 1755 to Cabanes’ own survey executed by Agustín Marco-Artu in 1828. The maps of 1641 1755 and the 1828 surveys with short explanations are included in the lithographed atlas. Both volumes are preserved in their original wrappers which is remarkably rare and particularly significant especially in the case of the atlas as the Paris imprint of Engelmann is only indicated on its cover. In many collections the two volumes are bound together thus this information became lost and the lithographed maps are attributed to Miguel de Burgos in Madrid the printer of the text volume. The text tome is bound into blue paper the panels are framed with an ornamental double-rule. The front is illustrated with a steamer the rear panel with naval equipment as an allusion to its content. Ref.: Palau 38563. Bibl.: López Gómez A.: La navegación por el Tajo. El reconocimiento de Carduchi en 1641 y otros proyectos. Madrid: Real Academia de la Historia 1998. pp. 151–152.; Pastrana L.: El proyecto del Brigadier Francisco de Cabanes para navegar el Río Tajo mediante embarcaciones a vapor 1828. Iberoamérica Social: revista-red de estudios sociales IX pp. 178–194. . Imprenta de Don Miguel de Burgos unknown
ref. 3114P., IMPRIMERIE ROYALE, 1843-1847, 7 VOLUMES GRAND IN 4 reliés en PLEIN CHAGRIN BLEU MARINE, dos ornés de caissons dorés, filets dorés sur les plats, frises dorées à l'intérieur des plats, armes impériales dorées sur les plats, toutes tranches dorées (reliures de l'époque), (quelques rousseurs), T.1 : (3), XVpp., 420pp., T.2 : (2), XVIpp., 440pp., T.3 : (4), XIXpp., 381pp., T.4 : (2), XXXIXpp., 552pp., 1 PLANCHE DEPLIANTE, T.5 : (3), Vpp., 540pp., (1-errata), T.6 : (2), VIIpp., 479pp., T.7 : (3), CXCVpp., 691pp.
ref. 10080NORD-SUD. Collection suivie du n° 1 (mars 1917) au n° 14 (avril 1918). Ne manquent donc que les deux derniers numéros (n° 15 et 16) pour le complètement. Les 12 livraisons sont en très bon état. Le n° 13 est bien complet des deux planches hors texte de Georges Braque ; le n° 14 est bien complet des deux planches hors texte de Fernand Léger (ces deux numéros sont les seuls à proposer des illustrations). /// N.B. Le n° 3 est ici dans sa variante optimale, comprenant bien le texte de Pierre Reverdy, " Sur le Cubisme ", suivi de de sa traduction en anglais par Léonce Alexandre-Rosenberg, " On Cubism " (quatre pages, numérotées I à IV, greffées au centre du fascicule). Le " reprint " de Jean-Michel Place reproduit bien ces quatre pages de traduction, manifestement ajoutées postérieurement, mais sans les annoncer au sommaire. Dans le cas de notre exemplaire, cette " augmentation " est mentionnée au sommaire figurant sur la couverture : les exemplaires " ordinaires " annoncent deux textes de Pierre Reverdy (" Matin " et " Une Nuit dans la plaine ") ; notre exemplaire " augmenté " annonce bien " Sur le Cubisme " en plus des deux autres textes. A noter : " Sur le Cubisme " avait déjà paru dans le n° 1 de NORD-SUD, mais sans la traduction de Léonce Rosenberg. /// Une telle collection est aujourd'hui très difficile à réunir.
1954ref. 21470Paris, Chez Grasset, 1954 ; in-quarto tellière broché, chemise-étui moderne ; 140 pp., [2]ff., couverture granitée jaune rempliée, imprimée en noir et chocolat ; page de titre imprimée en noir et vert printemps.
1610ref. 8BNE272U2AXDThe Hague 1610. Folio. Henricus Hondius Contemporary half calf brown sprinkled paper sides. An engraved print series with an architectural title-page with allegorical figures an elaborate architectural cartouche with 3 allegorical female figures a terrestrial globe 2 putti a shield bearing only 3 smaller blank shields a bulls head a winged head and garlands of fruit; an engraved print with three putti tumbling through the air with 2 banderoles each bearing a 4-line verse; a letterpress dedicatory verse with a band of arabesque typographic ornaments above and below; 41 engraved portraits 20 x 12 cm by Hendrik Hondius 9 Robert de Baudous 4 Simon Frisius 23 and Andries Stock 5; and an allegorical closing print a skeleton holding an hour glass and an arrow not in the copy on Google Books. The three plates outside the portraits are all by Hendrick Hondius. With an extra added portrait of Hendrick Hondius engraved by Fredericus Boultats after a drawing by Hondius himself 16.5 x 11 cm; mounted on a blank leaf. 44 engraved ll. plus 1 letterpress leaf. A selection of 41 portraits plus the engraved allegorical title-page and the two other prints from the first edition of Hendrick Hondius's series of portraits of artists from the Low Countries. The complete set which contained 70 portraits appeared in or soon after 1610 the portrait of Jacobus de Geyn is dated 1610. Johannes Janssonius in Amsterdam published a second edition in 1618 with the title Theatrum honoris in quo nostri apelles . imagines. The prints were also sold separately and have no fixed order so the number of portraits and the additional prints included varies from copy to copy. Although there was no fixed order the STCN calls for three parts.The portraits in the complete series fall into three categories: 22 copy Domenicus Lampsonius's series of portraits of artists working before ca. 1500; 26 portray artists active in the sixteenth century and 20 portray contemporary artists.The present selection contains after 1 the engraved title-page H 80 2 the plate with the three putti with banderols 23 x 15 cm; H 81 3 a leaf with the mounted extra added portrait of Hendrik Hondius by Fredericus Boultats after the drawing by Hondius himself with a biographical note in French below 4 the leaf with the dedicatory poem by Hendrick Hondius "Picturae amatoribus admiratoribusque" 41 portraits and the allegorical print 21.5 x 13.5 cm with in the foot margin the motto "Post Funera Vita" Life after death by Hondius H 115 suggesting that the deceased subjects will live on.The present selection appears to deliberately cover artists after ca. 1500 including only one of the portraits after Lampsonius Cornelis Engelbrechtsz by Hondius a borderline case chronologically. It includes 23 of the 26 16th-century artists and 17 of the 20 contemporary artists. It therefore gives a good overview of artists in the Low Countries from ca. 1500 to ca. 1610.In total there are 10 portraits by the famous engraver etcher and publisher Hendrick Hondius 1573-1650 23 by Simon Wynouts Frisius ca. 1580-1629 5 by the pupil of Jacques de Geyn II Andries Stock ca. 1580-1648 and 4 by Robert de Baudous ca. 1574-ca. 1660 although many of the portraits are however signed by Hondius.Some marginal stains the top corner of several leaves damaged and the spine and boards somewhat rubbed but still in good condition.l New Hollstein Hendrick Hondius 80-115 pp. 90-105; Hollstein VII Frisius p. 32; Von Szwykowski 1856 p. 1; Kramm III p. 718; Van Someren 1 211a; Burchard 15. ABE CAT Art History ART ARCHITECTURE & PHOTOGRAPHY DRAWINGS PRINTS & WATERCOLOURS Art & Art History Prints & Print Series hardcover
1788ref. 585455 vol. in-4 et un atlas in-folio, reliure de l'époque demi-basane marron, Chez Lagrange, Libraire [ puis : ] Chez Maradan, 1788-1793, Tome I : 2 ff., xxxij-773 pp. et 1 f. (errata) ; Tome II : 2 ff., 550 pp. et 1 f. ; Tome III : 2 ff., 491 pp. avec ; Tome IV : 2 ff., 722 pp. et 1 f. (errata) ; Tome V : 2 ff., 559 pp. ; VI (Atlas format en marges 30,8 x 23,8 cm) : 121 planches en 105 feuillets, ainsi décomposées : pour le tome I, 27 planches sur 29 (manquent les planches 1 et 3) dont carte dépliante de la Contrée qui s'étend le long de la Soka, carte dépliante des Landes situées entre le Volga et l'Oural et carte dépliante du Cours du Jaïk au-dessous de Gourief ; pour le tome II, 16 planches sur 17 (manque planche 1, la planche 3 est en double) dont carte dépliante minéralogique des Monts Ouralsks et carte dépliante de la Contrée qui s'étend le long de la Soka ; pour le tome III, 22 planches sur 22 dont carte dépliante des Monts Altaisk ; pour le tome IV, 35 planches (ou 36, selon la manière dont l'on peut compter, car présence des planches 8-9 et 9-10) dont carte dépliante d'une partie des gouvernements de Tobolsk et d'Irkoutsk ; pour le tome V, 21 planches sur 21 dont carte dépliante des Colonies allemandes sur le Volga dans le territoire de Saratof
ref. H580St. Petersburg Kaiserliche Academie der Wissenschaften 1773-1801. Band 1 in zweiter Auflage. Gr.-4to. XII 504 pp; VIII 744 pp; 760 pp 16 nn Bll Register und Druckfehlerberichtigungen. Halblederbände der Zeit mit Rückenvergoldung ein sehr breitrandiges Set in gutem Zustand. Peter Simon Pallas 1741-1811 war ein deutschsprachiger Naturforscher und Geograph. Er wurde 1767 zum ordentlichen Mitglied der Akademie der Wissenschaften in Sankt Petersburg ernannt und unternahm 1768–1774 und 1793/1794 gefördert durch die Zarin Katharina II. Expeditionen durch Sibirien und das südliche Russische Reich. Am 30. April 1767 wurde ihm die Vorbereitung und Leitung einer von fünf Akademie-Expeditionen anvertraut. Diese fand von 1768 bis 1774 statt und führte ihn vom mittleren Ural über Westsibirien zur kaspischen Senke. Weitere Teilnehmer waren Iwan Bykow Nikita Petrowitsch Rytschkow Nikita Petrowitsch Sokolow sowie Johann Peter Falck und Johann Gottlieb Georgi. Zarin Katharina II. erhoffte sich eine Verbesserung des Ansehens Russlands daher wurden die Reiseberichte schon während der Expedition vorbereitet. Die 1. Auflage erschien als Reise durch verschiedene Provinzen des russischen Reiches 1771 mit einem Umfang von 2000 Seiten. Durch die rasche Verbreitung wurden mehrere Auflagen und Nachdrucke angefertigt sie fanden vor allem Verbreitung außerhalb Russlands. Pallas wurde so schlagartig in der wissenschaftlichen Welt und in den Herrscherhäusern berühmt. Danach stand die Auswertung der Expeditionsdaten und Sammlungen im Mittelpunkt seiner Arbeit. Dies brachte eine Fülle von Veröffentlichungen hervor. Wikipedia. unknown
ref. 13592Paris, Gauthier-Villars, 1864-1884. 20 tomes in-4 reliés en 17 volumes, 39 planches dépliantes hors-texte (certaines en couleurs), quelques figures dans le texte, reliure de l'époque demi-basane, dos ornés (dos frottés, manques à quelques coiffes, rousseurs). Exemplaire du mathématicien Victor Puiseux (1820-1883), un des membres du comité de rédaction de la revue (notes de relieur).
1608ref. I48A877X5NJXFrankfurt am Main 1608. 4to. Wolfgang Richter for the widow of Levinius Hulsius 20th-century grey-brown half calf mottled-paper sides. With a woodcut fortification plan on the title-page and about 30 woodcut illustrations in the text mostly fortification plans and details a woodcut headpiece woodcut decorated gothic initials 3 series and typographic acorns. Lacking the 2 plates and 3 smaller slips with 7 additional woodcut illustrations. 8 132 pp. First German edition of the first Dutch fortification manual with woodcut illustrations by Simon Stevin 1548-1620 which inaugurated a new era in the history of siege warfare. It professionalized military engineering introducing many original ideas and presenting them in lucid vernacular language. The present first German translation made his work accessible to an international audience for the first time though translations had already circulated in manuscript and was followed by a French translation in Stevin's collected mathematical works in 1634. In part through the influence of the present manual the German-language classics of fortification such as Adam Freitag's continued to develop the Dutch school of fortification.The 1594 first edition was illustrated by woodcuts on the integral leaves but for the present edition seven of the woodcut figures were instead printed separately and inserted as 2 folding plates and 3 smaller slips. These are lacking in the present copy though it includes all integral leaves with the complete text and the other 30 illustrations. Quires C E and O are somewhat browned. Otherwise in very good condition and with generous margins occasionally preserving part of a deckle at the foot and fore-edge. The modern binding is in good condition.l Jähns p. 839; Jordan 3600 7 copies; noting only 2 plates; Sloos 8010 noting only 2 plates; VD17 23:252455D 4 copies. MILITARY HISTORY Armory Military Science & Technology Fortification & Military Architecture Military History 17th Century unknown
2000ref. DBS-9780122268656Academic 2000. 1st. Hardcover. New. Academic hardcover
2000ref. DBS-9780122268656Academic 2000. 1st. Hardcover. New. Academic hardcover
1555ref. 74799Basel 1555. Folio. 1500-talls mykt helpergamentbind med nyere snorer i brunt skinn. 38 2 blanke 12 677 egentlig 577 2 blanke 1 2 blanke s. Med to treskårne illustrasjoner og tallrike detaljerte treskårne initialer. Io. Hervagium Latin. Klipp i tittelbladet. Notater i eldre hånd. Flere feilpagineringer men teksten er komplettt. Fuktskjolder på enkelte sider. Viktig bok om reiser til Amerika. SJEKK BRUNET OG SABIN. unknown
ref. 124313Second English edition. London John Stockdale 1812. 4to 292 x 230 mm. xxiii i 552 xxxii 525 pp. 52 aquatint and engraved plates of which 43 hand-coloured and 26 folding after G. Geissler. 3 engraved folding maps. Engraved vignettes in text mostly hand-coloured. Finely bound in contemporary half calf. Black morocco labels. Marbled edges. Occasional spotting and a few minor tears. . unknown
1851ref. 288814Munich: University of Munich 1851. unbound. very good. Exceedingly rare partly-printed document signed: 1 page folio Munich August 17 1851 an ornate Graduation Certificate for a student attending the University of Munich Polytechnic School signed 'Prof. Dr. Ohm' as the Royal Ministerial Commissioner for Examinations. Fine dark signature and in very good condition with some tiny tears along the right blank margin. Accompanied by a small black and white portrait of Ohm on a separate sheet. At the time he signed this certificate Ohm was also Extraordinary Professor of Physics at the University of Munich. German physicist and mathematician whose experiments using Alessandro Volta's new electrochemical cell led to his discovery of Ohm's Laws. University of Munich unknown
1851ref. 288814Munich: University of Munich 1851. unbound. very good. Exceedingly rare partly-printed document signed: 1 page folio Munich August 17 1851 an ornate Graduation Certificate for a student attending the University of Munich Polytechnic School signed 'Prof. Dr. Ohm' as the Royal Ministerial Commissioner for Examinations. Fine dark signature and in very good condition with some tiny tears along the right blank margin. Accompanied by a small black and white portrait of Ohm on a separate sheet. At the time he signed this certificate Ohm was also Extraordinary Professor of Physics at the University of Munich. German physicist and mathematician whose experiments using Alessandro Volta's new electrochemical cell led to his discovery of Ohm's Laws. University of Munich unknown books
1935ref. 901F38London: Wishart & Company 1935 . First edition. Cloth. Very Good Indeed/Good Only. 8.5" by 6". None. A signed presentation copy of this very scarce murder mystery by Oswell Blakeston and Roger Burford starring a moustachioed cat. A very scarce signed first edition first impression of this thrilling and unusual tale.The third of four mystery novels written under the name "Simon" the pseudonym of two writers working together Oswell Blakeston - a British writer and artist who also worked in the film industry - and Roger Burford an English poet novelist and screenwriter who also wrote crime fiction as Roger East.With the inscription 'To my friend John Gawsworth' to the title page.Inscribed by Blakeston to John Gawsworth a British writer poet and compiler of anthologies both of poetry and of short stories. Blakeston regularly contributed to Gawsworth's anthologies.In the original price unclipped dust wrapper.With faint but extensive former owner's pencil inscriptions to the front free endpaper and rear flyleaf.A delightfully thrilling and unusual work advertised by the publisher as about 'a cat 'wearing a moustache like an Italian ice-cream merchant's'. The blurb continues: 'When a wealthy lady holds a psychic seance in her country house and invites a police officer on leave-who arrives to find the house completely empty and later discovers her ladyship's manservant dead in a ditch-when the trail leads to a private asylum in charge of a doctor almost as peculiar as his patients and among the clues are a dwarf a clairvoyant a rose that turns into a cigarette'.A very scarce signed first edition. In the publisher's original cloth binding with price unclipped dust wrapper. Back strip a touch age toned otherwise externally excellent. Lower half of dust wrapper back strip lacking with small loss of paper to back strip head. Back strip and rear wrap lightly age toned. Front flyleaf tenderly held to head only. Tape repairs to dust wrapper reverse at folds either side of back strip and to front flyleaf fold. Faint but extensive former owner's pencil inscriptions to the front free endpaper and rear flyleaf. Internally firmly bound. Signed to title page. Pages clean and bright with only the odd spot. Very Good Indeed Wishart & Company hardcover
1758ref. 141839Paris: J. Barbou 1758. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. small 8vo. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. 1ff.-92 3 -263 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie & prouver que Guttemberg n'en est pas l'Inventeur. Two works bound in one. Very rare first edition Bigmore and Wyman p.228. Private bookplate of Jackson Burke on the verso of the front free endpaper. Contemporary boards with some rubbing to the spine and extremities corners a bit worn gilt on the spine is lightly flaking evidence of bookplate removal to front and rear pastedowns. Else a fine copy of this very scarce work. Two works bound together. Complete titles are: Dissertation sur l'origine et les progrès de l'art de graver en bois 1758 and De l'origine et des productions de l'imprimerie primitive en taille de bois 1759. Fournier 1712--1768 was born in Paris and trained as a wood engraver. He later turned to steel engraving. In the first essay Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. The second volume follows this up with further discussion of the origins of woodcut prints. Fournier wrongly disputes the dating of Mr. De Bure le Jeune concerning the Gutenberg Bible but he is the first with the help of an observation by Gerard Meerman to note the progressive increase in the number of lines per page in the early stages of Bible production. J. Barbou unknown
1758ref. 141839Paris: J. Barbou 1758. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. small 8vo. full brown leather border stamped in blind on the front and rear boards gilt ornaments on spine title in second compartment five raised bands all edges stained red marbled endsheets. 1ff.-92 3 -263 pages. Pour éclaircir quelques traits de l"histoire de l'Imprimerie & prouver que Guttemberg n'en est pas l'Inventeur. Two works bound in one. Very rare first edition Bigmore and Wyman p.228. Private bookplate of Jackson Burke on the verso of the front free endpaper. Contemporary boards with some rubbing to the spine and extremities corners a bit worn gilt on the spine is lightly flaking evidence of bookplate removal to front and rear pastedowns. Else a fine copy of this very scarce work. Two works bound together. Complete titles are: Dissertation sur l'origine et les progrès de l'art de graver en bois 1758 and De l'origine et des productions de l'imprimerie primitive en taille de bois 1759. Fournier 1712--1768 was born in Paris and trained as a wood engraver. He later turned to steel engraving. In the first essay Fournier sets out to prove that Gutenberg was not the inventor of the printing press by examining the history of printing. He believes that the technology Gutenberg made popular existed long before the German printer's work. The second volume follows this up with further discussion of the origins of woodcut prints. Fournier wrongly disputes the dating of Mr. De Bure le Jeune concerning the Gutenberg Bible but he is the first with the help of an observation by Gerard Meerman to note the progressive increase in the number of lines per page in the early stages of Bible production. J. Barbou unknown books
ref. 118017Université Impériale de Moscou 1777 . 4 parts in 2 volumes 8vo with continuous pagination. 863 pages. Full calf ornate spine bands period binding. Russian edition of the "Tartar Tales" by French playwright storyteller and jurist Thomas-Simon Gueulette 1683-1766. This collection of tales set in Tartary the first tale begins in Astrakhan at the mouth of the Volga was reprinted until the end of the 18th century and translated into several languages. Its publication was part of the Orientalist wave that followed the French publication of "Les Contes des Mille-et-Une Nuits" in 1704. The success of the latter immediately gave rise to pastiches and imitations of which the present work is one of the most successful. A fine copy bound in contemporary style. unknown
1800ref. 374674Np 1800. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. Old folds torn at bottom blank margin without loss of text. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. "Sir You are hereby directed to mortgage to A. K. Maisahale or such person as he may appoint as much of my land as may secure a debt for the sum of 693£ due from me to Joseph Tidball & also as much more as may secure the sum of 399 & 2c due by me to Carswiule & Jackson & for so doing this shall be your warrant." Scarce autograph by the noted frontiersman soldier and scout noted for his exploits in Kentucky Ohio and western Virginia during the Revolution and the Northwest Indian War. unknown
1800ref. 374674Np 1800. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. Old folds torn at bottom blank margin without loss of text. 1p. On laid paper. Countersigned by William Couch. Docketed on verso. "Sir You are hereby directed to mortgage to A. K. Maisahale or such person as he may appoint as much of my land as may secure a debt for the sum of 693£ due from me to Joseph Tidball & also as much more as may secure the sum of 399 & 2c due by me to Carswiule & Jackson & for so doing this shall be your warrant." Scarce autograph by the noted frontiersman soldier and scout noted for his exploits in Kentucky Ohio and western Virginia during the Revolution and the Northwest Indian War. unknown books
1923ref. 3860London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. First edition. Hardcover. Very Good . London and Cambridge: Curwen Press and Cambridge University Press 1923-1930. A complete run of arguably the greatest English typographical and fine press journal all deluxe edition copies Vols 1-4 on Batchelor Kelmscott handmade paper 5-7 on deluxe paper. The paper in these editions is wonderful all volumes here completely free of foxing. Volumes 1-4 were edited by Oliver Simon volumes 5-7 by Stanley Morison. This is an uncomplicated set lacking only the dust jackets for volumes 5-7. All bindings VG or better throughout see photos. Volume 7 spine a touch faded as always. Vol 1-4 TEG. Deckled paper edges of all 7 volumes in very nice condition. No bumps or splits to any volumes no gutter splits inside or out. All bindings tight Volume 1 just a touch more wear. Contents of all volumes completely and uniformly fine no tears no spotting no folds no bookplates. All extras and inserts present including the signed works by Eric Gill and David Jones. The combination of scholarship and skill on display in these volumes is second to none. As a set this is one of the great fine press achievements of the twentieth century. Rare as a complete deluxe set. Curwen Press and Cambridge University Press hardcover
ref. 16532P., Editions de Minuit, 1960, in-8, br., 314 p., n.c. Edition originale. 1/87 ex. num. sur pur fil (seul tirage en grand papier), celui-ci enrichi d’un envoi a.s. à la date de publication. A l’état de neuf et non coupé.
1998ref. mon0000087784Cambridge University Press 7/13/1998 12:00:01 A. hardcover. Good. 1.0000 in x 10.2500 in x 7.2500 in. Hardback. No dust jacket. Cover edges and corners in good shape. Spine is tight. Pages are clean no markings notes or stains. Ships from Friends bookstore to benefit Beaverton Oregon library. Cambridge University Press hardcover